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What Year Is It? The Number 1 and 2 Albums on iTunes Are 40 (Queen) and 50 (Joni Mitchell) Years Old

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What year is it again?

Over the weekend, Queen’s Greatest Hits went to number 1 on iTunes. Joni Mitchell’s “Blue” is number 2.

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They are from 1981 and 1971, respectively.  I was 16 in 1973, I’m trying to imagine music from 1923 and 1933 suddenly being popular. And I can’t. ABBA, Journey, and Fleetwood Mac are also in the top 50. But HER Music’s first album, released last week, is a dud. And it shouldn’t be. Go figure.

PS Creedence Clearwater Revival’s Greatest Hits is number 14. It’s been in the top 10 for weeks. So have four of their singles. Maybe we’re in a time warp!

Box Office Update: “Cruella” Exceeds Expectations, “F9” Nears $500 Mil as Universal Takes Top 3 Spots

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SUNDAY UPDATE

I guess there will be an “F 10.” The most recent movie in the “Fast and Furious” saga, “F9,” will cross the $500 million mark internationally today or tomorrow. There was a surge on Saturday in the US, bringing the domestic box office to $117 million.

If you add over $200 million from China, and then factor in the rest of the world, “F9” is a post pandemic phenom. It was good mainstream entertainment at the moment everyone needed it. So there will be more and more of these things.

For Universal Pictures, it’s a big weekend. “F9” is number 1, the “Boss Baby” sequel is number 2, and “The Forever Purge,” a B movie about a Mexican drug cartel, with lots of shoot outs, is number 3. Can’t beat that!

Disney’s “Cruella” continues to be a late starter and a surprise still-blooming hit. They’re up to $76 million now, eyeing $80 million and hoping for more. Deserved!

The “Sparks” doc sparked little interest, made $24,000 over the weekend.

 

Sean Penn’s “Flag Day” Family Affair: Kids Dylan and Hopper Are In it, Julia Roberts’ Husband Did the Cinematography

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Sean Penn’s movie, “Flag Day,” is a family affair.

His kids, Dylan and Hopper, each have roles. Dylan is actually the main character, Jennifer Vogel, who wrote the book the movie is based on called “Flim-Flam Man: The True Story Of My Father‘s Counterfeit Life.”

But the Penn kids aren’t the only people close to the director involved in the making of “Flag Day.”

The cinematographer is Daniel Moder, whom you may know as the husband of Julia Roberts. Moder doesn’t work a lot. His last feature film was called “Ibiza,” made in 2018 for Netflix but mostly known. It starred Richard Madden, Gillian Jacobs, and Vanessa Bayer from “SNL.”

There’s a reason no one’s seen “Ibiza,” which has a 67 on Rotten Tomatoes. According to the IMDB: “The Balearic government considered whether to take legal action against Netflix because of this film. According to them, Neflix took advantage of Ibiza’s image by naming the film after the island but actually shooting it in Croatian locations instead. They also argued that this film not only perpetuates harmful stereotypes about Ibiza but it also clashes with the tourism board attempts to subvert them. ”

“Flag Day,” I’m sure, will have a better reception.

Here’s a look at Moder’s work in “Ibiza”:

“Black Widow” SVU Party Update: ScarJo Was A No-Show, Mariska Hargitay Hurt Her Ankle and Missed Own Party

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UPDATE The NY Post, which I call the NY Past, helped themselves to this exclusive from this site. They also used a picture from Mariska Hargitay’s Instagram that was six weeks old! LOL!

EXCLUSIVE

Spies have sent in updates on that “Black Widow” screening from Friday in the Hamptons.

Apparently, things didn’t go so well. It was, of course, raining like crazy.

Scarlett Johansson was a no show. No ScarJo. The star of the movie, though she lives a couple of miles away, stayed high and dry in neighboring Montauk.

Brooke Shields was the only celebrity of any value noted by observers. As it turned out, she was the perfect choice because Brooke is recovering from a broken femur.

