Wednesday, September 25, 2024
Home Blog Page 907

Now Taylor Swift’s Label Chief Scott Borchetta Responds: “Taylor had every chance in the world to own not just her master recordings, but every video, photograph, everything associated to her career. She chose to leave.”

0

Big Machine Records chief Scott Borchetta is not letting Taylor Swift attack him without comment. He’s posted long rejoinder called “So, It’s Time For Some Truth…”

This whole deal has turned into public brawl on social media among Swift, Braun, his wife, and Borchetta, not to mention Justin Bieber. This is very bad behavior on the part of everyone. Swift’s fans are going to believe her blindly, but it’s disingenuous of her to claim ignorance about what’s happened. She’s too smart for that.

And here it is…

“So, it’s time for some truth…

In regard to a post earlier today from Taylor, it’s time to set some things straight.

Taylor’s dad, Scott Swift, was a shareholder in Big Machine Records, LLC. We first alerted all of the shareholders on Thursday, June 20th for an official shareholder’s call scheduled for Tuesday, June 25th. On the 6/25 call the shareholders were made aware of the pending deal with Ithaca Holdings and had 3 days to go over all of the details of the proposed transaction. We then had a final call on Friday, June 28th in which the transaction passed with a majority vote and 3 of the 5 shareholders voting ‘yes’ with 92% of the shareholder’s vote.

Out of courtesy, I personally texted Taylor at 9:06pm, Saturday, June 29th to inform her prior to the story breaking on the morning of Sunday, June 30th so she could hear it directly from me.

I guess it might somehow be possible that her dad Scott, 13 Management lawyer Jay Schaudies (who represented Scott Swift on the shareholder calls) or 13 Management executive and Big Machine LLC shareholder Frank Bell (who was on the shareholder calls) didn’t say anything to Taylor over the prior 5 days. I guess it’s possible that she might not have seen my text. But, I truly doubt that she “woke up to the news when everyone else did”.

I am attaching a few very important deal points in what was part of our official last offer to Taylor Swift to remain at Big Machine Records. Her 13 Management team and attorney Don Passman went over this document in great detail and reported the terms to her in great detail.

Taylor and I then talked through the deal together.

As you will read, 100% of all Taylor Swift assets were to be transferred to her immediately upon signing the new agreement. We were working together on a new type of deal for our new streaming world that was not necessarily tied to ‘albums’ but more of a length of time.

We are an independent record company. We do not have tens of thousands of artists and recordings. My offer to Taylor, for the size of our company, was extraordinary. But it was also all I could offer as I am responsible for dozens of artists’ careers and over 120 executives and their families.

Taylor and I remained on very good terms when she told me she wanted to speak with other record companies and see what was out there for her. I never got in her way and wished her well.

The morning that the new Taylor/UMG announcement was going to be made, she texted me shortly before letting me know that the announcement was coming in a few minutes.

As we both posted on our socials, we saluted each other and cheered each other on.

Taylor had every chance in the world to own not just her master recordings, but every video, photograph, everything associated to her career. She chose to leave.

As to her comments about ‘being in tears or close to it’ anytime my new partner Scooter Braun’s name was brought up, I certainly never experienced that. Was I aware of some prior issues between Taylor and Justin Bieber? Yes. But there were also times where Taylor knew that I was close to Scooter and that Scooter was a very good source of information for upcoming album releases, tours, etc, and I’d reach out to him for information on our behalf. Scooter was never anything but positive about Taylor. He called me directly about Manchester to see if Taylor would participate (she declined).

He called me directly to see if Taylor wanted to participate in the Parkland March (she declined). Scooter has always been and will continue to be a supporter and honest custodian for Taylor and her music.

This is the text Taylor sent to me on Monday, November 19th at 8:57am:

Scott,

I hope this finds you well. Since communication ran dry on our negotiations, I’ve done what I told you I would do and gone out exploring other options. Owning my masters was very important to me, but I’ve since realized that there are things that mean even more to me in the bigger picture. I had a choice whether to bet on my past or to bet on the future and I think knowing me, you can guess which one I chose. I also saw a rare opportunity to effect positive change for a lot of other artists with the leverage I have right now. I know you believe in the same things I do and I’d like to think you would be proud of what I’ve negotiated for in my deal. I wanted to tell you first that I’ll be signing with Lucian. I honestly truly cherish everything you and I have built together and I plan on saying so in my announcement of the new deal. What we accomplished together will be a lasting legacy and a case study on excellent partnerships, and may it continue. I still view you as a partner and friend and I hope you feel the same. Sending you a hug and my most sincere gratitude.

