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“Titane” Star Vincent Lindon Will Head Cannes Jury Which Includes Rebecca Hall, Joachim Trier, Jeff Nichols, Asghar Farhadi

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It’s going to a wild Cannes Film Festival when the jury comes to its vote.

The jury will headed by “Titane” star Vincent Lindon, the first time a French actor has run the jury since Isabelle Huppert in 2009.

“Titane” is off the hook crazy and ugly but very inventive, I guess. Lindon has a long, awarded resume and is very popular in his home country.

The rest of the jury is impactful. Rebecca Hall, the actress who directed “Passing,” is on the list as well as directors Joachim Trier and Ashgar Fahardi. The latter’s “A Hero” was a big hit last year but he was successfully sued for stealing the idea from other filmmakers. Cannes loves controversy!

Also on the list are American director Jeff Nichols, Swedish actress Naomi Rapace, Indian actress Deepika Padukone, Italian actress Jasmine Trinca, and Ladj Ly, the director of the great movie “Les Miserables.”

Broadway: Outer Critics Snub “Funny Girl,” Hugh Jackman, Sutton Foster, Sarah Jessica Parker, Matthew Broderick, Most Anyone Famous

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Well, the Outer Critics Circle nominations are really Out There.

The group made itself unimportant instantly by snubbing everyone famous on Broadway, and all the hits. They totally ignored “Funny Girl” and all its elements. They pissed on Hugh Jackman and Sutton Foster, but gave “The Music Man” a nod for Best Revival of a Musical.

The Outers also socked it to Mary Louise Parker and David Morse for their revival of “How I Learned to Drive” but threw them a bone with a special award for coming back to Broadway 25 years after their original production.

The OCC also totally overlooked Matthew Broderick and Sarah Jessica Parker in the revival of “Plaza Suite.” Not nice, kids.

“Macbeth” starring Daniel Craig and Ruth Negga will be considered next year, which is utterly ridiculous. And because they include off Broadway productions before they go to Broadway, shows like “Girl from the North Country” and “Strange Loop” are ineligible. This is really stupid. So you’re teling me that “Girl” is not as good as “Paradise Square” or “Mrs, Doubtfire”? Huh?

Let’s hope the Tony Awards don’t go in this direction. It will be a very lonely night at Radio City if so.

The 2021-2022 Outer Critics Circle Award Nominations
Outstanding New Broadway Musical
MJ the Musical
Mr. Saturday Night
Mrs. Doubtfire
Paradise Square
Six


Outstanding New Broadway Play
Birthday Candles
Clyde’s
Skeleton Crew
The Lehman Trilogy
The Minutes


Outstanding New Off-Broadway Musical
Black No More
Harmony
Intimate Apparel
Kimberly Akimbo
Little Girl Blue


Outstanding New Off-Broadway Play
Morning Sun
On Sugarland
Prayer for the French Republic
Sanctuary City
The Chinese Lady


John Gassner Award (presented to a new American play, preferably by a new playwright)
Cullud Wattah by Erika Dickerson-Despenza
English by Sanaz Toossi
Selling Kabul by Sylvia Khoury
Tambo and Bones by Dave Harris
Thoughts of a Colored Man by Keenan Scott II

Outstanding Revival of a Musical (Broadway or Off-Broadway)
Assassins
Caroline, or Change
Company
The Music Man
The Streets of New York


Outstanding Revival of a Play (Broadway or Off-Broadway)
for colored girls who have considered suicide/when the rainbow is enuf
How I Learned to Drive
Take Me Out
A Touch of the Poet
Trouble in Mind


Outstanding Actor in a Musical
Justin Cooley, Kimberly Akimbo
Myles Frost, MJ the Musical
Rob McClure, Mrs. Doubtfire
Jaquel Spivey, A Strange Loop
Chip Zien, Harmony

Outstanding Actress in a Musical
Kearstin Piper Brown, Intimate Apparel
Victoria Clark, Kimberly Akimbo
Sharon D Clarke, Caroline, or Change
Carmen Cusack, Flying Over Sunset
Joaquina Kalukango, Paradise Square

Outstanding Featured Actor in a Musical
Quentin Earl Darrington, MJ the Musical
Matt Doyle, Company
Steven Pasquale, Assassins
A.J. Shively, Paradise Square
Will Swenson, Assassins

Outstanding Featured Actress in a Musical
Shoshana Bean, Mr. Saturday Night
Jenn Colella, Suffs
Judy Kuhn, Assassins
Patti LuPone, Company
Bonnie Milligan, Kimberly Akimbo

