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“Bohemian Rhapsody” Sends 13 Queen Singles and 4 Albums Onto the iTunes Top 100

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The Queen-Freddie Mercury movie is such a hit it’s sent 13 of the group’s singles and 4 of its albums onto the iTunes charts. All of them are hits from the 70s and 80s. But the movie is booming with $50 million on its opening weekend, and people want the music. In heaven, Freddie is smiling. Down here, Brian May, Roger Taylor, and John Deacon, not to mention Freddie’s heir, Mary, will rake it in.

Tonight, the song “Bohemian Rhapsody” is number 13. “We Will Rock You” is 18. They are followed by:

23 – “Somebody to Love”

26 – “We Are the Champions”

28 – “Another One Bites the Dust”

40 – “Under Pressure” with David Bowie

41- “Radio Gaga”

58 – “Fat Bottomed Girls”

59 – “Killer Queen”

70 – “Don’t Stop Me Now”

75 – “Crazy Little Thing Called Love”

84- “Love of My Life”

86 – “You’re My Best Friend”

Hollywood Film Awards Wrap Up: Awkwafina Makes it a Bubbly Night, Nicole Kidman Gracious as Ever

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The Hollywood Film Awards, with Carlos de Abreau at the helm once again drew in an mega A list buzzy crowd for its 22nd year. Awkwafina hosted and she was terrific, clever, snappy and really funny. “It’s amazing, I’ve always wanted to host these awards since I found out about them two weeks ago.”

There were poignant moments: ‘Black Panther’ director Ryan Coogler recounted how he was recently at Target right before Halloween on a rare date night with his wife and “I saw this Hispanic family in the costume section. A young boy about 8 years old reached up and snatched T’Challa’s costume. That was so rewarding that the kid felt powerful dressing like an African superhero.” Dan Reynolds beautifully sang his ‘Skipping Stones’ from the documentary ‘Believer,’ with composer Hans Zimmer playing as well. Damien Chazelle told of his admiration for the astronauts and said that, “In this climate, their story gives me a certain amount of hope, because it reminds me that all of us ordinary, flawed, fallible human beings, when pushed, can be capable of anything and everything.” Anne Hathaway gave her ‘Les Miz’ co-star Hugh Jackman the Hollywood Actor Award and affectionately mocked his nice guy image. Chalamet, accepting the Hollywood Supporting Actor Award, got the giggles after he thanked on of the film’s producers Brad Pitt (who by then had left). Amanda Stenberg, who received the Hollywood Breakout Performance Actress Award,’ for her work in ’The Hate You Give,’ encouraged the crowd, “to stand up and be heard.” Glenn Close, accepting her trophy for The Hollywood Actress Award, thanked her British co-star Jonathan Pryce and noted that, “ there was no American actor who wanted to be in a movie called ‘The Wife,’ we had to go over the Pond.

Nicole Kidman was the epitome of grace saying, “I’m in the position of being able to, right now, give voice to complicated women and have them be seen, have them be heard, have them be understood. I’m also in the position of supporting female directors and crews. I’m incredibly grateful for the career that I’ve been given by you, the Hollywood community, by this industry. You’ve allowed me to take risks and to fall down. You’ve picked me back up again. You’ve given me a second, third and fourth chance. I will always continue to give back to this community and give back to this industry and give back to my craft.”

Holiday Movie Reshuffle: “If Beale Street Could Talk” Moves to December 14th as Film Company Struggles to Survive

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EXCLUSIVE: Annapurna Pictures has moved “If Beale Street Could Talk” from November 30th to December 14th. I reported this last night exclusively on Twitter, but you know what the vultures are like these days.

Anyway, Barry Jenkins’s follow up to “Moonlight”  comes from a movie company that’s struggling to get its footing after a very difficult year. They’ve got to release “Destroyer” with Nicole Kidman and “Vice” with Christian Bale also in December. Right now those two are scheduled for Christmas Day. We’ve seen “Destroyer” and it’s excellent– Kidman is a lock for an Oscar nod. Almost no one’s seen “Vice.”

Now Annapurna– backed, yes, by billionaires, but unsteady on its own–has to deliver three high profile movies in a period of two weeks. And well before December 14th, all three of those movies have to be screened for awards consideration. That costs a bundle, not only moving casts around, but just in general logistics. That’s a tall order for a company that’s underfunded and short staffed.

