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Shocker: Music Star Lana del Rey Deactivating Social Media Accounts Today, “Keeping Circle Closer”

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Here’s a shock: Lana del Rey says on Instagram she’s deactivating all her social media accounts as of today, Sunday. She released a new single this week, “Arcadia,” which precedes a new album coming next month called “Blue Banisters.” She’s already had a critical hit this year with “Chemtrails Over the Country Club” which should get some Grammy nominations later this fall.

What’s caused Lana to retreat from the public eye is anyone’s guess. She’s certainly not retiring as she says from making music, spoken word albums, and poetry books. But something’s happened to spook her a little, I guess. She’s smiling all the way through her video, which is shot in black and white and kind of an old fashioned stuttering film style.

She says, “That is simply because I have so many interests, and other jobs I’m doing that require privacy and transparency.”

How she’s going to release a new album without social media is puzzling. Maybe she’ll be back in a couple of weeks after taking a breather. I certainly hope so. Lana– whose real name is Elizabeth Grant — is one of the most dynamic and best artists of this generation.

 

Family Ties: Mallory, Not Alex P. Keaton, Makes An Affecting, Emotional Film Starring Olivia Munn

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Talk about timing. Olivia Munn is on everyone’s Twitter right thanks to her relationship and pregnancy with John Mulaney. I almost forgot why she was famous:

Munn is an actress, remember? Although I can’t say I’ve seen her do that much outside HBO’s “Newsroom.” But in Justine Bateman’s “Violet,” which debuted at the Toronto Film Festival today, she gives a rich, affecting performance as a female movie executive in Hollywood trying to negotiate her own personal traumas and the hell of making a career.

Bateman, of course, is better known to us as Mallory from the classic sitcom, “Family Ties.” She wrote and directed this edgy little feature, and it’s an unexpected gem.

Violet is living with a friend while her house is being fixed from a flood. The friend, Red, is a hunk played by Luke Bracey. In her recent past, Violet burned down the apartment of her former lover. She spends little time on her personal life, chucking it all for her career. She hasn’t spoken to her mother, who we learn was mentally abusive, or her brother or aunt in years.

What Bateman’s done that makes this so interesting is that she’s opened Violet’s inner thoughts. We’re getting a voice in her that continually chastises her (Justin Theroux). She calls it “the committee.” We’re also seeing her thoughts written on screen in Violet’s handwriting. The combination of this is a sense that Violet is teetering on a breakdown of some kind, but she’s straining to keep it together.

In the old days the savior boyfriend would have been a Nice Guy Shlemiel, maybe played by Seth Rogen or Mark Duplassis. Instead she’s living with a Hunk and resisting him. It’s not a terribly sympathetic look. But Munn is so invested in Violet’s neuroses that it works. Plus she’s dealing with an evil boss in the form of the great Dennis Boutsikaris (where’s he been?). The politics of the movie production office are well drawn by Bateman, who’s no doubt seen it all.

So kudos to “Violet” and to Munn, for whom this role couldn’t have come at a better time. Reminding us of her acting talent right now is important, all things considered. And isn’t this a nice surprise from Mallory Keaton? Michael J. Fox played Alex, her brother , on “Family Ties,” and we were convinced she’d come to nothing. But she’s directed a film first, and done a fine job at that.

TV: The Twilight of “NCIS”? CBS Moves Show to Mondays after 18 Years, Prepares for Less Mark Harmon

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Is CBS getting ready to throw in the towel on “NCIS”?

After 18 years, the Navy procedural is moving to Mondays when it returns soon from the summer reruns. CBS has turned all of Tuesday over to Dick Wolf’s “FBI,” pushing “NCIS” from its home to a night when there’s a lot of competition.

To be fair, CBS added “NCIS Hawaii,” which will run right after the mothership show. But it’s late in the game to try another spin off. It’s also harder to do because “NCIS” ratings are starting to slow, and new cast members are coming.

The main new cast member is Gary Cole, who’s made a career in recent years of playing sarcastic types it may be hard to accept him as a straight laced military man. I don’t know he’ll keep a straight face. Cole isn’t exactly replacing Mark Harmon, but he is sort of as Harmon is cutting his appearances this season to a handful.

In truth, “NCIS” is on the fade. If Cole and other new additions don’t click, and Harmon is really about to exit, the party may be over. On Mondays, “NCIS” will competing with “The Voice,” which is still a blockbuster for NBC, and “Dancing with the Stars” on ABC. If  “NCIS” is just trounced out of the gate by the two reality shows, a series wind up may be readied for the spring.

Well the days of Tony and Ziva are way in the distance. Pauley Perrette is gone, David McCallum is retired, Maria Bello has departed, and the world has moved on.