Outstanding Actor in a Play
Patrick J. Adams, Take Me Out
Simon Russell Beale, The Lehman Trilogy
Adam Godley, The Lehman Trilogy
Adrian Lester, The Lehman Trilogy
Sam Rockwell, American Buffalo

Outstanding Actress in a Play
Betsy Aidem, Prayer for the French Republic
Stephanie Berry, On Sugarland
Edie Falco, Morning Sun
LaChanze, Trouble in Mind
Debra Messing, Birthday Candles

Outstanding Featured Actor in a Play
Chuck Cooper, Trouble in Mind
Brandon J. Dirden, Skeleton Crew
Jesse Tyler Ferguson, Take Me Out
Michael Oberholtzer, Take Me Out
Austin Pendleton, The Minutes

Outstanding Featured Actress in a Play
Chanté Adams, Skeleton Crew
Uzo Aduba, Clyde’s
Francis Benhamou, Prayer for the French Republic
Phylicia Rashad, Skeleton Crew
Nancy Robinette, Prayer for the French Republic

Outstanding Solo Performance
Alex Edelman, Just For Us
Jenn Murray, A Girl Is a Half-Formed Thing
Arturo Luís Soria, Ni Mi Madre
Kristina Wong, Kristina Wong, Sweatshop Overlord

Outstanding Director of a Play
Camille A. Brown, for colored girls who have considered suicide/when the rainbow is enuf
Scott Ellis, Take Me Out
Sam Mendes, The Lehman Trilogy
Ruben Santiago-Hudson, Skeleton Crew
Anna D. Shapiro, The Minutes

Outstanding Director of a Musical
Warren Carlyle, Harmony
Moisés Kaufman, Paradise Square
Jessica Stone, Kimberly Akimbo
Christopher Wheeldon, MJ the Musical
Jerry Zaks, Mrs. Doubtfire

Outstanding Choreography
Camille A. Brown, for colored girls who have considered suicide/when the rainbow is enuf
Warren Carlyle, Harmony
Warren Carlyle, The Music Man
Bill T. Jones, Alex Sanchez, Garrett Coleman, and Jason Oremus, Paradise Square
Christopher Wheeldon and Rich + Tone Talauega, MJ the Musical

Outstanding Book of a Musical
Billy Crystal, Lowell Ganz, and Babaloo Mandel, Mr. Saturday Night
Karey Kirkpatrick and John O’Farrell, Mrs. Doubtfire
David Lindsay-Abaire, Kimberly Akimbo
Lynn Nottage, Intimate Apparel
Bruce Sussman, Harmony

Outstanding Score
Jason Howland, Nathan Tysen, and Masi Asare, Paradise Square
Wayne Kirkpatrick and Karey Kirkpatrick, Mrs. Doubtfire
Barry Manilow and Bruce Sussman, Harmony
Toby Marlow and Lucy Moss, Six
Jeanine Tesori and David Lindsay-Abaire, Kimberly Akimbo

Outstanding Orchestrations
John Clancy, Kimberly Akimbo
David Holcenberg and Jason Michael Webb, MJ the Musical
Greg Jarrett, Assassins
Jason Howland, Paradise Square
Doug Walter, Harmony

Outstanding Scenic Design (Play or Musical)
Beowulf Boritt, Flying Over Sunset
Es Devlin, The Lehman Trilogy
Scott Pask, American Buffalo
Adam Rigg, The Skin of Our Teeth
David Zinn, The Minutes

Outstanding Costume Design (Play or Musical)
Jane Greenwood, Plaza Suite
Santo Loquasto, The Music Man
Gabriella Slade, Six
Emilio Sosa, Trouble in Mind
Catherine Zuber, Mrs. Doubtfire

Outstanding Lighting Design (Play or Musical)
Jon Clark, The Lehman Trilogy
Natasha Katz, MJ the Musical
Bradley King, Flying Over Sunset
Brian MacDevitt, The Minutes
Jen Schreiver, Lackawanna Blues

Outstanding Sound Design (Play or Musical)
Nick Powell and Dominic Bilkey, The Lehman Trilogy
André Pluess, The Minutes
Ben and Max Ringham, Blindness
Dan Moses Schreier, Harmony
Matt Stine, Assassins

Outstanding Video/Projection Design (Play or Musical)
59 Productions and Benjamin Pearcy, Flying Over Sunset
Stefania Bulbarella and Alex Basco Koch, Space Dogs
Shawn Duan, Letters of Suresh
Luke Halls, The Lehman Trilogy
Jeff Sugg, Mr. Saturday Night

Special Achievement Awards are presented to:
Johanna Day, David Morse, Mary-Louise Parker, and Ruben Santiago-Hudson for reprising their outstanding performances in How I Learned to Drive and Lackawanna Blues two decades later. All had been eligible in previous seasons.

