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Exclusive: Friars Club on the Brink As Union Lawsuit Heads to Arbitration This Week, Larry King Dinner in LA Yields Few Guests

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The venerable Friars Club is on the brink of real disaster after several years of peril.

At the end of this week, the Club and Local 6 will meet for arbitration that could cause the club to close its doors. In recent months, I’m told, the Club has violated their union contract by shutting down operations to just three days a week. The dining room is empty for lunch and dinner. Only the bar is open regularly. So employees are being told they’re only working Tuesdays through Thursdays.

Local 6, which represents the staff, has asked for a cease and desist order to stop the Friars and general manager Michael Gyure — a recently convicted tax dodger — from laying off staff. They’re also claiming the Friars owe a huge amount of back wages.  Gyure– who is still working at the club despite plunging them into scandal and disarray– has been heard saying he would close the club if they lose the arbitration.

That last part really hinges on Gyure, whose name is pronounced “jury.” It turns out the Friars — heavily in debt and flirting with bankruptcy — aren’t even using a lawyer at the arbitration. Gyure, according to sources, is representing them. The union will have proper legal representation.

Meanwhile, the Friars Los Angeles tribute to ailing Larry King was pretty much of a bust back on November 25th.For one thing, King recently admitted in an interview to having had a stroke recently. He can’t walk, doesn’t have use of one foot. The peripatetic broadcaster is mostly confined to a wheelchair.

Insiders were shocked to see King’s likeness on a poster that was plastered around Beverly Hills with the words “I’m just getting started!” emblazoned across the middle. Even more surprising was Ted Turner’s name on the poster for the dinner since the CNN founder is very much retired from public outings.

Billed as a big soiree, it was actually a very small get together. Sources say (and photos confirm) just two celebrities showed up: singer Frankie Valli and comedian David Steinberg. Otherwise, it was just about a half dozen Friars who flew out from New York (including Gyure) and some of King’s children.

The event took place at the Crescent Hotel in Beverly Hills, which sounds impressive, but it’s, uh. not. To be pleasant, let’s say it’s a modest boutique hotel on the outskirts of the Hills. It’s not the Beverly Hills or Hilton or Wilshire. Or even the Four Seasons.

The Crescent Hotel was chosen because former Friars “Scribe” Bruce Charet, according to sources, has been living there, possibly in exchange for getting them publicity. Charet doesn’t bring a lot of positive publicity, however. Last year, he caused the Friars Club to be sued for sexual harassment by their former receptionist. The Friars lost the case and settled for just under $1 million. Charet was said to have been severed by the Club, but that isn’t the cast at all. “He arranged for the whole Larry King thing,” I’m told. Charet’s name was on the poster even with Turner’s as “Executive Producer.”

The sad part of this is that the Friars Club, with so much great history, is being destroyed by the people running it. And no one seems able to stop them.

“The Irishman,” Tarantino Top Sketchy National Board of Review Along with Adam Sandler, Renee Zellweger, Brad Pitt, Kathy Bates

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The incredibly irrelevant National Board of Review has made its choices for this year. This is a group of fans who pay hefty membeship fees. Their leader, Annie Schulhof, makes the final decisions with a secret committee based on who they like, which studio will pay for tables at their annual gala and supply talent. Most of their choices this year are ok, but Adam Sandler as best actor is a…stretch. But that’s a long story about Schulhof’s connection to indie A24. The NBR went big time on Netflix but didn’t include “Two Popes,” one of the best movies of any year. That’s because they had to include A24’s “Uncut Gems” and “Waves” instead. Schulhof is tiresomely predictable. She even threw in “The Souvenir.” I’m surprised no “Lighthouse” or “Farewell.”