And SO much love,

Taylor

Here is the text I sent on the evening of June 29 at 9:05pm:

Dear Taylor,

Hope all is well and congratulations on the success of your first two singles from “Lover”!

I can’t wait to hear the entire album…

I wanted to pass along to you the same courtesy that you passed along to me in regard to my future.

Tomorrow morning (Sunday, June 30th) at 10a central, the Wall Street Journal will announce that I am entering into a merger/acquisition with Scooter Braun and Ithaca Holdings. This move will give us more pop culture super-power than ever before and I’m so excited about the future.

I want you to know that I will continue to be the proud custodian of your previous works and will continue to keep you and your team abreast of all future plans for releases of you work.

Nothing but the best,

Scott

Scooter Braun’s Wife Snaps Back at Taylor Swift on Instagram: “You were given the opportunity to buy your own masters, you passed”

0

Scooter Braun’s wife has jumped into the melee over the sale of Taylor Swift’s masters to her husband. Yael Cohen Braun has posted a comeback to Instagram, claiming that Swift had a chance to buy back her own masters but passed. This is turning into a great brawl on social media. Swift fans are going crazy attacking Braun and his client, Justin Bieber. Now Mrs. Braun is in the mix. Keep rocking, all of you!

Taylor Swift vs. Justin Bieber as His Manager Buys Her Music Catalog Including Master Recordings for $300 Million– And’s She Furious

0

The company for which Taylor Swift recorded all her hits up through her last album, “Reputation,” has been sold. The new owner is Scooter Braun, manager of Justin Bieber and Ariana Grande, who paid $300 million.

Last year, Swift walked away from that company, Big Machine Records, for a rich contract with Universal Music’s Republic Records. Now she’s furious that Big Machine’s owner sold the company to Braun, who is also aligned with her mortal enemy, Kanye West.;

Swift has issued a statement decrying the deal. But Braun can’t be blamed here, neither can Borchetta. The question comes back to why Swift walked away from her master recordings at all. With her money, she could have bought Big Machine herself. After famous stories of artists trying to recover their masters– think Prince and Warner Bros. — it’s mind boggling that she took a deal in which she abandoned her own work.

Swift wrote: “For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.

Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I’ve received at his hands for years.

Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.

This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.

When I left my masters in Scott’s hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words ‘Scooter Braun’ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didn’t want to be associated with them. In perpetuity. That means forever.

Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scott’s hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.

I will always be proud of my past work. But for a healthier option, Lover will be out August 23.”

Well, that’s nice. Borchetta responded with a cheerful letter to his “troops.” Why not? He’s now really, really rich.

Billboard claimed that Taylor’s father, Scott Swift, was at the Big Machine board meeting last week and knew all about this. But Taylor’s publicist, Tree Paine (her real name) told People magazine: “Scott Swift is not on the board of directors and has never been. On June 25, there was a shareholder phone call that Scott Swift did not participate in due to a very strict NDA that bound all shareholders and prohibited any discussion at all without risk of severe penalty. Her dad did not join that call because he did not want to be required to withhold any information from his own daughter. Taylor found out from the news articles when she woke up before seeing any text from Scott Borchetta and he did not call her in advance.”

So, it’s a mess. In addition, Justin Bieber reacted by posting a diatribe to Swift on Instagram. (I love how these kids fight on social media like they’re in high school. Zillions of dollars are at stake.) He wrote:

“Hey Taylor. First of all i would like to apologize for posting that hurtful instagram post, at the time i thought it was funny but looking back it was distasteful and insensitive.. I have to be honest though it was my caption and post that I screenshoted of scooter and Kanye that said “taylor swift what up” he didnt have anything to do with it and it wasnt even a part of the conversation in all actuality he was the person who told me not to joke like that.. Scooter has had your back since the days you graciously let me open up for you.! As the years have passed we haven’t crossed paths and gotten to communicate our differences, hurts or frustrations. So for you to take it to social media and get people to hate on scooter isn’t fair. What were you trying to accomplish by posting that blog? seems to me like it was to get sympathy u also knew that in posting that your fans would go and bully scooter. Anyway, One thing i know is both scooter and i love you. I feel like the only way to resolve conflict is through communication. So banter back and fourth online i dont believe solves anything. I’m sure Scooter and i would love to talk to you and resolve any conflict, pain or or any feelings that need to be addressed. Neither scooter or i have anything negative to say about you we truly want the best for you. I usually don’t rebuttal things like this but when you try and deface someone i loves character thats crossing a line..”

