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Exclusive: Kanye’s $300 Per Ticket “Opera” at Lincoln Center Was One Hour Long, Audience Split The Minute It Ended

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Kanye West’s “opera” at David Geffen Hall, aka Avery Fisher Hall at Lincoln Center was supposed to start at 8pm last night. “Mary,” named for the virgin mother, began instead at 9:15pm. But okay, we know it’s Kanye.

“Mary” is not an opera. It’s maybe an oratorio, or just a piece of eccentric entertainment. It does not meet the minimum requirement for an opera. The characters aren’t delineated and it has no songs. It has no actual dialogue, either.

Last night, “Mary” played to a full house nonetheless. People paid $300 to sit in the orchestra, $200 to sit upstairs. It lasted exactly one hour. When it over, I have never seen a theater clear out so quickly in all my life. Poof! they were gone. Gone.That was a lot of money for one hour.

“Mary” retells the story of Jesus’s virgin conception and birth. Kanye narrated, reading the libretto aloud. It sounded like he’d never seen the words before at all. He stumbled over them, mispronouncing several including the word “Israel.” He called “Is-rah-eel.” Yikes.

At one point, Kanye shouted over the music: “No trumpet here.” The audience broke into laughter.

Most of the music– none of which Kanye wrote– was provided by a very large, enthusiastic choir. They actually provided a lovely harmonic background to the proceedings. But that is not an opera. In an opera, characters emerge to tell a story. They have songs, there are musical themes. “Mary” lacked all of that. So we were basically left with Kanye’s awkward reading of the libretto, and the choir’s repetitive harmonic underpinning.

The orchestra, I was told later, combined three local bands, none of whom had played together before last night. That said, they meshed together for a kind of interesting interweaving of jazz, gospel, and Broadway. The horn section plays with Celine Dion, I was told.

You must take this seriously. Even though Kanye didn’t write or direct the show, or write the music, he is its impresario. He gave away 300 tickets to a children’s charity to fill the room. He may have given away more than that to other groups. Let’s say he sold 2,000 seats at $300 a pop. That’s not enough to pay for this extravaganza. Did he underwrite it? Unclear.

Some notes: It was the first time I’ve ever smelled pot in Avery Fisher Hall. I asked an usher who agreed, it was a first. The smell was pungent. Even though the show was scheduled for 8pm officially, people were wandering in after 9:15. Did they just guess? Good for them. There were at least 4 long, long lines for beverages, mostly alcoholic, in the orchestra lobby. They were still serving guests when the show started. The only celebrity I saw was Michael Che from “Saturday Night Live.” Maybe there were others.

When the lights went down, West’s small children — North and Saint– were apparently seated in the front row. They began shouting at the darkened stage, prompting people near them in the audience to shout back. This went on for some time.

Will Kanye offer an album of his various operas? Or videos? He should. The cumulative effect can only be dealt with that way. But again, if his fans want to pay for the tickets, why not try this and a lot of other stage presentations? They take a leap of faith and a lot of chutzpah. He has the capacity for mountains of each.

 

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Good read: “The Song of Names” Review, Movie Opens Wednesday

“SNL” Bonanza: Eddie Murphy-Lizzo Combination More Than Doubles This Season’s Ratings, Gives Show Highest Numbers Since 2017

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“Saturday Night Live” has been drifting ratings wise this season. It’s been averaging 4 million viewers per show, even dipping to 3.9 million at one point. Not good.

But this past Saturday’s show was a ratings blow out. The combination of Eddie Murphy as host and Lizzo as musical guest brought in 9.921 million viewers. In the key demo, the number was 2.5 million of those nearly 10 million people were between 18 and 49.

These are the best numbers since 2017 when an episode of Melissa McCarthy imitating Sean Spicer earned over 10 million viewers and a 2.7 in the key demo.

Eddie’s appearance just went through the roof. All day I only heard everyone talking about it. For older fans of the show, he was the magic to bring them back or make them stay up late. Lizzo brought the young viewers. I thought she was might impressive.

Murphy did the right thing– he revived a bunch of beloved characters from Mister Robinson to Buckwheat to Gumby. He gave the public what they want, just like the new “Star Wars” movie. And they ate it up. Plus, bringing on Chris Rock, Dave Chappelle, et al during the opening monologue was really smart. I’m just sorry Tim Meadows was missing. And if Joe Piscopo had been on, instead of just referenced, that would sent the ratings even higher.

Still in all, a great episode that will be talked about for a long time. It should also get Emmy attention this summer. Eddie can only be pleased.

UPDATED “Star Wars: Rise of Skywalker” Flies to Larger Number Than Reported: $177.4 Mil, 12th Highest Weekend Opener Ever

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MONDAY The final numbers were higher: $177.4 million.

