Wednesday, September 25, 2024
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Best Part of All-Star Mueller “Investigation” Play: Watching Kevin Kline Loving John Lithgow’s Performance as Sincerely Befuddled Trump

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One thing the 17 actors on stage at Riverside Church couldn’t see last night as they performed Robert Schenkkan’s “The Investigation”: the looks on their faces as John Lithgow gave the most sublime performance as a befuddled, self-righteous Donald Trump. Lithgow delivered a tour de force at the reading, but everyone was face forward to the audience. I was very lucky to be sitting on the center aisle in the front row.

Kevin Kline, no slouch himself, started out earnestly as well as kind of a co-narrator with Annette Bening, and also as Robert Mueller. All the actors– all famous, top notch– looked a little scared when the reading began and were dead serious in their expression. But after a while, Lithgow’s committed performance began to crack their resolves. Kline was first, as tiny smirks began to appear on his stone face.

“I had to decide if Mueller himself ever laughed at Trump’s proclamations,” Oscar and Tony winner Kline told me after the show. “And I decided he had to.”

Lithgow told me he had just a couple of hours to ‘get’ his version of Trump. After all Alec Baldwin has cemented a certain Trump in our heads. And Lithgow just played Bill Clinton on Broadway. What was his take? “I didn’t want to make him seem so crazy,” Lithgow told me. Indeed, the actor’s serious take makes Trump seem even crazier. But that’s how the audience responds. Lithgow imbued him with a controlled hilarity, like a monkey about to break out of a cage.

Jason Alexander, who played a very jovial Chris Christie, also gave in. He had the double problem of being seated next to Joel Grey, whose reading of former Attorney General Jeff Sessions gave Kate McKinnon’s a run for her money. Grey’s unexpected dead pan Southern drawl was a thing to behold.

Producer David Permut explained to me how “The Investigation” came about. He and co-producer David Bender came up with the idea of dramatizing The Mueller Report three weeks ago. They called Schenkkan, who’d won a Tony for the LBJ Broadway play “All the Way,” and director Scott Ellis. Schenkkan read the Report, and in six days he distilled it into 10 small chapters that identified the keys points. They began calling actors.

Susan Disney, daughter of Roy Disney of that Disney family, backed with the show with her brother, Tim, and sister. Abigail. They were all there last night. Susan told me, “There was a study that said you can only give people ten points about something before you lose them. So that’s how it broke down.” Susan’s sister, Abigail, has been protesting the Disney company’s Bob Iger publicly, over many things, including his massive compensation. Susan told me she’s still very friendly with Iger but supports her sister. “We keep it separate,” she said. (I really liked the young Disneys!)

The person I most wanted to meet turned out to be just as great as I thought she would: Alyssa Milano. She came in for the reading and will be down in Miami tonight for the Democratic debate. Was she always so politicized, I asked? She’s become the new Jane Fonda of the internet, rallying supporters of #MeToo and for anti-Trump pro-choice common sense policies.

“Always,” she said. “I was like this years ago. But now,” she said, rolling her eyes, “everything’s more urgent. There are all these issues. We can’t let them go.”

 

The Scoop That Almost Was: What Happened the Day Michael Jackson Died Ten Years Ago, And How He’s Remembered Now

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June 25, 2009: TMZ’s scoopers in Beverly Hills spotted an ambulance at his rented pad on Sunset Boulevard. They reported Michael had had a heart attack. The word went out instantaneously. I was here at my desk. Earlier in the morning, I’d reported on rehearsals at the Staples Center from the night before, which wasn’t that long ago considering time zones. When I’d gone to sleep, Michael was in rehearsal.

What happened next remains a thorn in my side. I immediately — and I mean within nanoseconds– called Frank DiLeo, my good friend, and Michael’s manager. “Frank? Where are you?” I said when he picked up. “I’m with Michael,” he said, almost in a whisper. You can slow this conversation down in memory, but it was very fast when it happened. I remember thinking, OK, good, Michael’s alive, Frank is with him.

“What’s happening?” is what I said. “Did he have a heart attack?”

“No, no, he’s gone,” Frank replied. Gone. “What do you mean he’s gone?” I kind of shouted. “Frank, what are you saying?”

“Michael’s dead. I’m with him. I just closed his eyelids and kissed them. He’s gone.”