“Law & Order SVU” star Mariska Hargitay, who was hosting the after party with husband Peter Hermann at their 7,000 square foot estate in East Hampton, never made it to her own party. Maybe because of the rain, Mariska either twisted or sprained her ankle outside the theater. An ambulance was called. Brooke Shields, knowledgeable and sympathetic, was spotted waiting with her. (Only in the Hamptons– the EMS drivers must have gotten  kick out of that call!)


Nice people, but no stars including Chris Meloni, headed to the Hermanns’ to nosh and talk about how good “Black Widow” is. Or how Mariska deserves an Emmy nomination this year for “Law & Order.”

You know what they say: No good turn goes unpunished!

If anyone else wants to chime in from the event, we are always at showbiz411@gmail.com.

 

EXCLUSIVE: The Original Discoverer of Questlove’s “Summer of Soul” Footage Says It Was Never “Lost” at All

Joe Lauro, famous documentary filmmaker and archivist, says on Facebook this morning that there’s an untold story behind the footage that has become Questlove’s “Summer of Soul.”

“Summer of Soul” was released on Friday by Searchlight to theaters and is available on Hulu. The film is revives footage from the 1969 Harlem Music Festival that took place two weeks before Woodstock. It contains amazing footage of Stevie Wonder, Sly & the Family Stone, The 5th Dimension, Nina Simone, Gladys Knight and the Pips, and so on. I gave “Summer of Soul” a ‘fresh’ rating on Rotten Tomatoes.

When “Summer of Soul” was shown at Sundance this past winter, we were told the footage had been “lost” and “forgotten” and was recovered by Questlove, who shaped it into this film.

But Lauro, as you will read below, says that’s not exactly true. His version of the events of the history are surprising and revelatory. The footage was neither lost nor forgotten. Lauro, with a long impressive resume, knows exactly what happened to it.

I spoke to Lauro this morning and he confirmed everything he posted. He allowed me to make some small copy-edits. He refers to Hal Tulchin, the original producer/director.

Lauro concludes: “I assure you, if it were not for my efforts the Harlem Festival master tapes would likely still be molding in Mr. Tulchin’s Westchester County basement and Questlove would still be in totally ignorance of their existence.”

Here’s the Facebook post:

“For nearly 50 years, this (Harlem Festival tapes) just sat in a basement and “no one cared” was one of the key premises of the film itself, as stated in the opening montage, that the Harlem Festival footage was LOST FOR 50 YEARS.

This statement at best is hyperbole.

The reality is that in 2004 I tracked down director/producer Hal Tulchin after screening a 16mm syndication print of an episode of his first, Harlem Festival series.

Mr. Tulchin and I went to lunch to discuss the Harlem Festival footage and shortly thereafter he signed a representational agreement with my company Historic Films.  The idea was to license clips to third parties from the 40+ hours of Harlem Festival footage as well as develop a feature length documentary on the event.

I pulled the video tape masters from his Westchester County basement, digitized the reels, logged their contents, archived the 1” submasters at the Historic Films offices  and insisted that Mr. Tulchin copyright all of the reels.  In fact I filled out the forms for him and filed the copyright registration on his behalf  (and on my dime) with the Library Of Congress.

The Library Of Congress was also sent a complete set of videos of the 40+ hours of Harlem Festival  footage as is their requirement for copyright filing.  Through the years of our representation, we licensed excerpts of the footage to several productions including SONY RECORDS who used a sizable portion of the “lost” Nina Simone set in one of their home video releases.

Morgan Neville (Academy Award Winning director TWENTY FEET  FROM STARDOM) Robert Gordon (Emmy winning co-director BEST OF ENEMIES, author of IT CAME FROM MEMPHIS)  and I developed a feature length documentary film on the festival framing the event within the politics and civil right unrest that existed at the time, created a trailer and shopped the production around to several possible distributors.