 

Best Film: THE IRISHMAN
Best Director: Quentin Tarantino, ONCE UPON A TIME…IN HOLLYWOOD
Best Actor: Adam Sandler, UNCUT GEMS
Best Actress: Renée Zellweger, JUDY
Best Supporting Actor: Brad Pitt, ONCE UPON A TIME…IN HOLLYWOOD
Best Supporting Actress: Kathy Bates, RICHARD JEWELL
Best Original Screenplay: Josh Safdie, Benny Safdie, Ronald Bronstein, UNCUT GEMS
Best Adapted Screenplay: Steven Zaillian, THE IRISHMAN
Breakthrough Performance: Paul Walter Hauser, RICHARD JEWELL
Best Directorial Debut: Melina Matsoukas, QUEEN & SLIM
Best Animated Feature: HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD
Best Foreign Language Film: PARASITE
Best Documentary: MAIDEN
Best Ensemble: KNIVES OUT
Outstanding Achievement in Cinematography: Roger Deakins, 1917
NBR Icon Award: Martin Scorsese, Robert De Niro, Al Pacino
NBR Freedom of Expression Award: FOR SAMA
NBR Freedom of Expression Award: JUST MERCY

Top Films (in alphabetical order)

1917
Dolemite is My Name
Ford v Ferrari
Jojo Rabbit
Knives Out
Marriage Story
Once Upon a Time…in Hollywood
Richard Jewell
Uncut Gems
Waves

Top 5 Foreign Language Films (in alphabetical order)

Atlantics
Invisible Life
Pain and Glory
Portrait of a Lady on Fire
Transit

Top 5 Documentaries (in alphabetical order)

American Factory
Apollo 11
The Black Godfather
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
Wrestle

Top 10 Independent Films (in alphabetical order)

The Farewell
Give Me Liberty
A Hidden Life
Judy
The Last Black Man in San Francisco
Midsommar
The Nightingale
The Peanut Butter Falcon
The Souvenir
Wild Rose

 

Oscar Winning Director Sam Mendes on How His Grandfather’s Stories of World War I Inspired the Stunning “1917”

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“1917.” Ron Meyer and Donna Langley recently hosted the first screening for Academy voters and tastemakers at the Linwood Dunn in Hollywood. Director Sam Mendes, the actors George Mackay and Dean-Charles Chapman, the Director of Photography Roger Deakins, the Writer Krysty Wilson-Cairns, the Producer Pippa Harris and the film’s composer Thomas Newman were there.

At the pre-reception I asked Mendes how it felt that the film already is garnering glowing notices and awards buzz. “Considering that we just finished it eight days ago it’s all a bit surreal.” Roger Deakins–who at 70 has been nominated for an Oscar 14 times and only recently won in 2018 for “Blade Runner”– told me, “I hope people like the film, that’s all that matters. All of that is just hoopla. I love working on movies. That’s it. It’s nice when people appreciate your work, but I judge my own work and I know when I’ve done something, I feel I could have done better or achieved something. I can’t really be totally objective about it. “Give me a year or so and I’ll come back to watch it and I won’t think of all the things I could have done better. “

Donna Langley then introduced Mendes. She noted “This is a film that Sam Mendes seemed destined to make. It’s not only a tribute to his grandfather who served honorably in the great war and who shared his stories of that unfathomable experience with his young grandson. But it represents the full cumulative power of Sam’s vision and his talent and tenacity as a storyteller. It’s one of those rare films that reverberate with you long after you leave the theater.”

Mendes then took the stage and noted “This is my first chance publicly to say thank you to all of those who helped me make the film. It’s not an easy film to cough up the dough for when you have two leading actors who are relatively speaking new to the game. But they trusted me, and I hope you see in the movie that these two wonderful actors re-paid that trust tenfold. It’s a strange environment, where movies like this are rarer and rarer. Middle budget movies that are not 250-million-dollar franchise movies nor are they 20 million-dollar independent movies. So, it’s your civic duty to tell everyone to come and see this film.” He went on to thank some of the people that are involve with the film, and quipped, “including a young cinematographer whom I’ve given an early chance too, he needed a lot of help from me. But with my wisdom and insight I think he can amount to something, Roger Deakins.”

