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Madonna Wants to Spend $5 Mil on Billboard Music Awards Performance, but “Medellin” Has Only Earned $100K or Less So Far

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Madonna is burning through money on her new single, “Medellin.”

According to TMZ, she’s going to spend $5 million to recreate the video she made with Colombian singer Maluma at the Billboard Music Awards.

No one knows what the video itself cost, but it looks like it cost $5 million in extras, costumes, make up and so on.

So far “Medellin” has sold just 9,600 copies according to Buzz Angle Music, from downloads. Including streaming, the number rises to 28,400. These are not good numbers.

On YouTube, “Medellin” has been viewed 12,700,000. That sounds like a lot but it isn’t. According to Quora, You Tubers make between $2,000 and $5,000 per million views. For example, at the high end, Ariana Grande streamed “7 Rings” 13 million times last week and made $109,000.

So Madonna has not cleared $100,000 for “Medellin” on everything all together. Maybe she’s earned $75,000. She spends that much at lunch.

Madonna seems to be beating a dead horse with “Medellin.” The single is not in the iTunes top 100 and hasn’t registered on the Spotify US charts.

RIP Remembering Ranking Roger, Brilliant Singer of the English Beat, General Public, Buried Today in England at Age 56

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Ranking Roger, aka Roger Charlery, was one half of the brilliant groups the English Beat and General Public. He died on March 26, and was buried today in Birmingham, England at age 56. His partner was Dave Wakeling, whom I’ve seen more recently. I don’t know if I ever met Roger in person, but he gave the world so much pleasure with his songs. I’m sorry I didn’t say something sooner. Records by both groups are just glorious, and Roger’s contribution was indelible. His death sounds like it was pretty awful: two brain tumors, and lung cancer. A man who made such beautiful music doesn’t deserve that. But in heaven, he’s probably top of the pops. Thank you, Roger.

I could listen to these records all day:

Cannes 2019 Will Be Very Global and Minimally American as Announced Jury Includes Actress Elle Fanning and Director Kelly Reichardt

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The Cannes Film Festival this year is not tipped toward the U.S., that’s for sure.

They’ve just announced the jury, and only two Americans are on it: Elle Fanning and director Kelly Reichardt. They will join jury president Alejandro Gonzalez Iñárritu  and Yorgos Lanthimos, Paweł Pawlikowski, Maimouna N’Diaye, Alice Rohrwacher, Enki Bilal, and Robin Campillo.

There are few American selections, as well, or even British ones, with stars. Jim Jarmusch’s opening night film, “The Day of the Dead,” and Elton John’s biopic, “Rocketman,” are by far the biggest attractions publicity-wise. Most of the other selections are French, Chinese, or Ukrainian.

It’s all a matter of timing, i.e. what movies are ready, which cinema-related people are available to be jurors for two weeks. The movies that are foreign to US press, I’m sure, are wonderful. But Cannes is an expensive proposition, and so far the lure to make the journey is not as enticing as usual.

If Quentin Tarantino’s “Once Upon a Time…in Hollywood” makes it, expect there to be a 24 hour news window of excitement. It will certainly help the Festival in its second week. But Leonardo DiCaprio and Brad Pitt won’t be milling about at Cannes events. They’ll be holed up at the Hotel du Cap, and then out.

Meantime, amFAR still hasn’t released any information about their fundraising gala from 2018 at the du Cap’s Eden Roc. They’ve never said how much they made or lost, and that’s on purpose. Their upcoming 2019 gala will be just as mysterious. And with few celebs around, amFAR will have to import or hold them in town–also very expensive. I’m amazed anyone is giving them money with no transparency.

John Singleton Passes Away at Age 51, Trailblazer Was Youngest Director Nominated for the Oscar, And First Black Person Nominated for Best Director

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UPDATE Singleton died either yesterday, and the family withheld the news. Or he passed this afternoon. It’s unclear. And it doesn’t matter.

The main thing about John was that he was the youngest person ever to be nominated for Best Director, and first black person, for “Boyz in the Hood.” That we’ve lost him at age 51 is just a towering tragedy. His life has been cut short and we are the worse for it.

Samuel L. Jackson among many expressed his grief on Twitter: “Mourning the loss of a collaborator & True Friend John Singleton. He blazed the trail for many young film makers, always remaining true to who he was & where he came from!!! RIP Brother. Gone Way Too Soon!”

