Saturday, October 5, 2024
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Ratings: “Twin Peaks” Bounces Back with One Resolved Plot and Death of a Beloved Character, “Game of Thrones” Conquers

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Somehow, don’t ask me how, “Twin Peaks” came back into the top 150 on Sunday night. They had more viewers than in any other week so far– 329,000 people tuned in. The show finished 104th for the night.

Since there are no advance previews, no one could have known that one — one– plot from 25 years ago was finally resolved: Norma (Peggy Lipton) and Big Ed (Everett McGill) finally got together. Ed’s wife Norma just walked up to him out of the blue and said she was setting him free to be with Norma. This had nothing to do with anything from this Showtime season. But older fans were rewarded for a quarter century of patience.

The other big news was that the Log Lady passed away. Actress Catherine Coulson filmed all her scenes at once in 2015 when she was dying of cancer. They were all phone calls with Deputy Hawk. In their last exchange she told him she was dying and said Goodbye. It was quite poignant and very moving. Her log, she said, was turning gold.

The rest of Episode 15 was the usual mishmash of who knows what. Dougie (that Kyle MacLachlan’s other Agent Cooper stuck in a suburban purgatory) electrocuted  himself by putting a fork in a wall outlet. We’ll see what happens next. Is he dead? We should be so lucky.  The other Cooper, who used to be menacing, is now kind of Cooper like. Sherilyn Fenn’s Audrey is locked in some kind of dream or coma with a weird little man. But she was revealed as evil Richard’s mother.

“Game of Thrones” — amazing, dragon dies, is re-born, the White Walkers did a number on Jon Snow and gang. The result was 10.2 million viewers. Jon’s sisters are fighting. That doesn’t seem like a good idea. This Sunday is the last episode for a long time. I don’t know how they do these war and battle sequences. They’re just outstanding. Kudos to the dragons.

George Clooney and Wife Amal Donate $1 Million to Help Combat Hate Groups

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All that tequila money is going to a good cause. This morning George and Amal Clooney announced a $1 million donation to the Southern Poverty Law Center to combat hate groups. The Clooneys recently made about $250 million from the sale of George and partner Rande Gerber’s tequila company. They formed the George and Amal Clooney Foundation for Social Justice.

In a statement George said: “Amal and I wanted to add our voice (and financial assistance) to the ongoing fight for equality. There are no two sides to bigotry and hate.”

“Like George and Amal Clooney, we were shocked by the size, ugliness, and ferocity of the white supremacist gathering in Charlottesville,” said SPLC President Richard Cohen. “It was a reflection of just how much Trump’s incendiary campaign and presidency has energized the radical right. We are deeply grateful to the Clooney Foundation for standing with us at this critical moment in our country’s fight against hate.”

Clooney has also been passionate about trying to help the people of Sudan. With late producer Jerry Weintraub and pals Don Cheadle and Matt Damon he also started the Not On My Watch Foundation. I’ve written before about how Clooney and friends have invested in satellites that monitor violence and human rights violations in Sudan.

The announcement this morning comes at a perfect juxtaposition to reports about Treasury Secretary Steven Mnuchin and his horrid wife Louise Linton. The latter is cited everywhere today for berating a writer to her Instagram page about the Mnuchins’ lavish lifestyle and sense of entitlement.

Broadway: “Chocolate Factory” Starts to Melt, “Doll’s House,” “1984” Bleeding Money

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No Tonys, no box office. That was the story for “Groundhog Day,” “Bandstand,” and “The Great Comet,” which are all saying goodbye shortly. But at least they had some nominations. “Charlie and the Chocolate Factory” was almost completely ignored on Tony night. For a while, it sold tickets based on the name– the movies, the books, etc.

But last Charlie’s chocolate started to melt. The golden tickets were not selling. For the first time since its second week of previews, “Charlie” fell below $1 million– precipitously– to $880,000. There was a $134K drop from the prior week.

Directed by Jack O’Brien with new Marc Shaiman songs/ Charlie was completely overhauled from the 2013 West End version directed by Sam Mendes. No one liked that version either.

Meanwhile. Scott Rudin’s two not-“Dolly” shows are bleeding, as Donald Trump might say, from all over. “A Doll’s House, Pt. 2” sank by 18.2% from last week, down $41,500  to $192K. That must be some empty house over there since their total sales could be over $700K.

And “1984”– why in god’s name is it still playing? Down 8.2% from last week, doing 60% of capacity. The show was torture, for sure.