New York Is Allowing Developers to Kill the City: 70 Year Old West Side Highway Car Wash Closes, Fabled Paris Theater Shuttering, Bank Replacing Coffee Shop

I was pretty shocked last night when I realized the West Side Highway car wash has closed after over 70 years. With its brilliant neon sign, the Car Wash has been a landmark at 46th Street, a bustling hub of human activity 24 hours a day. It was a signal of New York’s now- lost slogan, “The city that never sleeps.”

The city has been killed in its sleep.

Greedy developer MKF Realty has bought the building that houses the Car Wash and the building next door. In the terrifying trend to destroy the west side (see Hudson Yards) with suburban glass structures and malls, MKF is planning some antiseptic complex that no one will ever use, and will be devoid of human life. According to the Real Deal, MKF spent $69 million to accomplish this feat.

Forget about the fact that on the West Side, we have almost no gas stations or car washes. Supermarkets are also disappearing. All that’s left are these large glass boxes, and zillion dollar condominiums. Why would anyone want to live in a city with no quirks, no small buildings, odd shops, and history? Just to stay at home and watch Netflix and order from Amazon or Uber Eats? That is not a city. That is hell.

Meantime, it looks like The Paris Theater across from the Plaza Hotel will close this summer, also after 70 years. The Paris Theater is the last free standing single screen movie theater in New York. The developer, Sheldon Solow, will probably invite a Sephora or a bank to take the space. The Paris, also with its famed neon sign, was a beacon of art and sophistication that made Grand Army Plaza iconic for people around the world.  It was also the only theater left to showcase fine independent and foreign films. But Solow, like so many other greedy, artless people before him, is eager to kill the New York we knew and loved. Disgusting. Apparently his son, named Stefan Soloviev (he took the original family name) is behind all this. He will watch blockbuster films on a huge home screen and laugh at all of us. Beautiful.

Jeremiah’s Vanishing New York website–the best for New York history updates– reports that Union Square’s Coffee Shop, which closed after almost 30 years, will mostly be replaced by a Chase Bank. What’s left will get a chain deli like an Au Bon Pain or Pret a Manger. You just want to throw up. Coffee Shop’s rent was raised so high they couldn’t stay. Their sidewalk cafe was one of the thrills of the “new” Union Square after the park was lowered and life sprang from it.  Aside from the Farmer’s Market, the west side of Union Square is becoming a dead zone.

Elsewhere: up and down Sixth Avenue from Houston to 14th St. there are long stretches now of empty retail space. It’s like an episode of “The Walking Dead.” All the places where life congregated are being wiped out. Some idiot bought the building at Carmine and Bleecker and closed the beloved 50 year old Spaghetto Trattoria. The whole block on the east side of Sixth between 8th St. and Washington Place, which once housed Barnes & Noble/B Dalton and Duane Reade, is empty except for the 99 cent pizza place and Grab & Go over the subway entrance. The big digital clock on top of the building, also a beacon, is long gone.

Up at the corner of 14th and Sixth, something really sinister is going on. The beautiful art deco bank building on the northwest corner has been leveled. Across the way, where Moscot Eyeglasses’ yellow and black sign indicated signs of life, that building is also coming down. In their places will be more luxury condos. And so on and so on and so on. A lot of people blame Mike Bloomberg for all this. DeBlasio, however, has carried out the destruction of New York very well on his own.

Rock Music Sells on Screen: Beatles Movie “Yesterday” Surprises with $17 Million Weekend, Plus Elton John’s “Rocketman” Crosses $160 Mil

0

Is this the real life?

“Bohemian Rhapsody” certainly opened the door to a new genre of films.

Over the weekend, “Yesterday”– the movie with 17 Beatles songs — made $17 million. The film overperformed, outsmarting experts who put it at $15 million. Word of mouth sold it. So many people have told me it’s their favorite movie so far this year! The Beatles received $4.5 million for use of their songs, which now may seem like a bargain to Sony Music Publishing.

And then Elton John’s “Rocketman” has shown very sturdy “legs” after 31 days. The Honky Cat has raked in almost $85 million in the US, and over $160 million total worldwide. What’s interesting about “Rocketman” is that week to week, the drops are minimal. Also word of mouth has worked, as moviegoers have obviously told their friends to go see it.

