Monday, September 23, 2024
Home Blog Page 926

ToldYa! Cannes Adds Tarantino Movie, Plus DiCaprio and Bono Documentaries About Climate Change, AIDS

0

I TOLD YOU YESTERDAY AFTERNOON at 4:46pm that Quentin Tarantino’s “Once Upon a Time in Hollywood” was booked for Cannes.

This morning cane the official announcement. Also added were documentaries attached to Leonardo DiCaprio and to Bono about, respectively, the environment and AIDS. The DiCaprio docs about climate change, while well intentioned, are perfect for insomniacs and very bad for Cannes guests suffering from jet lag.

There’s also a film from actor Gael Garcia Bernal.

COMPETITION

Once Upon a Time… in Hollywood by Quentin Tarantino (2 hrs 45)

“We were afraid the film would not be ready, as it wouldn’t be released until late July, but Quentin Tarantino, who has not left the editing room in four months, is a real, loyal and punctual child of Cannes! Like for Inglourious Basterds, he’ll definitely be there – 25 years after the Palme d’or for Pulp Fiction – with a finished film screened in 35mm and his cast in tow (Leonardo DiCaprio, Margot Robbie, Brad Pitt). His film is a love letter to the Hollywood of his childhood, a rock music tour of 1969, and an ode to cinema as a whole.
In addition to thanking Quentin and his crew for spending days and nights in the editing room, the Festival wants to give special thanks to the teams at Sony Pictures, who made all of this possible.”

Mektoub, My Love: Intermezzo by Abdellatif Kechiche (4 hrs)

“I saw the film last Thursday, as it was still being edited, and definitely right in the middle of edits! But it is going to be finished and the director says it will be four hours long. And screened at the end of the Festival so the DCP has time to get there. French-Tunisian director Abdellatif Kechiche returns to Cannes with the Intermezzo of Mektoub, My Love, six years after his Palme d’or with La Vie d’Adèle (Blue Is the Warmest Color). The groundwork for this saga storytelling and extraordinary portrait of French youth in the 90s was laid in his Canto Uno, and it will be a pleasure to see its cast again.

MIDNIGHT SCREENING

Lux Æterna by Gaspar Noé (50 min)

“Two actresses, Béatrice Dalle and Charlotte Gainsbourg, are on a film set telling stories about witches – but that’s not all. Lux Æterna is also an essay on cinema, the love of film, and on-set hysterics. It’s a brilliant fast-paced medium-length film for Gaspar Noé’s return – an unexpected one until recently – to the Official Selection, for a film that the Selection Committee watched at the last minute and which will be shown in a Midnight Screening as hyped as it is mysterious.”

UN CERTAIN REGARD

La famosa invasione degli orsi in Sicilia by Lorenzo Mattotti (1 hr 22)

“Adapted from Dino Buzzati’s children’s book, this animated film by illustrator and comic book author Lorenzo Mattotti is a visual extravaganza, whose graphic ingenuity and colour work will delight much wider audiences than the fans of the Italian master. With Italian voices by Toni Servillo, Antonio Albanese, and Andrea Camilleri, and French voices by Leïla Bekthi, Arthur Dupont, and Jean-Claude Carrière. Like the other Un Certain Regard film in animation Les Hirondelles de Kaboul (The Swallows of Kabul) by Zabou Breitman and Eléa Gobbé-Mevellec, La famosa invasione degli orsi in Sicilia will also be competing next June at the acclaimed Annecy International Animated Film Festival.”

Odnazhdy v Trubchevske by Larissa Sadilova (1h30)

“Russian filmmaker Larissa Sadilova, who already directed six features, hadn’t shot a film in several years. She is back with this “chronicle from the village of Troubtchevsk”, evoking the feelings of love in the contemporary Russian countryside, shooting characters played by her formidable actors with refined direction and a gentle eye. Women aspirations, their patience, the courage that has to be displayed towards an always illusory emancipation, desire, frustration, and a certain sense of immemorial fatalism are all examined, acutely and without weight. It will be the first time the Festival de Cannes welcomes Larissa Sadilova.”

