Saturday, November 23, 2024
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RIP Nancy Milford, 84, Great Biographer of Zelda Fitzgerald and Edna St. Vincent Millay

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It is with deep sorrow that I have to say goodbye to Nancy Milford, my friend, the great writer and presence in the New York literary world.

Nancy and I really were very close friends in the late 80s and early 90s at the Writers Room on Waverly Place, and even though friendships change, they never end. She was such a bright light with an uncommon sense of humor and wisdom, I will never forget her. Few will.

Nancy had already famously published her biography of Zelda Fitzgerald when I met her. She was supposed to be working on her biography of Edna St. Vincent Millay but she was a terrible procrastinator. Can you imagine? She loved to gossip, and here I was, a gossip columnist working sort of on a novel. We talked a lot. This was a time before cell phones and the internet. There was barely word processing. Also, Nancy hung out a lot in the smokers’ room — yes there was a smokers’ room! — into which I did not venture.

Laurie Colwin’s husband, Juris Jurijevics, brought me into the Writers Room in 1987, at the corner where we used to say, Waverly meets Waverly. It was an old, funky space filled with used bankers’ desks and flimsy partitions. There were barely electrical outlets. There was no noise allowed– no talking, and there were no phones, so that wasn’t a problem. Nancy was a founder so she had her own office, where she was supposed to be working on that book. She’d been there for a long time. I was there with her for a year, had a three year break, and then returned for another run.

You ask, what was she doing? She was teaching, and traveling. She was giving readings. She was only in her 50s then, younger than I am now, but she was running a salon of sorts. Everyone there– even the famous writers — loved her and looked up to her. She was just a sweetheart, someone you always wanted to hug. She made you feel like writing and literature were magic, and you were lucky to be part of that world.

Eventually she published “Savage Beauty,” mostly because I think her editors forced her hand. The book didn’t get spectacular reviews at first because the anticipation level was so high. Look at it again, it’s very good. A lot of actresses looked at it for movies. I always though Renee Zellweger would be perfect to play Edna. A movie deal would have juiced the enthusiasm for it. Still, “Savage Beauty” was a best seller.

It’s funny, when you know someone who’s famous in one realm, you think everyone knows them too. At one point, Toni Morrison came into our lives. (It was for some fundraising thing.) I already knew her, but she was meeting Nancy for the first time. The two great writers just  fell in love with each other — not that way — and it was so much fun to witness it. Toni was just gaga for Nancy and her books, and her love of literature. Nancy was in awe of Toni. It was very sweet.

I lost touch with Nancy the last few years, and I gather she had some serious health issues. I’m so sorry about that. She was such a generous spirit, and nurturing to a fault, She loved her kids so much, and loved living in the center of Millay’s Greenwich Village, and being front row for all the action. And now she’s in heaven, meeting Edna and Zelda and the Murphys and all the people who lived in her head, and they are enjoying the hell out of her.

I will really, really miss her.

Grammys News: Joni Mitchell Will Be A Presenter (Best Album?), Along with Lenny Kravitz, Bonnie Raitt, Megan Thee Stallion

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So: Joni Mitchell is spending the weekend in Las Vegas.

Tonight Joni will be feted at Musicares Person of the Year Award dinner in Vegas for the Grammys. A slew of artists will perform Joni’s songs for her in tribute. I’m sure it will be sensational and I’m sorry to miss it.

Then on Sunday Joni will be a presenter at the Grammys live on CBS. I can’t imagine she’ll do anything less than present Album of the Year. To who, though? Olivia Rodrigo? Tony Bennett and Lady Gaga?

Right now, Joni is represented with her classic song “Both Sides Now” in the Oscar winning movie, “CODA.”

Other presenters include Dua Lipa, Ludacris, Billy Porter, Bonnie Raitt, and Keith Urban; past GRAMMY nominees Kelsea Ballerini and Avril Lavigne; actors and musicians Jared Leto and Michaela Jaé Rodriguez; and actor Anthony Mackie, and Questlove

Previously announced GRAMMY performers include Lady Gaga, J Balvin with Maria Becerra, Jon Batiste, Brothers Osborne, BTS, Brandi Carlile, Billie Eilish, Cynthia Erivo, H.E.R., John Legend, Lil Nas X with Jack Harlow, Maverick City Music, Nas, Aymée Nuviola, Leslie Odom, Jr., Ben Platt, Olivia Rodrigo, Silk Sonic, Chris Stapleton, Billy Strings, Carrie Underwood, and Rachel Zegler.

