Wednesday, November 13, 2024
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RIP Ron Popeil, Remembering Our Night Together of Spray On Hair and Smoked Salmon Pizzas

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I was very sorry to hear that Ron Popeil, the original TV pitchman and Rube Goldberg of our time, has passed away at age 86. I actually spent quite an evening with him years ago.

It was 1994 or 95, I was staying at the Chateau Marmont (not so expensive then) and covering the OJ Simpson trial. A bunch of friends and I had taken a large round table at Spago, the original version up on Horn Avenue above Sunset Boulevard and Tower Records in West Hollywood.

After a few cocktails and discussion of OJ, and my friend Dominick Dunne who was also staying at the Chateau and covering the trial so eloquently, I stood for  moment. Looking out the big windows I could see a familiar face handing his car keys to the valet.

“Oh my god, it’s Ron Popeil, the guy with the spray on hair!” I cried. Indeed, Ron and his hair spray were then a constant on television, the infomercial of all time. As a long time victim of male pattern baldness, I’d sometimes, in the middle of the night, considered ordering a package from him.

I ran to the front door and stopped him with a jolly introduction and handshake. “Does that stuff really work?” I asked. He didn’t flinch. With a big smile, he responded, “It sure does. Wanna see?” He turned and ran down the hill, went to his car and returned with a kit containing all the necessary ingredients.

I doubt Wolfgang Puck remembers all this after 25 or more years but the restaurant was crowded and he was just greeting Hollywood legend Lloyd Bridges and his great actor son Beau Bridges as I returned to my table with Ron Popeil. There was a lot of excitement as we all collided. When the unfolding situation was explained, Lloyd Bridges — who I think of not from “Sea Hunt” but from “Airplane!” — said, “I want to see this!”

Ron and I quickly ran into the nearby men’s room, just beyond us on the main floor. I leaned over the sink in front of the mirror, and he took the cannister– which looked like the kind of spray paint you’d use for graffiti or applying on an outdoor aluminum table — and away he went. I do remember the odor was not pleasant, and the fibers that were emitted were heavy as they landed on virgin scalp, a small round spot on the top of my head that been growing larger, ominously, for several years.

I also remember laughing a lot, and Ron being very serious. I think he did actually say, “Now hold still.” I was worried about him getting the stuff on my nice suit jacket and white dress shirt (after all, I’d come from the courthouse downtown).

We emerged victorious, and returned to the table as the center of attention. Wolfgang, my guests, the Bridgeses, and anyone else who happened to be there, clapped as I showed off my new head of full, fake dark brown hair. There were no cameras, no phones, no cameras in phones, nothing to record it all. Just our memories, and Lloyd Bridges marveling at my head the way he’d looked with wonder in “Airplane!” after sniffing some coke.

Ron Popeil, I remember, was tall and very jolly, He smiled widely, lots of teeth, he was thrilled. He gave me the kit, I have no idea what happened to it, But we’d stopped the show at Spago, which was hard to do considering all the A listers going back and forth dining on smoked salmon pizzas and trying to make movie deals. My group was very impressed. A few of the women held up mirrors from their handbags.

“How does it feel?” they all kept asking. Well, it felt like I had a head of plastic.

What I do remember is getting back to the Chateau and standing under the shower nozzle in the old fashioned bathtub. As the water poured down on me, glops of brown gunk fell into the tub. For a moment the whole bottom of the tub was the color of Valhrona chocolate, which might have also been our dessert that night. It took a few minutes to wash it all off my head and then get it down the drain. Earlier martinis softened the blow. I was back to being bald.

So RIP Ron Popeil. I never saw him again, but we had a story I’ve dined out on ever since. It gave me a good anecdote to tell Dominick Dunne, whom I drove down to the courthouse the next morning. He had probably had had dinner with Johnny Cochran or Judge Ito, god knows. But I’d had a moment with Ron Popeil, inventor of the Pocket Fisherman at the hottest spot in town. And Lloyd Bridges was there! You couldn’t do better than that!

