Friday, September 6, 2024
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Letters Show Harvey Weinstein Accuser Lied About Signing NDA Without Legal Advice, Plus Actress Lea Seydoux Changes Story

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What seemed like a lot of legal slam dunks against movie mogul Harvey Weinstein are falling apart in every direction. Weinstein’s many accusers (80? 90?) who are not even involved in the current criminal case must be wondering what the heck is going on. Just how many surprises exist down the road?

On Friday, NYPD SVU chief Michael Osgood was replaced after working on Weinstein’s cases from the start. The NYPD has basically been in chaos since the Weinstein revelations began a year ago. This follows Detective Nicholas DiGaudio’s revelation that he advised a witness to erase emails from her phone, which was going to be used as evidence in Count Six against Weinstein. Now that count as been dismissed.

Now it seems also French actress Lea Seydoux changed her story about her encounter with Weinstein to Marie Claire magazine in the French edition.

In the Guardian, in October 2017, Seydoux claimed Weinstein tried, aggressively, to attack her– twice, that she had to push him away.

In Marie Claire, Seydoux says now:

I found myself in a situation where If he wanted to rape me, he could have done, but he didn’t. I did not want a physical fight, I didn’t want to struggle. Given his weight, he could have pressed me against a wall, forced me, he did not do it.

It never came to blows and I didn’t have to defend myself or resist. Given his weight, he would have been able to pin me against a wall and force me to do something, but he didn’t.’

QUESTION: What was your relationship to him?

I knew him quite well, I felt tenderness towards him. But he scared me. When I saw him, I had cold sweats, I said to myself, ‘Well, I’ll have to be kind to him, and at the same time push him away, very gently.’ It was balancing act.

Then there’s the case of Ambra Battilana, Weinstein’s Italian accuser from 2015 whose story had made the front page of the Post and NY Daily News. When Battilana made her accusations against Weinstein in 2015, Cy Vance declined to prosecute the movie producer. When the whole Weinstein scandal broke a year ago, Battilana was interviewed by Ronan Farrow for The New Yorker in a story called “Harvey Weinstein’s Secret Settlements.” Battilana told Farrow in his New Yorker story that she signed a non disclosure agreement with Weinstein but didn’t understand it and didn’t know what she was signing.

Farrow, however, omitted something important. Battilana had a lawyer in New York advising her at the signing. She also had a French lawyer on the phone translating for her. Battilana knew exactly what she was she signing.

She told Farrow: “I didn’t even understand almost what I was doing with all those papers…I was really disoriented. My English was very bad. All of the words in that agreement were super difficult to understand. I guess even now I can’t really comprehend everything.”

Battilana, however, had a battalion of legal help. According to Weinstein’s motion to dismiss she had two lawyers, one of whom was Italian and translated for her. I wondered about this. Who was advising Battilana and why was that left out of the stories? It turns there were two lawyers– one here in New York named David Godowsky, who actually advertises his representation of Battilana on his website. Battilana had another attorney in Italy, Patrizia Bugnano, who worked for days translating the agreement with her. Another Italian lawyer, Filomena Cusano, representing Weinstein, vouched for having contact with Bugnano. I contacted Bugnano by email who would only say:

“I am not involved in meeto
movement
and since three years I don’ t
hear more Ambra
I am sorry”
But here are the letters they signed in 2015:

So discrepancies abound in the Weinstein case, with questions about how much The New Yorker left out of their original stories. This doesn’t do much to bolster the confidence of Weinstein’s accusers, who counted on the police and the State’s Attorney’s office to defend them in a competent way.

End of an Era: White House Correspondents’ Dinner Won’t Have a Comedian Host Anymore

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It’s the end of an era.

The White Correspondents’ Dinner will no longer feature a comedian.

Instead the dry food at the Washington Hilton will be matched with the dry wit of non fiction author Ron Chernow, whose biography of Alexander Hamilton was the basis for the Broadway hit.

Chernow, a fine biographer, will discuss the paneling in the Hilton ballroom.

The White House Correspondents Association has essentially been dealt a death blow by humorless president Donald Trump. Insulted years ago at the WHCA dinner by Seth Meyers. Trump has refused to attend the dinner while calling the press “the enemy of the people.”