SPECIAL SCREENINGS

Chicuarotes by Gael García Bernal (1 hr 35)

“A full-fledged member of Mexico’s exceptionally talented generation, a first-rate actor in films by Iñárritu and Cuarón, Gael García Bernal, along with Diego Luna, is a devotee of Cannes, where he was on the Jury in 2014. Chicuarotes is the actor’s second feature film where he takes a deep dive into Mexican society with a story about teenagers that is an affectionate portrayal, continuing in Mexican cinema’s tradition to pay homage to its eternal country, film after film.”

La Cordillera de los sueños by Patricio Guzmán (1 hr 24)

“Patricio Guzmán left Chile more than 40 years ago when the military dictatorship took over the democratically-elected government, but he never stopped thinking about a country, a culture, and a place on the map that he never forgot. After covering the North in Nostalgia for the Light and the South in The Pearl Button, his shots get up-close with what he calls “the vast revealing backbone of Chile’s past and recent history.” La Cordillera de los sueños is a visual poem, an historical inquiry, a cinematographic essay, and magnificent personal exercise in soul-searching.”

Ice on Fire by Leila Conners (1 hr 38)

“In 2007, Leila Conners screened The 11th Hour at Cannes, a hard-hitting documentary about climate change produced by Leonardo DiCaprio. The Festival screens conflict documentaries as part of a strong and proud tradition, like it also did with An Inconvenient Truth by Davis Guggenheim, which won an Oscar and earned Al Gore a Nobel Peace Prize. Twelve years later as the alarm bells are still multiplying all around the world (and more!), Leila Conners and Leonardo DiCaprio teamed up again on the same topic to make a film with an eloquent title: Ice on Fire. ”

5B by Dan Krauss (1 hr 33)

“In the 1980s, only a number and letter were used to designate a ward at San Francisco General Hospital, the first in the country to treat patients with AIDS. While a portion of society saw these patients as pariahs, the male and female caregivers in 5B chose a different route. This film is their story.
Directed by Dan Krauss, 5B is a film about a past that questions our present. It will be distributed in the United States, all around the world, and in France, which in October will be hosting the world conference for all fund-raisers donating money over the next three years to fight HIV, tuberculosis, and malaria. U2 singer Bono has been a fervent champion of the cause – and of this film, which he will be coming to Cannes to support.”

Hyatt Hotel Heir Dan Pritzker’s $100 Mil-Plus “Bolden” Finally Opens in a Very Limited Release Friday After Being Twice Filmed

0

“Bolden” is coming, whether we like it or not.

Hyatt Hotels heir Dan Pritzker filmed his movie twice, once with Anthony Mackie as the little known jazz legend. Jackie Earle Haley co-starred. Then he made it a second time with Gary Carr as Charles “Buddy” Bolden playing the trumpet in New Orleans at the end of the 1800s.

At the time that I wrote about “Bolden” with Mackie, Pritzker had already spent upwards of $100 million. No one will ever know how much he spent the second time. He’s kind of self-releasing with small, independent distributor Abramorama.

“Bolden” will play in one theater in Manhattan, at the Landmark 57 off the West Side Highway, and it will not show up in West Hollywood or Hollywood. It’s going into a handful of theaters– just 1 in New Orleans, where it’s set, and a couple in Chicago, where Pritzker lives.

I haven’t seen “Bolden” because I missed a screening this week (prior commitment). And that’s it, I think. But people who’ve seen it say “Bolden” looks great but is incoherent. There are evidently strange edits and cuts, possibly mixing material from the two different versions.

As far as I know, there’s no premiere for “Bolden.” It’s just being coughed up like a hair ball and landing wherever. You’d think after a decade and hundreds of millions of bucks, there would be some fanfare. Party at a Hyatt House maybe. But no.