 

“Better Call Saul” Star Bob Odenkirk “Stable” with “Good Vital Signs” after Suffering Heart Attack On Set

Beloved actor Bob Odenkirk is termed “stable” and with “good vital signs” after suffering a heart attack yesterday while shooting “Better Call Saul” in Albuquerque, New Mexico.

His son, Nate, Tweeted: “He’s going to be okay.

Odenkirk was rushed to the hospital and there was a 24 hour blackout on news about him. But I spoke to one person this afternoon who told me they were very positive about reports on the actor. Then the family released a statement thanking everyone for their support and interest.

Odenkirk, who’s 59 years old, started as a writer on “Saturday Night Live” in the late 1980s and worked his way up through various sketch comedy shows until he hit the big time as Saul the lawyer in “Breaking Bad.” After 10 seasons, he was spun off into his own show, “Better Call Saul.”  He was just starting to shoot the sixth and final season of “Saul.” Now it’s unclear what will happen but the show can wait until he’s in fine fettle again.

URGENT: Kanye Producer Mike Dean Says He’s “No Hostage, I’m at Home Mixing,” Needs a $7,000 Piece Of Audio Equipment Right Now

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It’s hard to make a record when no one actually plays an instrument.

Kanye West’s producer, Mike Dean, has sent out an urgent message on Twitter. He writes:” does anyone now where I can buy an antelope Goliath hd gen 3 asap?”

Dean is presumably hunkered down at Mercedes Benz Stadium in Atlanta trying to piece together Kanye’s “Donda” album. The Goliath is a $7,000 audio interface. You can plug lots of stuff in it when you’re mixing and mastering an album, especially one made of different pieces.

Dean– a man who must have unlimited patience for mishegos— also posted a short video showing off his set up. He also Tweeted he’s “no hostage” — “I”m at home mixing.”

 

Just PS the cost of working on “Donda” at the stadium has to be astronomical. And that’s besides Kanye having a studio in Los Angeles, maybe a couple to choose from. Putting all those people up in Atlanta, paying the stadium rent, etc. Money is no object!

No Mask, No Vax Required: Bonnaroo Music Festival Will Welcome 90,000 People Over Labor Day Weekend

Um, is this a good idea?

The Bonnaroo Music & Arts Festival is happening over Labor Day weekend, September 2nd-5th. The capacity for the Bonnaroo Farm is 90,000 people.

There is absolutely no information on the Festival website about COVID, the Delta variant, or masks. Nothing.

There seems to be no restriction whatsoever. Just come as you are. Maybe leave on a respirator. Who knows?

The festival takes place located just 60 miles southeast of Nashville in Manchester, Tennessee, a state not known for its smarts, frankly. Hidden in the middle of the Bonnaroo website is this vague wording: “Bonnaroo organizers as always will be in regular communication with local health and public safety officials and will continue to abide by relevant recommendations.”

And get this: tickets are sold out. The only tickets available are through re-sellers. People are dying to go. Headliners for the festival– who will be kept apart from the madding crowd — include Foo Fighters, Lizzo, Tame Impala, Lana del Rey, and Tyler the Creator.

But what the attendees don’t understand is, those artists are in, and out. They’re not hanging around for the weekend, or beyond their time on stage. My guess is Dave Grohl will sleep in his own bed after the show.

Feel like going to Tennessee? Below is the chart for current COVID numbers. It comes from the state’s website. Good luck!

RIP Dusty Hill, 72, ZZ Top Bass Player Formed One Third of Band’s Famed Trio

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The Rock world is mourning the loss of Dusty Hill, one third of ZZ Top, member of the Rock and Roll Hall of Fame. He and Billy Gibbons and Frank Beard comprised Texas’s best known trio, internationally loved. Dusty died in his sleep at age 72.