When Megan Ellison started Annapurna, it was a great idea. She chose terrific movies, and distributed them through capable partners. But since she took distribution on herself, the project has been impaired. Everyone hopes this can be fixed.

Of the three coming films, “Beale Street” is the most problematic. It’s slow and quiet and has no stars except for Regina King and Brian Tyree Henry (one of the breakout stars of the year on stage and film). Unlike “Moonlight,” there’s no hook- no gay theme, or the unusual three parts. It would be better off on HBO, Netflix, or Amazon, someplace where it could be protected from financial pressures.

“Destroyer,” on the other hand, is a cop procedural with a broad stroke. Kidman gives an amazing performance as a dirty detective who’s drunk or fighting it, always messed up, and in a lot of trouble. It’s Kidman’s “Klute,” and needs a lot of marketing attention. I just hope Annapurna has enough resources to release it properly, as well as “Vice.”

Disney Can’t Crack this Nut: $130 Mil “Nutcracker and the Four Realms” Bombs with (Maybe) $20 Mil Weekend

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Disney still can’t crack that nut.

“Nutcracker and the Four Realms,” they say, made $20 million over the weekend. It cost $130 million to make.

The $20 mil number is questionable. It means that the movie that made $5.6 million on Friday must have made twice that on Saturday, then levels off again today. Really? Ok.

This was a long predicted disaster, so no surprise. Maybe the fifth Realm will do the trick. The good news is Disney is reporting $38 million from foreign countries where people are easily entertained. Other planets haven’t reported in yet.

 

Queen for A Weekend: “Bohemian Rhapsody” Scores a Whopping $50 Million Despite Critics’ Bashing

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They said it couldn’t be done.

Many critics wrote bitter reviews for a movie that didn’t meet their expectations. Or they were angry at the director for his personal infractions.

But the public didn’t care. And Galileo! Galileo! They came in droves. “Bohemian Rhapsody” made a whopping $50 million (at least by estimates, see tomorrow for real numbers). Again, that hard $50 seems like it might be a little bit of guess, and over-estimate.

Rami Malek deserves an Oscar nomination for playing Freddie Mercury. There should be nominations for set, costumes, and make up as well.

Amazon Studios had a shaky weekend, meanwhile. “Suspira” met with mixed results, as did “Beautiful Boy.” The latter should have some awards action, so that might help in the long run.

(listen) Ariana Grande Drops New Song Tonight Called “Thank You Next” for Ex-Fiance Pete Davidson

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Ariana Grande is just a little upset over her broken engagement to “SNL” star  Pete Davidson.

Tonight she’s dropping a new single called “Thank You Next” to upset Pete a half hour before “SNL” airs.

Here’s the link: https://itunes.apple.com/us/album/thank-u-next-single/1441178207

Are they in high school? Well, almost. Apparently she’s angry that he keeps making jokes about their break up. He made one in this week’s promo with Jonah Hill. So she’s retaliating in song.

Anyway, it’s coming at 11pm and I’ll post it right here. Come on kids, you knew you’d never get married. Just move on. You are kids. Ariana shouldn’t waste her voice on this. Although, I did just read on the interweb that Ariana’s brother is dating a gay couple.

We are far away from the world of Meryl Streep, Viola Davis, and Tom Hanks here, friends. Far away.

Sign of the Times? Tim Allen’s “Last Man Standing” Lost 255K Viewers in Post World Series Return

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It’s not just “Roseanne 2.0” that’s suffering in the ratings of conservative turnaround.

Tim Allen’s “Last Man Standing,” transplanted from ABC to Fox, was down 255,000 viewers in its post World Series return.

On Friday, the comedy scored 6,026,000 viewers. Two weeks ago, it was up to 6,281,000.

“Last Man Standing” was also beaten in total viewers at 8pm by “McGyver” on CBS. Later in the evening, at 10pm, another conservative in a better show, Tom Selleck in “Blue Bloods,” scored over 8 million and was the top rated show for the night.

“Last Man” is now going to be watched closely to see if it is already fading a la “The Conners” on ABC.