Everyone please take your beta blockers and blood thinners tonight!

EARLIER TODAY John Singleton’s family has announced they’re taking him off life support. He had a stroke on April 17th and never recovered. He turned 51 last January.

As I’ve said before, I so enjoyed John and the times that we spent together at many social events, especially the Oscars. He came to the show every year and loved to hang out in the bar off the stage. He’s been a great guy to talk movies with and Hollywood. He will be sorely missed for that, as well as being a ground breaking director. I hope his family can contain their infighting and figure out a way to show John some respect now.

Here’s their statement:

“We are grateful to his fans, friends and colleagues for the outpouring of love and prayers during this incredibly difficult time. We want to thank all the doctors at Cedars Sinai for the impeccable care he received,” the family said in a statement.

“Like many African Americans, Singleton quietly struggled with hypertension. More than 40% of African American men and women have high blood pressure, which also develops earlier in life and is usually more severe. His family wants to share the message with all to please recognize the symptoms by going to Heart.org.”

A Dream Deferred: Woodstock 50 is Cancelled as Major Backer, Dentsu, Exits Anniversary Weekend Celebration

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There will not be a three day 50th anniversary celebration of Woodstock.

Dentsu, the main financial backer, has pulled out. The party set for mid August ain’t happening.

Michael Lang, the original producer of Woodstock in 1969, was trying to re-create the magic. But the logistics and money just didn’t come together.

The Dentsu statement: “It’s a dream for agencies to work with iconic brands and to be associated with meaningful movements,” Dentsu said in a statement. “We have a strong history of producing experiences that bring people together around common interests and causes which is why we chose to be a part of the Woodstock 50th Anniversary Festival.

“But despite our tremendous investment of time, effort and commitment, we don’t believe the production of the festival can be executed as an event worthy of the Woodstock Brand name while also ensuring the health and safety of the artists, partners and attendees. As a result and after careful consideration, Dentsu Aegis Network’s Amplifi Live, a partner of Woodstock 50, has decided to cancel the festival.  As difficult as it is, we believe this is the most prudent decision for all parties involved.”

Marvelous Marvel: $20 Billion Total for All Films in Comics Universe, Plus “Captain Marvel” is Number 2 for Weekend

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All boats rose on the super wave of “Endgame.”

As of today, the 23 movie Marvel comics universe movies have made a grand total of $19.9 million. Tomorrow they will cross the $20 billion mark. That’s quite a feat of super heroism.

Second, “Captain Marvel” was the number 2 movie this weekend, with over $8 million. Brie Larson stars as Captain Marvel, and she’s much featured in the new movie, which she actually shot first, before “Endgame.”

Imagine that Larson went from an indie movie no one saw– “Short Term 12”– to being stuck in a room with a little kid — “Room”– to this. Amazing.

“Captain Marvel” itself has made $408 million in the US. It’s moved UP the charts from 5 to 4 to 2 over the last three weeks. When does that happen after a run at number 1? Never. That’s when!

Box Office: “Avengers: Endgame” $350 Mil US, $1.2 Bil Worldwide, Smashes All Records for Opening Weekend, IMAX, International

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The numbers are coming in for “Avengers: Endgame” and it has smashed all records.

The three hour movie from Marvel has surpassed all the old record holders for opening weekend, IMAX and international.

The mind blowing US box office for four days, Thursday-Sunday, is $350 million.

The total for the world including the US: $1.2 billion. That includes $330 million from China. And $52 million from IMAX. Those are each records of their own.

Thanks to Gitesh Pandya for compiling this list:

US/Canada $350M China $330.5M UK $53.8M Korea $47.4M Mexico $33.1M Australia $30.8M Germany $26.9M India $26.7M Brazil $26M France $24.2M Italy $19M Philippines $17.9M Thailand $14.3M Indonesia $14.1M Spain $13.3M Japan $13M GLOBAL: $1,209,000,000

Tale of the Videos: Taylor Swift Scores 71 Mil YouTube Views for “Me!” vs. Madonna’s 9 Mil for “Medellin”

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This week, Taylor Swift and Madonna, each the biggest female stars of their respective generations, dropped new, expensive videos to promote new singles.