Outer Critics Circle Commendations are presented to:· The Standbys, Understudies, and Swings of the theatrical community who step up to perform, often on hours’ notice, to keep their shows running.· To the Covid Safety Supervisors, Managers, and Compliance Officers who put themselves in harm’s way eight times a week to keep the curtains up.This season’s fully eligible Broadway productions included Pass Over, Six, Lackawanna Blues, Chicken & Biscuits, Thoughts of a Colored Man, The Lehman Trilogy, Caroline, or Change, Diana, Trouble in Mind, Clyde’s, Mrs. Doubtfire, Company, Flying Over Sunset, Skeleton Crew, MJ the Musical, The Music Man, Plaza Suite, Paradise Square, Take Me Out, Birthday Candles, The Little Prince, American Buffalo, The Minutes, How I Learned to Drive, for colored girls who have considered suicide/when the rainbow is enuf, Funny Girl, The Skin of Our Teeth, Mr. Saturday Night, POTUS: Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive.After consideration in previous seasons, only new elements of the following productions were eligible for awards: Girl from the North Country, Is This A Room, Dana H., Hangmen, A Strange Loop.By mutual agreement with the production, owing to Covid-19-related delays, the Broadway revival of Macbeth will be considered for awards during the 2022-2023 season.

The Love Shack is Closing: B-52s Announce Final Tour After 45 Years of Fun

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Well, now I feel old. Way back in 1978 I heard an indie single at Bleecker Bob’s called “Rock Lobster.” (I was six years old if you’re trying to do the math…) It was totally nuts and fun, kind of a surf record with wacky lyrics. Soon everyone was ‘doing’ the Rock Lobster at clubs. Sire Records signed the B-52s, and their debut album took off like a rocket. They soon proved to be more than just a passing fancy. David Byrne even put out his own mix version of their album, “Mesopotamia.” They were that good.

But everything must come to an end, and so it is for Fred Schneider, Kate Pierson, and Cindy Wilson. ( A fourth member, Cindy’s brother Ricky, died of AIDS early on.) The B 52s have announced their final tour, and a documentary produced by Fred Armisen.

Says co-founder Kate Pierson, “Who knew what started as a way to have some fun and play music for our friends’ at house parties in Athens in 1977 would evolve into over 45 years of making music and touring the world. It’s been cosmic.”

Cindy Wilson, who also co-founded the band with her beloved late brother, Ricky, adds, “It has been a wild ride, that’s for sure. We feel truly blessed to have had an amazing career encouraging folks to dance, sing along with us and feel they can be whomever they are with our music.”

Fred Schneider, co-founder and perhaps the most unique front man in rock, sums up the band’s decision to retire from the road, “No one likes to throw a party more than we do, but after almost a half-century on the road, it’s time for one last blow-out with our friends and family…our fans. And with KC & The Sunshine Band and The Tubes on board, it’s going to be one hell of a farewell party at these concerts.”

Here are the dates. You’ll only miss seeing them if you’re living in your own Private Idaho.

Here’s the original single:

THE B-52S 2022 TOUR DATES

August 22nd                Seattle, WA                            McCaw Hall*

September 29th          Mashantucket, CT                  Foxwoods Casino**

September 30th          Boston, MA                            MGM Music Hall**

October 1st                 Washington, DC                     The Anthem**

October 7th                Chicago, IL                              Chicago Theatre**

October 13th              New York, NY                         Beacon Theatre**

October 14th               New York, NY                         Beacon Theatre**

October 15th               Atlantic City, NJ                      Ovation Hall – Ocean Casino**

October 19th              Las Vegas, NV                         The Venetian Theatre

October 21st               Las Vegas, NV                         The Venetian Theatre

October 22nd              Las Vegas, NV                         The Venetian Theatre

October 28th              San Francisco, CA                   The Masonic Auditorium*

October 29th              San Francisco, CA                   The Masonic Auditorium*

November 4th             Los Angeles, CA                      YouTube Theater**

November 11th           Atlanta, GA                            The Fox Theatre**

*with Special Guests The Tubes

**with Special Guests KC & The Sunshine Band

Cate Blanchett Awards Ceremony Goes Awry: Presenters Bradley Cooper, Todd Haynes COVID MIA

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Cate Blanchett must be wondering what the Chaplin Awards were like in the old days of the Film Society of Lincoln Center.

