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RIP Danny Aiello, the Great Actor, Loved by Everyone, Known for “Do the Right Thing,” “Moonstruck,” “The Professional”

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Danny Aiello was like the New York actor. He was a hit here before he was a hit anywhere. Everyone in New York knew him from the movies and loved him. He was our guy. And he responded that way, too. He loved everyone he met. He became friends with everyone, on a first name basis. You could tell he loved life, and appreciated his fame. He died at age 86 yesterday, and there’s an outpouring of love for him all over social media.

I could say I knew him, but he knew everyone and everyone’s names. Even if he hadn’t seen you in a while, Danny acted like you were long lost friends. He was the kind of person who made you feel good for his success.

And that success: “Godfather II.” “Fort Apache: The Bronx.” Two Woody Allen movies, “Purple Rose of Cairo,” “Radio Days.” “Moonstruck.” And then “Do the Right Thing” brought him the celebrity, the Oscar nomination, all the accolades. He was off and running. Wherever he went people wanted to hug him. That’s what you did before everyone started asking for a picture. In Elaine’s, if he stopped by, they’d be talking about it for days. Danny Aiello was here.

Thanks, Danny. It was great knowing you. The funny part now will be people going back to the old movies, and saying, Look, it’s Danny Aiello. He’s in every movie. It seemed like that.

Review: On “Fine Line,” Harry Styles Has Studied the 70s and Sung it Back to His Teen Fans: Stephen Stills Will Get a Good Laugh

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Harry Styles is a nice kid, a cute kid, with acting chops, a mandate to be a pop star. I don’t think he cares about the latter. He didn’t seem to care in One Direction, where Niall Horan was clearly the musician. Harry was the Cute One, waiting to figure out what to do with his life.

It takes a village to make an album for him. So on his second solo effort, “Fine Line,” Harry and his pit crew have studied the best of the early 70s and sung it back to his teen — mostly girl– fans. It’s not a bad idea. The only people who might object are the ones whose ideas were “borrowed.” On this record that would be Stephen Stills, Paul McCartney, Crowded House, and a few others.

The fact that Harry is an amiable presence, a guest at his own tribute, makes “Fine Line” pass without any trouble. He’s already released three singles, the best of which– “Lights Up” — did the worst. “Watermelon Sugar” is catchy and short and totally meaningless. “Adore You” sounds like Crowded House, and things could be worse.

There’s a six minute track that’s like a Paul McCartney fest called “She.” I could only listen to the first couple of minutes because Paul would have cut it there and added two more two minute chapters to make one of his famous triptychs. he lets the band perform a very 70s-esque instrumental, too.

The new song I kind of liked best was “Treat People with Kindness.” This is written by Ilsey Juber, daughter of former Wings player Laurence Juber. It’s very mid 70s Paul, and not unwelcome. (Harry so reveres solo McCartney that he named the album and its title song for a recent Paul single.)

Stephen Stills: Harry and pals studied “Love the One You’re With” and “Suite: Judy Blue Eyes.” They came up with a backing vocal on “Golden” and a whole song– “Canyon Moon”– that’s a tribute to CSN circa 1969.

Styles’ crew consists of Jeff Bhasker, Thomas Tull, and Tyler Johnson. They are his group, his producers, his writers, his tailors. He’s their voice. There’s nothing wrong with that. They’re like his own Wrecking Crew. He’s lucky to have them. I’m not unhappy they exist. Harry Styles is never going to be Elvis Costello. He has no ideas of his own. But he’s clever at arranging himself around these ideas. And it works.

This isn’t a put down. You root for him. At a time when there are few male solo acts, Styles’ career is important. Girls are going to scream. He’s not offensively ignorant like Justin Bieber, which also helps. He’s clever and charming. And that goes a long way.

