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SAG Awards Topped All Cable Shows on Sunday with 2.6 Mil Viewers Thanks to “Black Panther,” Rami Malek Surprise Wins

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Awards shows aren’t dead, after all. But it’s good news and bad news.

Sunday’s SAG Awards topped all cable shows that night. They pulled in about 2.7 million viewers divided between TBS and TNT, two channels most people think are the same. The amounts were evenly divided between channels.

The bad news is how far they’ve fallen since 2013 when the SAG Awards garnered 5.2 million fans. And 2.1 million of those were in the key demo. Six years, lots of erosion, many distractions.

The surprise wins for “Black Panther” and Rami Malek for Best Actor certainly helped. Plus the show had a breezy, economic feel to it. Megan Mullaly was a very good host.

What also helped this year was big box office movies like “A Star is Born” and “Bohemian Rhapsody” in the mix.

The Oscars should take note. Also, if you add in musical performances by Lady Gaga, Jennifer Hudson, etc. that can only boost the audience.

Exclusive: Media Rumor of the Week– Is Col Allan Returning to the New York Post as Editor in Chief? To Pump Up Trump? (Maybe)

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There’s not much left to gossip about in New York media circles these days. Mort Zuckerman is gone, the Daily News is barely in business. The Village Voice is gone. The New York Observer is just online and just The Observer.

Over at the New York Post, publisher Jesse Angelo was pushed out in the last ten days. Now there’s a new rumor: Rupert Murdoch is bringing back Col Allan as editor in chief. Or something.

Allan knew how to sell newspapers and how to get watercooler buzz going after taking over in 2001. But Allan also got in some hot water in 2013 after the Boston Marathon bombing. A Front page story identified two men as the bombers– and they weren’t. They sued, of course. The headline was “BAG MEN: Feds seek these two pictured at Boston Marathon.”

Allan left in 2016 after a long run, and returned to Australia. He had a wild ride at the Post, and was in a frequent state of celebration at Elaine’s until the restaurant closed following the famed proprietor’s death. Another of his hotspots, Langan’s, is also gone.

The spectre of his return was raised by Joe Pompeo in Vanityfair.com over a week ago. But in that time the buzz has grown louder.

Allan is a big time Trump supporter, and would carry out Rupert Murdoch’s wishes to support the failing president. Right now, the Post has gotten a bit wishy washy in its Trump support, openly criticizing him– and seeming very rational in doing so. An Allan return would move the ship to the right again. It would also be a jolt in what has become a sleepy media town. He’ll have to pop his corks now at Pain Quotidien, or Sephora.

Watch Lost Video Interview in Which Michael Jackson Accuser Wade Robson Reminisces About Happily Being Discovered by King of Pop

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 Here’s a “lost” video just posted on You Tube January 25th. It’s an Australian interview with Wade Robson, Michael Jackson’s accuser in “Leaving Neverland.” I don’t think this is in the new documentary. Wade happily recalls being discovered by Michael as a 5 year old, and how Jackson “sponsored” him and his family in their move to L.A. Around 2:10 Wade picks up the story. Thanks to Troy Krajancic from Auckland, New Zealand for finding the video. I guess it’s possible Wade was in total denial during the interview, or he deserves an Oscar. But he’s smiling and laughing as he reminisces, there’s no sign that he’s discussing his childhood abuser. It’s unclear when this was taped, but Wade is 36 now, he couldn’t have been less than 26 then.

 

 

Jeff Bezos Really Wants an Oscar Next Year: Amazon Studios Spends $27 Million on Two Sundance Films, Setting Records

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Jeff Bezos really really wants an Oscar next year.

At Sundance over the weekend, Amazon Studios spent a whopping $27 million on two new features.