Box Office: Despite Terrible Reviews, Sony’s “Morbius” Posts $5.7 Mil Preview Night

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“Morbius” has not won the hearts of reviewers or bloggers.

On Rotten Tomatoes, the Sony Spiderverse movie has a very very low 15%. That’s about as bad as it can be.

Nevertheless, a lot of people went to see it last night in previews. The total was $5.7 million. That could point to a $22 million opening weekend.

Jared Leto leads the cast, and apparently he leads them right down a hill. Sony thought this would be a sequel of sorts to “Venom: Let There Be Carnage,” another Spiderverse movie that got great reviews and made a fortune — $500 million worldwide. That will not be happening this time. Previews for “Carnage” came to $11.6 million.

Lady Gaga, Who Hasn’t Missed a Vegas Show, Will Sing Live on the Grammys Sunday Night

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Lady Gaga is coming to the Grammys.

She’ll sing live on the show Sunday night from Las Vegas, probably a number or a medley from her latest album with Tony Bennett. The album, “Love for Sale,” is up for 6 awards including Album of the Year.

Gaga is also currently performing her piano show in Vegas, where she’s never missed a performance.

The same cannot be said for Adele, who so far is not booked for the Grammys and still owes fans money for 13 canceled weekends of shows that should have been taking place right now. “Weekends with Adele” has never been officially canceled, although the sets have been struck and there are no plans for new dates. Most fans were left holding the bag with tickets and no reimbursements.

This will be Lady Gaga’s second week in a row on a major awards show. Last Sunday she won high praise when she presented Best Picture with Liza Minnelli on the Oscars. Gaga was a mensch getting Liza through the segment. She’s that way, too, with Tony Bennett, who has Alzheimer’s can no longer perform or travel. There’s a good chance “Love for Sale” will win Album of the Year, too. Bennett will celebrate from home.

Can’t wait to see and hear Gaga sing those songs. She has the pipes!

 

Broadway: Aaron Sorkin to Write New Book for Fall “Camelot,” Will “New Version” Replace Old?

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Uh oh.

“Camelot” is being revived by Lincoln Center for the fall on Broadway. Aaron Sorkin and Bartlett Sher ar reuniting from their hit version of “To Kill a Mockingbird.”

When the duo took over “Mockingbird,” they killed off the existing version that has toured the US for years. Sorkin’s version was considered “new” and not a revival. Producer Scott Rudin made small theater companies cry.

Now they say this will be a “new version” of the classic tale by Alan J. Lerner and Frederick Loewe. Does this mean King Arthur, Guinevere, and Lancelot will be played by children? Hand puppets? People plucked from the audience? Who knows?

The original famous 1960 version of “Camelot” was a follow up to Lerner & Loewe’s hit, “My Fair Lady.” The show starred Richard Burton as Arthur, Julie Andrews as Guenevere, and Robert Goulet as Lancelot. The production won four Tony Awards, including Best Actor for Burton. Goulet reprised the role in 1993 on Broadway. The musical became identified with the Kennedy presidency when Jackie O saw it and loved it.

The big hit song, of course, is “If Ever I Would Leave You.” Who will sing it next December? I’m kidding, but who knows? Perpetual Sorkin star Jeff Daniels? He has been known to sing, but let’s hope it’s Norm Lewis, who would do that song justice.

“Camelot” returns December 8th.

 

Hayley Joel Osment Has a Sixth Sense About Bruce Willis: “He’s a true legend who has enriched all of our lives”

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Hayley Joel Osment starred with Bruce Willis in a watershed movie for both of them, “The Sixth Sense.” He was just 11 years old back in 1999.

Now a grown man, Osment has posted a lovely tribute to Bruce on Instagram. He knows how serious Bruce’s condition is, probably more than we do. Here’s what he has to say:

“It’s been difficult to find the right words for someone I’ve always looked up to—first on the big screen, and then by some wild stroke of luck, in person. He’s a true legend who has enriched all of our lives with a singular career that spans nearly half a century. I am so grateful for what I got to witness firsthand, and for the enormous body of work he built for us to enjoy for years and years to come. I just wanted to express the respect and deep admiration I have for Bruce and his family as they move forward with the courage and high spirits that have always defined them.”

New Music: Harry Styles “As It Was” Has the Uncanny Ability to Sound Like Something Else

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Guessing where Harry Styles’ new song comes from is a regular parlor game now.

“As It Was” has the familiar sound of “Take On Me” and a hundred other records. But his fans will love it, and Harry is nothing if not likable despite his inability to create original sounds. Hey, he wears a boa well!

