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“Song of Parkland” Tries to Find Some Harmony After Last Year’s Senseless Tragedy at Florida High School

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When we ran into Melody Herzfeld at the Tony Awards, she seemed stunned at the place history had taken her. This week at a special screening of “Song of Parkland,”  an HBO documentary directed by Amy Schatz, she had her Tony Award by her side, still stunned, and feeling guilty. She would have preferred a prize for merit, she said. Instead she was honored for her heroism in a tragedy, coolly ushering 65 students into a back storeroom closet for two hours as a gunman murdered 17 at the Marjory Stoneman Douglas High School in Parkland, Florida where she taught drama. At HBO, dozens of her former students attested to her epic qualities as a teacher. While she was not falsely modest, part of her charm is a self-effacing humor worthy of Joan Rivers. Then again, as she told us at the Tony’s, she was from these parts, from New Jersey.

 

While “Song of Parkland” does not shy away from the graphics—we do see iPhone footage of the massacre as well as students taken out of the building shielded by police, the purpose is not to dwell on the horror but rather to note the bravery of simply healing. As we know from the headlines in the aftermath, some students have taken the road of activism for sensible gun reform, advocating for background checks, and getting more young people to vote.  As student Alex Wind, said, “We’re trying to make activism cool again.”

 

This half hour film focuses on the continued work in theater, kids coming back to the show: students rehearse for a musical for children called “Yo, Vikings,” that has sustained them through song, community, and shared grief. In rehearsal, when they go slack, Herzfeld shouts, “Game of Thrones,” exhorting them to give greater voice. Song of Parkland asks, how does anyone survive such a dire moment? Featured are songs composed by Herzfeld’s students, seen as well put together, articulate high schoolers. As student Ashley Paseltiner reminded everyone, “We’re just teenagers.”

Willie Nelson Honored on Historic Night as Grammys Kick off 5 Day Celebration featuring Dave Matthews and Willie’s Sons

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Jeff Greenberg’s Village Studios was booming last night in West Los Angeles. Once a year Greenberg  cleans out all the furniture in the multi-level recording space so the Grammy Awards’ Producers and Engineers Wing can honor a Big Star. Last night it was vibrant 85 year old Willie Nelson, and this was maybe the best ever in a decade of celebrations.

Willie himself hit the stage for a few songs with his sons, Lukas and Micah (who are also Neil Young’s backing band, the Promise of the Real), and another superstar, Dave Matthews. Willie was introduced by NARAS chief Neil Portnow, as well as new star Kacey Musgraves (who was very funny and sweet), and P&E Wing head honcho Maureen Droney.

Meanwhile, the green room off the side of the stage filled up with the likes of songwriter Diane Warren, movie star Dennis Quaid, and musicians like Ziggy Marley and the great Peter Asher, with his rocker daughter Victoria, among others.

Everyone was focused on one thing, though– meeting Willie Nelson, who’s like the missing person from Mt. Rushmore. Portnow quoted Carlos Santana to the effect that if America had one voice, it would be Willie Nelson’s.

Willie finally got to meet Warren, who wrote a song he sang for last year’s “The Last Movie Star,” Burt Reynolds’s final movie, who came with writer and director Adam Rifkin. Our very own Leah Sydney, who was the instigator behind their collaboration, introduced the Warren and Rifkin to Nelson, who was thrilled. (You can stream this lovely movie now on all platforms.)

On stage, Willie was as alive as ever, singing “On the Road” again with his well-regarded musician kids. I talked to Lukas and Micah about their now legendary shows this past fall with Neil Young at the Capitol Theater in Port Chester, New York. People are still talking about them. Both boys, as it were, are steeped in their own projects too.

Justin Bieber’s Year of Celibacy Led to Quickie Marriage to Hailey Baldwin Following Abuse of Xanax and Much Promiscuity

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Rob  Haskell’s extraordinary Vogue interview with Justin Bieber and his newlywed Hailey Baldwin is quite the headline maker.

It turns out that Justin had year of celibacy after a period of abusing Xanax, much promiscuity, and depression. He admits to cancelling the last 14 dates on his most recent tour because he was lonely and depressed.

Even though he says he’s not “religious,” Bieber has spent a lot of time finding God and living with or depending on self-appointed pastors of huge pay as you go churches like Carl Lentz’s Hillsong and Churchome, Judah Smith’s Seattle-based ministry. Haskell’s story is of a kid who is a mess, basically. He was also suffering from anxiety attacks.

He tells Haskell: “I found myself doing things that I was so ashamed of, being super-promiscuous and stuff, and I think I used Xanax because I was so ashamed. My mom always said to treat women with respect. For me that was always in my head while I was doing it, so I could never enjoy it. Drugs put a screen between me and what I was doing. It got pretty dark. I think there were times when my security was coming in late at night to check my pulse and see if I was still breathing.”