Last year, people– I don’t know who– complained about comedian Michelle Wolf going after Trump in absentia.

Since Trump moved into the White House, the WHCA dinner has collapsed. In prior years, during Bush 2 and Obama, celebrities from Hollywood and all over clamored for tickets to the event. But now no one goes, most of the parties have been cancelled. The Glory Years of the WHCD are over.

IN addition to Chernow, correspondents will be entertained with a sandpaper competition and a man who builds the US Capitol out from margarine.

Taylor Swift, Free at Last, Leaves Big Machine Records for Universal Music Group in Blockbuster Deal

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The days of Taylor Swift at Big Machine Records are over. The international pop star has signed a mega deal with Universal Music Group and Republic Records. Republic now has both Swift and Ariana Grande. That’s a checkmate.

Swift spent a decade with Scott Borchetta’s Big Machine, which used UMG for distribution. Borchetta made her a star. But Big Machine couldn’t afford to keep Swift, who among other things wanted all her master recordings back if she stayed. That demand couldn’t be met if Big Machine was to retain any value in a sale.

So UMG — which also boasts Lady Gaga and is the number 1 record label– has really cornered the market on contemporary female singers. (They also have Katy Perry on Capitol.)

Republic’s next move with Taylor Swift will be to find her a way back to her huge “1989” success. Her most recent album, “Reputation,” was less of a hit and showed that Swift needs new challenges. She also chose to appear on the American Music awards last month, which probably lessened her chances for Grammy Awards for “Reputation.”

Broadway: “Moulin Rouge,” Based on the Baz Luhrmann Movie, Is Coming Next Summer

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It was inevitable. “Moulin Rouge” is on its way.

The hit production from Boston, directed by Alex Timbers, will arrive next July at the Al Hirschfeld Theater.

Leading the cast are Aaron Tviet, Karen Olivo, and Danny Burstein. The latter will just be coming off a run in “My Fair Lady.”

“Moulin Rouge” is based on Baz Luhrmann’s movie starring Nicole Kidman and Ewan McGregor. It’s kind of a jukebox musical, with lots and lots of existing pop music but no new score. Derek McLane is doing the sets. Catherine Zuber is on costumes.

The show comes to us from Australian company Global Creatures, producers of the current “King Kong” extravaganza.

First 24 Hours: Mumford & Sons Outsells Mariah Carey 7 to 1 As “Caution” Gets Muted Response

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Are there really only 20,000 people annoying me on Twitter? Because that’s the number of fans who bought Mariah Carey’s “Caution” album in its first 48 hours of release, from Friday midnight through Sunday 12 am.

“Caution” hit number 4 upon release on iTunes. But the total sales numbers come from Buzz Angle Pro.

Meantime, Mumford and Sons’ new album, “Delta,” came out of the gate at top speed. They sold 145,000 copies in the same period, better than 7 times as many as “Caution.” Hitsdailydouble.com predicts a total for the week of 40K for Mariah and over 200K for Mumford.

So where are all these Mariah fans, the ones who allegedly sent “Glitter” to number 1 last week? Will there be #justiceforCaution?

Prudence Farrow on the Beatles’ “Dear Prudence” from the White Album: “I wished with all my heart John Lennon had never written the song”

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The Beatles’ 50th anniversary edition of “The White Album” has reinvigorated the song “Dear Prudence.” Never a single, “Dear Prudence” nonetheless became incredibly popular over the years. Not many people realized John Lennon wrote it on the Beatles’ famed trip to India in 1968. Mia Farrow and her sister, Prudence, joined them. Prudence wound up spending all her time with the Maharishi and was considered anti-social by the Beatles. Just as they were leaving India, Ringo told Prudence John had written a song about her. Prudence forgot all about it until—. This anecdote comes from her memoir, available for free Kindle download on amazon.

Prudence:
“I first heard about the song “Dear Prudence” from a friend who heard it on the radio in August 1968. I had forgotten entirely about George saying they had written the song. I had anxiety about how they might have portrayed me. One by one, I listened as each of the other singles from India, recorded on a self-titled album, came out. Many were very unflattering, such as “The Continuing Story of Bungalow Bill” and “Sexy Sadie.” I remembered John’s ability to peg people and dreaded what he might say about me. I wished with all my heart he had never written the song.