PS The last song on the album is the title track. It was left off the digital press stream, so I’m just listening to it now. It’s over 6 minutes long. It’s got that faux McCartney-Crowded House sound. Harry’s team definitely went for a sound on this album that was dreamy and richly layered orchestrally, lots of bass and falsetto. Acoustic guitar floats over the top. The feel is Beatles as you wanted them to be. What’s interesting is that the lyrics to all of these songs are sexless. They want to be thought of as ‘general entertainment.’ Everyone’s included, no one gets hurt.

UPDATE : “Playmobil” Movie, With $75 Million Budget, Made Just $11 Per Theater Thursday Night at 2300 Locations

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FRIDAY NIGHT UPDATE: “Playmobil,” an animated film based on a children’s toy, made just $11 per screen Thursday night at 2,337 locations. The film cost $75 million to make, and has so far earned just $797,702 in 7 days. On Wednesday night, it made $17 per screen.

For new studio STX this is quite a disaster. It’s especially heartbreaking since STX’s fortunes were looking up with the success of “Hustlers” and Jennifer Lopez getting some nice awards attention. Earlier this year, STX also had a hit with “The Upside.” Each of those films made over $100 million.

But “Playmobil” is a total write off. Reviews were terrible, too, coming in at 16% on Rotten Tomatoes. It’s not like the bar is that high. The goal here is to make something where you can park kids on the weekends. The movie ticket price is supposed to be a bargain compared to a baby sitter. But if the movie is so bad that even that can’t happen, you know you’re in trouble!

“Playmobil” is directed by Lino DiSalvo. It’s his first directing job, but he was head of animation on “Frozen.” These days, such a failure could mean DiSalvo directs the next “Star Trek” movie.

Playmobil is a toy for small children– very small. It’s owned by German company, Brandstatter. It’s a little unclear if they licensed the product or invested their own money in the movie. The credits include 21 different producers including the husband of Princess Grace’s granddaughter, Dmitri Rassam.

The Murdochs Become the Clampetts as Rupert’s Son Buys Jed and Granny’s Bev Hills Mansion for $150 Mil

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Mr. Drysdale and Miss Hathaway will be right over with the paper work!

Rupert Murdoch’s son, Lachlan, has reportedly bought the mansion used for “The Beverly Hillbillies” for $150 million.

Can we cast this show? Lachlan is Jethro. Rupert is Jed Clampett. Rupert’s mom, who lived to be 104, is Granny. Jeri Hall is Ellie Mae. James Murdoch? He can be Jethro’s long lost twin.

No one better to play Milburn Drysdale, the idiot banker, than Donald Trump. And Miss Jane Hathaway? Why, that credit goes to Kellyanne Conway.

Seriously, Lachlan Murdoch paid $150 million for the Bel Air mansion used to depict the Clampletts’ home. You may recall they struck oil in the Ozarks and moved to the Hills of Beverly.

The Clampetts came from Hooterville, which is sort of the equivalent of Australia. They left behind the cast of “Petticoat Junction”– which could be played by the Kardashian family. Imagine Caitlyn Jenner popping out of the water tower after a quick dip on a hot day!

The Murdochs are generally thought to be the inspiration for HBO’s searing satire, “Succession.” But suddenly this all makes much more sense!

 

Shakespeare Gets a Raw Deal in 2019: Netflix “The King” Movie Drops His Name, “West Side Story” Cuts Romeo and Juliet Balcony Scene

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William Shakespeare is having a bad year.

First, Netflix’s “The King,” starring Timothee Chalamet, dropped his name and all reference to him in the advertising. “The King” is based on Shakespeare’s “Henry” plays (Henry the Fourth Parts 1 and 2, Henry V). But you’d never know it from promotion. We’ve fallen a long way from “William Shakespeare’s Romeo and Juliet.” for example, Baz Luhrmann’s 1996 extravaganza with Leonardo Di Caprio and Clare Danes.

But “The King” is only the first wound for the Bard of Avon this year. Now comes news from the Broadway Theater that all traces of Shakespeare are gone from the new production of “West Side Story.” The famed and revered musical is based on “Romeo and Juliet,” if you recall. Lovers Tony and Maria are supposed to come from different sides of the tracks. He’s a fair haired Polish American kid. She’s a gorgeous Puerto Rican transplanted to New York. Their respective friends hate each other.