Venice Film Festival: Penelope Cruz Wins Best Actress for “Parallel Mothers,” Jumps into Oscar Race

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Penelope Cruz has won best actress at the Venice Film Festival this evening. She’s jumped right into the Best Actress race for Sony Pictures Classics (and they know how to work with that).

Cruz won for Pedro Almodovar’s “Parallel Mothers.” She has an Oscar for Best Supporting Actress in Woody Allen’s “Vicki Cristina Barcelona.” She’s been nominated for Almodovar’s wonderful, “Volver.”

Cruz now joins Jennifer Hudson from “Respect” and maybe Kristin Stewart from “Spencer” in the Oscar race.

More Venice winners coming. Keep refreshing…

Best Actor: John Arcilla in ON THE JOB: THE MISSING 8 di/by Erik Matti

Award for Best Screenplay: Maggie Gyllenhaal per/for THE LOST DAUGHTER di/by Maggie Gyllenhaal

Silver Lion – Award for Best Director: Jane Campion per/for THE POWER OF THE DOG

Grand Jury Prize — Paolo Sorrentino HAND OF GOD

Golden Lion for Best Film: L’ÉVÉNEMENT di/by Audrey Diwan

Only Murderers in the Building and Wives in the Scene: Steve Martin’s Easter Egg in Hit Hulu Series

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When Steve Martin was honored with the AFI Lifetime Achievement Award in June 2015, Tina Fey mocked the actor-director-writer-comedian for marrying a woman who bears an uncanny resemblance to Fey.

Fey said then, “I’ve learned so much from you, Steve, and I can’t tell you how grateful I am to know you. You have helped me so many times and in so many ways: showing up for SNL monologues; being a guest star on our dumb TV show; marrying a woman who is the younger, thinner, smarter version of me, just to keep me hustling.”

The woman in question was writer Anne Stringfield. Martin, now 76. married Stringfield, now 49, in 2007. They have a young daughter named Mary.

Now the joke about the close resemblance between the two women has come came full circle as Stringfield makes a cameo as one of Fey’s lackeys in the fourth episode of Martin’s Hulu hit series, “Only Murders In The Building.”

Martin, Martin Short,and Selena Gomez play true crime podcast enthusiasts with secrets of their own. They launch their own murder podcast; a murder that happened in their very building, the posh Upper West Side Arconia.  Fey plays murder podcast guru Cinda Canning, whose character is briefly introduced in  a voice over in the first episode.

When the trio has goes to see Cinda to get her goddess-like advice, they see she’s flanked by  two look alike assistants.  Surprise!  One of them is Martin’s real life wife Anne Stringfield, who was the butt of Fey’s joke 6 years ago.  It’s a quick cameo, a good Easter egg and inside joke, and charming because the whole comes full circle.

Pictured here: Stringfield, not Fey. (Very close!)

 

Remembering 9-11: Bruce Springsteen Gives Stirring Performance at Memorial Tribute (Video)

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A thin looking Bruce Springsteen performed a stirring acoustic version of his song, “I’ll See You in My Dreams” this morning at the 9-11 memorial tribute. Springsteen just wrapped his summer long Broadway show.

Meanwhile the reading of the names of the dead has continued, and is more upsetting than ever. The raw emotion of all the people who read the names and spoke in memory of their loved ones is haunting and so genuine. There are real New Yorkers, and you just love every one of them. Their lost family members and friends are heroes for real and forever.

I am so lucky. My parents survived that day on an American Airlines flight from London that landed in St. John, Newfoundland. My friends who were living across the street, and who worked in the World Trade Center, had a terrible day but lived. So many didn’t. God bless them all.

I had a beautiful view of the World Trade Center for many years. We used to joke that it was our weathervane. You could tell how bad a storm there was just looking downtown at those two enormous towers. Clouds welled up and fog overtook them when storms came in. That was made 9-11 so weird. It was bright and sunny. Just like heaven (we hope).

Drake’s Cake: Biggest Debut of the Year with “Certified Lover Boy” Streaming 600,000 Copies First Week

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Drake should bake a cake. And put candles all over it.

The Canadian born R&B rap star’s “Certified Lover Boy” sold over 600,000 streaming equivalent copies in its debut week. It’s biggest release of 2021, maybe the biggest of the last couple of years.

“CLB” is all streaming. Paid downloads were only about 37,900 according to Buzz Angle.

All the tracks from “CLB” are hits, too, streaming away individually. The top one is “Way 2 Sexy,” with nearly 400,000 copies sold. Nine more range between 200K and 350K. Not bad!

The number 2 album was Kanye West’s “Donda,” with 143K sold this past week, and a total of 459K after 2 weeks. All streaming. Ka ching!