Justin also got involved with another wacky, Scientology like group called The Hoffman Process, which is trying to spread its influence in Hollywood among more insecure, uneducated actors and singers. He was smart enough to reject it. “There were these séances,” he explains. “Or not really séances but these traditions. They light candles, and it kind of freaked me out. You sit on a mat, you put a pillow down, and you beat your past out of it. I beat the fact that my mom was depressed a lot of my life and my dad has anger issues. Stuff that they passed on that I’m kind of mad they gave me.”

Haskell’s story is not funny, it’s sad. It’s about a kid whose mother turned him over to celebrity after the father abandoned them. Bieber has no education, no foundation, is unsophisticated about the world, has a fortune, and no clear path forward.

But one funny thing, vis a vis Vogue, is his description about being so isolated that he’d taken to wearing sunglasses at night, and inside. Sound like someone we know? I wonder if Anna Wintour read that line, the one laugh out loud moment.

It’s a little unclear why Bieber (and presumably manager Scooter Braun) went for this Vogue cover now. Bieber hasn’t had an album in 4 years, there’s no sign of one on the horizon. He’s had scattered hit singles as a guest on other people’s records, but that’s it. For Haskell and Vogue, it’s a scoop interview, however. Congrats to them.

Grammys: Lady Gaga In, Ariana Grande Out, and It’s All Good

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Lady Gaga has chosen the Grammys over BAFTA. She’ll perform Shallow because she isn’t shallow.

Ariana Grande is shallow, however. She’s off the show because she wouldn’t compromise on her song choices. It’s Ken Ehrlich’s show. He’s the producer. So thank you, next.

The Grammy show is stuffed with stars of all genres. Alicia Keys is going to be a great host. The gun starts Sunday at 7:30pm on CBS.

A Star is Torn: Lady Gaga Must Choose Between the Grammys and BAFTA, Or Somehow Do Both

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It’s the toughest choice a superstar must make: which awards show to appear on. And on which continent.

So far the Grammys have been mum on Lady Gaga appearing or performing on this Sunday’s show. At the same time, there’s no word from BAFTA whether the Best Actress nominee for “A Star is Born” will be with them in London on Sunday night.

For Gaga, the Grammys are important because Oscar voting begins two days later. She’s a cinch to win Best Song for “Shallow,” but nothing is written in concrete.

The BAFTAs are also important for Gaga and “A Star is Born.” Even though the movie hasn’t won any awards yet. you never know what’s going to happen. Even though Gaga has tied with or lost to Glenn Close in most settings, Olivia Colman would be the BAFTA favorite for “The Favourite.”

Bradley Cooper is going to BAFTA. But what will Gaga do?

The simple solution would be a live performance via Satellite from London for Gaga at the Grammys. That would still be very effective and allow her to be in two places at once.

Of course, a live in person performance at the Grammys can’t be equaled. And Lady G. could be with Cooper in spirit, knowing she’s unlikely to win.

What a conundrum! Wouldn’t we all like to have these problems? So stay tuned. Whichever decision is made, we will all be the better for it!

 

NBC Decides Live Naked Hippie Musical “Hair” Isn’t for Them, No Longer Mentions JLo “Bye Bye Birdie,” Aiming for Family Fare Now

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NBC has cancelled its live musical, “Hair.” Apparently no one told them it was about hippies, and naked ones at that. It was supposed to air live on May 19th against “Game of Thrones,” which is “Hair” without music.

Whoops!

NBC’s last musical was “Jesus Christ Superstar,” from April 2018. Now they have nothing in the hopper. They were supposed to do “Bye Bye Birdie” with Jennifer Lopez until someone told them JLO doesn’t actually sing live. So they said it was postponed, and now they don’t talk about it anymore.

Part of the reason for killing “Hair” may be the low ratings and botched production on Fox of “Rent,” which modeled itself on “Hair” for a new generation.

Now NBC wants family fare. They can’t do Disney musicals, because they’re owned by ABC. They can’t do “Hello, Dolly!” unless they deliver gold bricks to producer Scott Rudin. They should do “Sweeney Todd” with Andy Lack in the title role, and Megyn Kelly as Mrs. Lovett.

AARP Names “Green Book” Best Movie, “Bohemian Rhapsody,” Best Ensemble, Spike Lee, Best Director, “Roma” Best Foreign Film, Viggo Mortensen, Glenn Close Best Actors, Richard E. Grant, Judi Dench, Best Supp Actors, Best Doc “Mister Rogers”

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The AARP Movies for Grown Up Awards are being handed out right in Hollywood.