“West Side Story” is so much based on “Romeo and Juliet” that it features a famous balcony scene in which Tony approaches Maria, climbs her fire escape, and they sing the great song, “Tonight.”

Alas, the balcony, according to sources, is gone from Ivo van Hove’s “WSS,” which has had two preview performances this week. It opens February 6, 2020. But one audience member tells me, “There’s no balcony because there are no sets.” No sets? “No sets. The whole show is performed on a bare brick stage painted black. A large back wall, large enough to be Fenway Park’s big green wall, is a massive video projection.”

Shakespeare should sue! One of his most famous lines is “But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun.” Juliet is standing on the balcony. But in the new “WSS,” Juliet– er, Maria– is apparently cheated out of her big moment.

Other changes to “West Side Story” besides no sets? We already know the Jerome Robbins choreography is gone. So is the song “I Feel Pretty,” and a ballet that follows the song “Somewhere.” I’m told the “Gee Officer Krupke” song, which used to be comedic, is now pretty dark. and Officer Krupke holds a gun on the gang members while they serenade him.

Hmmmm….I guess someone outta brush up their Shakespeare!

 

Sir Bob Geldof Celebrates with 1st Boomtown Rats Album in 36 Years, New Book and Film Coming As Well

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Sir Bob Geldof is back in circulation. On Monday he aced performances at Sting’s Rainforest concert with his big Boomtown Rats hit, “I Don’t Like Mondays” and Elvis Costello’s Nick Lowe anthem, “What’s So Funny About Peace, Love and Understanding.”

Now we see why Geldof is ginned up. He’s got his first Boomtown Rats album in 36 years, called “Citizens of Boomtown.” It’s released in March 2020 on BMG Records. Produced by Rats bassist Pete Briquette, it will be available on digital platforms, CD and vinyl. The first single ‘Trash Glam Baby’, a beautifully sleazy rocker, will be released on January 10, 2020. The Rats consist of Bob Geldof on vocals, Pete Briquette on bass, Simon Crowe on drums and Garry Roberts on guitar.

Geldof and the Rats were right in the middle of the Punk/New Wave movement late 70s, early 80s. They hit their peak with the very prescient “I Don’t Like Mondays,” a song about a girl who shot up her school. It was based on a real story then– in January 1979, 16 year old Brenda Spencer said she killed the principal at Grover Cleveland Elementary School in San Diego because she didn’t like Mondays. (She also wounded 8 children and a police officer). It seemed ludicrous at the time. But it became an epidemic all too soon after that.

The Rats had 6 albums, Geldof put out 7 albums but something else happened: Live Aid. Geldof put together the international 1985 weekend concert to stop starvation in Ethiopia, and it became a phenomenon. Suddenly he was the face of rock and roll worldwide philanthropy. He was even knighted by Queen Elizabeth. Thanks to Geldof, unknown millions of lives were probably saved and still are.

But the rocker never goes away. So he’s got a new album, a tour, a book, and a documentary coming. And it’s about time!

“Indeed if anything”, says Geldof “it was time to hear THAT noise again. But I only knew that when I heard this group of individuals re-constitute their specific racket”.

Were they not afraid of a sort of cozy or complacent nostalgia smothering the original vitality of the music?

Geldof responds: “Had that happened I’d have instantly knocked it on the head, but when we played “Someone’s Looking At You’ I found I was singing now about the dangerous corporate surveillance of Facebook, Apple, Google, ever-on “smart’ shit whose product is ‘You’. When we do ‘I Don’t Like Mondays’ I’m thinking of last week’s mass killing. When it’s ‘Banana Republic’, it is now the death of the American Republic. When it’s ‘Rat Trap’, that abattoir I worked in and where I wrote the song, now still serves as a physical metaphor, not just for the death of the animals there, but the hopelessness of the human lives that worked there. It still works for that same reason. There is no nostalgia here. None.”