Sam  switched gears and told the origin of the story. “This was inspired by my grandfather. He fought in the great war from 1916 to 1918. He enlisted as a 17-year-old. My fascination with the war started watching him when I was eleven years old, he used to wash his hands over and over again. I said to my father ‘Why does Granddad do that silly thing of watching his hands all the time?’ He said, ‘Well he remembers the mud of the trenches and the fact that he could never get clean. And this man was in his late 70’s and still it was in his body and in his soul, the experiences he had when he was a teenager. He told me a story of carrying one message across no man’s land. That little acorn of that stayed with me and grew into the script. It’s not my grandfather’s story directly but it’s very much his spirit that remains alive in this movie. “

Will Ferrell Explains History of Cutting Edge “SNL” Puppet Sketch” from Two Weeks Ago, Says Lifetime Parody Movie Among Favorites

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EXCLUSIVE Suddenly, Will Ferrell is everywhere. He was at the “Hustlers” SAG screening and reception on Sunday night. Last night he was front and center at the IFP Gotham Awards.

The reason: he and Andy McKay are co-producers on “Hustlers,” and Will is being hands-on.

On Sunday I spoke with him at the “Hustlers” reception. Film critic Neil Rosen and I were tripping over each other telling the great comedic actor how much we liked his edgy ventriloquist sketch at the end of “SNL” last week.

Will told us: “That was actually an old sketch that never made it on air when I was part of the show. When I got there for this show”– which he hosted — “someone remembered it and said why don’t we try that? It must have been from about 20 years ago. But this time it made and it worked really well.”

The sketch (see below) absolutely did work well, and was a lot more interesting than a lot of the recent non political “SNL” sketches.

We also talked about Will and Kristen Wiig’s extremely dry 2015 Lifetime parody, “A Deadly Adoption.” This was actually a send up of Lifetime’s insipid movies of the week that usually involve a crazy nanny (or ex, or someone) preying upon unsuspecting, ignorantly blissful upper middle class people who live in a suburban bubble. “A Deadly Adoption” was a curio because even Lifetime didn’t understand whether it was a tribute or a knock on them.

Has it ever been shown again? “I don’t think so,” Will said. “I’m not sure they ever played it again. But it was one my favorite all time projects. I’d like to do it again and make sure they have to play it over and over.” I recommended a send up of a Hallmark Hall of Fame movie. They are now far worse than Lifetime. (But they must pay– Adrian Grenier is in one of them!)

Ferrell has two movies coming soon, both of which I’m looking forward to. In “Downhill,” he’s on a ski vacation with Julia Louis Dreyfus. It’s directed by Nat Faxon and Jim Rash, of “The Way Way Back” fame. Ferrell is also in David Dobkin’s send up of The Eurovision song content with Rachel McAdams. Dobkin made “Wedding Crashers,” so “Eurovision” should be the best comedy of 2020. I’m counting on it!

Broadway: Tony Winner Beth Leavel Will Play Meryl Streep’s Part in “Prada” Musical, Streep Will Play Leavel’s Role in “Prom” Movie

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I don’t know if Meryl Streep and Beth Leavel know each other, but they should.

Leavel, a 2006 Tony winner for “The Drowsy Chaperone,” will play Meryl Streep’s role of Miranda Priestley in the Broadway musical of “The Devil Wears Prada.” The musical will have a Chicago run in summer 2021, with an eye on a Broaadway opening in spring 2022.

The irony is that Leavel’s role in “The Prom” musical, directed by Ryan Murphy for Netflix, is being played by Meryl. Leavel was nominated for a Tony as DeeDee Allen, a faded Broadway star who’s finagled into appearing in a musical staged in Cleveland.

Even though “The Prom” cast from Broadway was superior, Murphy decided to replaced them all with Stars, capital S.

