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The Great 70s Soul Singer Joe Simon Has Died at Age 85, Had Hits with “Drowning in a Sea of Love,” “Power of Love”

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The great 1970s soul singer Joe Simon has died at age 85. He had a bunch of R&B chart hits but his breakthrough hits in pop were the classics “Drowning in a Sea of Love” and “Power of Love.”

Simon’s buttery voice powered those hit singles to the top of the charts. I had the pleasure of meeting him in the 90s after he’d become a full time preacher. He was a lovely guy and leaves a huge legacy. Here’s a link to his obit from Billboard

Rest in peace, Joe. You were just great.

Betty Lavette wrote on Facebook: “I’m so sorry to hear of the passing of rhythm & blues legend, Joe Simon. In the last several years, he had become a minister. While I don’t know him in that capacity, I do know him from the many recordings that he made. One of my best and most popular songs, was a song written by, as well as recorded by, him:Your Turn To Cry. I have not spoken to him in years, but just before I moved to NJ, I got a call from him, asking me to sing either with him, or at his church. Some gospel song-I can’t remember which one. Though I don’t do church, I was so happy and flattered to hear from him. He was one of the NICEST guys that I ever met in show business. RIP.”

 

“Succession” Finale Hits Series High Thanks to HBO Max Viewers, Finishes Even on Regular Channel

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“Succession” finished its third season with a series high thanks to viewing from HBO Max.

On HBO, “Succession” had 634,000 viewers at 9pm on Sunday, which was average for them this season.

But HBO says that another 1.1 million people tuned in thanks to streaming and delayed viewing. They say the total with everything combined was 1.7 million people.

The company says: Total viewing increased 47% versus the season two finale, 21% from the season three premiere and 8% from last week’s episode. Season 3 episodes are averaging 6.1 million viewers to-date, up 56% from season 2 after a similar period of time, with the Season 3 premiere episode now approaching 7 million viewers.

On balance it’s all good. “Succession” will yield a dozen or more Emmy nominations and win most of them. It will win Best Drama, Actor, Actress for Sarah Snook, supporting probably for actor (Matthew MacFadyen), directing and writing. Mazel tov.

Indie Spirit Awards Reach a Level of Complete Irrelevance with Nominations No One Cares About

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The Independent Spirit Awards have reached a level of unimportance that is startling. Their nominations are useless. Most of these movies and performances no one’s ever heard about and no one cares about. I like that they nominated Clifton Collins, Jr. for “Jockey,” but he probably won’t win. Thank goodness the Spirit Awards are on March 6th, three weeks before the Oscars, and I don’t have to deal with them and their leaky tent. Ratings on the IFC channel will be down to five people and a dog in Santa Monica.

 