All of this portends very well for Liesl Tommy’s Aretha Franklin movie, “Respect,” starring Jennifer Hudson, if it ever gets off the ground.

 

We Will Always Love Her: Whitney Houston Single Hits Number 1 Seven Years After Death, Full Album is Coming (Exclusive)

0

Whitney Houston is number 1. On Saturday morning, Whitney’s cover of Steve Winwood’s “Higher Love,” remixed by Kygo, hit the top of the iTunes charts.

This morning the single is number 3. But it’s a solid hit, streaming like crazy according to Spotify, on their US and Global charts.

I am told EXCLUSIVELY that an album will follow later this year with other unreleased and live tracks remixed.

The idea for “Higher Love” came from a meeting Whitney’s team had with the folks at Larry Mestel’s Primary Wave music publishers.  “Seth Faber suggested we get Kygo to listen to some tracks,” says a source. “And it just went from there.”

Originally the meeting was for remixes for Sony’s Legacy label, which has had a lot of success with Bob Dylan reissues and so on. But once everyone heard “Higher Love,” the project moved to sister label RCA, which could manage radio play for an actual chart hit. Kygo, as it happened, is on RCA.

Of course, Clive Davis, Whitney’s impresario, gave his blessing and signed off on the project.

What a lovely turn of events for Whitney, her family and fans. She sounds fresh as a daisy on the single, recorded in 1990 when her voice was at its very best. and she was healthy and free of scandal. It’s the way she should be remembered, as the greatest voice of her generation.

Hey–about a Record of the Year nomination from the Grammys?

Collateral Damage: Georgia Film Festival in Macon Can’t Get Celebrity Honorees Thanks to New Anti-Abortion Law, Savannah May Be Next

0

Georgia’s harsh new anti-abortion law — already causing film companies to re-evaluate shooting in the state — may cause collateral damage for film festivals.

August 16th is just around the corner and according to sources, The Macon Film Festival still has no celebrity guests or an honoree. “No one wants to go there now,” says an insider. Things have gotten so desperate that the Festival has told potential guests they will donate several thousand dollars to a pro-choice organization. But so far, no one’s biting.

Film festivals even in the most remote places depend on some celebrities coming to them. In the past, Macon has had Matthew Modine, the late Burt Reynolds, and many others. (Ironically, the weird world of small town film festivals was depicted in Reynolds’ final movie, Adam Rifkin’s “The Last Movie Star.”)

The Macon situation is a bad omen for the bigger Savannah Film Festival which comes later this fall. Last year, Savannah was brimming with stars including Hugh Jackman, Emily Blunt and John Krasinski, Armie Hammer, and Maggie Gyllenhaal. Would they have attended if the anti-abortion law was in effect last year? Not likely.

The Macon Festival is mostly for little seen independent films. Last year’s winner was the little seen “Bullitt County,” directed by David McCracken with a cast of largely unknown names (except, oddly, for Dorothy Lyman). But Savannah is all about stars, and getting big films. Their situation could be compounded by directors not wanting their movies shown at a Georgia festival.

Already several filmmakers have said they will not shoot in Georgia because of “the heartbeat” bill aka HB 481 including “The Wire” creator David Simon and his Blown Deadline Productions, Killer Films CEO Christine Vachon (“Carol,” “Vox Lux”), Mark Duplass and his Duplass Brothers Productions and “Triple Frontier” producer Neal Dodson on behalf of his CounterNarrative Films alongside J.C. Chandor.

Additionally, actress-activist Alyssa Milano wrote a letter to Georgia governor Brian Kemp vowing not to work in Georgia until the bill is reversed. It was signed by dozens of actors who could very well be in films chosen for a film festival in the Peach State.

Broadway: Liberace Musical Based on HBO Movie “Behind the Candelabra” Finally on the Way, Producers Want Bradley Cooper

0

Liberace and his glittering pianos are finally on track for Broadway.

For the last couple of years, movie producer David Permut–who just produced the all-star Mueller Report reading– has been trying to line up the right elements for this project.

But now all systems seem ‘go.’ Permut has got the rights to HBO’s award winning mini series, “Behind the Candelabra,” which starred Michael Douglas as Liberace and Matt Damon as his lover, Scott Thorson. The mini series won tons of awards.

