Monday, November 25, 2024
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Fred Ward, Great Actor Who Starred in “The Right Stuff,” Never Really Got His Due, Dies at 79

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Fred Ward, a great actor whose rough exterior belied a heart of gold, has died at age 79. A featured actor in dozens of hit films, Ward never really got his due despite acclaim and great reviews.

Ward won two ensemble awards for being part of the cast of Robert Altman’s “Short Cuts” in 1992. But his other credits won his admiration from fans and critics. They included his role as astronaut Gus Grissom in “The Right Stuff” and playing author Henry Miller in “Henry & June.” Ward won a cult following starring in “Miami Blues” in 1990.

Altman loved him. In addition to “Short Cuts,” Ward plays a droll studio security guy in “The Player.” Ward worked all the time. Between 2000 and 2002, he has 14 or 15 credits including a mini series.

Condolences to his family and friends. A Most Valued Player in our generation of Hollywood.

amFAR Prepares for Cannes 2022 Gala: Saudis, Crypto Bigs, New Fashionistas Running Show Now

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The Cannes Film Festival is coming, and that means so is the 2022 amFAR dinner at the end of the 2nd week. But it’s no longer the amFAR of its heyday. Those yachts have sailed.

amFAR is already a sketchy gang, but lately they’ve thrown in– perhaps out of desperation — with some unusual new friends.

First, an update on their always interesting finances: According to their most recent tax filing, amFAR needs money and sponsors. For 2019-2020, salaries for their execs, as usual were UP, while revenue and grant giving was severely down– almost 50%.

Their CEO, Kevin Frost, is up to $600,000 in salary and perqs. Total salaries for that period came to $11.4 million, an increase of $300,000. But everything else fell: total revenue by $10 million, contributions and grants dropped from $40 million to $21 million, grants to outside organizations dwindled from $10.5 million to around $6 million.

This month, amFAR returns to the Hotel du Cap Eden Roc, the most expensive venue on the Cote d’Azur. Last July, when the film festival was moved from May, they had to go elsewhere. But now they’re back in the lap of luxury.

For the new gala, the big sponsor is as it was last July: Saudi’s. Their main sponsor is the newish Red Sea International Film Festival, a gala that takes place later in the year in Saudi Arabia. Mohammed Al-Turki, who is closely aligned with the festival, is a guest chair this year of amFAR’s dinner. Al-Turki reports back to Saudi Crown Prince Mohammed bin Salman, aka “MBS,” the man who ordered the grisly death of journalist Jamal Khashoggi in 2018.

The participation of a Saudi Film Festival with amFAR is also striking because in Saudi Arabia being gay or trans is completely illegal. Having AIDS is worse. if you are a foreigner who has AIDS, you’d be deported. If were openly gay, you’d be considered a criminal, and punished in one of many violent ways. The country does not recognize same-sex marriage, domestic partnerships, or civil unions.

The other big sponsors are two firms having financial problems this week: crypto currency giant FTX and Revolve Group, aka RVLV. FTX, a huge bitcoin operation created by 30 year old Sam Bankman-Fried, who is said to be worth $24 billion but saw half his net worth disappear this week. FTX was booming until recently. But today it’s trading at a six month low of around $29.88. RVLV, a fashion discounter also run by a pair of thirtysomethings, is also trading at its six month low of just above $29.

The FTX involvement should raise a few red flags: for the first time, amFAR is allowing donations, ticket purchases, and auction bids in cryptocurrency.

Despite losing many of its original organizers and ties to Hollywood, amFAR is still represented in the celebrity world by Milutin “Gatsby,” whose real last name is Gijic. A Serb, Gatsby’s claim to fame was getting close to Leonardo DiCaprio years ago. For a time he was Global Ambassador with Leo’s foundation, but that relationship ended around the time DiCaprio got caught up in the 1MDB Malaysian Fund scandal.

Of the 24 chairs and 12 co-chairs listed for this year’s gala, one name is glaringly missing: Sharon Stone. She’s the only celebrity associated with amFAR anyone cares about. For years she raised millions of dollars for them as hostess and auctioneer at their events. A falling out followed. Last July Stone was pressed into service for the scaled down gala. But so far she is MIA for the new dinner.

amFAR has always been a breeding ground for EuroTrash, poseurs, sketchy characters who mixed with actual billionaires and royalty like Sarah Ferguson. For many years, Kenneth Cole and Harvey Weinstein gave it a patina of glamor and Hollywood respect, but those days are over for a variety of reasons.

Still attached to amFAR is a little known lobbyist from Washington DC: Vin Roberti. Writing on Medium last year, journalist Robbie Jaeger identified Roberti as working for Nord Stream AG 2, a :Swiss-based company that is 100% owned by Gazprom, the Russian state-owned oil giant in charge of the controversial Nord Stream 2 pipeline project.”