In the heyday, long gone, a dozen or so pals of the honoree would turn up on stage and in the audience to give toasts and salutes.

But last night at Alice Tully Hall, double Oscar winner Blanchett was gamely on her own. What happened? The organizers booked only two big names to honor Cate: actor Bradley Cooper and director Todd Haynes. But neither of them showed. Each reportedly tested positive for COVID.

Blanchett rose to the occasion, sparkling and elegant as usual. When it was announced that neither Cooper nor Haynes had made it, Cate yelled out from the audience, “But I’m here!” She did all the photo ops and gave a beautiful acceptance speech. She’s the second youngest ever recipient of the Chaplin, but she certainly deserves it for a stunning body of work.

And yet, you wonder where everyone was last night. The Film Society couldn’t get any other celebrities to come and present? Where was Martin Scorsese, who directed Blanchett to a Best Supporting Actress Oscar in “The Aviator”? Obviously her “Blue Jasmine” co-star Alec Baldwin wasn’t in a position to attend, and Woody Allen wasn’t going to put himself through that.

So, not a great turn out. But congrats anyway, Cate. Blanchett is currently filming a mini series for Alfonso Cuaron that she described as “seven feature films.” So that will be seven Emmy Awards next year!

Maggie Smith is Not Retiring But “Downton Abbey: A New Era” Likely Marks the End of Her Dowager Countess

We already know that Dame Maggie Smith is not retiring from acting. Even at age 86, Smith is making a new film over the next couple of months in Ireland, co-starring Laura Linney. So we’ll still be seeing the beloved, curmudgeonly Oscar winner for some to come.

But when “Downton Abbey: A New Era” debuts in the UK on Friday, Smith will likely be making her exit from the TV series and movies that have made her an overnight sensation late in life.

At the end of the first “Downton Abbey” movie, Smith’s Violet Grantham, the Dowager Countess, told her granddaughter Mary that she had cancer. But she did not die on screen, and she is featured prominently in the plot of the second movie.

But the second movie opens this Friday in the UK and then there’s a three week wait til the US opening. And reviews are already reporting on the death of a major character and the movie ending with a funeral. Without saying it, they’re all saying it. The Dowager Countess is on her way out.

Is it possible to do more of these movies with Smith? That’s unclear. Her caustic, eccentric, old world Countess has provided endless humour and much profundity since the series began in 2010. Her lines are famous, particularly “What is a week-end?” when Violet is presented with this 20th century development.

As Smith has pointed out, “Downton Abbey” begins in 1912 with the sinking of the Titanic. Violet was probably 80 then. Now it’s 1928, which would mean the fictional matriarch is 96 — ten years’ Smith elder. Even with clean living she’d be a lot more decrepit at this point. So fans should prepare themselves for the end.

Spielberg, Mel Brooks Others Say Goodbye to “Lethal Weapon” Director Richard Donner, Mel Gibson Vows to Make 5th Movie

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Beloved “Lethal Weapon” director Richard Donner finally got a proper send off over the weekend. A list stars met at the Warner Bros. lot to say goodbye.

Donner died last July at age 90. His memorial was set for September 2021, but COVID interfered.

His widow, producer Lauren Shuler Donner, put together the classy event according to insiders.

Among the speakers: Steven Spielberg, Mel Brooks. famed manager Shep Gordon, director Brian Helgeland, and “Lethal Weapon” star Danny Glover, who observers said looked frail. There were musical performances from Herb Alpert, who played Charlie Chaplin’s “Smile,” and from rocker Joe Walsh.

Not in attendance: Mel Gibson, still a pariah, although Donner stuck by him loyally even after the former star’s many scandals. Gibson would not have been welcome in that crowd so he sent a video. He said — paraphrasing — “Dick was always so nice to everyone on a set.  When I direct Lethal Weapon 5, I’ll think of Dick everyday.” 

(The chances of Gibson ever making that movie are zero.)

At the memorial’s conclusion, “Monty Python” star Eric Idle performed his famous song “Always Look On the Bright Side of Life.” And Josh Brolin led the cast of the Donner-produced “Goonies” in a farewell dance.