BEST FEATURE

A Chiara

C’mon C’mon

The Lost Daughter

The Novice

Zola

BEST FIRST FEATURE

7 Days

Holler

Queen Glory

Test Pattern

Wild Indian

BEST FEMALE LEAD

Isabelle Fuhrman, The Novice

Brittany S. Hall, Test Pattern

Patti Harrison, Together Together

Taylour Paige, Zola

Kali Reis, Catch the Fair One

BEST MALE LEAD

Clifton Collins Jr., Jockey

Frankie Faison, The Killing of Kenneth Chamberlain

Michael Greyeyes, Wild Indian

Udo Kier, Swan Song

Simon Rex, Red Rocket

BEST DIRECTOR

Janicza Bravo, Zola

Maggie Gyllenhaal, The Lost Daughter

Lauren Hadaway, The Novice

Mike Mills, C’mon C’mon

Ninja Thyberg, Pleasure

BEST DOCUMENTARY

Ascension

Flee

In the Same Breath

Procession

Summer of Soul 

BEST SUPPORTING FEMALE

Jessie Buckley, The Lost Daughter

Amy Forsyth, The Novice

Ruth Negga, Passing

Revika Anne Reustle, Pleasure

Suzanna Son, Red Rocket

BEST SUPPORTING MALE

Colman Domingo, Zola

Meeko Gattuso, Queen of Glory

Troy Kotsur, CODA

Will Patton, Sweet Thing

Chaske Spencer, Wild Indian

BEST SCREENPLAY

C’mon C’mon, Mike Mills

The Lost Daughter, Maggie Gyllenhaal

Swan Song, Todd Stephens

Together Together, Nikole Beckwith

Zola, Janicza Bravo, Jeremy O. Harris

BEST FIRST SCREENPLAY

Lyle Mitchell Corbine, Jr., Wild Indian 

 Matt Fifer; Story by Sheldon D. Brown, Cicada

Shatara Michelle Ford, Test Pattern 

Fran Kranz, Mass 

Michael Sarnoski; Story by Vanessa Block, Michael Sarnoski, Pig

BEST EDITING

Affonso Gonçalves, A Chiara

Ali Greer, The Nowhere Inn

Lauren Hadaway, Nathan Nugent, The Novice

Joi McMillon, Zola

Enrico Natale, The Killing of Kenneth Chamberlain

BEST CINEMATOGRAPHY

Ante Cheng, Matthew Chuang, Blue Bayou

Lol Crawley, The Humans

Tim Curtin, A Chiara

Edu Grau, Passing

Ari Wegner, Zola

BEST INTERNATIONAL FILM

Compartment No. 6
Finland/Russia
Director: Juho Kuosmanen

Drive My Car
Japan
Director: Ryusuke Hamaguchi

Parallel Mothers
Spain
Director: Pedro Almodóvar

Pebbles
India
Director: P S Vinothraj

Petite Maman
France
Director: Céline Sciamma

Prayers for the Stolen
Mexico
Director: Tatiana Huezo

ROBERT ALTMAN AWARD

(Given to one film’s director, casting director and ensemble cast)

Mass

Director: Fran Kranz
Casting Directors: Henry Russell Bergstein, Allison Estrin
Ensemble Cast: Kagen Albright, Reed Birney, Michelle N. Carter, Ann Dowd, Jason Isaacs, Martha Plimpton, Breeda Wool

JOHN CASSAVETES AWARD

Given to the best feature made for under $500,000 (Award given to the writer, director and producer. Executive Producers are not awarded.)

Cryptozoo
Writer/Director: Dash Shaw
Producers: Tyler Davidson, Kyle Martin, Jane Samborski, Bill Way

Jockey
Writer/Director/Producer: Clint Bentley
Writer/Producer: Greg Kwedar
Producer: Nancy Schafer

Shiva Baby
Writer/Director/Producer: Emma Seligman
Producers: Kieran Altmann, Katie Schiller, Lizzie Shapiro

Sweet Thing
Writer/Director: Alexandre Rockwell
Producers: Louis Anania, Haley Anderson, Kenan Baysal

This is Not a War Story
Writer/Director/Producer: Talia Lugacy
Producers: Noah Lang, Julian West

PRODUCERS AWARD
(The Producers Award, now in its 24th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.)
Brad Becker-Parton , Pin-Chun Liu, Lizzie Shapiro

SOMEONE TO WATCH AWARD
(The Someone to Watch Award, now in its 27th year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.)

Alex Camilleri, Luzzu

Michael Sarnoski, Pig

Gillian Wallace Horvat, I Blame Society

TRUER THAN FICTION AWARD

(The Truer Than Fiction Award, now in its 26th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.)

Angelo Madsen Minax, North By Current

Jessica Beshir, Faya Dayi

Debbie Lum, Try Harder!

TV CATEGORIES

BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES

Award given to the Creator, Executive Producer, Co-Executive Producer)

Black and Missing
Series By/Executive Producers: Soledad O’Brien, Geeta Gandbhir
Executive Producers: Jo Honig, Patrick Conway, Nancy Abraham, Lisa Heller, Sara Rodriguez

The Choe Show
Creator/Exec Producer: David Choe
Executive Producers: Matt Revelli, Christopher C. Chen, Hiro Murai, Nate Matteson

The Lady and The Dale
Executive Producers: Mark Duplass, Jay Duplass, Mel Eslyn, Allen Bain, Andre Gaines, Nick Cammilleri, Alana Carithers, Zackary Drucker, Nancy Abraham, Lisa Heller