The loser here is iTunes. Drake and Kanye fans don’t seem to care about “owning” the music. The winners are Spotify, Amazon Music, Apple Music, and even Tidal.

The other big winner of the week was lumbering heavy metal group, Iron Maiden. Their first album in six years, “Senjutsu,” sold 53,000 copies in CDs and downloads. Adele should take a look at that. She hasn’t released an album in six years, either!

 

Spielberg’s Oscar Tipped “West Side Story” Will Play in Theaters First As Disney Abandons Day-and-Date After “Black Widow” Lawsuit

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Disney has blinked.

Following Scarlett Johansson’s lawsuit over “Black Widow” opening day and date in theaters and n Disney Plus the Mouse House has changed its tune.

Their upcoming Big Five releases will not start simultaneously on the streaming service and in theaters. They will start in theaters with 30 to 45 day windows.

The movies include Steven Spielberg’s Oscar tipped revival of “West Side Story,” plus Marvel’s “Eternals,” Ridley Scott’s “The Last Duel,” “The King’s Man,” and “Ron’s Gone Wrong.” All of those will have the 45 day window before going to streaming. “Encanto’ will have a 30 day window.

Disney is doing this after Johansson surprised them with a lawsuit claiming there was no agreement with the star for streaming. She’s claiming the film made $50 million less than it should have because it went to Disney Plus.

At the same time, Disney is seeing massive success with their Marvel movie, “Shang Chi,” which has now made $120 million in two weeks playing just in theaters.

Spielberg has been critical of streaming even though his company recently made a deal with Netflix. The “West Side Story” remake is the front runner for Best Picture right now even though no one’s seen it. But its scope and importance, coupled with good looking teasers, point to a sure thing. Spielberg and Disney have also managed to get rid of the rotten Broadway remake of the musical to clear the way for the new movie. They want everyone in theaters to see what could be a key awards movie.

Disney still has to clean up the Johansson mess before it goes even further. You can bet that will come sooner rather than later.

 

 

Former Child Star Turned Producer Brian Robbins Becomes Head of Paramount Pictures, Replaces Jim Gianopolous

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If you were a kid in the mid to late 80s, you knew Brian Robbins as a student named Eric in “Head of the Class.” It was a “Welcome Back Kotter” type show.

Now Robbins, 57, is head of Paramount Pictures. Bravo him. He worked his way up as a producer for the last 27 years, with credit after credit. Most recently he’s been the president of Nickelodeon and kids’ programming at Paramount.

Robbins’ appointment was announced today. He replaces Jim Gianopolous, 70, who came from 20th Century Fox and found himself in a mess when the pandemic struck. Paramount’s entire pandemic release schedule consists of “A Quiet Place, Part 2.” Everything else was sold off, postponed, or streamed. More recently, Paramount’s big family film, “Clifford the Big Red Dog,” was pulled from the schedule because of pandemic worries. (Or because it wasn’t ready.) Cliff was listed as a gala at TIFF, but that was scrubbed as well.

Gianopolous was old school and reportedly didn’t get along with Shari Redstone, who owns Viacom, the parent company. Robbins is “young” and new blood and will tackle Paramount’s problems. He’s gone to the head of the class!

 

Toronto: A Bad Night for “Dear Evan Hansen” Broadway to Movie Adaptation as Reviews are Brutal

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I’m not in Toronto, and the opening night film, “Dear Evan Hansen,” is not available digitally to press outside of Canada.

From the tenor of the reviews coming out of there tonight, I guess I know why we can’t see it– and why it’s been so difficult to screen.

The early returns are not promising. Problem one is Tony winner Ben Platt, who is too old to play high school student Evan on screen. Problem 2 is the show, which on Broadway you could get away with but in a movie the premise doesn’t work.

When I saw the musical on Broadway, I didn’t understand why it was so popular. To me, Evan — who lies to everyone about a dead kid having been his bff — was a villain. But audiences embraced him as did the people of the town he lived in. And the show took off, and won Tonys.

Tonight, Evan is being found out in Toronto. The movie seems very divisive. Will update accordingly if things get better.

One quote, from Theatermania: “Film is a different story – it’s “real” real. Evan’s actions, which we sort of shrug off after seeing it on Broadway because they’re presented with hints of ambiguity, are truly grotesque in celluloid. He’s a Machiavellian villain in a story where he’s written to be the hero.”

Alison Willmore, of Vulture: “DEAR EVAN HANSEN: If there were any chance of making this character look like something other than a monster, it rested on emphasizing his raw youth, which makes the casting of an OBVIOUSLY GROWN MAN JUST HUNCHING HIS SHOULDERS an act of sabotage that’s near avant-garde “