Monday, November 18, 2024
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Broadway: “Diana” Musical Opens to Scathing Reviews, Teeters on Closing Almost Immediately

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At long last, “Diana: The Musical” has opened on Broadway like a meteor set to destroy the Earth.

The reviews are scathing. The New York Times calls it “exploitative.” Deadline.com, which likes everything, labels it “a royal mess.” Broadwaynews.com says it’s so bad “it must be seen.”  Washington Post drama critic: “As with the car crash that took her life, the most appropriate response to “Diana” the musical is to look away.”

And so on.

These were not the first negative reviews. Last Friday, a man sitting in the orchestra reportedly yelled “F— you!” at the actor playing Prince Charles.

And this after a disastrous filming and showing on Netflix panned by everyone who came near it. On Rotten Tomatoes, the filmed version has a lowly 12%.

Indeed, the reaction to “Diana” is like watching Max Bialystock and Leo Bloom read the reviews for “Springtime for Hitler,” before the plot twist. “Diana” may gone down in history as worse than the previous record holder for a disaster, “The Moose Murders.”

Who is responsible for this catastrophe? The book writer Joe DiPietro, The musical’s songwriters, David Bryan and DiPietro, the actors who are one after another hideously bad, the producers who persisted in this even when the pandemic might have set them free from actually opening.

Can “Diana” remain open until tomorrow? Or will this wretch of a musical that famously rhymed “the thrilla in Manila” with “Camilla” close tonight? There is no advance sale to speak of. According to the Telecharge maps, Saturday night this week is fairly empty. And then it gets worse. Next Saturday, during the Thanksgiving weekend, you could sail paper airplanes through the Longacre Theater during the performance and not bother a patron.

Maybe the Netflix sale, so unusual, helped keep things going. The budget, however, is well into the millions already, even if Netflix helped offset it. That money is gone. The party at the Palace (Buckingham) is almost over. If the announcement doesn’t come tonight or tomorrow, by the weekend it will surely arrive.

 

 

Rock Superstar Sting Said to Be Shopping Song Catalog Buyout for $250 Million (Probably Worth More)

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Word is spreading fast that Sting is joining the ranks of other top rock stars and composers. He’s said to be shopping his catalog of songs for at least $250 million.

Right now, Sting’s songs are parked at Sony Music Publishing. Universal Music Publishing is said to be in hot pursuit.

The catalog includes “Every Breath You Take,” “Fields of Gold,” “Fragile.” “Roxanne,” and a plethora of other hits that can be monetized easily. Dozens of Sting written songs can be covered by other artists or used in movies or commercials.

I reported a couple of years ago when Paul McCartney cited “Fields of Gold” as the song he wished he’d written. He probably said that because “Fields of Gold” is a gold mine for any publisher.

Of course, “Every Breath You Take” was awarded most played song ever by BMI last year.

There are a couple dozen more hit songs Sting wrote for The Police including “Every Little Thing She Does is Magic” and “Don’t Stand So Close to Me.” Then are the solo hits, including a number of lesser known songs just from the last five years that are ripe for the picking. The sale would include the songs from Sting’s Broadway show, “The Last Ship.”

Sting has a sensational new album coming out tomorrow night called “The Bridge.” He’s “only ” 70 and clearly not going to stop working any time soon. So the catalog’s value just increases more and more.

Stay tuned on this one…

 

Sony Pictures Faces Being Slimed with New “Ghostbusters” Eyeing Underwhelming Opening Weekend

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Sony Pictures may get slimed this weekend with the new “Ghostbusters.”

Directed by Jason Reitman, son of original director Ivan Reitman, the new “Ghostbusters” is sitting at 67% favorability on Rotten Tomatoes.

Variety is now saying “Ghostbusters” will open to $30 million. This isn’t good since the 2016 version with a mostly female cast had a $46 million opening weekend.

The new version stars Paul Rudd and some good young actors. It’s not until the end that Dan Aykroyd, Bill Murray, Sigourney Weaver, Ernie Hudson, and Annie Potts turn up. This has not been conveyed in the previews.

I have no idea what has gone wrong here. When they first showed the new movie at Cinema Con, everyone was excited. But I never heard another word about it after that.

Previews begin Thursday night.