The latest purchase, according to reports, is Scott Z. Burns’s “The Report,” starring Adam Driver. Annette Bening, Jon Hamm, Ted Levine, Maura Tierney and Michael C. Hall co-star. Bening plays California Senator Dianne Feinstein. The film tells the true story of Daniel Jones’ comprehensive six-year investigation into the CIA’s use of torture on detainees suspected of terrorist activities. It was met with standing ovations and lots of offers. But Amazon is going to pony up $14 million.

Driver is a good investment these days. An Oscar nominee for “Blackkklansman,” he’s also Kylo Ren in the next “Star Wars” movie, which should hit around the same time next December. The rest of that cast ain’t chopped liver, either.

Earlier, Amazon paid $13 million for the Mindy Kaling written and produced “Late Night” starring Emma Thompson as a talk show host who is forced to hire Mindy as a writer in a diversity bid. The much loved film comes with a new song written by 10 time Oscar nominee Diane Warren. (Singer to be determined.)

Amazon is swinging for the fences now after a lot of misfires with indie films made by auteurs like Todd Haines and Richard Linklater. This year they’ve had to depend on “Cold War” as a foreign film nominee.

Amazon TV, however, is booming with “Mrs. Maisel.”

 

Hey– it’s only Monday. Sundance still has several days to go.

Starbucks Owner Howard Schultz, Now Considering Presidential Run, Used to Play Cards in Brooklyn Mob Social Club

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Now that Starbucks owner Howard Schultz has declared his intentions to run for president, his past is about to come rolling out.

First up: journalist Tom Robbins tweeted out today that Schultz used to play cards with mobsters in Canarsie in the early 80s. The story was in Robbins’ and Jerry Capeci’s 2013 book, “Mob Boss.” Robbins says Schultz declined to answer questions about this episode. The Bruno Howard Schultz used to hang out with was Bruno Facciola, an Italian-American mobster in the Lucchese crime family from Bensonhurst, Brooklyn, who worked under Capo Paul Vario. He was the brother of Gambino crime family mob associate Louis Facciolo. He was a hit man, and I don’t mean in the record business. He was executed by a fellow mobster in 1990.

And so it begins. Will Schultz’s ego about running for president lead to lots of unfortunate revelations? What do you think?

Black Panther Wins SAG Ensemble Award, Hats off to Disney, Roma-Green Book-Star is Born All Cross Each Other Out

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Hats off to Disney PR. “Black Panther” won the SAG Best Ensemble Award and is headed to the Oscar voting as leader in Best Picture.

If it wins the Oscar, “Black Panther” will be a landmark. A comic book movie, all black cast, and a box office block buster!

Ironically, its director, Ryan Coogler, wasn’t nominated for Best Director. And none of its actors are nominated either.

So what happened?

Maybe the in fighting bad feelings about the other movies took a toll. “Green Book” and “Roma” weren’t even nominated for Best Ensemble, and they’re considered the main candidates for the Oscar. “A Star is Born” was also snubbed. And Rami Malek’s win for Best Actor in “Bohemian Rhapsody” was a surprise as Christian Bale was looking like he was going to take it.

Now the vote goes to the Academy. Anything can happen! Even if that’s all for “Black Panther,” it’s quite an achievement!

SAG Awards (Live Updates) Black Panther Best Picture! Glenn Close, Rami Malek, “Mrs. Maisel,” “This is Us,” Emily Blunt, Mahershala Ali, Patricia Arquette, Jason Bateman

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Black Panther wins Best Picture and becomes the new leader in the race for Oscar Best Picture. Amazing. Quite a feat and well done!

UPDATE Rami Malek wins Best Actor for playing Freddie Mercury in “Bohemian Rhapsody.” He’s suddenly leading the pack. He also won the Golden Globe. Will he win the Oscar?

Glenn Close wins. She’s getting that Oscar.

IN THE PAST, the SAG Awards were a pretty indicator of the Oscars. This was mostly because the actors in SAG would vote the same way twice. Best Ensemble pointed to Best Picture. But this year, SAG voters didn’t include “Green Book” or “If Beale Street Could Talk” in what is now called Outstanding Performance by a Cast. “The Favourite” is also missing. SAG chose very commercial films. Really, “Crazy Rich Asians” is fun but shouldn’t be here.