“Prada” was supposed to hit Chicago a lot earlier, but it’s been postponed until July 2021. Producer Kevin McCollum said in a statement, “We realized that we wanted more time to work on the show. Our creative team members are in demand around the world with ridiculous schedules. The new dates mean that not only do we get an ideal theatre in Chicago (the CIBC Theatre), it also allows our New York landlord to confirm the Broadway venue, which means we have more time to coordinate our physical design, marketing, and sales plans accordingly.”

Also cast in “Prada” is Taylor Iman Jones in the Emily Blunt role of Miranda’s put up on assistant. No word yet on the Anne Hathaway or Stanley Tucci roles. But you could see Leavel’s “Prom” co-star Brooks Ashmanskas in that part easily. Any why not? They were great together in “The Prom.”

This Leavel-Streep exchange is not uncommon but a little ironic.  Julie Andrews starred on Broadway as Eliza Doolittle in “My Fair Lady,” but producers wanted Audrey Hepburn for the movie. Of course, Julie became a huge movie star anyway. Show business never makes sense, kids!

But don’t forget this: Leavel will get to sing all new songs by Elton John, who’s written the score with Shaina Taub. It will be worth the wait!

Netflix Sweeps Gotham Awards as “Marriage Story” Wins Best Feature, Audience Award, Director, Actor, Screenplay and Their Documentary Wins Too

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It was a big night for Netflix at the Gotham Awards. They swept the ceremony as Noah Baumbach won Best Director and Screenplay as well as Best Feature for “Marriage Story.” Adam Driver took Best Actor for the same movie, and the Audience Award voted on by members of the IFP.

A Netflix documentary, “American Factory,” produced by Barack and Michelle Obama, won its second Best Doc award.  (They won Critics Choice last month.)

The other big winner was actress Awkwafina, whose real name is Nora Lum and we may be using that soon. She won Best Actress for “The Farewell,” a lovely film that was also nominated for Best Feature.

This was the first year the Gothams were run by Jeff Sharpe, who took over for Joana Vicente, and he scored high marks. The show was well paced, clever, and just when you thought it might sag, it didn’t. Plus in addition to the many actors on the stage, there were lots of interesting people in the audience including comedian Jim Gaffigan, and two time Oscar nominee Djimon Housou.

The Gothams have not been a great indicator of other awards, but this might a different year. “Marriage Story” is sure to be on of the 10 top Oscar nominees for Best Picture. Baumbach looks good in screenplay and director, too. Driver is a main contender for Best Actor. His co-star, Scarlett Johansson, may be in Best Actress.

“Marriage Story” has another element to it, as well. Laura Dern, who was given a Lifetime Achievement Award last night, is almost a cinch to win Best Supporting Actress from “Marriage Story” as Johansson’s hilariously self centered attorney. I’m thinking that Dern may win a Golden Globe next month too for Best Supporting Actress in a TV drama, “Big Little Lies.” She stole the second season.

Baumbach and “Little Women” director Greta Gerwig, a couple in real life, presented Dern with her award in a very funny bit. Dern appears in each of their current movies, so they each introduced her, using the others’ speech. It was the first time they’ve really ever done anything together in public.

Earlier, when Baumbach won one of his awards, he cracked the best line of the night: “I’m 51, I put 44 on my resume, but I can play 12 with the right CGI. I’ve seen The Irishman.”

Nicest new people I met all night: Best actor nominee Andre Holland’s parents, Mary and Don, who came up from Birmingham, Alabama. They are African American in a state that doesn’t necessarily appreciate them historically. I asked if they’d ever considered moving north. They each shook their heads. “Oh, no,” they said almost in unison. “We wanted to stay and fight.” Mrs. Holland added, “It’s not so bad.”

PS Kudos to two other honorees last night, director Ava Duvernay– toasted by Vera Farmiga, and actor Sam Rockwell, introduced by Olivia Wilde.

The Gotham Awards were sponsored by Robert Hall Winery, and everyone seemed to enjoy the vintage a lot!