It’s the 18th annual edition. I’d like to say AARP is for old people, but everyone is old now. Bruce Springsteen’s been on the cover of their magazine. These awards reflect general sentiment in Tinsel Town.

So far “Roma” has won Best Foreign Film. Richard E. Grant won Best Supporting Actor for “Can You Ever Forgive Me?”

Spike Lee was named Best Director for “Blackkklansman.”

My insiders say “Green Book” will win Best Picture. Its star, Viggo Mortensen should win Best Actor. Glenn Close is a lock for Best Actress. Let’s see if they’re right.

Keep refreshing.
BEST MOVIE, Green Book
BEST ACTRESS, Glenn Close
BEST ACTOR, Viggo Mortensen, Green Book
BEST DOCUMENTARY Won’t You Be My Neighbor?
BEST SUPPORTING ACTRESS Judi Dench, All is True
BEST TIME CAPSULE MOVIE If Beale Street Could Talk
BEST ENSEMBLE Bohemian Rhapsody
BEST SCREENPLAY Jeff Whitty, Nicole Holofcener, Can You Ever Forgive Me?
BEST INTERGENERATIONAL MOVIE, Mary Poppins Returns
BEST GROWN UP LOVE STORY, What They Had

Day O! The Life of Harry Belafonte Is Coming to Broadway, Role of a Lifetime for Whoever Gets to Play Him

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Day O!

The life of the legendary Harry Belafonte is coming to Broadway.

Ken Davenport, who produced “Once on this Island” and “Spring Awakening,” has secured the rights to Belanfonte’s extraordinary story. We can only imagine since this announcement the chaos in casting land. Every young actor who can sing and slink like Harry will be lining up for a chance to play Belafonte.

Ken Davenport said, “Harry Belafonte is one of the most influential and respected Americans of the past century. I’m excited to be working with Mr. Belafonte to bring his powerful life story, about a son of immigrants who made a profound impact on the lives of Americans and millions of people around the world, to the theatrical stage. An outspoken Civil Rights and political activist, Mr. Belafonte has been confidante and advisor to President John F. Kennedy, Eleanor Roosevelt and Dr. Martin Luther King, among many other leaders. To this day he remains a leading advocate for humanitarian causes. Harry Belafonte is also beloved for his unparalleled career as an acclaimed Academy Award, Grammy, Emmy and Tony Award-winning producer, actor and singer of many best-selling hit recordings including “The Banana Boat Song,” “Matilda” and “Jump in the Line.”

Harry Belafonte said, “The live theater opened up so many worlds for me as a young man. From the moment I saw professional actors on stage, I knew I could find a way forward in life as a performer and as an activist. Will humility, it brings me great joy that my story will now become a stage production that I hope will inspire audiences to follow their own dreams.”

Super Bowl Ratings for Patriots-Rams Averaged 80 Million Viewers, A Historic Low But Still, Really, a Lot of People

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The Super Bowl ratings are in. It’s good news and bad news.

The bad news is that the numbers are way down, historically low, and so sound the alarms.

The good news is that they started at 91 million, dropped to 83 million by the end of the game. This means 83 million people were doing the same thing at the same time. I mean, really, with cable, the Kapernick problem, Netflix, and so on, that number still sounds pretty good. That 8 times the number of people who usually watch CBS at that hour.

But the bad news is that around 150 million watched in 2018. Sixty million people had other things to do last night.

Following the Super Bowl, James Corden’s “The World’s Best” scored 26 million viewers. That’s also pretty impressive but most of those people may have just frozen in front of their TVs, driven into a coma, or just snoozed soundly.

Tragic: Young and the Restless Star Kristoff St. John Dead at 52, Two Time Emmy Award Winner Suffered from Depression, Took His Own Life

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This is really sad, heartbreaking news.

Kristoff St. John, a star of the Young and the Restless for 19 years, has been found dead at his home in Los Angeles. He was 51, suffered from depression, and apparently took his own life. TMZ reports possible alcohol poisoning.

St. John twice won the Daytime Emmy Award, was nominated 9 more times. He was also 10 time NAACP Award winner.

St. John temporarily left the show in 2017 after an earlier suicide attempt. He couldn’t get over the death of his son in 2014.

He came from a showbiz family. Kristoff’s father Christoper St. John is a veteran Hollywood actor who appeared in the original “Shaft.”

Kristoff and his wife Mia lost their son, Julian, to suicide in 2014 while he was in a mental health facility. The couple sued the hospital for negligence and the case was settled.

There will be no replacing St. John on the soap, but writing his character, Neil Winters, out permanently won’t be easy. He’s been central to the show for a long, long time. His character was a good guy, beloved by his fictional characters and no doubt by the soap’s ensemble.