Nuclear Family
Series By: Ry Russo-Young
Executive Producers: Liz Garbus, Julie Gaither, Jon Bardin, Leah Holzer, Peter Saraf, Alex Turtletaub, Jenny Raskin, Geralyn White Dreyfous, Lauren Haber, Maria Zuckerman, Christine Connor, Ryan Heller, Barbara Dobkin, Eric Dobkin, Andrea Van Beuren, Joe Landauer

Philly D.A.
Creators: Ted Passon, Yoni Brook, Nicole Salazar
Executive Producers: Dawn Porter, Sally Jo Fifer, Lois Vossen, Ryan Chanatry, Gena Konstantinakos, Jeff Seelbach, Patty Quillin
Co-Executive Producers: Nion McEvoy, Leslie Berriman

BEST NEW SCRIPTED SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)

Blindspotting
Creators/Executive Producers: Rafael Casal, Daveed Diggs
Executive Producers: Jess Wu Calder, Keith Calder, Ken Lee, Tim Palen, Emily Gerson Saines, Seith Mann

It’s a Sin
Executive Producers: Russell T Davies, Peter Hoar, Nicola Shindler

Reservation Dogs
Creators/Executive Producers: Sterlin Harjo, Taika Waititi
Executive Producer: Garrett Basch

The Underground Railroad
Creator/Executive Producer: Barry Jenkins
Executive Producers: Adele Romanski, Mark Ceryak, Brad Pitt, Dede Gardner, Jeremy Kleiner, Colson Whitehead, Richard Heus, Jacqueline Hoyt

We Are Lady Parts
Creator: Nida Manzoor
Executive Producers: Tim Bevan, Eric Fellner, Surian Fletcher-Jones, Mark Freeland

BEST FEMALE PERFORMANCE IN A NEW SCRIPTED SERIES

Thuso Mbedu, The Underground Railroad

Anjana Vasan, We Are Lady Parts

Jana Schmieding, Rutherford Falls

Jasmine Cephus Jones, Blindspotting

Deborah Ayorinde, THEM: Covenant 

BEST MALE PERFORMANCE IN A NEW SCRIPTED SERIES

Lee Jung-jae, Squid Game

Olly Alexander, It’s a Sin

Michael Greyeyes, Rutherford Falls

Murray Bartlett, The White Lotus

Ashley Thomas, THEM: Covenant

BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES

Reservation Dogs
Ensemble Cast: Devery Jacobs, D’Pharaoh Woon-A-Tai, Lane Factor, Paulina Alexis, Sarah Podemski, Zahn McClarnon, Lil Mike, FunnyBone

Review: “Spider Man: No Way Home” Is the Blockbuster (Yet Sad) Ending to Tom Holland’s First Trilogy

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WITH THE LEAST IMPORTANT SPOILERS

I guess it’s safe to say that everything you’ve heard about “Spider Man: No Way Home” is true, and then some. For the third part of his trilogy starring Tom Holland, Jon Watts has thrown in everything but the kitchen sink. The only thing missing, really, is the original “Spider Man” music. I always remember I think in Tobey Maguire‘s second film that music being played on violin. Other than that, everything you can imagine has been stuffed into this two and a half hour blockbuster.

Is “No Way Home” long? Yes. It didn’t have to be, but it takes time to scatter Easter eggs on the lawn of a movie. And there are a lot of them. I’m not allowed to say what they are, but you can kind of guess. And even, not really. Suffice to say, when Dr. Strange, played by potential Oscar nominee from another movie Benedict Cumberbatch, unleashes the multi-verse by accident — similar to Aunt Clara making a bad potion on “Bewitched” — we are reunited with a lot of old friends.

The spoilers are, I can’t tell you what these people do or how much they do it. But it’s a lot.

You do know that a lot of villains come pouring out of the woodwork from the seven previous “Spider Man” movies. They are played with gusto by Alfred Molina, Willem Dafoe, and Jamie Foxx. There are several others and you’ll be happy to see them, although Peter Parker and Dr. Strange are not, and have to deal with them quickly.