I keep hearing that 2017 Best Revival of a Play “Jitney” has the money and wants to return to Broadway after its limited run. They say there are no theaters. Well, clear this stuff out. Ruben Santiago Hudson’s production was A plus in entertainment and value. Come back soon!

100 Pieces of Art Remain Unsold for Leonardo DiCaprio Foundation Auction from July

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You do remember the highly touted $30 million raised in late July by the Leonardo DiCaprio Foundation? This was at Leo’s swanky celeb gala in St. Tropez where Lenny Kravitz performed with Madonna, and Sean Penn came to cheer them on.

Well, a month later there are more than 100 pieces of art unsold from the live auction that took place that night. An email just went out informing anyone who’s interested that they can still pick up an art bargain from the auction. Bids close in two days.

There’s no public transparency for DiCaprio’s foundation, so there’s no way of knowing how much they’ve made or given away. But more than 100 pieces still to be sold– that’s a lot, kids. And all those rich people who went to St. Tropez– no one wanted them. Yikes.

Bonnie Tyler’s “Total Eclipse of the Heart” Zooms to Number 1 on iTunes, Several Other “Sun” Hits Chart

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Bonnie Tyler’s “Total Eclipse of the Heart” has zoomed to number 1 on iTunes this afternoon. Tyler sang the song today live from a cruise while the Eclipse was going on in North America. There must be two versions, because “Total Eclipse” is also number 11.

Jim Steinman, author of the Meatloaf songs, wrote the hit. The record was released in 1983.

If you’re a big fan of the song, Barry Levinson’s gem of of a movie “Bandits” features the song in the plot.

Lesson: if you live long enough, everything comes back in style.

Also Eclipsing on the iTunes chart: The Beatles “Here Comes the Sun,’ CCR’s “Bad Moon Rising,” Manfred Mann’s Springsteen take on “Blinded by the Light,” Cat Stevens’ “Moonshadow,” Bill Withers’ “Ain’t No Sunshine,” Soundgarden’s “Black Hole Sun,” “Eclipse” by Pink Floyd, and of course, “Invisible Sun” by the Police.

 

Jerry Lewis Raised Billions for MDA Over 50 Years And They Treated Him Like Dirt as a Reward

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This morning as Jerry Lewis‘s death is catching up to the news there are many stories about his philanthropy and devotion to the Muscular Dystrophy Association. With his Labor Day telethons and “Jerry’s Kids” programs, Lewis spent 50 years raising billions for the organization. He put them on the map internationally.

And then in 2010 they kicked him to the curb. Jerry was ousted, unceremoniously. His history with the group was erased from their materials and website. The Labor Day telethon became a pre-taped two hour special. MDA receipts went into a severe decline. The group moved from Phoenix to Chicago to accommodate a new CEO. Volunteers around the country complained of closed chapters. People who’d devoted decades to Lewis and MDA said they were abandoned.

Lewis was devastated but never commented publicly on what happened. MDA, seeing the self destruction they’d caused, tried to smooth things over a couple of years later, but it was too late. The damage was done. Then they were usurped by the ALS Association, which had their summer of Ice Bucket Challenge. MDA suffered, which was sad only for the kids involved, but not for the executives who’d killed their golden goose.

According to its most recent filing form 990, MDA has seen “gifts, grants and membership fees” from the public drop by $36 million since 2011. Still, their CEO makes around $600,000 a year, and their salaries for execs exceeds $2 million a year. Last year, among their expenses: $3 million for printing. And that’s in the age of digital and online.

Yesterday it took MDA three hours from the time Lewis’s death was announced to sent out a Tweet of condolence. (First they re-tweeted Lewis’s successor host for those terrible specials, Tom Bergeron.) It took them that long to put something on their website, where for years Lewis has been persona non grata. Watch them do what they can to cash in on his legacy. It’s pathetic.

Whitney Houston Doc “Can I Be Me” Scratches Surface of Tragic Life I Knew Very Well

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I think I’ve put off watching Nick Broomfield’s Whitney Houston documentary “Can I Be Me” since it was first made available. Now it’s coming to Showtime, so I’ve given it a good hard look.

Broomfield is an excellent filmmaker but he was stymied here by Whitney’s estate (meaning the Houstons, especially sister in law Pat) and Arista Records. He had to go on the fringes to put together a story since all the primary people were told not to speak to him.