SUNDAY: “The Rise of Skywalker” had a huge opening weekend. But it was only the 12th biggest weekend in movie history.

JJ Abrams’s final chapter in the Star Wars saga is predicted to reap $175.4 million through tonight. It’s very good but not spectacular.

There was some hope it would hit $190 million, but that dream looks like it died. As with “Cats,” snark did some damage. Luckily, it wasn’t as much damage!

Of course, this could change if more people wind up going today to see the final flight of the Millenium Falcon and say farewell to the Skywalker family.

“The Force Awakens” opened with $247 million. “The Last Jedi” took $220. So that’s significant fall off. But it’s better than a kick in the bustle, as my grandmother used to say!

“Cats” Movie Box Office Disaster, Killed by Snark: Comes in Lower Than Lowest Predictions with Just $6.5 Mil Weekend

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“Cats” was a bigger disaster over the weekend than predicted. The total is $6.5 million, less than even the lowest $7.5 million anyone thought possible.

No one went? Snarkiness killed. Where were all the fans who went to see it on stage? They just stayed home and enjoyed the puns.

I have a theory that hatred of “Cats” was the result of people not being able to effect political change. They’re so angry and disappointed, they found a mutual scapegoat and went for it.

Well, that and it wasn’t so great. But still, Universal — I don’t know why– is sending out a new digital version to theaters today. Should we go back and see it again? Is there really a difference?

And who could have guessed this? Universal has done far better over all with small indie movies like “Harriet” and “Queen and Slim.” That’s the shock of the season!

Clint Eastwood’s “Richard Jewell” Movie, Thought to Be Dead, Made $1 Mil on Saturday And Lives Despite Odds

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Everyone thought the movie about “Richard Jewell” was dead. On its first weekend, the Clint Eastwood film took a drubbing. Either audiences disapproved of a scandal that had been concocted around it, or they were apathetic to the subject matter. This, despite very good early reviews and general excitement that Eastwood at 89 had made another lean, mean movie.

Well, “Richard Jewell” isn’t dead. On Friday it made 755,000. Then on Saturday it zoomed up to $1 million. The estimate for today is higher than Friday: $805,000.

If “Richard Jewell” were a person (and he was), medics would have already zapped him with paddles a couple of times, called in specialists, and did everything they could to not only revive him and but encourage his speedy recovery. So, where’s the love now for this film?

It seems like people who are going to see “Richard Jewell” are enjoying it and telling their friends. The friends are going. The box office will cross $10 million on Monday or Tuesday at the latest. Then we go into a ten day vacation period (at least a 7 day one for a lot of people). It’s possible that “Richard Jewell” will hit a sweet spot in that time. It would really happen if there were ads on TV encouraging everyone to see it.

This movie is important. It’s a cautionary tale about how fear drove the media in Atlanta, the justice system there, and local and federal law enforcement to stir public sentiment against an innocent man. Richard Jewell did not plant a bomb that blew up in the 1996 Atlanta Olympics. But he swiftly became the wrongly accused terrorist. His reputation and life were destroyed. Once the damage was done, it took years to exonerate him.

Eastwood has made a taut, exciting film with great performances from Paul Walter Hauser, Sam Rockwell, and Kathy Bates, each of whom deserves an Oscar nomination. A campaign to discredit this film caused critics groups to overlook it, and there was little help from the studio. But it’s possible the audience will save it, which would be ironic.

 

(Watch) Lana del Rey Releases Extraordinary 14 Minute Video Set to Medley of Songs from “Norman Rockwell” Album

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Lana del Rey’s “Norman F—ing Rockwell” is probably the Album of the Year should get the Grammy Award. Now Lana has released a 14 minute video set to a medley of songs from that album. It’s extraordinary, please watch it. These songs are so wonderful, their melodies are like little holiday gifts. She’s very Joni Mitchell at times, and then again not– it’s almost like the whole thing is a tribute to Joni. The director is Caroline “Chuck” Grant, Lana’s sister. Lana (Elizabeth Grant) edited the film herself. (The Grant sisters have a brother named Charlie.) What a brilliant effort. If MTV were smart, they’d play it once an hour.

The three songs are “Norman Fucking Rockwell,” “Bartender” and “Happiness Is a Butterfly.” Just gorgeous and so well composed. Lana del Rey is the most gifted of all the ladies out there right now writing and recording music. She’s just on another level. Brav-oh!

“Star Wars: Rise of Skywalker” Soars on Opening Night with $90 Mil as Audiences Discover Surprises, Plot Twists, Cameos

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“Star Wars Rise of Skywalker” picked up a cool $50 mil on Friday night. Add that to Thursday previews of $40 million, and the opening night will be recorded as $90 million.

The total for the weekend could be $190 million or higher, depending on word of mouth and the weather. Each looks pretty good, so $200 million seems possible.