Venerable jeweler Chopard remains the “signature sponsor,” but the rest of the sponsors are a Mexican tequila brand called Clase Azul, a start up Swiss Champagne vintner (ten year old Hatt et Soner), and the two year old Hadid Caviar, owned by Mohammad Hadid, father of the famous models. L’Oreal and some other big corporate names used to be on the sponsor list, but they are gone, at least from public association with the event on Friday, May 26th. One other listed major sponsor is something called the h.wood group, a pair of nightclub owners and event organizers from Los Angeles.

Celebrities whose names are attached to the Cannes gala otherwise include Cynthia Erivo,
Tom Hanks and Rita Wilson, Vanessa Hudgens, Kate Hudson,  Milla Jovovich, Julian Lennon,
Laura Linney, Eva Longoria, Baz Luhrmann, Michelle Rodriguez, Lakeith Stanfield. Michelle Williams, and Michelle Yeoh. Robert De Niro is being honored. Will amFAR fly them all in with first class travel and accommodations? They’d better hope the Saudis have good travel agents.

“Saturday Night Live” Will End Season with Ex-GF of Former Cast Member and Unknown Musical Act

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It’s the end of the season, it’s May “sweeps,” and the last chance for “Saturday Night Live ” to boost its ratings.

Instead, the venerable comedy show will go out on a peculiar note. The host will be “Russian Doll” star Natasha Lyonne, and the musical guest is Japanese Breakfast.

What’s weird here is that Lyonne recently broke up with former “SNL” cast member Fred Armisen. And no one in the world has heard of Japanese Breakfast.

Lyonne said in an interview that she and Armisen ended their 8 year relationship because she wanted a swimming pool at her Los Angeles home and he didn’t. So maybe they’re still great friends even after that. Maybe they decided to get a pool.

And the Breakfast people? They can’t be divisive because no one knows them. Only their parents will tune in based on name recognition. They’re described on Wikipedia as is an experimental pop band headed by Korean-American musician, director, and author Michelle Zauner. Their most recent album, “Jubilee,” released in 2021, sold 77,575 copies including streaming. So God bless.

Their big single was last year’s “Be Sweet,” which looks and sounds like an MTV hit from 1984. I like it!

Broadway Downs and Ups: “Mrs. Doubtfire” Musical Closing Before Tonys, Two Plays Extend Runs

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Broadway is not for the faint of heart even in a good economy.

But with inflation soaring and COVID lurking, keeping a show going is not an easy business.

So there’s good news and bad news. Good news first: “For Colored Girls” and “How I Learned to Drive” are extending their runs by two weeks. The former has had a last minute surge after announcing its closing. Super fans rushed in to help, and the effort worked. Catch both plays before they end their runs soon.

The bad news is that “Mrs. Doubtfire,” the musical based on the Robin Williams movie, is done. They’re closing on May 29th. “Mrs. Doubtfire” was severely hampered first by the pandemic, closing and re-opening three times. But the show didn’t get any major Tony nods, just a Best Actor citation for star Rob McClure. The producers will reboot it with US and UK national tours starting in the fall.

Some other shows are in jeopardy and we’ll be hearing about their fates soon. All this news means the Tony race gets hotter because the winners will cash in and the losers will have struggles. More on that later…

More TV Shifts: CBS Cancels “Magnum P.I.” Reboot, CW Scuttles 6 Shows Including “Dynasty” Reboot

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Here’s more from the TV cancellation folder.

CBS has cancelled the reboot of “Magnum P.I.” after four seasons. I guess even having studios in Hawaii wasn’t enough to keep this one going. “Magnum P.I. 2.0” joins the previously cancelled “Hawaii Five-O” on the heap. That leaves “NCIS: Hawai’i” as CBS’s last show on the island.

CBS also cancelled two shows that had no chance: “Good Sam,” which sounded like “The Good Doctor” meets “The Good Fight.” And “How We Roll,” which no one ever looked at.

The CW Network, which is going to be sold soon anyway, killed a bunch of shows today including their “Dynasty” reboot (which was laughably bad), plus “Roswell, New Mexico” and “In the Dark,” the “Charmed” reboot, “4400,” and “Naomi.” Already announnced as gone were “Batwoman” and “Legends of Tomorrow.”

The CW will replace the cancelled shows with prequels to “Supernatural” and “Walker,” as a well as a “Batman” related show called “Gotham Nights” in which Bruce Wayne’s adopted son avenges his father’s death. (I won’t watch that for a million dollars.)