Still, even as “Can I Be Me” scratches the surface of Whitney’s tragic life, let’s give Broomfield credit: he got some unseen footage, he got Whitney’s personal assistant, Mary, who found her in the bathtub; and a few minor characters who knew Whitney later in life or on the road. He got one of her brothers to admit he’d been doing drugs since he was 10. The inference is that the brothers got her into drugs, and led Bobby Brown into them. I do think that’s right.

“Can I Be Me” tries hard to get to the bottom of Whitney’s relationship with Robyn Crawford. But Crawford wasn’t talking, so Broomfield is left to ask a Greek chorus of outsiders to figure it out. That relationship is like mercury, however. No one can get a hold of it. Was Whitney gay? Bi? Does it matter? I’d say we still have no answers.

I met Whitney when she was pretty new to her career, and I knew her til the end. I wrote the first real cover story of her for a mainstream magazine in 1989. I met Robyn in her basketball shorts. I was very friendly with Whitney’s family members. I knew her when her other sister-in-law, Donna, was running Nippy Inc. I knew her… let’s just say a long time ago.  I was in the Beverly Hilton when they called the ambulances and police.

I have a deep fondness for Whitney, I always did. When things started to go bad, and I had to write about it, it broke my heart. Broomfield’s movie is light on detail and motivation. I have my own ideas of who and what brought her down. (Those details are for another time.) Certainly by the time Whitney had her disasters with the Oscars and the Grammys in later years, and had odd appearances at Clive Davis’s Grammy dinners, everyone knew what was going on. It was very upsetting.

What’s missing from Broomfield’s film: the huge effort that went into saving Whitney’s life by Davis and others around her. There was a very good drug counselor (not in the movie) who almost did save her. There were a lot of forces around her that are not explored her, forces that added to the troubles.

Broomfield has to come up with a working theory, so he says Whitney was closer to her father, John Houston, than her mother, Cissy. I disagree. I knew them both (and still know Cissy, whom I respect). Cissy is the heart of that family. She and Whitney were bonded closely. Whitney told me in 1989 about her disappointments with her father– I will never forget that. And I really liked John Houston. But he hurt the family, and some of the wounds were ones Whitney always carried with her.

So, as for “Can I Be Me?”: it’s like a very good introduction. But it’s far from the real story of what happened to Whitney Houston. Far from it.

PS I took the picture that accompanies this article when Whitney performed, for the last time, at Clive’s 2009 pre-Grammy party. She put on a damn good show. Her voice was excellent. She pushed herself, but she pulled it off. It was a far cry from the year before, when she arrived stoned. But that February 2009 show was so good, it was hard to believe three years later to the day that she died. It’s still a shock.

EXCLUSIVE Jerry Lewis on Dean Martin: He was without question the least appreciated performer in show business

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FROM MARCH 2012:

 

Jerry Lewis turned 86 yesterday and got quite a nice birthday party from the Friars Club. Richard Belzer interviewed him last night at the 92nd St. Y, Lewis did a lengthy and hilarious Q&A with the audience, and then Paul Shaffer played “Happy Birthday” to him on the piano with an audience singalong. Veteran comic and actor Jerry Stiller came and sat third row center and even asked a question: “Did you and Dean rehearse your act?”– and he seriously wanted an answer. Jerry joked a lot of his answers, and got lots of applause  from an audience that included Robert Klein, David Steinberg, and writer-actor Robert Smigel (“Triumph the Comic Insult Dog”). The audience was full of showbiz people including producer Bonnie Timmerman, Rita Cosby, and director-producer Antonio Campos.

Lewis was brilliant, revelatory, and emotional–especially with a former MDA kid, now adult, who lives with Cerebral Palsy. When one audience member asked about Jerry getting fired from the MDA telethon, the comic was philosophical. (I’ll have more on that on Monday.) On the subject of former partner Dean Martin, Lewis said: “Dean Martin was without question the least appreciated performer in show business…For ten years my partner read reviews where his name wasn’t mentioned. And he dealt with it with such dignity and class…I called him Paul, his real name…I said, we have a magical combination. He said, I’m ok, Jerry. He was a great gentle man about it.”

PS Belzer put together a stunning film of birthday greeting clips from everyone connected to “Law and Order” as well as Steve Martin, Robin Williams, Billy Crystal and Joe Piscopo, who was in the audience and also does a very cool Lewis imitation.