A deal with a major distributor was in negotiation in 2007 and we were in contract negotiations.  To our surprise the negotiations broke down  and the rep from that company jumped ship and teamed with Mr. Tulchin  dumping Neville, Gordon and myself and taking the Harlem Festival project on as his own. Some 15 years later we have SUMMER OF SOUL.

As an archivist and filmmaker who has spent his 35 year career creating music documentaries, and unearthing and preserving rare musical content, I am delighted that this film has finally been produced.  I only ask that credit for the Harlem Festival footage’s re-discovery be properly given. Producers of a doc such as this that is touting it’s righteousness and quest for truth should at least give credit where it is due.

I assure you, if it were not for my efforts the Harlem Festival master tapes would likely still be molding in Mr. Tulchin’s Westchester County basement and Questlove would still be in totally ignorance of their existence.”

Box Office: July 4th Weekend Begins with “F9,” “Cruella” Hitting Hot Numbers, “In the Heights,” “Hitman’s Wife” Disappearing

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The July 4th weekend at the box office began with good news and bad news.

Both “F9” and “Cruella” hit hot numbers. The former became a member of the $100 million club. The latter crosses the $75million mark today. Big accomplishments for each. For “Cruella” especially since it was also available on Disney Plus.

The bad news, of course, is that both “In the Heights” and “The Hitman’s Wife’s Bodyguard” are playing their last rounds in the theaters. They may still be listed at cineplexes, but no one is attending. Cousins of mine caught “In the Heights” down in Charlotte, NC last week and really loved it. There were four people in the theater.

“A Quiet Place 2” is still booming, however, heading now to $150 million. Paramount’s gamble on waiting paid off handsomely.

“Downton Abbey” Sequel Film Will Miss Oscar Eligibility at End of Year, Gets Pushed to March 2022

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Drat!

Well, they tried but the pandemic was too much to overcome. “Downton Abbey 2” started late and will finish late. Originally scheduled for December 20, 2021, the sequel to the movie that followed the beloved PBS Carnival series will not be released until March 2022. They will miss Oscar eligibility cutoff on December 31st, but no matter: “Downton” is not for awards, it’s for its fans.

The first movie was a big box office hit, earning $96.8 million in the US and the same elsewhere around the world. Total worldwide take was $237 million.

This installment may very well be the end, as Maggie Smith’s Violet Crawley aka the Dowager Countess, was set to expire in the last movie after announcing she had cancer. This will sadly wrap up her story. And the main saga, of the Crawley fortune, should end with Branson marrying the illegitimate daughter of Imelda Staunton’s Crawley cousin Maud Bagshaw. Thus, the dynasty will be preserved.

The Crawleys, thanks to creator Julian Fellowes, have remained stuck in limbo between 1925 and the world economic crash of 1929. With that impending doom would come the end of Great Houses like Downton as the Depression and World War II would usher out their place in British society.

So better to stop before things become grim, and remember all these wonderful people frozen in time. We can celebrate their finale in March 2022.

 

(Watch) Nile Rodgers Has The Number 1 Hit in the UK With Jack Savoretti’s Infectious “Who’s Hurting Who”

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Nile Rodgers– who’s just set up shop in Miami — has the number 1 hit in the UK today. He plays on and produced Jack SAvoretti’s disco smash, “Who’s Hurting Who.”

Savoretti’s album, “Europiana,” debuts at number 1 today on the British charts, and “Who’s Hurting Who” is everywhere on UK radio.

Savoretti told MusicTalkers.com: “It’s my take on the great Kris Kristofferson’s song ‘Nobody Wins.’ About behavior I’m all too familiar with, but hopefully is behind me. It’s a serious song in shiny packaging.”

It’s no coincidence Nile Rodgers is involved in making the song a number 1. He has a long history of them, from David Bowie’s “Last Dance” to Daft Punk’s “Get Lucky.” Congrats on more!

Now, where is the US release for Savroretti? Coming soon, I’m sure. And make it snappy. “Who’s Hurting Who” is a summer classic!