Permut tells me now it’s time to think about who will play the flamboyant superstar. In a perfect world, he wants Bradley Cooper. Now that we know Cooper can sing and play instruments, this makes sense. It’s a potential Tony Award winner.

The prospective director would be Christopher Ashley, who won the Tony in 2017 for “Come from Away” and is the director of the La Jolla Playhouse. “Behind the Candelabra” will start there.

No word yet on who would write the score. Elton John and Bernie Taupin should do it, really. (But maybe if Cooper signs on, so will Lady Gaga.) Think of it, though: “The Cher Show” plus “La Cage Aux Folles” divided by “Tootsie” equals “Liberace.”

Interesting story about the rights. Liberace is a public figure, but Thorson had to give his ok. It turns out he’s been in a Nevada state prison since January 2014 when his bail was revoked from a drug sentence. Apparently, the one person who could get to him was Bob Zmuda, friend of the late Andy Kaufman (and the man who helped give us “Man on the Moon.”) Six degrees of Andy leads straight to Liberace. It makes some kind of weird sense.

Exclusive: By the way, Permut was cagey but apparently the all-star Mueller show called “The Investigation” is headed to Washington DC next, maybe before summer’s end. In the meantime, you can see the original here.

“Avengers: Endgame” Strategic Re-release to Beat “Avatar” at Box Office Pffts as Fans Deride New Included “Extras”

0

The plot to get “Avengers: Endgame” past “Avatar” on the all time box office list has gone south. It’s evaporated like the people in Theranos’s blip.

Marvel-Disney added a minute of extra footage to “Endgame” this weekend, plus a Stan Lee tribute, hoping to lure fans back into theaters. “Endgame” is around $40 million behind “Avatar” on the adjusted-for-inflation all time box office list.

But fans smelled a rat. The minute, according to a fan website, is not newsworthy. Plus. there were no additional scenes added to the credits. Indeed, there was no reason to go back and see “Endgame” a fifth or sixth time. All this stuff can be caught on the DVD.

“Endgame” made only $1.8 million last night. If the weekend take is only $5 million, Marvel would have to keep this up for the rest of the summer. But there will be diminishing returns. The $40 million may not be worth it.

As it is, “Endgame” is still $100 million behind “Star Wars: The Force Awakens” on the real all time list. So why bother? They’re both owned by the same company: Disney.

Plus, by next week Marvel fans will have moved over to “Spider Man: Far from Home” to get the next chapter in the ongoing saga of super heroes including what happened after Tony Stark’s funeral. It’s sort of amazing how Kevin Feige and the Marvel time have woven together all this stuff, even if it makes no sense in the history of comic books. In my day (which is long ago, in another galaxy) comic book super heroes rarely crossed over into other stories. Now they all know each other. It’s like “As the Marvel World Turns.” Good for Feige. (Maybe he got the idea from “Who Framed Roger Rabbit?”.)

 

Review: Suspend Disbelief for “Yesterday” Quirky Fun for Beatles Fans New and Old

0

Go for the Beatles ride and see the delightful “Yesterday” the summer’s feel good movie.  Written by Richard Curtis and directed by Danny Boyle, “Yesterday” has a quirky and clever concept.   Struggling musician Jack Malik, played appealing by Himesh Patel, gets hit by a bus during an unexplained global blackout.  He regains consciousness in a world that no one has the slightest idea who the Beatles are.  They never existed in his new warped reality.

Intrepid Jack has a lightbulb moment: he writes down all the Beatles songs he remembers then starts performing them as his own. Rapidly he gains attention, including that of his local neighbor Ed Sheeran (who is actually quite funny and self -deprecating) and becomes a worldwide sensation. Along the way his childhood best friend and erstwhile manager/schoolteacher by day, a lovely Lily James, his devoted parents played wonderfully by Meera Syal and Sanjeev Bhaskar, his lovable sidekick Rocky, a funny Joel Fry, accompany him on his surreal journey.

One of the funniest scenes of the film is Jack playing “Let It Be” for his parents, with constant comic interruptions.  Kate McKinnon is hysterical as his new ruthless, shark-like Hollywood manager appropriately named Debra Hammer.  Does Jack convince the world he wrote them all himself? Yup.  Do you believe it?  Not really, but who cares?  There is a twist towards the end that is truly poignant and brings tears.  There’s a sweet romantic thread as well.  So suspend your disbelief, cynics be damned, “Yesterday” strikes all the right fantastical Beatle’s chords and cannot help but bring a smile to your face.