Larry David is Back for Season 10, Year 20 of “Curb Your Enthusiasm”: Guests Include Jon Hamm, Laverne Cox, Richard Kind, Cheryl Hines, Etc

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Larry David is back with “Curb Your Enthusiasm” on January 19th at 10:30p on HBO. It’s the 10th season, although the show began longer ago than that. Like say, October 2000. Yes, it’s twenty years of Larry crabbing and annoying people. Thank god.

What a pleasure to see Larry back with his gang including Jeff Garlin, Susie Essman, JB Smoove, Richard Lewis, Cheryl Hines and Richard Kind. But he’s also got Jon Hamm, Ted Danson, Esai Morales and many other special guests. Glad to see Carol Leifer is co-producing. One of the greats.

Between the new season and Larry doing Bernie Sanders on “SNL,” this should be a good year for comedy.

Susan Sarandon, Tim Robbins Executive Produce and Act in Son Jack’s Feature Film Directing Debut, “VHYES” Coming in January

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Well, all the best showbiz genes have lined up for Jack Henry Robbins.

The son of Oscar winners Susan Sarandon and Tim Robbins has written and directed his first feature film, called “VHYES.” It will be released next month by Oscilloscope.

Sarandon and Robbins not only executive produced the film, they act it in as well. The film is part of a kickstarter fundraising program that raised $25,000 this fall.

The film is described in a press release: “A bizarre retro comedy shot entirely on VHS, “VHYes” takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents’ wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralph’s reality. A hypnotic narrative told through hundreds of criss-crossing vignettes and a mix of absurdist comedy, sincere drama, music, and just a touch of horror, this wholly original feature debut expertly walks the fine line between complete lunacy and total sincerity. ”

The cast includes mostly indie actors, unknown to us, except for Thomas Lennon.

There are 12 EPs and producers including Sarandon, Robbins, and Stella Schnabel, daughter of artist Julian Schnabel.

I don’t know how the film will turn out, but the party should be amazing. Stay tuned!

PS Jack’s brother Miles has a burgeoning acting career. He’s been a regular on “X Files” and “Mozart in the Jungle,” plus he has three or four movies already shot for release this coming year.

Oscar Winning Director Roman Polanski Says He Will Never Return to US, Feels Like a “Leper”

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Roman Polanski has given his first ever extensive interview, to PAris Match. It’s a wide ranging interview about his 1978 rape case, Sharon Tate, his movie now about the Dreyfus affair, his family. He says below that he feels like a “leper” in Hollywood, will never return to the US for fear of being arrested. He still talks to his old pals, he says, although it’s unclear whether that’s true. Polanski says he blames Harvey Weinstein for dredging up the rape case in 2003, when his movie “The Pianist” was pitted against Harvey’s “Chicago” at the Oscars. But Polanski forgets that Weinstein produced a letter with the names of 200 directors who backed Polanski when he was in trouble, took out an ad in the New York Times, and convened a gathering of dozens of directors in New York to support Polanski.

The Academy of Oscars has excluded you in 2018. Does this make you bitter?

It makes me rather smile. For years, they gave me nominations. In 2003, they ended up giving me an Oscar, all after the events for which they saw me now. It indicates the change of time.

Do you feel like an outcast in Hollywood? Worse, a leper.

Your friends at the time, Warren Beatty, Jack Nicholson, do not support you anymore?

When we call ourselves, we talk about our families, movies, not that kind of thing.

Will you ever return to the United States?

No. If I did, I would be thrown into jail when there was no motive. And do not forget that all these crazy ideas that I reproach come from this country, which has become crazy. Recently, on my Google page, someone added me a third child with the name of the baby that Sharon was carrying, with whom she was buried. I had to send lawyer’s letters, threatening a lawsuit to have him removed. Today, someone can rewrite your biography, and you can do almost nothing …

2020 SAG Awards Surprise Snubs: “Little Women,” Clint Eastwood, De Niro, Gives Push to “Parasite,” “Jojo Rabbit”

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Here are the nominations this morning for the SAG Awards. In past years the Ensemble Award has been a pretty close sign of the Academy Awards. It’s not always the case, but more often than not it’s spot on because the SAG voters are the biggest constituency within the Academy.