2019 IFP Gotham Awards – Winners

BEST FEATURE

Marriage Story (Netflix)

BEST ACTOR

Adam Driver
Marriage Story (Netflix)

BEST ACTRESS

Awkwafina
The Farewell (A24)

BEST DOCUMENTARY

American Factory
Steven Bognar, Julia Reichert, directors; Steven Bognar, Julia Reichert, Jeff Reichert, Julie Parker Benello, producers (Netflix)

BEST SCREENPLAY

Marriage Story – Noah Baumbach

BREAKTHROUGH ACTOR

Taylor Russell
Waves (A24)

AUDIENCE AWARD 

Marriage Story (Netflix)

BINGHAM RAY BREAKTHROUGH DIRECTOR AWARD

Laure De Clermont-Tonnerre
The Mustang (Focus Features)

BREAKTHROUGH SERIES – SHORT FORM

PEN15

Maya Erskine, Anna Konkle, Sam Zvibleman, creators; Anna Konkle, Sam Zvibleman, Debbie Liebling, Gabe Liedman, Marc Provissiero, Brooke Pobjoy, Andy Samberg, Jorma Taccone, Akiva Schaffer, Becky Sloviter, Shelley Zimmerman, Brin Lukens, Jordan Levin, executive producers (Hulu)

BREAKTHROUGH SERIES – LONG FORM

When They See Us
Ava DuVernay, creator; Jeff Skoll, Jonathan King, Jane Rosenthal, Robert De Niro, Berry Welsh, Oprah Winfrey, Ava DuVernay, executive producers (Netflix)

 

David Geffen, Lincoln Center Unveil $550 Mil Plans to Remake Former Avery Fisher Hall into “One of the World’s Finest Concert Halls”

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New York’s Philharmonic Hall was Avery Fisher Hall and is now David Geffen Hall. It is already one of the world’s finest concert halls, but now Lincoln Center has announced a complete rehaul to make it, in their words, “one of the world’s finest concert halls.”

Regardless of the hyperbole, Geffen Hall will be smaller, losing 500 seats so that there will be a more intimate feeling. The new design looks good and sounds good, and more importantly the renovations will not require a long shut down. Once they’re done with this, I suggest coming over to the Walter Reade Theater, now long in the tooth. Then Alice Tully Hall.

The budget for all this is $550 million. About $360 million has been raised so far.

Here are some of the highlights of the plan:

THE NEW CONCERT HALL: A new hall configuration•Moving the stage forward by 25 feet, with all seats closer to the stage, providing acoustical and visual intimacy (this concept was pioneered by Pierre Boulez in the 1970s New York Philharmonic Rug Concerts, and was reintroduced by the Mostly Mozart Festival)•Wrap-around seating surrounding the orchestra •Improving sight lines by restoring the original 1962 steeper seating rake (incline)on the orchestra level (the original rake was altered in 1976

Improved acoustics•A new seating capacity, reducing from 2,738 to 2,200 • Reconstructing side tiers and resurfacing of walls to improve reverberation, bass and sound differentiation • The stage ceiling will be elevated, and replaced by an adjustable canopy over the musicians to allow for fine tuning of the Hall’s sound.

A flexible, accessible design• Outfitted with the latest technology to livestream performances and extend the Hall’s reach•Stage redesigned to increase artistic flexibility, and include new state-of-the-art lighting, rigging, and stage machinery•Motorized lifts create risers for the orchestra, improving acoustics and sightlines•Multiple stage configurations possible to accommodate orchestra, solo performances, film, popular entertainment, and staged opera• Enhanced ability to accommodate amplified performances • Improved ADA accessibility.