ZZ Top with their beards and raw crunching blues changed the world of music. Their first hit, which launched many, was Sam & Dave’s “I Thank You.” See below. RIP.

Norman Lear Turns 99, Sells New “Mary Hartman” to TBS with “Schitt’s Creek” Star Emily Hampshire

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Norman Lear turned 99 yesterday and started his 100th trip around the sun! Happy Birthday, Norman. He is amazing.

To celebrate his birthday, Lear sold the new version of “Mary Hartman, MaryHartman” to TBS as a  revival of the 1975 soap opera parody.

“The kick of kicks as I turn 99 today is learning that TBS is developing ‘MHMH’ and will allow us to make a new version of it starring Emily Hampshire,” Lear said in a statement. “As someone who believes his 99 years on this planet is owed to the amount of laughter he enjoyed through the years, here’s to the next 99. Bless you all!”

I think they found the right person to play poor Mary. Emily Hampshire, who played Stevie on “Schitt’s Creek,” has been tapped for the Louise Lasser role. She’s terrific and an excellent choice.

They still have to cast the rest of these iconic roles. It would be a little genius to get Mary Kay Place to play Mary’s mother. She was the original Loretta Haggers, clueless aspiring country singer. Mary Kay’s dry wit would be a perfect nod to Dody Goodman, who played the role originally.

The key casting will be Loretta herself. Mary Kay never played her as campy or stupid, just clueless and earnest. The comedy came in the writing. Another actress who seems like she should be in this show is Julie Hagerty. Maybe they can find something for her.

Will the new Mary Hartman be like the old one? You know, the novelty of surprise is gone. When the show debuted in 1975, I’m told it was addictive. (I wasn’t born yet!) But we’re always open to new things.

Lear was right on the cutting edge with “Mary Hartman” after his run of hit comedies were all over the TV, from “All in the Family” to “Maude” and “The Jeffersons” and “Good Times” and “One Day at a Time.” And all those premises remain fresh as ever.

PS This photo was take a couple of years ago up at Ross House in Laurel Canyon by Leah Sydney. I almost never have my picture taken with celebrities. But I was so honored that Norman agreed to it.

(Listen) Jimi Hendrix Recorded an Unreleased Live Joni Mitchell in 1968 On His “Excellent Tape Recorder” and Here It Is

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“The Dawntreader” is an unreleased Joni Mitchell song performed live and recorded in 1968 by Jimi Hendrix on his tape recorder. Now we can hear it for the first time. The song will be included in Rhino’s big compilation box set coming in October called “Joni Mitchell Archives, Vol.2, 1968-71.”

A press release tells the story:
LOS ANGELES – On March 19, 1968, a 24-year-old Joni Mitchell was in the midst of a two-week residency at Le Hibou Coffee House in Ottawa, Ontario, Canada, playing to rave reviews in anticipation of her debut album, Song To A Seagull, which was set for release just a few days later on Reprise. Not long before Mitchell was scheduled to take the stage, Jimi Hendrix was just finishing his second sold-out show of the night at the Capitol Theater a few blocks away. Earlier in the day, Hendrix had spoken to Mitchell and noted his plans to record her in his diary entry for that day:
“talked with Joni Mitchell on the phone. I think I’ll record her tonight with my excellent tape recorder (knock on wood) . . . hmmm . . . can’t find any wood . . . everything’s plastic”

Following his two performances on that night, Hendrix rolled in to Le Hibou with his reel-to-reel recorder as promised and kneeled in front of the stage, unnoticed by most, and recorded Mitchell’s two sets that evening. As he also noted in his diary, Hendrix, like many others at the time, was mesmerized by Mitchell: “fantastic girl with heaven words.”

Hendrix’s tape from that night was stolen a few days later, with the recording thought to be lost forever. The recording was recently discovered in a private collection that was donated to the Library and Archives Canada (LAC) and returned to Mitchell.