You understand, no one had reported this. No one had said this except for rumors. On June 25, 2009 this column was part of the Hollywood Reporter. A few weeks earlier I’d made a deal with them after being fired from Fox News. While Frank was talking, I was typing emails to Elizabeth Guider, then the editor of the Reporter. “Michael is dead,” I wrote to her. Frank and I were talking about who was in the hospital with him, where were the kids, where was Michael’s mother. “The kids are here,” Frank said. “They’re in another room. People are coming.”

My head was swirling since all we’d been through with Michael Jackson in the last decade. Starting in 1999, as Michael’s management, finances, and trials had all connected into a series of explosions worthy of a Hollywood war movie. Jackson was rehearsing for a summer of shows in London that no one expected him to fulfill. He’s just gotten rid of a predatory figure, “Dr.” Tohme Tohme, and brought back Frank, who brought back John Branca.

But back in the real world, the clock was ticking. Michael was dead. Elizabeth Guider wrote back: “Is he really dead? Or is he just brain dead? We can’t publish unless we know he’s really dead.”

I remember writing back: “He is most sincerely dead. Not coming back.”

She refused to publish it. She said, on the phone to me, “We don’t have to be first with this.” Oh really? Yes, we do. “Let someone else write it first.”

I wish I could find the emails. By then, it was gone. The moment to strike had passed.

Two days later I was on patio at the Four Seasons Hotel on Doheny Drive. with Frank, Randy Phillips of AEG Live, and Joel Katz. Randy had first told me he was trying to get Michael to do shows a year and a half earlier at the Ahmet Ertegun memorial concert in London that reunited Led Zeppelin. In the year to come, Randy would be dragged over the coals in lawsuits over Michael’s death, but I’d been following his quest for some time. He’d done everything for Michael, and then some. Joel was a long time friend of Jermaine Jackson, and Frank had recently brought him into the picture to help Michael with legalities.

We were all in shock. I’ve covered Michael’s life and miseries. But these guys — especially Frank– really loved him. They’d all invested a lot of time in keeping Michael alive and happy. As we sat there, we talked about Dr. Conrad Murray, about whom no one knew very much. Speaking of doctors, Randy said, look at this. He produced a bill from Dr. Arnold Klein, Michael’s in famous Dr. Feelgood and dermatologist. “It’s just one month and it’s 48 thousand dollars. He just sent it.” Meaning, since Michael had died.

It was just the beginning of what would be a chaotic couple of weeks. I reported the news about Michael’s 2002 Will first before anyone on June 26th. Two days later, there was controversy over whether that Will would be accepted by the family.  I’ve always felt, personally, that there was a more recent Will. It never surfaced. But it wouldn’t have made much of a difference. Michael would never have included his siblings in any version. He felt totally estranged and isolated from his family except for his kids and his mother.

On June 29th, the BET Awards were held at the Shrine Auditorium. The black music community in Los Angeles was reeling from Michael’s death. And then Michael’s father, Joseph Jackson, who’d caused him so much pain in his lifetime, showed up with a Jackson imitator. I followed them around. Mr. Jackson was in his glory, talking to everyone, showing off, finally getting to be the center of attention. In his posse was someone I’d known a long time: Marshall Thompson, from the R&B group The Chi-Lites. He’d somehow become Joseph’s Ed McMahon. I was a scene.

In the days to come I wrote about Katherine Jackson being named guardian of the kids, that AEG had 100 hours of rehearsal footage– enough to make the movie “This is It,” and so on. Those scoops I did not entrust to others, who may have been brain dead themselves.

In 2003 when Michael was arrested for child molestation and conspiracy, I had become a sort of Jackson expert. The child molestation charge had been following him around for a decade or more, kicking into gear with the Jordan Chandler settlement. In February 2003, Martin Bashir cut a documentary with the Arvizo kids present at Neverland to make Michael look very bad. I wrote, after seeing it, that he’d be going to jail. In time we’d learn that the Arvizo’s were grifters who’d set Michael up. But the damage was done. He was acquitted in a trial that would have decimated even the strongest person.

I sat through a long trial. I broke a lot of stories in those years. I knew a lot about the two young men who posthumously accused Michael of sex crimes. I don’t believe them. I do think Michael’s behavior with children was wrong, and that he bought off the parents of many kids to surround himself with surrogate families. This argument is for another story. But today, celebrate his music if not his life choices.

And PS this is a tribute to Frank DiLeo, pictured above, who was a great guy with a complicated life. He loved Michael and took care very good care of him. There isn’t a day that goes by when I don’t talk to Frank in my head. I so wish he were still here.