PROJECT TIMELINE• The new David Geffen Hall will open in March of 2024 and will requir etwo short closings for constructionto limit time the Philharmonic spends out of the Hall.• Early work will begin offsite, during a prefabrication period that will allow the construction schedule onsite to be briefer.• The first closure, May 2022–October 2022, will result in the initial framework of the new concert hall configuration. •The Hall will re-open and introduce a “surge season,” from November 2022–April 2023. The new configuration — with the stage now moved forward — will allow tuning for orchestra and audiences to enjoy many benefits of the new hall prior to final completion.• During the second closure period, May 2023–February 2024, the New York Philharmonic will perform in other venues in New York City, including Carnegie Hall and New York City Center. •Lincoln Center’s Mostly Mozart Festival will be out of the Hall for the summers of 2022 and 2023and will present their full summer season throughout the Lincoln Center campu

Critics Choice Voting Begins Today, Here Are Top 15 Choices for Best Picture, Actor, Actress, Etc

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More to come…

The Critics Choice Awards begin voting today for nominations. The New York Film Critics and other groups are also voting this week, and there will be plenty of announcements. It’s been a pretty good year for movies as it turned out. Since everyone’s into lists, here are three: Best Picture, Actress, and Actor. Next item will be Director, Supporting Actor and Actress, and Screenplays.

This is the order now. But as we all know, it changes…Also, in Comedy category for Critics Choice or Golden Globes, we can’t forget “Dolemite is My Name” or “Hustlers.”
BEST PICTURE

1. The Irishman

2. 1917

3. Once Upon a Time in Hollywood

4. Richard Jewell

5. Little Women

6. Ford v Ferrari

7. Just Mercy

8. Bombshell

9. Joker

10. Two Popes

11. Knives Out

12. A Beautiful Day in the Neighborhood

13. Marriage Story

14. Pain and Glory

15. The Farewell

BEST ACTRESS

1. Renee Zellweger
2. Saoirse Ronan
3. Cynthia Erivo
4. Charlize Theron
5. Alfre Woodard
6. Scarlett Johansson
7. Lupita Nyong’o
8. Awkwafina
9. Mary Kay Place

BEST ACTOR
1. Robert DeNiro
2. Adam Driver
3. Joaquin Phoenix
4. Eddie Murphy
5. Jonathan Pryce
6. Leonardo DiCaprio
7. George MacKay
8. Antonio Banderas
9. Paul Walter Hauser
10. Christian Bale

Harry Styles Releases 2 Min, 40 Second Teaser Trailer for New Song, Video “Adore You” Indicating Big Marketing Budget

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Sony and Harry Styles’ team are spending big money on marketing his next album, coming December 13th. Today they released a 2 min, 40 second teaser for a video and song called “Adore You,” which come this Friday. This a full on narrative video, written, narrated, and put together very professionally by Grammy winning video and commercials director Dave Meyers. His credits include “Seniorita,” “Me!” and “Bad Guy.” So you know Harry Styles has stepped it up big time.

Eventually the video can be used on Styles’ world tour to pacify screaming girls between songs. The money on this project is going to be the tour. Stay tuned…

Celine Dion “Courage” Album Plunges 95% in Second Week, Falls Off Chart After Number 1 Debut

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It was here, and now it’s gone.

A week ago Friday, Celine Dion topped the album sales chart with her comeback collection called “Courage.” She sold around 116,000 copies, most of them CDs and paid downloads. There was no sign of her streaming or being played on the radio. The RIAA and other groups counted sales of the album as part of a ticket bundle for her concerts.

This past week, Week 2, “Courage” vanished from the charts. Sales plunged 95% as the ticket bundles were counted. “Courage” sold around 3,400 copies. With streaming of the album or its tracks, hitsdailydouble.com and Buzz Angle Music had it up to around 5,600 copies.

The good news is that amazon.com is listing the Celine CD at number 27.

This is what happens when album sales are bundled with ticket sales. You get a one week publicity hit, and then it’s gone. I guess it took Courage for Celine’s team to do it, but her audience is simply not buying new music from her. They want to hear “My Heart Will Go On.” I’d like to hear “It’s All Coming Back to Me Now,” just once, and not again.

C’est la vie! At Caesar’s Palace, Celine will go on. And keep making a fortune.