Box Office: Disney Disaster for “Nutcracker and The Four Realms” Eyeing $14 Mil Weekend

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Disney suffered one of its rare setbacks this weekend with “Nutcracker and the Four Realms.”

Last night’s take was just $5.6 million for a possible $14 million weekend. The movie cost about ten times that amount.

Credited directors Lasse Hallstrom and Joe Johnston cut the final version to 99 minutes so no adult would pass out while letting their very small (babies) children endure the color and lights.

Meantime, Tyler Perry also took it on the chin with one of his worst openings ever. “Nobody’s Fool” made 4.8 mil for an $11 million weekend. Something went wrong here. Paramount is not Perry’s usual studio– that’s Lions Gate– and maybe they didn’t get it.

 

Scaramouche! Scaramouche! “Bohemian Rhapsody” Scores Huge Opening, Heads for Triumphant $46 Mil Weekend

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Scaramouche, scaramouche!

Queen biopic “Bohemian Rhapsody” did the fandango last night (and in Thursday previews) at the box office. The Movie That Has No Director But a Great Lead Performance takes number 1 this morning with a huge opening of $18.4 million.

Tomorrow’s headline will be They Are the Champions: a $46 million weekend is possible. And this despite the New York Times’s A.O. Scott sounding actually bitter in his takedown review (off the wall–wow). Nevertheless, “BR” has maintained a 60 on Rotten Tomatoes, so it’s in the win column.

What’s not to like, audiences are saying? I agree. Rami Malek and the whole cast are so good, the rest of it doesn’t matter. We learn as much as we need to know about Freddie’s birth in Zanzibar. No one needs an origins story about Farrokh Bulsara. The reason the movie is a hit is that it’s got the Music, the Performances, the Outrageousness.

My only quibble: no “Under Pressure” with David Bowie. The backstory is that before Queen, Freddie sold Bowie shoes in Kensington Market. Then a few years later, they teamed up for “Under Pressure.” Producer Dennis O’Sullivan told me it was in the original script, but it didn’t fit in the movie. There’s just a hint of the fingersnaps.

BTW the lip synching is excellent. But Rami does sing in the movie, and he plays the piano. So for the naysayers, zip it. I really feel that the bitterness has a lot to do with Bryan Singer and his associated scandals. Get over it.

“Bohemian Rhapsody” is a hit.

 

keep refreshing…

Exclusive: Hearst Considering Closing Seventeen Magazine as the Company Loses One More Publication to Digital Revolution

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The word is that Seventeen magazine may be closing, as early as this month. Calls to Hearst Publications and emails have gone unanswered. Sources tell me that it’s pretty likely Seventeen will be 86’d before the end of the year if not sooner.

Seventeen has been in trouble for a while. Last year it went from monthly to just six issues a year. The famed magazine is aimed at 13 to 19 year olds. Sylvia Plath once wrote for it.

Recently Hearst has been in an uproar, installing their digital chief Troy Young as head of all the magazines. Since then, heads have rolled on the print side as Young, with no magazine history, pulls apart what’s left of the company. He recently ousted Joanna Coles, editorial director and former editor in chief of Cosmopolitan. Redbook magazine will become digital-only in 2019.

Dozens more experienced editors have left. I’m told subscribers will be offered Women’s Health, Woman’s Day, Oprah, Good Housekeeping, Cosmopolitan, or Marie Claire.

Seventeen launched in 1944 with Triangle Publications, the same company that also published TV Guide. Hearst bought Seventeen in 2003 from K-III Publications, which bought it from News Corp, who had bought it from Triangle.

If Seventeen is done, Cosmopolitan may be next. The few remaining titles– Esquire, Good Housekeeping, Marie Claire, Harpers Bazaar, Oprah– may be all that’s left of Hearst soon. Even though William Randolph Hearst made his fortune as a publisher, Hearst as we know it may turn into a very different company. They recently bought Fitch, a financial ratings agency. I guess that way Fitch can’t give Hearst a bad rating!

Things are no better at Hearst’s past rival, Conde Nast. Vanity Fair has cut back on the number of issues per year, many magazines are gone or are for sale as the company tries to get more into digital and video projects itself. The Conde Nast empire is long gone. Time Life doesn’t exist, as the magazines have been sold off piecemeal to people who didn’t want them. Time Magazine is now owned by a wealthy couple.