This is the crux of the movie: send all these visitors from other universes back where they will have died already, or rehabilitate them for better lives. Peter, who still insists he’s 17 (Holland is 25) and remains naive after two movies in this series, thinks that can happen. Is it possible? As Dr. Strange notes, he’s still a kid.

Here are some takeaways from “No Way Home”: Zendaya, who plays MJ, is a star. I said that after “Malcolm and Marie,” but she’s headed for really big things. Holland is, too, if he can make the jump from “Spider Man.” He actually reminds me of the young Mickey Rooney, which is a huge compliment.What I really got out of this is that Amy Pascal, the producer of these films, is a genius. That Kevin Feige really knows how to make these Marvel films work like Swiss clocks.

All the guest stars are top notch, although I must say that seeing Alfred Molina return to the fold was a kick, he is brilliant. Ditto Willem Dafoe. The two of them came from the first trilogy with Tobey Maguire and still play off each other as if it were all fresh. Jamie Foxx is a force of nature. And he does get in a line about never expecting to see a Black Spider Man. Well, maybe one day.

The movie has a substantial bit of Dr. Strange, so it’s Cumberbatch Season what with “The Power of the Dog.” He’s been a little bit of a slow starter but at this point you can say that BC is a Movie Star. He’s also an actor’s actor. It’s time he came to New York theater. He’s really found the groove to make this super hero stuff seem like it’s damn important.

Marisa Tomei gets more to do here than in the first two Holland films, and that’s always a good thing. It’s also time for her to get back to making Oscar level movies.

There’s some snappy writing thanks to Chris McKenna and Erik Sommers’ script. I don’t know if someone punched it up with jokes, but I laughed out loud a few times. The Feige method is to make Marvel superheroes glib and fast on their feet with one liners. It works.

Do I wish this audience would go see “West Side Story”‘ and “Belfast”? Yes, please. If your theater is sold out for “Spider Man,” try one of those. Do I wihs I could tell you more? I do, because there is a fun story arc and a sad one, and if you like this stuff you will smile and tear up. But that’s all I can say until after the weekend is over.

And no, no one falls off a Peloton bike to their doom.

PS As with all Marvel movies, you must sit through the credits to the very end. There are two PS scenes and the second one is like its own movie. Don’t leave!

Prediction addendum: “Spider Man” will save movie theaters. See my next story on this movie. It’s already selling out for Thursday previews everywhere.

Critics Choice Awards Noms 11 Each for “West Side Story,” “Belfast,” Little for “Gucci,” “Macbeth,” “Spencer”

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It’s mostly good news for the Critics Choice Awards, although they also skipped Jennifer Hudson, and gave little to “House of Gucci,” “The Tragedy of Macbeth,” or “Spencer.” Netflix got the most over all nominations, but “West Side Story” and “Belfast,” from Disney and Universal Focus, tied with 11 apiece. The lesson learned from all these awards announcements is that if you work for it, you get it. Campaigning pays off. Amazon and Apple still have a lot to learn, I told Aaron Sorkin that Amazon wasn’t there yet, and they’re not.

The Critics Choice Awards air January 9th on the CW and TBS Networks.

FILM NOMINATIONS FOR THE 27TH ANNUAL CRITICS CHOICE AWARDS

 

BEST PICTURE

Belfast

CODA

Don’t Look Up

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

tick, tick…Boom!

West Side Story

 

BEST ACTOR

Nicolas Cage – Pig

Benedict Cumberbatch – The Power of the Dog

Peter Dinklage – Cyrano

Andrew Garfield – tick, tick…Boom!