 

Watch 18 A List Actors — Including John Lithgow, Annette Bening, Kevin Kline– Perform “The Investigation” Taken from the Mueller Report

I attended this extraordinary performance last night at the magnificent Riverside Church on Manhattan’s Upper West Side. Annette Bening is the host. John Lithgow is insanely good as Donald Trump, Kevin Kline is a serious Robert Mueller. The rest of the cast includes Joel Grey, Jason Alexander, Alyssa Milano, Gina Gershon, Aidan Quinn, Alfre Woodard, Michael Shannon and others whom you’ll recognize. They were each excellent, although Lithgow had the showy role– Trump– and really was exceptional.

I’ll have more in the morning.

EXCLUSIVE: I will tell you that this was such a success that there will be repeated live performances in Washington DC and Los Angeles.

The script was distilled in 6 days from the massive Mueller Report by the great Robert Schenkkan, who wrote “Hacksaw Ridge” for the movies, “Friday Night Lights” for TV and “All the Way” for Broadway. Amazing job.

E.J. Carroll Book Sales Not Taking Off After New York Magazine Cover and Accusation that Donald Trump Raped Her in the ’90s

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I wish I could say that sales for E. Jean Carroll’s “What Do We Need Men For?” have skyrocketed since Friday when news of the book and its revelations broke wide.

But the book is sitting at number 473 on Amazon right now after a brief spike to number 110 on Friday.

That was when New York Magazine’s startling cover story in which Carroll accused President Donald Trump of raping her in the mid 90s hit the stands.

The excerpt from the book also contained accusations about former CBS chief Les Moonves and other bold faced men. Carroll, who’s written a monthly column for Elle Magazine since 1993 and once had a popular show on CNBC’s precursor, America’s Talking, said she and Trump went into a dressing room at Bergdorf Goodman, and he attacker her. Trump denied even knowing her, but New York ran a photo of the president, first wife Ivana, Carroll, and her then husband all together from 1987.

Despite Carroll’s credentials, some found her story unbelievable. And even though the New York Times confirmed with her sources that she’d confided in them after the alleged episode, the paper didn’t give the story much emphasis. In fact, they put the report in their Books section and didn’t feature it prominently on their website’s front page.

I want to believe Carroll. I tried to confirm her story with someone who knew her well from that time. But I was turned down cold by the person, whose name I’m omitting. They simply declined to comment, and didn’t sound happy about the whole thing.

I did think “What Do We Need Men For?” would soar on amazon Friday night. This morning Carroll is making the TV rounds, and even that isn’t helping. Either people don’t believe her story or don’t care. Either choice is fairly disturbing.

New Republic Magazine Seeks “Inequality Editor” And Gives Them First Story: Part Time Job Has No Benefits And Isn’t Part of Union

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The New Republic magazine, which I didn’t know was still in business, has a job opening: Inequality Editor.

The job is to produce four columns a week for the magazine’s website. The columns will be about… inequality. So it’s probably very apt that the position, which is part time, has no benefits and isn’t part of the magazine’s union. You work at home, 29.5 hours a week.

So the first column should be about this position. It’s like one month rent free. Or one of those come-ons from credit companies for cheap furniture.

And that is where publishing is these days, I’m afraid. Here’s the ad. (And PS. I’ll take that job. Who needs health care?)

INEQUALITY DEPUTY EDITOR, PART-TIME

Long a champion of equality in all its guises, The New Republic is looking for a part-time editor to oversee a forthcoming inequality vertical. The editor will be expected to recruit and oversee columnists and design potential partnership opportunities. You should be full of ideas, know how to make our coverage unique, how to inspire and mentor writers, and have ideas on how to use a small budget to grow this beat into something spectacular.

We are looking for an editor who is well-sourced in this beat and knows how to cover the pieces that no one else is; not only that, we need someone who can go into the 2020 elections raising hell.

Each week, you will be expected to edit 3-4 pieces for the website. You’ll also be expected to pitch story ideas to the print team—and also edit a print feature when the occasion warrants. While the editor will collaborate with others across the newsroom, we’re looking for someone who will work this vertical autonomously, reporting to both the executive editor and digital director.

The editor should think about stories, but also various platforms on which to tell these stories outside of print and web—think newsletters, podcasts, events, etc.

This is a non-Guild job and is open to internal and external candidates.

The New Republic is committed to diversity and encourages members of underrepresented communities to apply, including women, LGBTQ people, people of color, people with criminal records, veterans and people with disabilities.