The music, of course, is going to be sensational. The soundtrack and the performances were put together by Wynton Marsalis. He’s the top jazz guy in the world.

Back in May 2012, Pritzker told me: “I’m in no hurry. If I were doing this to make money, I wouldn’t have made a movie. I’m not a filmmaker.” He told me then the movie would be ready in 12 to 18 months. That was seven years ago. He said, “There’s no financial peril, either. If “Bolden!” never makes any money, Pritzker told me, ”It won’t affect my life.”

Well, we’ve always got that soundtrack. Gorgeous.

 

Downtown Comes Uptown as Willem Dafoe, Gretchen Mol Take Mic, Rock Out to Celebrate Director Abel Ferrara at MoMA

0

What a night! Despite a pissy rain and cold climes for May 1st, New York was on the go last night. First stop was the Tribeca premiere of A24’s “Skin” directed by Guy Nattiv and producer Celine Rattray at the SVA Theater followed by slinky party at downtown Tao on West 16th St. (Rattray’s partner, Trudie Styler, was also called out of town.)

Guests were lining up congratulate co-stars Vera Farmiga and Danielle MacDonald. Star Jamie Bell couldn’t make it, but he gives an award winning performance as a skin head white supremacist covered in tattoos who decides to leave his family’s racist cult and suffers the consequences. It’s based on a real story that Nattiv won an Oscar for this year as a live action short film. The feature version, re-imagined, gets a real premiere in July.

Then up we went to MoMA where superstar New York producers Ed and Annie Pressman were celebrating cult director Abel Ferrara and his museum retrospective. After showing Ferrara’s 1993 film, “The Addiction,” the guests headed in to the MoMA lobby for a rocking party featuring a band put together of Ferrara friends like Paul Hipp and Joe Delia. They played rockabilly, 50s rock, Lou Reed, everything but they needed vocalists. They found them in actors Willem Dafoe and Gretchen Mol, who each got up on stage and knocked it out of the park.

In the audience: Chris Walken and Annabella Sciorra (featured in the screened film), Julian Schnabel and new wife Louise Kugelberg, Debbie Harry, as well as Marla Hanson, famous in the 90s for being a model who was slashed, looking radiant and beautiful. (It was very nice to see her after a long time away!) It was like an old school night in New York, as the band played “Walk on the Wild Side” and Gretchen– who doesn’t seem to age– helped on back up and lead.

Thanks to Erik Kohn of Indie Wire who posted a cool pic of Dafoe singing on stage.

(Listen) to Sting’s Latest Cool World Music Track with Congolese Singer Gims, Following Shaggy Album

0

Sting is working his way around the world with collaborators. First he had a Grammy winning album with Jamaican rapper Shaggy that turned into a sold out tour.

Now the ex-Police man has a new duet track out with Congolese rapper singer Gims. It’s a winner, and Sting’s voice never sounded better.

Sting just wrapped a seven week stint in Toronto on stage in his Broadway musical, “The Last Ship.” On May 24th he releases “My Songs,” a collection of his hits reimagined. Then there’s a tour for that album and, and and…so many projects!

But I really love this song, called “Reste.” If only Sting would take a rest, but he can’t, he won’t. He loves the music too much!

Cha Cha Cha Madonna’s $5 Mil “Medellin” Performance on the BBMAs Was Worth the Money

0

Madonna and Maluma made for a nice, if slow, dancing couple on the Billboard Music Awards. The production was very cool, with lots of Madonna’s Madame X personalities popping up. Excellent choreography, too. The “Medellin” song is still pretty dull, but this allowed Madonna to shine at her best. A plus.

 

Exclusive: Quentin Tarantino Film Going to Cannes, Sources Say Party Has Been Booked for “Once Upon a Time in Hollywood”

0

You know, in Cannes, it’s about the party, not just the film.

So sources from the Cote d’Azur say it’s a go, Quentin Tarantino’s “Once Upon a Time in Hollywood” is coming to the festival after all.