LucasFilm and Disney can breathe sighs of relief. Reviews, bloggers in basements, and so on were stacked against them. Everyone wanted to kill this movie. For some reason, they expected JJ Abrams to give them some transcendent moment in which Carrie Fisher returns from the dead, Harrison Ford is de aged, and Tatouine opens a gay bar.

But “Rise” does what it’s supposed to: it wraps up 42 years, 11 movies, countless spin offs in different media. Palpatine comes back, who cares where he’s been? Chewie escapes death. Aren’t we glad? No, the bloggers wanted him to die, and have the cast seek revenge on his behalf? They also wanted Rey and Ren to marry and open that gay bar as Rey and Ren’s Truck Stop or something. No no no. Abrams did the right thing, and audiences are responding in kind.

Box Office: Audiences Refuse to Adopt Stray “Cats” Movie, As Film Claws Its Way to $7.5 Mil Weekend

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“Cats” is really on life support, I am sad to say.

Tom Hooper’s eccentric musical film of Andrew Lloyd Webber’s famous show made around $2.1 million on Friday night. Add the $550,000 from Thursday previews, and they’re in dire straits.

It’s possible that “Cats” will make $7.5 million for the weekend. But even that seems like a high number now.

Not just bad reviews, but snarky, nasty ones are killing the project. No one can stop themselves from making puns. Cliches are flying faster than fur.

And yet, “Cats” is plenty entertaining, and worth a look. Jennifer Hudson, Judi Dench, and Ian McKellen are standouts. So are the ballet performers.

CGI fur? Cats with breasts? You’ll survive.

Box Office: Clint Eastwood’s Underdog Film “Richard Jewell” Finds An Audience, Picks Up Another $755K on Friday Night

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Audiences were somehow communicated the idea that “Richard Jewell” wasn’t for them.

But with “Star Wars” pulling in kids, and “Cats” growling in a different direction, Clint Eastwood’s jewel of a film is attracting fans.

Last night, “Richard Jewell” made $755,000. It was up 84%  from Thursday. What’s happening is that adults need a movie. They’re trying Eastwood’s film, liking it, and telling their friends. The $10 million mark is in sight.

Sadly, the movie has all but been abandoned. There was a tempest in a teapot about Olivia Wilde’s reporter character being portrayed inaccurately, but that seems to have died down now.

It’s possible, too, that Academy members are watching “Richard Jewell” either at home, in screenings, or in the movie theater. There are four Oscar nominate-able performances in Eastwood’s movie, from Paul Walter Hauser, Sam Rockwell, Kathy Bates, and Wilde.

Also, just the idea of Eastwood making such a great film at age 89 is mind blowing. “Richard Jewell” is better directed than 99% of what we’ve seen this year.

So please– see it tonight. Or this week coming up. Just like “Bombshell,” “Just Mercy,” “Beautiful Day in the Neighborhood,” these are artful movies for adults made with great craft that people will enjoy if they just take the chance.

Review: What Will The “Litter” Box Office Be for “Cats? This Reviewer Liked It! That’s Some Claws for Celebration

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The cat claws are out for skewering Tom Hooper’s “Cats,” but not mine.  The mega popular Andrew Lloyd Weber Broadway musical, based on T.S Eliot’s poems from “Old Possum’s Book of Practical Cats, now is a film that is far from purr-fect but it is weirdly entertaining, fun, and poignant.

This could be a “The Greatest Showman” déjà vu, where that film was a bust with critics but the public loved it.  Director Tom Hooper (The Kings Speech, Les Misérables), who also co-wrote the script with Lee Hall, has created a moody, lush world where cats rule.  Within that world the cats sing, dance and have their own catty dramas.  The singing is wonderful and the dancing is dazzling.  Newcomer Francesca Hayward plays Victoria, and she is a charming, graceful revelation as is Robert Fairchild who plays Munkustrap.  Jennifer Hudson’s grizzled Grizabella, sings a soul searing rendition of “Memories.”  Judi Dench as Old Deuteronomy and Ian McKellen as Gus The Theater Cat are of course wonderful as well as Idris Elba as the scary Macavity.  Taylor Swift is sexy Bombalurina, James Corden as Bustopher Jones and Rebel Wilson as Jennyanydots are a bit muggy but amusing.  Jason Derulo as Rum Tum Tugger gives a good turn.

Hey, the film makes no real sense, what is a Jellicle cat anyway?  But neither did the stage show.  It’s not a Marvel movie, no one gets shot and there are no lasers or fighting.  “Cats” is poem brought to life with innocence, a winning score which will enchant children and non-cynical adults alike.  “Cats” is a Purr-fectly fun and truly entertaining film.  The naysayers that are pouncing on it.  Well let’s just see how the ‘Litter’ Box Office turns out!