My 2015 Interview with Jerry Lewis “Colbert is Dull, He Should Work at Tiffany” and “I Listen to Dean all the Time”

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from October 2015:

 

Jerry Lewis, Legend with a capital L, was interviewed for one hour by Oscar winning director Martin Scorsese at the wonderful Museum of the Moving Image in Queens. You know that Lewis starred in Scorsese’s “King of Comedy” in 1982, a modern classic. In the audience last night: Steve Buscemi, Emmy winning star of Scorsese’s HBO hit series “Boardwalk Empire.”

Scorsese and Lewis had a great discussion about film, and Lewis as a trailblazer director. I will post highlights a little later.

After the the one hour talk, I was backstage with Scorsese and Lewis, who will turn 90 in March 2016. Jerry is sharper than a tack, hilariously funny, and dead serious when he comes to filmmaking. We covered a lot of subjects in a short time, but two things stuck out.

One: does he listen to Dean Martin’s music at all? Does he have a favorite song? Martin and Lewis were one of the most famous comedy teams in history until they broke up in 1956. They didn’t speak for years but finally made up in 1989, a few years before Martin’s death in 1995.

Jerry jumped right in at the question: “All the time. Oh yeah.” A favorite song? “All of it. I hear it all. I have it on two Bose units in my home, in my car, in my office.” Does it make him feel good? “Yes, but it’s a tough feeling because I wish he was here.” I tell him what a fan of I was of Dean Martin. Jerry was emphatic: “You should be. Everyone was a fan of my partner’s.”

The other burning question for tonight: will he ever release “The Day the Clown Cried”? The answer, emphatically, is NO. “Why should I?” he asked rhetorically. The unreleased film is about a clown who is put to death by the Nazis with Jewish children.

“It’s bad work. The director did bad work,” Lewis said. meaning Lewis himself. When I told him that someone tried to release clips from it last year, he scoffed. “It’s never coming out,” he said. End of story. “I have the last 400 feet [of film] in a vault.”

He did tell me that he subbed for Johnny Carson for six weeks as host of the Tonight show back in 1962. “Johnny was out, getting a sex change,” Jerry said.

Part two

More from my hilarious interview with Jerry Lewis last week at the Museum of the Moving Image. Jerry had been interviewed earlier by his “The King of Comedy” director and old friend Martin Scorsese. Remember Jerry played Jerry Langford, a Johnny Carson-like talk show host in “The King of Comedy” who is kidnapped by Robert DeNiro and Sandra Bernhard.

Lewis, by the way, regularly guest hosted for Carson back in the day. He told me once did a six week stint for Johnny. When was that, I wondered?

“When Johnny went to have a sex change,” Lewis snapped back with glee. He is 89 and faster than you or I will ever be. Listening to him with Scorsese reminded me of the last time I saw Milton Berle perform– at Denise Rich’s famous original Angel Ball at the Sheraton circa 1999-2000. Berle was over 90, I think. I don’t know if anyone recorded it, but his 15 minutes at the podium were historic.

Lewis’s talk with Scorsese– which I hope will be available soon– was both insightful about filmmaking and wildly funny.

Backstage last week at MMI, I asked Jerry if he ever watches the new crop of late night talk show hosts.

Do you watch Jimmy Fallon?
He’s going to be very very strong.
Kimmel?
I don’t watch Kimmel.
Letterman?
Letterman, I watched as much as I could
Do you miss Letterman?
No. No. [But] I liked him.
Colbert?
He should work at Tiffany’s.
Why, Jerry?
Because he’s dull.
Really? You don’t think Colbert is funny at all?
I think he’s very good. He’s very good. But you can’t take someone and place them in a spot that was excellence. He’s got a tough row to hoe, boy.
Is it fun being 90?
When I get there I’ll tell you.
When do you turn 90?
In March
Is it fun being 89?
Yeah! Everyday some thing new is broke!

Jerry Lewis is Dead at 91: Comic and Film Genius, Idolized by Martin Scorsese, Had a Wild and Crazy Life

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Jerry Lewis is gone but will never be forgotten. He made sure of that by having many lives, all successful. The comic genius, great indie filmmaker was also a tremendous philanthropist. He was never easy but he lived his life honestly. He said what was on his mind always. And never failed to amuse. He had his foes but his fans and friends idolized him — like Martin Scorsese and Richard Belzer. Jerry was a great interview, too. He was always more than generous to me, and our encounters were memorable. Despite their famous falling out, Jerry loved and miss his old partner Dean Martin. Keep refreshing because I’m going to add the interview we did a couple of years ago. This is a big big loss.