Paul McCartney’s “Lyrics” Earned the Beatle Approximately $3.7 Mil in First Four Days of Publication

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EXCLUSIVE Paul McCartney is literally printing money right now.

On Tuesday, November 2, his two volume “The Lyrics” was released. When NPD BookScan counted the sales, “The Lyrics” had sold 36,950 copies for the weekend ending November 6th.

That’s $3,695,000 just in the US in four days.

“The Lyrics” is number 1 this week on the New York Times non fiction hardcover bestseller list, and the combined hardcover and e book sales.

At NPD BookScan, “The Lyrics” is currently number 8 on the overall bestseller list, and number 3 on hardcover non fiction.

It’s quite possible “The Lyrics” has sold 100,000 copies in the US since November 2nd, which would be the equivalent of 200,000 books. We’ll know more on Friday.

Beatles and McCartney fans are scooping up the two volume set mostly at $100.000. (It was briefly discounted by Amazon to $60.) Any why not? This is now the permanent record, the last word so to speak by McCartney on 154 songs. Some of them are tossaways, but least 125 are of major interest. In the volumes he names “Here, There and Everywhere” as the favorite of all the songs he’s composed.

Well, Lennon-McCartney, McCartney-Lennon, McCartney on his own or with anyone else is an extraordinary catalog, the Bach or Beethoven of our lifetime. I hope next year he offers a Volume 3 with songs he left out. But for now, this should keep everyone busy.

(PS If only Adele had tried one of those songs!!

Adele Introduces New Song “To Be Loved” (Not Jackie Wilson) And Sings Along in Video

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Here’s Adele, singing her new “To Be Loved.” This is not the Jackie Wilson hit. But it is over 6 minutes long. I’m getting a pillow. This is called ‘shreying’ in Yiddish. This woman is wasting her voice carrying on, screaming a song with no melody, hook, or chorus. What the hell is happening here? The Adele I loved, as I wrote about yesterday, is not in these diatribe like epistles. Where is “Chasing Pavements”? “Rolling in the Deep”? We are rolling in the weep. Please, Adele, lighten up. Half the world has been divorced, some more than once!

Below the Adele song, please listen to Jackie Wilson’s “To Be Loved.”

“General Hospital” Star Steve Burton Out Over Vaccine? Charging $10,000 on Cameo for Business Greetings

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This is pretty funny.

Steve Burton, long time actor on “General Hospital,” may be checking out of the show soon over his refusal to get vaccinated. Burton, who’s already had COVID, is said to be in defiance of ABC-Disney’s vaccine mandate and will soon find his character either dead or recast, maybe as early as next week.

If Burton loses his “General Hospital” paycheck, he’s already hoping to boost his income with new sources. Like a lot of other low level celebrities looking to pick up extra cash, he’s joined Cameo.

Cameo, if you don’t know, is where minor characters can get some bucks by recording personalized videos for fans. The entertainers on there are Mr. T, Don Johnson, Lindsay Lohan, and so on. Most charge around $150 for birthday or anniversary greetings, that sort of thing.

But some of the celebs charge a lot more for “business” or corporate inspirational spots. Those seem to average $2,500, not much more. A few people charge $5,000. But Burton, who is no Susan Lucci or Eric Braeden, is asking $10,000 for his business greeting. Yes, ten thousand dollars. It’s unclear if there are any bites yet. The good thing is, they’re all done by video. So it won’t matter if he’s vaccinated or not.

If Burton is out at the soap opera, what will his inspirational message be for $10,000? “Hi, this is Steve Burton, former soap star. I left my high paying job at Disney-ABC because I refused to get a perfectly safe vaccine. Those corporate monsters can’t tell me what to do!”

Just a note: if you have $10,000 and need such a corporate video, Smokey Robinson, one of the greatest people ever, is on there and charging the same amount. And he might even sing to you!

 

Britney Spears Asserts New Freedom in Video Post: “Grateful to have the keys to my car…I’m not here to be a victim”

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Britney Spears sounds pretty reasonable in this video post on Twitter. She’s celebrating her freedom in a very sound statement. She says she’s “grateful to the have to the keys to my car.” She adds: “I’m not here to be a victim.”