“My mother bought what became widely known as “The White Album” as soon as it was released in the fall of 1968. She introduced it to me in a most odd way. During a family gathering at her apartment, we were playing Killer, a whodunit game. The “killer” kills by winking at you, then you wait fifteen seconds before announcing you have been killed. My mother went around the room, showing the album while playing it on the record player. I listened to “Dear Prudence” with great apprehension. As each line finished, I wiped my brow with relief. As the song ended, I felt immense gratitude that it was not as I had feared. Just then, my mother came over to me, and leaning in, she gently said, “Isn’t it beautiful?” I looked up at her, and she winked.

“I never saw the Beatles again, but Mia kept in touch with them over the years. The Dakota, the New York City co-op John’s family still lives in, is right next to what was my mother’s apartment building. In the early ’80s, just after John was shot, his son Sean came to my daughter’s eighth birthday party. A mutual friend had invited him. A driver dropped off him and his governess. I never met his mother Yoko Ono.

“Sometimes people ask why I never attempted to stay in touch with the Beatles. Having witnessed fame firsthand, I knew the lives of stars could be hectic and unpredictable. They had so many fans and friends vying for their company that I didn’t want to impose on them, so I stayed away. For years I had mixed feelings about listening to the song. There were many rumors and misunderstandings about why they wrote it, and I wanted to keep drama at a distance.

“In October 2001, I watched a television special that aired on TNT and WB, a tribute to John Lennon titled Come Together: A Night for John Lennon’s Words and Music. “Dear Prudence” was one of the songs highlighted. As I listened, it occurred to me that of all their music, “Dear Prudence” embodies the spirit of India and, in particular, the 1968 course in Rishikesh. I felt honored and privileged. George was right when he said a consciousness revolution was taking place, and it was beginning with the ’60s generation. The Beatles, their music, and “Dear Prudence” embrace this spirit. It’s the spirit of a generation of people who could no longer seek outside themselves, for they knew the answers are found only within.”

Unacceptable: Donald Trump Demeans US Congressman Adam Schiff in Tweet, Calls Him “Little Adam Schitt”

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Even if you’re a Republican or someone on the far right who doesn’t care for Democrats, what Donald Trump has done now is totally unacceptable. I can’t believe any American believes it’s right to demean a US Senator in this way. Trump refers to California Congressman Adam Schiff as “Little Adam Schitt” in a new Tweet. If you’re a Christian, is this the way you want the President of the United States to refer to anyone? Of any party?

Of course, Trump is infamous for making up belittling nicknames for people he fears, the way a schoolyard bully might at 10 years old. “Little Marco,” and so on.

Schiff has served as a Congressman from California since 2001. He has an exemplary record. As with many things Trump, this is completely unacceptable. The GOP should be apologizing, as well as the White House. Trump has driven the national conversation into the ground. He respects nothing and no one. We saw that with the way he treated John McCain. This is more of the same.

Box Office: “Harry Potter” Film “Fantastic Beasts” Comes in Low, So Does “Girl in Spider’s Web,” “Widows”

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The box office is not humming with good news.

“Fantastic Beasts: Crimes of Grindelwald” had an opening weekend of $62 million, down $13 million from its first episode, “Fantastic Beasts and Where to Find Them.” Not as many people looked for them this time around.

Sony has a big write off in “The Girl in the Spider’s Web,” a continuation from their “Girl with the Dragon Tattoo.” So far the sequel has made $13.3 million in two weeks which means it’s dead. Sony counterbalanced with “Venom,” their Spider Man movie without Spider Man, which is up to $210 million.

Fox’s “Widows” from Oscar winner Steve McQueen had a struggling opening weekend with just over $12 million.

Now everyone is watching “Green Book,” in very limited release. This movie should be a break out hit when it goes wide. I do think it needs more promotion, a fuller explanation of the Green Book in the press, and Universal needs to get Kris Bowers or someone out on TV to play Don Shirley’s music. Also, “Green Book” is better described a kind of “Bucket List” movie rather than “Driving Miss Daisy.”

Any good news? “Bohemian Rhapsody” is up to $126 million. What’s motivating audiences? A crazy little thing called love.