Swift has a duet with Brendan Urie of Panic at the Disco called “Me!” It’s about…her.

Madonna has a duet with Maluma, the Colombia pop star, called “Medellin.” It’s about…her.

With a 30 year span between them, Madonna and Taylor are linked. Their main differences: Swift does actually write her own songs, plays instruments, and can sing without much help. But then Madonna is the bad girl to Swift’s goodie two shoes. And Madonna has challenged the culture on every level.

Nonetheless, it’s 2019. Swift’s young voice is what radio listeners of her generation want to hear. Since Thursday night, Swift has scored 71 million views on YouTube. The single is number 1 on iTunes.

Madonna’s single is not on the iTunes top 100. And the video has been 9 million times. Swift has taken the “Me” out of “Medellin.” All that’s left is Dellin, whatever that is.

Madonna isn’t the only older artist who’s suffering. Bruce Springsteen released a single Thursday night. It’s number 18 on iTunes. Plenty more have released music that’s made a brief appearance on the charts, then vanished. That’s the way it is now. Mariah Carey, for example, is still trying to revive her “Caution” album with remixes of the songs. Unfortunately, that’s over.

Record Shattered: “Avengers: Endgame” Opening Beats “Force Awakens” With $96.7 Mil Friday Plus $60 Mil from Thursday Previews

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Disney- Marvel’s “Avengers: Endgame” broke opening day records yesterday with $96.7 million, plus $60 mil from Thursday previews. That’s a total of $156.7 million!

The previous record holder was Disney-Lucas Films’ “Star Wars: The Force Awakens,” with $119 million.

“Endgame” is headed to a $400 million opening weekend in the widest release ever of a motion picture.

The three hour epic is sold out everywhere, too. Everyone wants to see what happens to the super heroes, some of whom were vaporized in the prior movie.

“Endgame” will end the weekend all totaled internationally with close to a BILLION DOLLARS in four days.

Luckily, I own the merchandising rights to Thor’s new larger fashion line. (Just kidding.)

“Beetlejuice” Debuts on Broadway, and Movie’s Co-Writer Reveals Why There Will Never be a Film Sequel

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“Beetlejuice” debuted on Broadway last night, and it was just as good if not better than when I saw it a month ago in previews.

Alex Brightman in the title role is so much a whirling dervish who never stops, and is all consuming. He’s just terrific and certainly my choice for a Tony Award for Best Actor in a Musical. Leslie  Kritzer, such a hit in “Something Rotten,” is breathtakingly funny in a role created for her, Delia, the kooky maybe-fiancee of the man who has bought the haunted house where Beetlejuice and the recently deceased Barbara and Adam lived.

The movie has been a cult hit since it was released in 1998, but writers Scott Brown and Anthony King, director Alex Timbers, and composer Eddie Perfect have reimagined it so there’s a second act and several story arcs that begin and end. It’s not that I think they did a great job. Original co-screenwriter Dave Wilson, who I met last night, agrees.

Wilson wrote the movie with two partners, each now deceased– Michael McDowell and Warren Skaaren. Wilson told me he’s thrilled with what the new writers have done. “I’m so pleased,” he said, “they did a wonderful job.” Wilson told me how the three partners hatched the idea of the ‘m0st haunted house ever’ in which “the living are haunting the dead.”

“Right away,” he said, “we knew we had it. The idea was to be as over the top as possible. Anything goes.” They also knew there would be a big calypso number, although he’s not sure how they settled on “Day O.” But the song’s 95 year old writer, Irving Burgie, isn’t complaining. He returned last night to see the show  again.

Wilson told me there have been many attempts at approaching a sequel to “Beetlejuice.” But it’s not going to happen. “There were a lot of idea, they were all bad. And from what I hear, Michael Keaton has no interest in it. Let this musical be the sequel.”

There were lots of stars in the audience last night, including John Mulaney, Renee Elise Goldsberry, and Daphne Rubin Vega. Richard Kind brought his daughter (her twin brother went earlier in the week to see “Tootsie”).   I met Kritzer– who must win a Tony– and the hilarious Jill Abramowitz, who has a show stopping sequence as Beetlejuice’s hardcore mother. (You have to see her!)

Ignore the Times review– blech. Everyone loves this show. Alex Timbers is a genius. Shake, shake, Sonora!