I didn’t write about the #FreeBritney movement because if you covered Britney in the days before her conservatorship, reporters knew she was wild and needed help desperately. The conservatorship was a relief, frankly.

But things have changed. This Britney seems like she’s got it together. Let’s hope so, for her sake.

Nicole Kidman, Javier Bardem, Aaron Sorkin Eye Oscar Gold with “Being the Ricardos”

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This isn’t a review. You’re not supposed to review anything until right before it opens. (That’s what they’re doing with “House of Gucci” because it’s a mess.)

Anyway, last night Aaron Sorkin unveiled his “Being the Ricardos” in New York with Nicole Kidman, Nina Arianda, and JK Simmons. Co-star Javier Bardem was not in town. “Being the Ricardos” is an Amazon Studios movie, their only real entry in this year’s Oscar race. They should have no trouble getting everyone their nominations.

“BTR” is all about Lucille Ball and Desi Arnaz, how they met, became TV titans. It’s no secret that this is not an episode of “I Love Lucy.” Instead, the clever screenplay addresses the making of one episode of the famed, immortal sitcom, in its second season, and everything around it. I’m not allowed to get into details yet. But suffice to say it’s a hit depending on what Amazon does with it.

The screening, which was sort of the New York premiere, was at a strange venue, Village Cinemas on Second Avenue. This is an old, drafty theater where the sound is boomy the further away you were seated. The oleaginous Cinema Society PR firm (not a society, just two people) decided it was best to put the critics in the very last row of the balcony, maybe as a challenge. The people sitting up front were kind of hasbeen models, people not in the motion picture Academy, and a miscellaneous hangers on. A number of people came and went past me in the balcony until 20 minutes into the film.

There was a Q&A after the film, which was hard to see because of the way the theater was pitched. (The last time I went there was to see “The Hateful Eight.”) But the cast is revved up. Nicole Kidman said the strangest thing was being in costume and character as Lucille Ball and talking to Lucie Arnaz, Lucy’s daughter, on set. Kidman so absorbs Lucille Ball, it will blow everyone’s minds.

The after party was at hotel that I’ve never heard of, called the Moxy, on East 11th St. There were no celebs. The stars of the movie came and went quickly. They figured it out fast. I had a nice chat with Nicole Kidman, who was masked and worried about being in a crowd. She’s had a banner year, what with “The Undoing” and “Nine Perfect Strangers” on TV. She will have an Oscar nod for “BTR.” Wait til we can talk about it more.

Stay tuned…

“SNL” Still Having Ratings Trouble Despite Pulling Out Big Musical Guns with Taylor Swift, Ed Sheeran

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“Saturday Night Live” is still in the ratings doldrums despite pulling out the two top selling pop stars as musical guests this month.

On Saturday, the show scored just under 5 million viewers for Taylor Swift’s 10 minute song, plus her appearance in sketches. Show host Jonathan Majors was not a strong draw. With delayed viewing, the final numbers went up to 5.8 million.

That number was only incrementally higher than the week before with Ed Sheeran drawing a total 5.7 million with delayed viewing.

So what can they do? The show’s writing is very steady right now, and the pop stars are the biggest. The hosts are kind of meh, but that shouldn’t be holding down viewing.

The next pairing doesn’t bode well for ratings at all: Saweetie is the musical guest, and Simu Liu of the movie “Shang Chi” will host. How the bookers arrived at this pairing is anyone’s guess.

Meanwhile, no sign of Kate McKinnon’s return, and soon Cecily Strong- who’s been knocking it out of the park every week– will head to off off Broadway to try out her Lily Tomlin show. (I’m really looking forward to that.)

So far the real winner of the season is James Austin Johnson, whose impersonations– particularly Trump– are spot-on and eerily reminiscent of the great David Frye.

(Watch) Sting Performs “Rushing Water” on Colbert, from New Album “The Bridge” Coming Thursday Night

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Sting, looking great as usual, performed “Rushing Water” on Colbert last night. I love this song! Radio is starting to pick it up, too. “Rushing Water” is from “The Bridge,” Sting’s new album full of potential hits and gorgeous new songs. His voice has never sounded better and the songs are tremendous. I’ll have a full review tomorrow. Pre-order now at Amazon.