Will Smith – King Richard

Denzel Washington – The Tragedy of Macbeth

 

BEST ACTRESS

Jessica Chastain – The Eyes of Tammy Faye

Olivia Colman – The Lost Daughter

Lady Gaga – House of Gucci

Alana Haim – Licorice Pizza

Nicole Kidman – Being the Ricardos

Kristen Stewart – Spencer

 

BEST SUPPORTING ACTOR

Jamie Dornan – Belfast

Ciarán Hinds – Belfast

Troy Kotsur – CODA

Jared Leto – House of Gucci

J.K. Simmons – Being the Ricardos

Kodi Smit-McPhee – The Power of the Dog

 

BEST SUPPORTING ACTRESS

Caitríona Balfe – Belfast

Ariana DeBose – West Side Story

Ann Dowd – Mass

Kirsten Dunst – The Power of the Dog

Aunjanue Ellis – King Richard

Rita Moreno – West Side Story

 

BEST YOUNG ACTOR/ACTRESS

Jude Hill – Belfast

Cooper Hoffman – Licorice Pizza

Emilia Jones – CODA

Woody Norman – C’mon C’mon

Saniyya Sidney – King Richard

Rachel Zegler – West Side Story

 

BEST ACTING ENSEMBLE

Belfast

Don’t Look Up

The Harder They Fall

Licorice Pizza

The Power of the Dog

West Side Story

 

BEST DIRECTOR

Paul Thomas Anderson – Licorice Pizza

Kenneth Branagh – Belfast

Jane Campion – The Power of the Dog

Guillermo del Toro – Nightmare Alley

Steven Spielberg – West Side Story

Denis Villeneuve – Dune

 

BEST ORIGINAL SCREENPLAY

Paul Thomas Anderson – Licorice Pizza

Zach Baylin – King Richard

Kenneth Branagh – Belfast

Adam McKay, David Sirota – Don’t Look Up

Aaron Sorkin – Being the Ricardos

 

BEST ADAPTED SCREENPLAY

Jane Campion – The Power of the Dog

Maggie Gyllenhaal – The Lost Daughter

Siân Heder – CODA

Tony Kushner – West Side Story

Jon Spaihts, Denis Villeneuve, Eric Roth – Dune

 

BEST CINEMATOGRAPHY

Bruno Delbonnel – The Tragedy of Macbeth

Greig Fraser – Dune

Janusz Kaminski – West Side Story

Dan Laustsen – Nightmare Alley

Ari Wegner – The Power of the Dog

Haris Zambarloukos – Belfast

 

BEST PRODUCTION DESIGN

Jim Clay, Claire Nia Richards – Belfast

Tamara Deverell, Shane Vieau – Nightmare Alley

Adam Stockhausen, Rena DeAngelo – The French Dispatch

Adam Stockhausen, Rena DeAngelo – West Side Story

Patrice Vermette, Zsuzsanna Sipos – Dune

 

BEST EDITING

Sarah Broshar and Michael Kahn – West Side Story

Úna Ní Dhonghaíle – Belfast

Andy Jurgensen – Licorice Pizza

Peter Sciberras – The Power of the Dog

Joe Walker – Dune

 

BEST COSTUME DESIGN

Jenny Beavan – Cruella

Luis Sequeira – Nightmare Alley

Paul Tazewell – West Side Story

Jacqueline West, Robert Morgan – Dune

Janty Yates – House of Gucci

 

BEST HAIR AND MAKEUP

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Nightmare Alley

 

BEST VISUAL EFFECTS

Dune

The Matrix Resurrections

Nightmare Alley

No Time to Die

Shang-Chi and the Legend of the Ten Rings

 

BEST COMEDY

Barb & Star Go to Vista Del Mar

Don’t Look Up

Free Guy

The French Dispatch

Licorice Pizza

 

BEST ANIMATED FEATURE

Encanto

Flee

Luca

The Mitchells vs the Machines

Raya and the Last Dragon

 

BEST FOREIGN LANGUAGE FILM

A Hero

Drive My Car

Flee

The Hand of God

The Worst Person in the World

 

BEST SONG

Be Alive – King Richard

Dos Oruguitas – Encanto

Guns Go Bang – The Harder They Fall

Just Look Up – Don’t Look Up

No Time to Die – No Time to Die

 

BEST SCORE

Nicholas Britell – Don’t Look Up

Jonny Greenwood – The Power of the Dog

Jonny Greenwood – Spencer

Nathan Johnson – Nightmare Alley

Hans Zimmer – Dune

 

Golden Globes, In Search of Diversity, Nominated No Black Actresses in Lead Roles

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The Golden Globes are on trial for lack of diversity. So what did they do? They nominated not a single Black actress in a leading role.