While this job can be a remote position, we prefer those candidates who are already based in New York City or Washington, DC and who can work from our office. This is a part-time role, requiring 29.5 hours per week, and does not include benefits.

Send CV, samples of recent editing work, and a memo telling us how you would approach this job with a team of one staff writer and a few columnists.

Justin Trudeau Has Pillow Talk Problem in His Top Court: Ontario Judge Dated Defendant’s Wife’s Pal But Wouldn’t Recuse Himself from Trial

You know I’ve been following a case in Canada’s Ontario Superior Court of Justice in Toronto. The white collar defendant has been cooling his heels for 61 days in prison limbo in Toronto, denied bail.

If Prime Minister Justin Trudeau thinks he’s got problems with Donald Trump, and with China, he should take a look at his judicial system. As I’ve said before, the case– going on for five-and-half-years — reads like a John Grisham novel.

Ontario’s Doug Ford just did a major shuffle in his own government, abruptly demoting the Ontario Attorney General, Caroline Mulroney, to the Dept. of Transportation. Mulroney has quite a background, too: She’s also the daughter of former PM Brian Mulroney. Her father in law is the great Lewis Lapham, former editor of Harper’s magazine in the U.S.

But before she was removed as Attorney General of Ontario, Mulroney received an urgent letter from a famed and highly respected Canadian defense attorney. He advised her that a judge in the Superior Court refused to recuse himself from a wildly out of court trial in which the judge had been dating a friend of a defendant’s ex wife. The trial has now been going on for five-and-a-half years. The defendant has spent 61 days in jail, in court limbo, since being found guilty after his crazy trial.

The attorney wrote to Mulroney: “The trial judge was confronted with the fact that he shortly before the trial commenced had an intimate relationship with the best friend of my client’s wife. A recusal motion was refused. This situation created a reasonable apprehension of bias.” In other words, pillow talk is an issue in Canada’s top court.

The fact that Mulroney ignored the letter, which contained other allegations of judicial misconduct, could be indicative of why she was relieved of her more important position last week.

Trudeau is on the record as saying if the rights of any Canadian are violated, Canada will not stand idly by and Canada will pay a steep price.

In this case, there’s a huge irony: In 2015, the defendant in this case was invited by the Governor General of Canada, David Johnston, to attend a state dinner in honor of the President of the Philippines held at the General Governor’s Residence at Rideau Hall in Ottawa. Canada only invites its best and brightest to these state dinners (just as the White House did in previous administrations).  The defendant — who had then been jailed for two weeks for contempt of court– went directly from prison to the State Dinner.

After 61 days, it’s time for Trudeau’s court system to let bail be posted for this defendant, and to review the possible misconduct that has occurred.

 

 

No Soap: CBS’s “Young and the Restless” Has 3rd Week Out of Last 4 Below 4 Million Viewers as Show Tries to Right Ship

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Ratings trouble continue for CBS’s number 1 show, “The Young and the Restless.”

For the first week of June, “Y&R” fell below 4 million viewers again for the week. It’s the third time in four weeks that’s happened. One Tuesday, June 4th they were down to an alarming 3.8 million.

The actual number is 3,966,000. Back in December 2017 “Y&R” was up to 4.8 million. That was far off old highs but still showing signs of life.

The current trend is worrisome because they’ve lost a million fans and they don’t seem to be coming back. Abrupt cast changes have led to a kind of destabilization. Some of the actors who left returned, but Eileen Davidson is still MIA.

All the soaps are down coming out of May sweeps and going into summer, a traditionally slow time. But it’s time to step up the game or they will be gone, replaced by more inane reality and talk shows.

Roseanne Barr’s Just-Failed Comedy Tour Prompts Andrew Dice Clay to Invite Her on a “Mr. and Mrs. America” Tour

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Readers of this column know how badly Roseanne Barr fared last month in her short comedy tour. One stop had to be canceled entirely. The other shows sold very poorly, with tickets going for rock bottom prices and the theaters full of empty seats.

So now Andrew Dice Clay has invited Barr on a tour with him called “Mr. and Mrs. America.” He gave this headline to Fox News, which is where I guess his audience is. Will he be the headliner? And who will produce a tour with Roseanne after her poor turnout just last month?

“Mr. and Mrs. America” will have to lean heavily on red states, and keep the prices low because those people are not paying more than $30 for a ticket– and even that’s high for this stuff in the mid west.

Tickets are supposed to go on sale next week. We’ll stay on top of developments.