I hear a little “Ca Plain Pour Moi” quoted in there, too. That’s Harry. He uses all, uh, styles!

See if you can hear it, a Harry Styles Game:

Exclusive: Will Smith’s Oscar Acceptance Speech Lifted “River to My People” Line from “Lawrence of Arabia”

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Will Smith’s tearful Oscar acceptance speech — his tears were like a river. And Will said in the speech he was being called upon to be “river to my people.”

Yes, well, Anthony Quinn said the exact same thing in “Lawrence of Arabia.” The French Prince lifted that line without attribution. Sharp eared spies in Hollywood alerted me to the simularities.

The speech is so tedious and self serving who knows where else it comes from? And it was clearly written for Will between the slap and the opening of the envelope.

line comes in at 2:07

Bruce Willis’s Cognitive Issues Had Already Begun in Summer 2015 When Woody Allen Replaced Him

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The stories about Bruce Willis today are rampant and a little incorrect.

Bruce’s “aphasia” is just the latest development in a seven year decline. He’s had cognitive issues for at least seven years.

It was the summer of 2015 when Bruce was replaced after a day’s work on Woody Allen’s “Cafe Society.” I was told that he could not remember his lines, and bowed out. He wasn’t fired. It just wasn’t possible for him to do the work.

Steve Carell replaced him in the film overnight. At the time, there was speculation– no facts — that Willis had been fired. In the past, Woody had replaced actors in other movies when things didn’t work out. But this case was different.

I saw Bruce at the all-star premiere of Barry Levinson’s “Rock the Kasbah” in the Hamptons a day after the announcement was made. He told me he left on good terms with Woody but it was too difficult to shoot the movie and prepare for the play “Misery” on Broadway. Previews were set to begin on October 22nd– two months later. In fact:  “Cafe Society” would not have overlapped, and Willis would have had plenty of time to rehearse “Misery.”

When “Misery” did begin, Willis spent most of his time on stage in bed– just as James Caan had in the movie. He was fed his lines through an earpiece. Bruce got scathing reviews, and “Misery” closed early after just two months.

The next time I saw Bruce was unexpectedly– on May 3, 2016 backstage at Steven Tyler’s solo concert at Lincoln Center. We were in the Green Room. Bruce came accompanied by his pal, Stephen Eads, who seemed to be his monitor. Bruce was mellow. We talked about daughter, Rumer, who had just played a few nights at Cafe Carlyle in Manhattan. (She was very good.) Bruce never did attend any of the shows. When I told him how good Rumer was, he responded vaguely– not about her singing, but about her being there at all.

Eads, who has kind of Jerry Garcia long hair, soon took over Bruce’s life. He’d already had some form of producer credits on Bruce’s movies starting in 2000. Now the number is up to around 30 — all of Willis’s projects in the last 32 years. ‘

But 19 of them have been since 2015, when Bruce went into decline. In almost all of them Willis has had second billing younger, B list or C list actors. WIllis was once the highest paid Hollywood star. But beginning in 2015, under Eads, he began plyaing second fiddle to the likes of Jesse Metcalfe, Frank Grillo, and Chad Michael Murray.

Not everything coming out today about Bruce’s condition is accurate, I’m told, and there’s still the matter of how much he understood about this avalanche of fire sale films.

 

Hmmm: Will Smith’s Publicists Go On the Offensive, Tell TMZ Academy Didn’t Ask Actor to Leave Oscars

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Will Smith’s publicists are an able group, far more aggressive than the those from the Motion Picture Academy.

So they’ve planted a story with TMZ — not a reputable outfit unless they’re monitoring police radio  — that the Academy never asked Smith to leave the Dolby Theater after he slapped Chris Rock on the Oscars stage.

This has produced headlines reading “Academy Lied.”

Just wait a second. Before everyone starts attacking the Academy, let’s get a grip. The Academy is a group of real, honest, serious people. You may not like the way the Oscars are produced for one reason or another, but these people do not lie. They are very upfront in their dealings.

What reason would make the Academy lie anyway, especially to the Associated Press? There’s no upside to it. I believe them when they say they asked Smith to leave and he refused. He knew he was going to win the Oscar for “King Richard.” He had them over a barrel. And then he went on stage and made his tearful, ridiculous acceptance speech.

The Academy was certainly not going to have Smith removed forcibly. It was either a civilized agreement, or they had to back off. But let’s proceed here sensibly. If the publicists could find a real news outlet to buy their story, they would have done so.