Maybe new SAG voters don’t understand what the category is. So the winner tonight is not necessarily the Oscar winner. But the actors are likely the Oscar finalists. That’s the way it went last year. But “3 Billboards” lost the Oscar to “The Shape of Water.” Two years ago, Denzel Washington won Best Actor for “Fences” and lost the Oscar to Casey Affleck in “Manchester by the Sea.” “Hidden Figures” won the cast award. “Moonlight” won the Oscar.

So far, Emily Blunt is a nice surprise as winner of Best Supporting Actress in “A Quiet Place.” Tough category. SAG didn’t even nominate Regina King, an odds an winner for the Oscar.

Alan Alda received the Lifetime Achievement Award.

Sandra Oh and Jason Bateman won Best Actress and Actor in a Drama.

Patricia Arquette won Best Actress in A Mini Series. Darren Criss won Best Actor in a Mini Series.

 

 

Nominees list. WINNERS IN BOLD FACE

FILM

Outstanding Performance by a Cast in a Motion Picture
“A Star Is Born”
“Black Panther”
“BlacKkKlansman”
“Bohemian Rhapsody”
“Crazy Rich Asians”

Outstanding Performance by a Male Actor in a Leading Role
Christian Bale, “Vice”
Bradley Cooper, “A Star Is Born”
Rami Malek, “Bohemian Rhapsody”
Viggo Mortensen, “Green Book”
John David Washington, “BlacKkKlansman”

Outstanding Performance by a Female Actor in a Leading Role
Emily Blunt, “Mary Poppins Returns”
Glenn Close, “The Wife”
Olivia Colman, “The Favourite”
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”

Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, “Green Book”

Timothee Chalamet, “Beautiful Boy”
Adam Driver, “BlacKkKlansman”
Sam Elliott, “A Star Is Born”
Richard E. Grant, “Can You Ever Forgive Me?”

Outstanding Performance by a Female Actor in a Supporting Role
Amy Adams, “Vice”
Emily Blunt, “A Quiet Place”
Margot Robbie, “Mary Queen of Scots”
Emma Stone, “The Favourite”
Rachel Weisz, “The Favourite”

Outstanding Performance by a Stunt Ensemble in a Motion Picture
“Ant-Man and the Wasp”
“Avengers: Infinity War”
“The Ballad of Buster Scruggs”
“Black Panther”
“Mission: Impossible – Fallout”

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series
“The Americans”
“Better Call Saul”
“The Handmaid’s Tale”
“Ozark”
“This Is Us”

Outstanding Performance by a Male Actor in a Drama Series
Jason Bateman, “Ozark”

Sterling K. Brown, “This Is Us”
Joseph Fiennes, “The Handmaid’s Tale”
John Krasinski, “Tom Clancy’s Jack Ryan”
Bob Odenkirk, “Better Call Saul”

Outstanding Performance by a Female Actor in a Drama Series
Julia Garner, “Ozark”
Laura Linney, “Ozark”
Elisabeth Moss, “The Handmaid’s Tale”
Sandra Oh, “Killing Eve”
Robin Wright, “House of Cards”

Outstanding Performance by an Ensemble in a Comedy Series
“Atlanta”
“Barry”
“GLOW”
“The Kominsky Method”
“The Marvelous Mrs. Maisel”

Outstanding Performance by a Male Actor in a Comedy Series
Alan Arkin, “The Kominsky Method”
Michael Douglas, “The Kominsky Method”
Bill Hader, “Barry”
Tony Shalhoub, “The Marvelous Mrs. Maisel”
Henry Winkler, “Barry”