 

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Disney-Pixar Box Office Major Disappointment as “Toy Story 4” Comes in Way Below Expectations with a $118 Mil Weekend

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Any movie that made $118 million for a weekend would be considered a huge hit. But “Toy Story 4” has turned out to be a major disappointment even with great reviews.

The fourth installment of the cherished franchise came in way lower than expected, which was more in the $130 million -plus range. It sounds like a lot of money but as Exhibitor Relations points out, “Toy Story 3” box office adjusted for inflation had a $126 million opening weekend in 2010.

This is actually pretty alarming because “4” was supposed to be a slam dunk. Disney-Pixar et al love touting “record-breaking” numbers. Even as late as yesterday another site, boxofficemojo.com, was hoping for $125 million. But remember that $118 mil includes $12 mil from Thursday.  So now the studio will eye the coming week to see what the legs are like. But either audiences didn’t relate to “4,” or the marketing didn’t connect. I feel like it sneaked up on us with little preparation. But I’m not the target audience. Still, we’re not getting much love in New York from Disney these days other than one time all-media screenings. (Come back, Disney! We love you!)

Never fear, however, since internationally “4” has already racked up more than $120 million from foreign countries. And “Aladdin” business is booming everywhere.

 

Neil Young on the Passing of Lifelong Manager Elliot Roberts Dead at Age 76: “All the words in the world could not express my sense of love and thanks”

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Read Neil Young’s statement below in italics.

 

Elliot Roberts owes me one of those Pono players. For two years in a row he said he’d get me one. He never did, but I think he knew why: it was just going to cause trouble. Roberts died this week at age 76 after tending to rock stars for basically 50 years. He guided, suffered their whims of fancy, and tried to keep everyone out of trouble. I think he knew Neil Young’s Pono would not be a toy for me.

Every year Elliot came to Clive Davis’s pre-Grammy dinner, and Clive would give him a major shout out. White maned with a deep suntan, Elliot basically helped invent Southern California rock. You can read about him in David Browne’s excellent new book called “CSNY.” Elliot managed Neil Young for most of his career, he also managed Joni Mitchell. He was the glue that kept all those people together when they wanted to pull apart.

We rarely saw any of these people on the East Coast. It wasn’t like Carole or Carly or James, or Paul and Artie, or even Bruce and Billy. There was a whole myth about the West Coast rockers, and you really only got it through Rolling Stone (when it was Rolling Stone). Elliot Roberts was at the center of everything. He was not a shouter or pugilistic. He was mellow, like the music, but knew how to keep everything straight.

So I never got the Pono, but that’s okay. Talking to Elliot was always a lot of fun, and I will miss him. But he will be missed so much more by those LA music superstars. RIP.

Neil wrote this on his website yesterday:

My friend for over 50 years, Elliot Roberts, has passed away. We are all heartbroken, but want to share what a great human being Elliot has been. Never one to think about himself, he put everyone else first. That’s what he did for me for over fifty years of friendship love and laughter, managing my life, protecting our art in the business of music. That’s what he did.

He was devoted to each of his kids from the very beginning. He would fly half way around the world just to see his family for one day. That’s just the way he loved them. He was so happy with his soul-mate Dana.

No matter where I was in the world, no matter his other obligations, he was always by the side of the stage as much as he could be.

Elliot was the funniest human being on earth with his uncanny wit and a heart filled with love. You never knew what he was going to say, but almost always a laugh was coming.

Elliot never thought of himself, always someone else. He was my best friend in the world for so many years, and he was so happy for me and the life I had found, with Daryl, my wonderful wife and soul sharer.

All the words in the world could not express my sense of love and thanks to Elliot Rabinowitz and his beautiful family, who adored him. He was there for all of us.

When it came to our business, Elliot guided me through every move. We talked every day. Often I would call him multiple times in a day, arguing, discussing, planning and sharing. He was there for me and protected my music with a fierceness. He loved music and managed over the years many greats, Joni Mitchell, Bob Dylan, David Blue, Tracey Chapman, Tegan and Sara, Crosby Stills and Nash, Tom Petty, The Eagles, among others.

Elliot loved making deals for all of us, saving our publishing rights, ensuring we were treated well, helping book our concerts, as well as booking the Bridge Concert with Marsha Vlassic from the very beginning for over 30 years. He made it happen. This world is forever changed for me, for all who knew him and loved him. His memory shines with love.

 

Elliot Roberts was the greatest manager of all time.

See you at the gig, Elliot.
ny

 

 

 

Photo by Ros O’Gorman