 

Alec Baldwin Misses Third Week in a Row Playing Donald Trump on “SNL” Thanks to Arrest for Alleged Punching Incident

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Tonight’s tremendously unfunny “Saturday Night Live” is over. And Alec Baldwin has missed his third week in a row playing Donald Trump.

It’s November ‘sweeps’ when advertisers measure ratings for pricing. Baldwin has missed the entire sweeps period thanks to his untimely arrest on November 2nd.

It’s not as though Baldwin, a guest on the show, is on every week. But he’s been on pretty consistently since Donald Trump ran for president, and he’s won some awards for the role, too.

But since the arrest for allegedly punching a man over a parking space in front of his apartment house, Baldwin has been MIA.

His talk show on ABC, which was sinking in the ratings anyway, has also been pulled from Sunday night and may re-surface in December on Saturdays.

No Baldwin as Trump is a kick in the gut for “SNL.” He’s the linchpin of the “SNL” political sketches, almost always in the cold open. With Trump committing any number of embarrassing gaffes every week in real life, Baldwin’s rendition of him is good for a sure fire, trenchant laugh.

But it’s obvious NBC has removed him from the show for the time being. And that has created a hole in “SNL” that’s getting bigger every week. Trump was absent from the Election sketches, already causing a problem.  Tonight’s show, light on politics, could have had Trump giving Jim Acosta his press pass back, or visiting the California wildfire and telling officials to rake the forest.

When will Alec’s visit to purgatory end? Soon, it’s hoped.

Broadway Opening of Hilarious Musical “The Prom” Started an Hour Late thanks to Weather– And it Was Worth It

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We were late for “The Prom.” Or rather, the sound mixer was on Thursday night for the opening of the hilarious new musical. Curtain was set for 6:30pm, everyone was in their seats at the Longacre Theater including Victor Garber and Kristen Chenoweth. But by 6:40 it was clear the show was not imminent.

Tony winning director and choreographer Casey Nicholaw appeared on stage. “Our sound mixer cannot get in to the city from New Jersey because of the storm,” he said. “So please, talk among yourselves.”

That was an inauspicious start for a new musical no one knew anything about.

There was also quite a bit of noise behind the curtain while we waited for the sound mixer to make the treacherous trip through the Lincoln Tunnel. Was the cast trying to get out?

But by 7:30 there was good news, he arrived. And then there was more good news: “The Prom” is hysterically funny, with a real sense of joy, Nicholaw-directed dances, and all the stuff that has made shows like “Aladdin,” “Spamalot,” and even “Mean Girls” so winning.

The plot is what they call zany: a group of self-obsessed Broadway stars, celebrities at least in their own minds, are told people don’t like them because they’re…who they are. So this gang of misfits, the Scooby Doo crowd armed with Tony Awards, must pick a cause they can rally around. This turns out to be the story of a 17 year old lesbian in Indiana whose high school will not let her bring a same sex date. Off to Indiana our team goes, as they say, whether the Indianans like it or not.

“The Prom” comes from Bob Martin, who gave us the incredibly sublime “Drowsy Chaperone.” He and his cohorts have wrapped a story of acceptance in a small town inside a send up, a spoof of celebrity and self-awareness that is trenchant and urbane. The Broadway folks include Beth Leavel and Brooks Ashmanskas of “The Drowsy Chaperone,” Christopher Sieber, Angie Schworer, and Josh Lamon. They are all terrific, although Leavel– who won a Tony for Chaperone– had better repeat that success next spring. She is gold.So too are Michael Potts as the understanding high school principal, and Courtenay Collins, as the clueless mother of one of the two lesbians. (They’re very good, too–Caitlin Kinnunen and Isabelle McCalla).

Producer Jack Viertel came up with the concept and handed it over to Martin, Chad Beguelin, and Matthew Sklar. Now they could have a movie easily, and a TV series spun off from this idea. The Broadway gang are fish out of water in rural Indiana, and the Indiana people– if we had more time– could be like the folks from “Northern Exposure.” The show is such a frenzy, for example, that we never get to see the home lives of the two girls at the center of the scandal.

But that may be just as well. “The Prom” really works as a send up of show business, just like “Something Rotten.” The gay themes are there for spice, not to make a point. And still the point is made. It’s all about acceptance. And we accept “The Prom” for what it is– very, very funny.