It will play on Tuesday, May 21st, the 25th anniversary of “Pulp Fiction” in Cannes.

The Croisette is abuzz with the likes of Brad Pitt, Margot Robbie, and Leonardo DiCaprio walking the red carpet, having private parties, holding court at the Hotel du Cap.

There was some question about the film making it since it wasn’t announced with the rest of the Cannes line up.

The Festival needs this movie badly, with few other big stars coming, and even fewer American movies of note. The time between “Rocketman” on the first Tbursday, and “OUT” is filled with films in foreign languages and not a lot of glitter.

So sacre bleu! Congratulations to Thierry Fremaux. He can get some sleep, at last.

PS I’m hearing the party, which should be the hottest ticket of all, should be taking place at the Albane Terrace at the JW Marriott. Stay tuned…

 

Read more stories on Showbiz411.com

Oscar Winner Anjelica Huston, Star of Two Woody Allen Movies, Says She’d Work with Him Again “In a Second”

0

Last week, I told you that French movie legend Catherine Deneuve said she’d be happy work with Woody Allen if he asked.

Today, Anjelica Huston tells New York magazine’s Vulture the same thing. She starred in “Crimes and Misdemeanors” and in “Manhattan Murder Mystery.” She tells Andrew Goldman she’d work with Woody again “in a second.”

from the interview:

You were in two Woody Allen films, Crimes and Misdemeanors, alongside Mia Farrow, and then Manhattan Murder Mystery. Woody Allen is basically unable to make films now because of the outcry about the molestation allegations.
I think that’s after two states investigated him, and neither of them prosecuted him.

Well, the industry seems to be treating him as though he’s guilty. Would you work with him again?
Yeah, in a second.

Huston gives a wide ranging interview about her life with father, John Huston, the famed director, as well as Jack Nicholson, Ryan O’Neal, and her late husband, artist Robert Graham. It’s a great read.

 

Elton John “Rocketman” BioPic Soundtrack Avoids “Bohemian Rhapsody” Trap, Include New Song, Eligible for Oscars

0

The tracklisting for Elton John’s “Rocketman” is out on iTunes, and it shows the filmmakers have avoided the “Bohemian Rhapsody” trap of not having a new song for the Oscars. Sir Elton and star Taron Egerton sing “I’m Gonna Love Me Again” at the end of the movie, maybe over the credits. This will qualify them for a Best Song at the Academy Awards. Smart move.

The “Rocketman” tracklist shows that the movie sticks close to the early mid part of Elton’s career. leaving out a ton of songs which may turn up in the movie briefly and not as full bits. But it also shows that it’s not necessarily chronological, but more of a “fantasy” of musical numbers. Expect the soundtrack to hit number 1 when it’s released on May 24th.

The movie opens in Cannes on May 16th, and around the world on May 31st.

1
The Bitch Is Back (Introduction)
Taron Egerton & Sebastian Rich

2
I Want Love
Kit Connor, Gemma Jones, Bryce Dallas Howard & Steven Mackintosh

3
Saturday Night’s Alright (For Fighting)
Taron Egerton & Kit Connor

4
Thank You for All Your Loving
Taron Egerton

5
Border Song
Taron Egerton

6
Rock and Roll Madonna (Interlude)
Taron Egerton

7
Your Song
Taron Egerton

8
Amoreena
Taron Egerton

9
Crocodile Rock
Taron Egerton

10
Tiny Dancer
Taron Egerton

11
Take Me to the Pilot
Taron Egerton

12
Hercules
Taron Egerton

13
Don’t Go Breaking My Heart (Interlude)
Taron Egerton & Rachel Muldoon

14
Honky Cat
Taron Egerton & Richard Madden

15
Pinball Wizard (Interlude)
Taron Egerton

Rocket Man
Taron Egerton

17
Bennie and the Jets (Interlude)
Taron Egerton

18
Don’t Let the Sun Go Down on Me
Taron Egerton & Celinde Schoenmaker

19
Sorry Seems to Be the Hardest Word
Taron Egerton

20
Goodbye Yellow Brick Road
Taron Egerton & Jamie Bell

21
I’m Still Standing
Taron Egerton

22
(I’m Gonna) Love Me Again
Elton John & Taron Egerton

Ron Howard’s Sensational Documentary about Luciano Pavarotti: Rare Footage of How Opera Legend Begged Bono and U2 to Write and Record a Song with Him