Their most obvious snub was Jennifer Hudson’s committed and soulful performance as Aretha Franklin in “Respect.” She should have been a shoo-in for Best Actress in Musical or Comedy. Hudson’s singing in the movie is beyond compare, and her acting is levels above most of this year’s performances.

Instead, they nominated French actress Marion Cotillard for the dreadful “Annette.” Cotillard’s character is killed off halfway through the movie. A great actress in a forgettable and unwatchable film.

The Hollywood Foreign Press did nominate three Black actors in Lead Drama, and two women in Supporting Drama. They probably figured that was enough. But they owe Hudson an apology immediately. Really shameful.

UPDATING Golden Globes Nominees in Odd Year: Snub Jennifer Hudson for “Respect,” Nothing for “Nightmare,” Only Gaga for “Gucci”

Golden Globes Announcing Nominees LIVE Despite No Show, Report of Blatant Racism Continues Within Group

UPDATING Golden Globes Nominees in Odd Year: Snub Jennifer Hudson for “Respect,” Nothing for “Nightmare,” Only Gaga for “Gucci”

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The HFPA wanted Black nominees. They even paid Snoop Dogg to announce their nominees. But they snubbed Jennifer Hudson’s extraordinary performance as Aretha Franklin in “Respect.” Instead they nominated Marion Cotillard for the dreadful “Annette.” Cotillard dies halfway through the movie. Hudson’s whole soul is in “Respect.” Shameful.

They nominated Maggie Gyllenhaal for Best Director for “The Lost Daughter,” but didn’t nominate the movie, its cast, or screenplay. Huh?

Lady Gaga was nominated for Best Actress in “House of Gucci.” But nothing else for the movie.

“West Side Story” yielded no nods for the male actors, just two for the females, plus Best Picture and Director.

Only Denzel Washington for “Macbeth.” Not the movie, direction, or any other actors. And certainly not the playwright.

And nothing for “Nightmare Alley.”

There’s always a movie no one knows anything about. This year it’s “Swan Song.” They nominated Mahershala Ali. No one’s seen it. Ali has two Oscars. So he’s just a brand name to them at this point.

Except for the score, nothing for “The French Dispatch.”

Real nominations coming at 12 Noon LIVE for the Critics Choice Awards.

MOTION PICTURE NOMINEES

Best Director
Kenneth Branagh
Jane Campion
Maggie Gyllenhaal
Steven Spielberg
Dennis Villeneuve

Best Actress Comedy/Musical
Marion Cotillard
Alana Haim
Jennifer Lawrence
Emma Stone
Rachel Zegler

Best Actor/Drama
Mahershala Ali
Javier Bardem
Benedict Cumberbatch
Will Smith
Denzel Washington

Best Actor Musical/Comedy
Leonardo DiCaprio
Peter Dinklage
Andrew Garfield
Cooper Hoffman
Anthony Ramos

Best Supporting Actor
Ben Affleck
Jamie Dornan
Ciaran Hindds
Troy Katsor
Kodi Smit McPhee

Score:
Alexandre Desplat – The French Dispatch
Germaine Franco–Encanto
Johnny Greenwood – Power of the Dog
Alberto-Iglesias — Parallel Mothers
Hans Zimmer- Dune

Best Picture Musical or Comedy
Cyrano
Dont Look Uo
Licorice Pizza
Tick Tick Boom
West Side Story

Actress in Supporting Role
Catroina Balfe
Ariana DeBose
Kirsten Dunst
Aunjanue Ellie
Ruth Negga


Film in a Foreign Language

Compartment No. 6
Drive My Car
Hand of God
Parallel Mothers
A Hero

Best Screenplay
Licorice Pizza
Belfast
Power of the Dog
Don’t Look Up
Being the Ricardos

Actress Drama
Jessica Chastain
Olivia Colman
Nicole Kidman
Lady Gaga
Kristen Stewart

Motion Picture Drama
Belfast
Coda
Dune
King Richard
Power of the Dog

Golden Globes Announcing Nominees LIVE Despite No Show, Report of Blatant Racism Continues Within Group

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There will be no red carpet for the Golden Globes this year. But they are announcing nominations this morning at 9AM. Mired in scandals over diversity and finances, the Hollywood Foreign Press persists today in bestowing nominations for awards no one wants.