Outstanding Performance by a Female Actor in a Comedy Series
Alex Borstein, “The Marvelous Mrs. Maisel”
Alison Brie, “GLOW”
Rachel Brosnahan, “The Marvelous Mrs. Maisel”
Jane Fonda, “Grace and Frankie”
Lily Tomlin, “Grace and Frankie”

Outstanding Performance by a Male Actor in a Miniseries or Television Movie
Antonio Banderas, “Genius: Picasso”
Darren Criss, “Assassination of Gianni Versace”
Hugh Grant, “A Very English Scandal”
Anthony Hopkins, “King Lear”
Bill Pullman, “The Sinner”

Outstanding Performance by a Female Actor in a Miniseries or Television Movie
Amy Adams, “Sharp Objects”
Patricia Arquette, “Escape at Dannemora”
Patricia Clarkson, “Sharp Objects”
Penelope Cruz, “Assassination of Gianni Versace”
Emma Stone, “Maniac”

Outstanding Performance by a Stunt Ensemble in a Television Series
“Daredevil”
“GLOW”
“Jack Ryan”
“The Walking Dead”
“Westworld”

Independent Spirit Awards Face Apathy as Nominated Films Had Total $20 Mil Box Office, Last Year’s Telecast Drew Only 95,000 People

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We’ve got the SAG Awards tonight, we’re in the home stretch of awards season for movies. All that’s left are the Directors Guild, the Writers Guild, and the Oscars.

Oh, and the Independent Spirit Awards.

Given the afternoon before the Academy Awards, the Spirit Awards in recent years turned into a mini-Oscars. Many of the nominees overlapped since a great number of quality movies came from the indie world.

But this year will be different. The nominees for the Spirit Awards are so twee and special, the total box office for the five titles in Best Picture was just about $20 million. Not only that, the Robert Altman Ensemble Award is going to a movie just about no one saw, the remake of “Suspiria” from Luca Guadagnino. Total US box office for that one: $2.5 million. How was it chosen, anyway? The Rotten Tomatoes score is 64%. “Suspiria” 2018 should not be getting an award.

Indeed, “If Beale Street Could Talk” should have gotten the Altman award. Well reviewed, with a terrific cast, Barry Jenkins‘ movie is exactly what Altman would have liked. The Indie Spirit people didn’t get this one at all.

Last year, the Spirit Awards managed to find only 95,000 people for the IFC Channel telecast. And that show was pretty star studded, with “Get Out”– an enormous box office hit– winning, “Lady Bird” in the mix, and people like Greta Gerwig, Frances McDormand, Timothee Chalamet, and Allison Janney — winners– on the show. Also, the hilarious Nick Kroll and John Mullaney hosted.

This year, the nominees– with the exception of Glenn Close— are fairly unknown. The host is Aubrey Plaza. (I already made a joke that Richard Johnson picked up– I thought Aubrey Plaza was a shopping center.) This could be the last time the Spirits are on TV. They should take a page from their cousin show, the Gotham Awards, held in New York in late November and not televised. That’s a great evening.

PS I don’t know who votes in this thing, but if you do, Josh Hamilton should get Best Supporting Actor for “Eighth Grade.” Just sayin’….

Brilliant Jimmy Breslin, Pete Hamill Doc on HBO Monday Night, “Deadline Artists” Throws Back to NYC Golden Days of Jackie O, Son of Sam, Scandals, Trials

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There aren’t any more Breslins or Hamills, exemplars of a masculine New York postwar street journalism. Now these superstars of newsroom culture star in a state of the art documentary, “Breslin and Hamill: Deadline Artists,” to air this week on HBO. At a star-studded premiere at the Time Warner Center with dinner at Porter House, they were celebrated in high style—Jimmy Breslin died in 2017, and a frail Pete Hamill could not attend– even as the world they brought to life feels like a near forgotten memory of a bygone era.