“Kenan,” “Mr. Mayor” Cancelled by NBC, “Young Rock” Renewed, CBS Ditches “B Positive,” “United States of Al”

The season renewals and cancellations at the networks are pouring in now.

Some updates: NBC kept “Young Rock” because they have to — Dwayne Johnson and his Universal deal — even though no one is watching it.

At the same time, NBC ended “Kenan” and “Mr. Mayor” because they don’t own them. Kenan Thompson deserves a good comedy, this wasn’t it. So he’ll likely renew at “SNL” for another year, which is great. Everyone loves him.

“Mayor” was a mess. It was like imposing “30 Rock” on a new group of people who didn’t get it. The rhythms were all off, and Holly Hunter — a great actress, Oscar winner — was totally wasted. It was such a car crash.

On CBS, say goodbye to “B Positive” finally after a retooled second season. Annaleigh Ashford needs a whole new concept and she will be a big TV star. But she was drowning in this swamp. CBS also killed “The United States of Al.”

On NBC, both “Law & Order SVU” and “Organized Crime” were renewed no surprise. The 8pm “L&O” will likely come back, too. With “This is Us” ending, NBC has a lot of space to fill up.

There will be more announcements shortly. ABC is going to renew their Wednesday comedy line up even though the ratings are insufficient. “The Wonder Years” lost EP Fred Savage to accusations of stupidity, so who knows what happens there? That means two of the four Wednesday ABC shows has had an HR problem, “The Goldbergs” being the other. “The Conners” will return for one more season. On Tuesdays, ABC loses “Blackish.” But ABC does have “Abbott Elementary,” the brightest spot on TV this season.

“Masked Singer” Suffers 29% Ratings Drop, 39% Demo Disaster: Rudy Effect Kicks In?

Last night’s penultimate episode of The Masked Singer, season 7, was a ratings disaster for Fox.

The reality game show dropped 29.1% from last week in total viewers to just 2.9 million from last week’s 4 million.

In the key demo, the numbers were worse: a 39.4% drop among people aged 18 to 49.

Where did everyone go? Was it a delayed response to Rudy Giuliani’s controversial appearance a month ago? On the April 20th episode, judge Ken Jeong walked off the show when the loathsome Rudy was revealed to be under a hideous mask. His own face was hideous enough when exposed.

Was it something about Nick Cannon?

Last night’s episode was the second to last of the season. It was a live recap of everything that had happened in the prior episodes leading up to that moment, and speculating about next week’s finale.

It wasn’t like the viewers went over to ABC to watch their comedies– because they remained unpopular with fewer than 3 million viewers. Did everyone go to NBC to watch the “Chicago” PD, Med, and Fire shows? Unlikely, but they won the night.

Maybe just reasonable people said to themselves, Enough of this junk. I’m going to read a book or listen to music, or braid my toenails. But they left “The Masked Singer” high and dry.

Lindsey Buckingham, Aimee Mann Among Acts Cancelling Tours Because of COVID

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COVID is still wreaking havoc in the live music world.

Today ex Fleetwood Mac star Lindsey Buckingham announced he’s cancelling his European tour because he’s still suffering the effects of COVID. His band is also infected.

Last week, Aimee Mann — who postponed her tour last winter but resumed it this spring — had to cancel the rest of her tour because two of her band members fell ill.

Mann wrote: “I was chastised early on when lining up for my vaccination. Musicians like ourselves are often exposed to a variety of bugs, being in such tight social spaces. I’ve blown my nose through entire sets, did a week with a torn Achilles but this is clearly another level. Being a solo performer, the stress level is extremely high. If I were to contact Covid in the midst of a tour, not only would my health be compromised, potentially in a long term way that could hinder my lung power or mind, but I would then suffer the financial injury of lost dates, travel costs – a fate that gives me even greater pause! The weight of an entire band makes my head spin. Still there’s a push for all of us in this business to take the plunge, regardless of continued denial, current infection rates and relaxed health measures. The joy of playing again is undeniable but it’s more of a gamble than ever to tour. Hoping for a smooth recovery for Paul and everyone else.”

Kudos to big tours like Paul McCartney who are carrying on. This is no fun for anyone. It’s also the reason that Patti Lupone took down that audience member the other day. All performers are afraid of becoming ill, and for good reason!

Review: Tom Cruise Brings the Excitement of a Throwback Studio Hit in “Top Gun Maverick”

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There’s no question that “Top Gun: Maverick” is an exciting throwback of a hit. For some it’s the sequel they’ve been waiting for since the original film in 1986. It’s actually much better than the original, so that’s the good news.