NBC has suspended their telecast to punish them, and the date — January 9th — has been lost to the Critics Choice Awards on TBS and the CW Networks. So to be sore losers, the HFPA is trying to bigfoot the CCA — which will announce its nominees at 12 Noon today. It’s a remarkable act of spite on behalf of the Globes.

According to Elaine Low, reporter for Business Insider, at a recent meeting of the HFPA, one member stood up and said, “Let’s not be overly woke. Kamala Harris isn’t even Black.” I would link to this but it’s behind a paywall. Here is Low’s Tweet:

Here are the nominees:

“Succession” Season 3 Comes to A Stunning Conclusion as a Satire Becomes a Great Drama

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WITH SPOILERS

So Logan Roy is the worst person in the world, and certainly the worst father. But even worse, his ex Wife is the worst mother. Tonight they destroyed their children on “Succession.”

No one died, but everyone did in a way. Kendall may or may not have tried to commit suicide but lives. He tells Shiv and Roman that he killed the waiter at the end of Season 1 in the Kennedy-Chappaquidick story. Remember the waiter who drowned? So that’s what’s been plaguing him.

But Kendall’s mental problems are nothing in this episode, one in which the three younger siblings bond over the potential end of their Succession game. Logan is going to sell Waystar/Royco to Alexander Skarsgard’s big tech company, GoJo. Logan doesn’t seem to care that that will be the end for the kids. GoJo will eat the company and throw them out.

What’s interesting here is that the kids do bond and realize their parents care nothing for them or their futures. It’s business. Shiv looks destroyed. Kendall already is. Roman is quipping.

We find out in this episode that Conor is indeed the oldest kid, as we knew. And that Kendall is the oldest of him, Shiv, and Roman. Best moment is when Kendall reveals he let the waiter drown at Shiv’s wedding. Roman replies he knew the service was bad that night, he had to wait three quarters of an hour to get a gin and tonic.

A brilliant end. As I wrote earlier, a cliffhanger of mental anguish. When Roman tells Shiv what’s going on and it registers on her face, Sarah Snook won about 10 Emmy Awards.

Everyone gets awards for this thing. That’s all.

When will see these people again and how? It’s anyone’s guess. But what a ride. Nine hours for Season 3, and they were all insanely good. Also, Nicholas Britell deserves a special award for the score.

Wasn’t this supposed to be a comedy?

Aimee Mann Names Song That Changed Her Life, Releases New Video for Stunning “I See You”

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Before all these Taylor Swifts et al, but after Carole, Joni, and Carly, there was Aimee Mann. The lead singer of til Tuesday had three group albums, one monster hit — “Voices Carry” — and then went off as solo act. I have been a full time fan from the beginning. (If you want to hear a perfect pop album, try til Tuesday’s “Everything’s Different Now.”)

Aimee is probably best known for her Oscar nominated song, “Save Me,” from Paul Thomas Anderson’s “Magnolia.” But she has dozens of amazing songs underlined by magnificent production.

Her latest album is “Queens of the Summer Hotel,” which was marketed badly this fall. I kept reading that the songs were for an unproduced musical version of “Girl Interrupted.” This was confusing, I thought. But then I sat down and listened to the album and fell in love with it immediately. Suicide is definitely a theme, but the album doesn’t make you feel suicidal. And you don’t need to known anything about “Girl Interrupted.”

So: the collection of gorgeously arranged songs ends with “I See You,” one of Aimee’s little masterpieces. There’s a new video for it which I’ve included below.

Also, Aimee gave a great interview to NPR, “the song that changed my life.” The song turns out to be one of my teen faves, “Alone Again (Naturally).” I’ve included the interview below, too. She mentions Badfinger, too, and their seminal album album, “Straight Up.” Aimee once recorded “Baby Blue,” a wonderful version.

Aimee’s on tour this month and next and I hope to see her live again, naturally.