 

Beginning on the subway, with images of riders on their cellphones morphing back to riders in the mid-century reading their newspapers, large pages crowding air space, the film, a shared directorial effort of Jonathan Alter, John Block and Steve McCarthy, traces a city in flux. Says Hamill in voice over, You could smell the “salty perspiration” of working men returning from their labors. Because that’s what workingmen did. No one knew them better than Breslin and Hamill because that was their beat. As Breslin makes clear, There’s always something if you go into a poor neighborhood to chase a story. As reporters, they became big, but stayed on the side of the little guy.

 

They covered the salacious and the scandalous: Bernhard Goetz, a white subway rider who turned a gun on four black teens, “Son of Sam,” a serial killer of young women, the brutal rape of the Central Park jogger. Looking beyond the hate mongering of the likes of Donald Trump who asked for an immediate death sentence for five black teens who were picked up for the crime, inflaming race hatred in New York, these reporters sought truth beyond accepting quickie, convenient and clearly racist solutions. The Central Park teens served time and were later exonerated. The “subway vigilante” Goetz shot the teens in the back. Asks Breslin, how threatened could he have been?

 

Breslin championed Cibella Borges, a petite Latina rookie cop who was enticed to sit for some girlie pictures and was fired from the police work that she loved. He got her job back. Limning the big stories of that time—the JFK, RFK, MLK assassinations, 9/11– the film ennobles these newsmen, illuminating the poetry of their prose, as they lamented “the lost city of New York” (Hamill), and “Dies the victim; dies the city” (Breslin).

Hamill, it should be noted, went out with Jackie Kennedy and Shirley MacLaine, and so was himself fodder for the tabloids. In the ‘80’s I had the opportunity to ask him about dating these women. Being seen with Jackie, he said, was like going out with a fire engine. And Shirley, well, he hoped that she would not wake up one day and regret her new book, Out on a Limb, in which she embraced New Age spirituality. She did not, and went on to write a few more.

 

Munching on thick slabs of filet mignon and thicker chocolate cake was at least one contemporary of the subjects. the great Gay Talese, turning 87 on February 7th, dapper and with it, probably wondering when his documentary his coming ( he deserves one) as well as Phil Donahue (who doesn’t look much different than clips of his old show included in the film), Gail Collins, Richard Cohen, Katerina van den Heuvel, actor Bob Balaban and writer wife Lynn Balaban, musician David Amram, the aforementioned Borges, Ronnie Eldridge-– Mrs. Breslin– and many others joined the filmmakers, filling Porter House with the lively chatter of smart New Yorkers from a time when intelligence was a turn-on. Yes, thank heavens, for many it still is.

 

“The Mule” Becomes Clint Eastwood’s 6th Movie as Director to Cross $100 Million (15th When All Adjusted for Inflation)

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Clint Eastwood has a lot to crow about this morning.

As a director, he’s now made 6 films that crossed the $100 million mark. Today, “The Mule” is number 6. (I forgot “Sully,” as a reader pointed out.)

The others were “American Sniper,” “Gran Torino,” “Million Dollar Baby,” and “Unforgiven.” Two others– “Mystic River” and “Space Cowboys”– hit $90 million.

One other movie in which he starred but didn’t direct, “In the Line of Fire,” also passed $100 million.

“The Mule” has kicked its way to $100 million on its own. There’s been little press since Clint doesn’t give interviews very often. Why should he? He has a bunch of Oscars and other awards. He’s 88 years old. As one publicist said to me, “He has nothing to prove.”

Clint is the original indie filmmaker. He makes all his own movies with his company Malpaiso, then distributes them through Warner Bros. “In the Line of Fire” was the rare exception.

Adjusted for inflation, a total of 15 Eastwood directed movies have sailed past $100 million. One more hit $98 million.

As an actor, “The Mule” is his 25th movie to make more than $100 million. This is some accomplishment. That’s as an actor.

“The Mule” is projected to go to $120 million. It has no Oscar nominations. But it’s hoped that Clint can be persuaded to come to the Oscars this year. Who better to bestow Best Picture?