Mitchell reflects back on that night in her conversation with Cameron Crowe from ARCHIVES VOL. 2 liner notes: “They came and told me, ‘Jimi Hendrix is here, and he’s at the front door.’ I went to meet him. He had a large box. He said to me, ‘My name is Jimi Hendrix. I’m on the same label as you. Reprise Records.’ We were both signed about the same time. He said, ‘I’d like to record your show. Do you mind?’ I said, ‘no, not at all.’ There was a large reel-to-reel tape recorder in the box.”

“The stage was only about a foot off the ground. He knelt at edge of the stage, with a microphone, at my feet. All during the show, he kept twisting knobs. He was engineering it, I don’t know what he was controlling, volume? He was watching the needles or something, messing with knobs. He beautifully recorded this tape. Of course I played part of the show to him. He was right below me.”

Here’s a page from Jimi’s diary:

Fans Send Well-Wishes to “Better Call Saul” Star Bob Odenkirk, Hospitalized After Collapse on Set

Fans of actor Bob Odenkirk, — and there are legions of them — are sending well wishes to him since last night on social media.

The star of “Better Call Saul” collapsed on the set of the show in New Mexico and was rushed to a local hospital. There’s been no word on his condition since Tuesday night.

Odenkirk, age 59, has a raft of Emmy nominations for playing Jimmy McGill, the lawyer who became Saul in the series “Breaking Bad.” He more recently starred in “Little Women” as the at-war father of the family of girls.

Odenkirk won earlier fame on “Mr. Show” with David Cross. Both Cross and “Saul” co-star Michael McKean Tweeted out support for their pal last night.  He has Emmy Awards for writing on “The Ben Stiller Show” and “SNL.”

“Better Call Saul” had just started filming its sixth and final season.

 

 

 

Cher Reports She Visited With Tina Turner in Switzerland for Three Hours On Sunday

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Tina Turner had a visitor on Sunday at her home in Switzerland. Her old friend, Cher. Tina, who’s being inducted into the Rock and Roll Hall of Fame this fall, has been ailing a bit despite having a banner year with the induction and her HBO documentary. Also, her Broadway show returns this fall with Adrienne Warren reprising her Tony nominated performance.

Tina and Cher go back a long way. Tina was a guest on Cher’s TV shows, they knew each other from Las Vegas, and so on. They crossed paths working for Phil Spector in the mid 60s when Sonny & Cher were part of Phil’s world and Tina released “River Deep Mountain High.” The two of them could record an interview that would blow our minds.

Cher is on vacation in Europe, so naturally she stopped and saw Tina. Cher responded to a fan: I AGREE….SHES “SIMPLY
THE BEST”Glowing starGlowing starGlowing starGlowing starGlowing star.
NO CHICK CAN TOUCH HER…..
& I Red heart HER”

Kanye West Treated Louise Bourgeois Painting Like a Rap Sample, And Now His Album Has a Different Cover

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No one really knows if Kanye West’s “Donda” album will come out on August 6th. Or Ever.

But whenever or if ever “Donda” arrives, it won’t have the cover that Kanye was touting last week.

Leading up to the crazy “Donda” listening session in Atlanta at Mercedes Benz Stadium, Kanye was using the cropped photo of painting by the famed artist Louise Bourgeois. The painting is alternately described as a red woman’s bust or head, or some kind of fertility doll. Described as a “carmine red wet-on-wet gouache of a female form with the proportions of a fertility idol,” the picture was created in 2007.

The only problem is that Kanye treated the painting as if it were a hip hop sample: take it, use it on your record and wait til the copyright holder comes calling.

Unfortunately, the artist’s estate, I am told, was not pleased. And they didn’t want the painting on the cover of “Donda.” Eagle eyed “Donda” watchers have noticed the Bourgeois image has vanished from the promotion. In its place is a photograph of Kanye’s late mom, Donda West, when she was a little girl. Posters and billboards have gone up in Los Angeles with Donda’s black and white photo. Bourgeois is safe from being involved in the Donda debacle.