Donner was a star, and the rare Hollywood player who everyone adored. He will be sorely missed. One of my favorites of his was “16 Blocks,” with Bruce Willis, an unsung gem worth re-watching.

Fear and Loathing Set in as Elon Musk Buys Twitter in Deal Worth $44 Billion: Will Trump Return?

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Elon Musk has bought Twitter outright in a deal worth $44 billion. That’s right. @JackDorsey, who was gone, is now really gone. The inmates are running the asylum.

The reaction on Twitter is fear and loathing. Will Musk reinstate Donald Trump and all the other crazy right wing freaks that have been banned for the last two years? That’s the biggest crisis facin the social media platform now.

But will Musk risk his whole Tesla operation to try something so crazy? Bringing back Trump et al would certainly jeopardize the customer base that has made him so rich. And it’s not like there aren’t plenty of options for people wanting electric cars but no longer wanting the Musk-Trump connection. Teslas could soon be all over the secondary market if Musk brings Trump back to Twitter.

So we wait and see who Musk puts on his board and what his first moves are. My guess is none of this happens, Trump et al remain off the platform, and life goes on. Or maybe that’s just wishful thinking.

Nicholas Cage’s “Massive Talent” Proved Unbearable at Box Office with Lower Than Expected Crash

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I guess the hope for “The Unbearable Weight of Massive Talent” was it was going to be “Being Nicholas Cage” a la “Being John Malkovich.”

Alas, the massive weight proved unbearable for actual Nicholas Cage fans. The indie movie, released by Lions Gate, was looking for an $8 million start over the weekend. It fell quite short with just $7.1 million.

Cage is eccentric beyond the meaning of the word. His best work is long ago. He’s made dozens of B or C movies in the last few years, has had several wives, and many stories about financial peril. That’s his career since winning an Oscar decades ago for his portrayal of an alcoholic gambler in “Leaving Las Vegas.” He is trying to make a comeback, maybe. Another release, “Pig,” which I could not navigate, earned a recent career high of $3.8 million in limited release. It also brought Cage some nice reviews after a decade or more in the wilderness.

So the idea of spoofing him probably seemed like a good one. “Massive Talent” is a terrible title and one no one can remember or understand. Still, it’s managed to pull an 88 on Rotten Tomatoes. So that’s something. Our own Leah Sydney really liked it. But the film seems like it’s destined for streaming or VOD cult fan status.

Library of Congress Acquires the Papers of Neil Simon, Broadway’s Most Successful Playwright

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For several decades there wasn’t a Broadway without a Neil Simon play, or two, lighting up the Great White Way.

Now the Library of Congress as acquired the late playwright’s papers. It’s a huge effort, and one that can only be applauded. Even though some feel “Plaza Suite,” currently on the boards, is a little creaky, the bulk of his work is hilarious and thoughtful and important. My personal favorite Simon work is his screenplay for “The Heartbreak Kid,” from the early 70s.

The official presentation will happen tonight at “Plaza Suite,” starring Matthew Broderick (a Simon favorite) and Sarah Jessica Parker.

The collection includes approximately 7,700 items documenting Simon’s creative process and life. The materials range from hundreds of scripts, notes and outlines for his plays, including handwritten first drafts and multiple drafts of typescripts, documenting the evolution of his shows. It contains papers from Simon’s most celebrated plays, including Barefoot in the Park, The Sunshine Boys, Brighton Beach Memoirs, and Lost in Yonkers.

The donation also includes materials from the 25 screenplays Simon wrote during his career, including The Prisoner of Second Avenue, The Heartbreak Kid, and The Goodbye Girl, in addition to several scripts for shows never completed or produced, such as one titled The Merry Widows, written for Bette Midler and Whoopi Goldberg.

Beyond Simon’s typed scripts, materials in the collection include his Pulitzer Prize, a Tony Award, dozens of personal notebooks, notes and drafts of letters and speeches. In addition, there are photographs, programs, clippings, original posters and signed baseballs (Simon was a noted fan).

“There was only ever one answer to the question, ‘What do I do with all of Neil’s stuff?’ I am delighted that his brilliant work, his prized possessions, and his personal artifacts will live alongside so many of the world’s treasures in the Library of Congress,” said Elaine Joyce Simon, actor and Simon’s widow. “I hope that by providing access to these materials for students, researchers and educators, Neil’s singular mind will continue to inspire generations of theater makers and comedy writers well into the future.”