0

Oscar winner Ron Howard and his teams from Imagine and White Horse Pictures have made a sensational new documentary about opera legend Luciano Pavarotti. It includes rare interviews with the superstar tenor’s ex wife, his widow, his mistresses, and his daughters.

“Pavarotti” nonetheless is a joyous film about a genius who was larger than life and adored by millions, including all those women. He comes across as the Picasso of opera.

What this team really pulled off was finding rare footage of how Pavarotti sandbagged Bono of U2, and the whole group into writing a song for him, recording it with him, and performing at his charity. Pavarotti and Bono subsequently became great friends, but the way it all started has never been seen, and it’s hilarious.

When Bono dodged Pavarotti’s calls and letters, the tenor got on a plane and went to Dublin. He called Bono and said, “I’m waiting for you in the studio.” Bono said, but we’re in Ireland. And Pavarotti replied, “I am here.” Bono was shocked. Howard told me last night that Edge, Larry Mullen, and Adam Clayton literally hid in another part of the studio because they didn’t want to get involved with it. Why would this world renown rock band want to record with an opera star? It didn’t make sense.

Pavarotti called a press conference, and at it announced the band was singing with him at his charity. Bono first replies, on camera, that the band can’t do it, they’re busy. But when he realizes he’s cornered, he says, sheepishly, “When is it, exactly?”

Pavarotti lived an outsized life, and that comes across fully in the documentary, which comes out June 7th from CBS Films. Howard and crew remarkably, and very sensitively, weave the story of the singer’s mistresses into the one about his wife of 39 years, Adua Veroni, who speaks for the first time on camera about their life together. They had three daughters, who are also in film. But Pavarotti was a man of large appetites, and eventually he split from Veroni for a much, much younger woman. Nicoleta Montovani, even now only 49, was married to him for the last four years of his life. They also had a daughter, now age 15.

But the movie’s focus is on the music. There is nothing like this man’s voice in the world, and that is fully conveyed with clips from various performances and footage from his time with the The Three Tenors including his pals Placido Domingo, José Carreras, and conductor Zubin Mehta. You leave the theater on a high note- Pavarotti was famous for his high notes– on a white, puffy cloud of thrills. Thank Puccini for that, too, since “Nessun Dorma” still has that effect after almost 100 years.

 

 

These Are the Breaks: Rap Pioneer Kurtis Blow in LA Hospital for Aortic Heart Valve Surgery

0

We are wishing pioneer rapper Kurtis Blow all the best today. He posted on Instagram that he’s in UCLA hospital for surgery on his aortic valve. Kurtis had almost the very first rap hit way back with “The Breaks,” still a great record.

Back in fall 2016, Kurtis Walker (his real name) had a previous heart incident. On October 29th, the then legendary 57-year-old rap icon went into cardiac arrest, his pulse stopping for five minutes. He almost died in front of his Woodland Hills, CA home.

He writes now: “To all my friends and family. I am in the hospital at UCLA Medical. I am preparing for an aortic artery repair procedure tomorrow morning. The procedure will stabilize the artery from further damage caused by the hematoma I contacted from my recent travels to China. Dr Kwon is an incredible surgeon with hundreds of these procedures under his belt. I trust that God will use him as a tool of success tomorrow.
Please keep me in prayer. I will see you all soon!!!! Encouraged!!! KB”

Kurtis, take care of yourself!