The snubs are crazy : no Saoirse Ronan for “Little Women” or anything for that movie. No “Marriage Story” in Best Ensemble. No De Niro for “Irishman.” Nothing for Clint Eastwood’s “Richard Jewell.” Also missing anything for “The Two Popes.”

Scarlett Johansson received two nominations, for “Jojo Rabbit” in supporting and “Marriage Story” in lead.

One big surprise nomination: Taron Egerton as Elton John in “Rocketman.” Good for him!

Other awards already announced did not include Nicole Kidman or Jamie Foxx, each of whom deserves to be included.

The only nomination from network TV is Sterling K. Brown for “This Is Us” from NBC.

 

Best Supporting Actor: Jamie Foxx, Tom Hanks, Al Pacino, Joe Pesci, Brad Pitt

Best Supporting Actress: Laura Dern, Scarlett Johansson, Nicole Kidman, Jennifer Lopez, Margot Robbie

Best Actor: Christian Bale, Leonardo DiCaprio, Adam Driver, Taron Egerton, Joaquin Phoenix

Best Actress: Cynthia Erivo, Scarlett Johansson, Lupita Nyongo, Charlize Theron, Renee Zellweger

Ensemble: Bombshell, The Irishman, Jojo Rabbit, Once Upon a Time in Hollywood, Parasite

 

Outstanding Performance by a Male Actor in a Television Movie or Miniseries:

Mahershala Ali (“True Detective”)
Russell Crowe (“The Loudest Voice”)
Jared Harris (“Chernobyl”)
Jharrel Jerome (“When They See Us”)
Sam Rockwell (“Fosse/Verdon”)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries:

Patricia Arquette (“The Act”)
Toni Collette (“Unbelievable”)
Joey King (“The Act”)
Emily Watson (“Chernobyl”)
Michelle Williams (“Fosse/Verdon”)

Outstanding Performance by a Male Actor in a Drama Series:

Sterling K. Brown (“This Is Us”)
Steve Carell (“The Morning Show”)
Billy Crudup (“The Morning Show”)
Peter Dinklage (“Game of Thrones”)
David Harbour (“Stranger Things”)

Jennifer Aniston (“The Morning Show”)
Helena Bonham Carter (“The Crown”)
Olivia Colman (“The Crown”)
Jodie Comer (“Killing Eve”)
Elisabeth Moss (“The Handmaid’s Tale”)

Outstanding Performance by a Male Actor in a Comedy Series:

Alan Arkin (“The Kominsky Method”)
Michael Douglas (“The Kominsky Method”)
Bill Hader (“Barry”)
Andrew Scott (“Fleabag”)
Tony Shalhoub (“The Marvelous Mrs. Maisel”)

Outstanding Performance by a Female Actor in a Comedy Series:

Cristina Applegate (“Dead to Me”)
Alex Borstein (“The Marvelous Mrs. Maisel”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Catherine O’Hara (“Schitt’s Creek”)
Phoebe Waller-Bridge (“Fleabag”)

Outstanding Performance by an Ensemble in a Drama Series:

“Big Little Lies” (HBO)
“The Crown” (Netflix)
“Game of Thrones” (HBO)
“The Handmaid’s Tale” (Hulu)
“Stranger Things” (Netflix)

Outstanding Performance by an Ensemble in a Comedy Series:

“Barry” (HBO)
“Fleabag” (Amazon)
“The Kominsky Method”
“The Marvelous Mrs. Maisel” (Amazon)
“Schitt’s Creek” (CBC Television)

Stunt Ensemble in A Comedy Drama

Game of Thrones, Glow, Stranger Things, Walking Dead, Watchmen

Stunt Ensemble in a Motion Picture

Avengers Endgame, Ford v Ferrari, The Irishman, Joker, Once Upon a Time in Hollywood.