A few highlights of the collection include:

·         Dozens of notebooks, full of Simon’s tight scrawl. Some are clearly first drafts written in his study, while others were likely notes scribbled in the back of darkened theaters, including changes, additions, and notes for the actors or director, inspired by what he saw on stage during rehearsals. 

·         A yellowing first act of Barefoot in the Park. Sixty years old now, it wasn’t Simon’s first Broadway show, but it was, perhaps one that marks the beginning of his unequaled track record. It was also the first appearance on Broadway of a then unknown actor, Robert Redford.

·         Perhaps the most surprising discovery in the collection has been over a dozen notepads filled with watercolors, drawings, and cartoons by Simon.

·         Simon began his career in the 1950s writing for radio and television, famously for Sid Caesar’s “Your Show of Shows.” By the end of his career, Simon had 30 new shows open on Broadway, not including revivals. While Simon was known for writing comedies, he took on increasingly serious subjects, including the 1991 play Lost in Yonkers, which received the Pulitzer Prize for drama. Simon was nominated for an unprecedented 14 Tony Awards throughout his career and won three, in addition to a special prize for contribution to the theatre. He died in 2018 in New York City.

Warren Beatty Speaks to Whether He’ll Ever Write a Book, or Make Another Movie at TCM Screening of “Heaven Can Wait”

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Warren Beatty was given a rapturous standing ovation last night at the TCM, Turner Movie Classics, Film Fest at the TCL Chinese theater in Hollywood.   TCM just screened Beatty’s classic 1978 film “Heaven Can Wait” where he joined TCM host Ben Mankiewicz for a conversation.  Beatty, was game, whimsical and funny to the packed crowd’s delight.

Ben started out by asking  “How long were you thinking of wanting to direct? “

Beatty replied, “I was a Producer longer than a director and for this one, I felt I couldn’t avoid it.”  He went on to explain “Originally, I wanted to do it with Muhammad Ali, I was very friendly with him. He was a good actor, I loved him.  He wanted to do it, but he couldn’t.  So, I changed the character to football because I played football in college, I was not bad.” Beatty mentioned that at first the football scenes in the movie were to be real football players, but then he decided he didn’t want to be “knocked out silly.” Mankiewicz replied that he was glad he did that because “your face was probably worth protecting.” 

Beatty then went to praise director Robert Altman with whom he worked on “McCabe and Mrs. Miller,” as well as his former paramour Julie Christie whom he described as “always being an inspiration to me as an actress and a person.”  He noted that the key for him is collaboration;  people like Elaine May (whom he worked on the script with) and Buck Henry who co-directed and co-stars in the film. 

“Elaine is a genius and Buck was an incredibly talented, collaborative and sane guy. “  

Would he ever write his own memoir?  Beatty, who just turned 85. answered, “That’s a big subject.  Yes, I think about it and I almost do it.  But, it’s dealing with that whole area of narcissism. It explains why I never cooperated with a book; I was hoping to conceal my narcissis. “ He continued, “I don’t read books about me.  Maybe I read ten pages., then I say ‘oh please.’ To me, it’s history and history is over.”  Wouldn’t it be a challenge to write about your life honestly, the actor-director was asked?  Beatty deftly answered, “You have to define honest. If you’re going to be very honest, there are a lot of things and people you could be negative about.  I don’t want to do that.”  But then added, “I’m not saying I won’t do it.” 

Mankiewicz pointed out that Beatty ‘only ‘directed five movies, why is that?  Beatty answered, “I made it a point to indulge in this little thing called life. I have been fortunate with my superior half” –how he refers to his wife of 31 years actress Annette Bening — “and to have four kids who are older now.  That became more infatuating for me.”  He added, “I normally don’t even make a lot of movies anyway.“ He told how during Covid, “I have become one of the most skilled, brilliant washer of dishes that you could possible imagine.  And my superior half has become a master chef. “

Will he make another movie, whether acting, producing or directing?  Beatty replied, “Movies don’t come along, you bring them in.  The answer to your question is I don’t know yet.” Mankiewicz pointed out that in real life he and Warren are friends, and often dine at the LA institution known as The Apple Pan. He talked about Warren discovering potato skins for the first time and how he called Annette with excitement talking about he discovered. Warren went on to praise Annette.   “My wife does whatever she wants, she’s always right!  I’ve been very lucky.”

Mankiewicz ended the night with wise words. “You are one of the of the defining actors, producers and directors of your and every generation that has followed. You make all of our lives markedly better. “  After which Warren received another, even longer, well deserved standing ovation.