Law & Order, Special Parties Unit: Mariska Hargitay Hosts “Black Widow” for Scarlett Johansson in the Hamptons Tonight

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Ahem. I guess our invite got lost in the email.

Call this “Law & Order: Special Parties Unit.” Mariska Hargitay and Peter Hermann are hosting a private screening tonight for Disney’s “Black Widow.”

Why? Well, star Scarlett Johansson and her husband, Colin Jost, live in Montauk, not far away from Olivia Benson’s getaway.

Who’s expected? The usual Hamptons movie crowd, maybe with Alec Baldwin thrown in. Maybe Chris Meloni, aka Elliot Stabler, will turn up. They can arrest anyone who gets out of hand.

Whoever comes will have to dodge the rain, because the forecast calls for a drenching right around the time Natasha Romanoff is set to meet up with her Russian spy parents.

Disney has already had fan events in New York, Los Angeles, and London but sans ScarJo, who, after all, has a six year old and has to limit her events.

“Black Widow” currently has an 84 on Rotten Tomatoes.

 

Cannes: Sean Penn Loses Saturday Premiere Spot to French Movie Starring Johnny Depp’s Ex Wife, Directed by Her New Husband, and to Catherine Deneuve

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Cannes 2021 is coming, and the schedule has been posted.

Sacre bleu! No matter what anyone tells you, in or out of competition, the key premiere time is 7pm at the Palais du Festivals. That’s the premiere hour. That’s when the sun is just starting to set and cool breezes are coming off the Mediterranean.

The ticketed audience and hundreds of locals hoping for billets descend on the Croisette. The former are dressed in formal wear and grip their sea green cardboard passes for dear life as they pass through a sea of aggressive hopefuls who don’t speak English and hold up signs that read: “I need a ticket.” It’s a scene.

So big stars want their films in that hour, and no later. But this year, Sean Penn, who’s bringing a film he directed called “Flag Day,” has been denied that spotlight time. On Saturday, July 10th, Penn will have to wait until 10pm — when most of the festival is at dinner or parties — to show his film at the Palais. “Flag Day” has an A list cast, and features his daughter, Dylan, whose mother is another star, Robin Wright.

Other movies that got the prestigious 7pm premiere slot are Tom McCarthy’s “Stillwater,” Paul Verhoeven’s “Benedetta,” and Wes Anderson’s “The French Dispatch.”

Why was Sean sent to the less glamorous time? The last time Penn brought a movie he directed to Cannes, it was a disaster, unlike previous successful outings like “Into the Wild,” “The Pledge,” and “The Crossing Guard.”

In 2016, he delivered “The Last Face” which starred his then girlfriend, Charlize Theron, and Javier Bardem, in a love story set against war in Africa. It was loathed, hated by everyone who saw it, and never spoken of again. “The Last Face” scored an 8 on Rotten Tomatoes, and Theron disavowed the relationship.

Cannes is taking no chances this time around. “Flag Day” has been hidden at 10pm. Instead, the 7pm slot has gone to a French film starring Vanessa Paradis, aka the ex-Mrs. Johnny Depp. “Love Songs for Tough Guys” is directed by her current husband, Samuel Benchetrit, and is described as romantic and hopeful, “a tribute to poetry, theater, and art.”

That’s next door in the Debussy Theater. In the main Grand Theater Lumiere, another French film, “De Son Vivant,” directed by Emmanuelle Bercot with Cannes favorite Catherine Deneuve and Benoit Magimel, premieres. Bercot is a much decorated Cannes actress and filmmaker.

For Penn to get that 10pm slot a lot of things are communicated. One is the movie– which MGM has bought for an August release– is a Rough Song for Tough Guys. Also, a 10 pm slot for a two hour movie precludes a big celebration afterwards, as most of the audience will be ready for bed (if they haven’t dozed off already).

So we’ll wait for a happy surprise, glowing reviews, and good news at midnight July 10th.