“Maverick” picks up 35 years after we last saw Tom Cruise as ace flyer Pete Mitchell. His pal, Goose, played by Anthony Edwards, of course, is dead. His other pal, “Iceman,” in the form of Val Kilmer, is now the Admiral who’s been protecting Maverick all these years when other, less tolerant Navy brass (Jon Hamm, Ed Harris) would like to kick him to the curb.

But now they need Maverick to train some young bucks for a new mission: an provoked attack on an unnamed country’s cache of weapons. We never learn what country it is, and you must suspend disbelief here. If this happened in real life, the US would be starting World War III. But this is a fantasy where logic doesn’t matter as much guts and heroism. For a couple of hours, why not?

The new kids are either literal or poetic descendants of the old ones. Goose’s son, “Rooster,” has a chip on his shoulder and is ready to fight Maverick. That’s Miles Teller, giving it his all. Glen Powell is the wide grinning cocky “Hangman,” who thinks he’s the best flyer ever and has persuaded others to believe it, too.

In the original movie, Cruise had a romance with Charlie, played by Kelly McGillis. There’s no mention of what happened to her, or why Maverick has never settled down, married, had a kid, or what his life has been like. He returns to his old base to find the gorgeous Jennifer Connelly playing a part — Penny — who was mentioned in the first movie but never seen. She’s supposed to be an old girlfriend. She’s a single mom who runs the base bar, and in short order you know they will hook up.

Most everything is as it seems in “Maverick,” which is comforting right now. Some names and faces may have changed, but the idea is the same for the first 90 minutes. Everyone’s attractive the dialogue is corny, and everything looks good on paper.

I recommend you take your bathroom break before the last half hour because that’s when this well oiled, 80s kind of studio movie gets interesting. There are two twists that make even the stunning aerial acts we’ve seen along the way jump several feet. Here is where “Maverick” pulls a fast one or two, and you will actually be stirred out of a reverie into fascination. It’s a cool plot trick from writers Ehren Kruger and Eric Warren Singer (with help from Cruise’s “Mission Impossible” partner, Christopher McQuarrie).

A lot has happened since “Maverick” wrapped three years ago. It was supposed to be released two years ago but Paramount wanted to stream it day and date with its theatrical release because of COVID. Cruise said no, which caused a toppling of the studio hierarchy. Frankly, the flying sequences and cinematography must be seen in theaters, preferably IMAX. They are pulse racing. They are helped, too, by Harold Faltermayer’s score, with help from Hans Zimmer, and of course Lady Gaga’s song.

There are many nods to the past. Val Kilmer, whose speaking voice has been ravaged by cancer, has an incredibly moving scene with Cruise. His story, and Edwards’ (who is not seen), are woven into the new plot very cleverly. We see flashbacks of Meg Ryan as Goose’s late mother. At its conclusion the movie is dedicated to late director Tony Scott. (The new director, Joseph Kosinski,, no matter how much revising was done, gets kudos for keeping to the blueprint he was given.)

If “Top Gun Maverick” doesn’t bring people back to theaters in droves, then nothing will. It’s got everything: a hero played by a movie star, new young heroes who are very appealing, an old fashioned nod to the sense that America can lick any foreign problem with ingenuity and pluck, and a beautiful woman to come home to. Tom Cruise may have a strange persona life (yes, we know, we know) but he and producer Jerry Bruckheimer get an A plus for showing that the last 35 years of movie myth-making weren’t for naught.

“Top Gun Maverick” plays the Cannes Film Festival next week. The review embargo lifted this morning, two weeks before the US opening. You know Paramount knows it has a massive hit to let the reviews out now. Well played.

Happy 50th Anniversary, Exile on Main Street: The Stones’ Famed Double Album Stands the Test of Time

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Hard to believe, but “Exile on Main Street” turns 50 today.

It was preceded by a hit single, “Tumbling Dice,” that climbed up the charts and stayed on the radio all spring and summer. It’s never gone away.

“Tumbling Dice” wasn’t the only single from “Exile on Main Street.” The follow up was Keith Richards’ “Happy,” which wasn’t quite the same size hit. But “Exile” wasn’t meant to have hits, particularly. The Stones didn’t know it, but it was pretty much the first punk rock album.

Coming off the very polished “Sticky Fingers,” this new album– recorded right away — was raw. The whole thing is down and dirty, full of blues and double entendres. You can listen to it now, five decades later, and discover new pleasures and inside jokes. You’ve got everything from the grungy “Sweet Virginia” and “Turd on the Run” to the majesic “Shine a Light” to the tear down of “Ventilator Blues.”

And to think– one year later, the Stones gave us “Goat’s Head Soup” followed by “It’s Only Rock and Roll.” The group had already had a classic run from 1965 to 1970, then started an unprecedented second chapter. And that’s what made them the Greatest Rock and Roll Band of All Time.