Tuesday, November 26, 2024
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EXCLUSIVE Presley Estate Needs a Hit with “Elvis” Movie to Invigorate Record Sales, Graceland, Philanthropy

Elvis Presley’s daughter, granddaughter, and ex wife are praising the new Baz Luhrmann movie, “Elvis,” movie very publicly. I’m sure they really love it, but they also need it to be a hit more than ever, and more even than Warner Bros.

The whole world of Elvis, once a financial powerhouse, needs a supercharge to get it going again. The movie is a godsend of publicity for them. Priscilla, Lisa Marie, and Lisa Marie’s actress daughter, Riley Keough, are surely praying for a big hit when “Elvis” opens June 24th.

That’s because the state of Elvis needs to be reinvigorated and fast.

For one thing, Lisa Marie’s finances are in shambles after years of lawsuits and litigation over tens of millions in losses. Years ago she sold the rights to the Elvis estate to the now-deceased Robert F. X. Sillerman. But instead of great investments turning that money into a bigger pot of gold, Lisa Marie says her business manager ripped her off. They’ve been in court for a long time.

There are many other issues. Elvis record sales are in the toilet. His generation of addicted fans has aged out. They own every record they need. A new generation has not been forthcoming, a la the Beatles or Rolling Stones. Elvis is thought of as a 50s act, or a Vegas performer. He didn’t write his own songs, so all those hits played on the radio are generating money for the writers and publishers but not Elvis. (This is why the fight continues in Congress for a performers’ radio royalty, which radio conglomerates are vehemently against.)

Sales of the actual records are minimal these days. According to Music Connect,yeat to date sales of all Elvis records including streaming comes to just 1.4 million. The top 3 selling singles so far in 2022 are “Can’t Help Falling in Love,” “Suspicious Minds,” and “Jailhouse Rock.”

The best selling Elvis album, “Essential Elvis,” has sold just 144,000 copies so far this year.

So the success of the Baz Luhrmann movie, it’s hoped, will spur all these sales. A soundtrack album is coming, but it’s full of newly recorded versions of old Elvis hits. The new artists get paid, but Elvis doesn’t — he didn’t write the songs. The Presleys have to hope that fans will go back to the originals and want them in their collections.

According to Forbes, Elvis’s net worth as a dead celebrity in 2020 was $23 million –not much compared to modern blockbuster stars like Madonna or Justin Bieber. Revenue comes from merchandise and ticket sales at Elvis’s famed home, Graceland. But the last two years have hit attendance hard. Graceland was closed for two months in 2020, and is only operating at limited capacity because of the pandemic. Again, the movie should drive new, curious tourists to this famed destination.

Revenue garnered just from the movie’s PR should help the once great Elvis Presley Family Foundation, which used to give huge donations to Memphis charities. In the last few years, the foundation has dwindled down from its prior status. Read my stories here from 2017 and 2018.

Viva Elvis! And “Elvis”!

Broadway News: Sondheim’s Hot Summer Continues with “Into the Woods” All Star Revival Coming Next Month

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Stephen Sondheim is smiling in heaven.

“Company,” as I told you yesterday, is booming right now with Patti Lupone, Katrina Lenk and co.

Now the Encores presentation of “Into the Woods” is moving to Broadway for six weeks beginning June 28th. It just wrapped at City Center.

The whole all -star cast is making the transition, too. That’s Sara Bareilles as the Baker’s Wife, Brian D’Arcy James as the Baker, Tony Award® winner Patina Miller as the Witch, Phillipa Soo as Cinderella, Tony Award winner Gavin Creel as the Wolf/Cinderella’s Prince, Joshua Henry as Rapunzel’s Prince, Ta’Nika Gibson as Lucinda, Annie Golden as Cinderella’s Mother/Grandmother/Giant’s Wife, Albert Guerzon as Cinderella’s Father, Brooke Ishibashi as Florinda, Kennedy Kanagawa as Milky White, David Patrick Kelly as the Narrator/Mysterious Man, Julia Lester as Little Red Riding Hood, Cole Thompson as Jack, David Turner as the Steward, Jason Forbach, Mary Kate Moore, and Cameron Johnson. Additional casting will be announced at a later date.

This is like a Murderers Row of Broadway talent! PS DId I mention David Rockwell is the designer?

Tickets went on sale this morning at 10am, and they will be all sold out very fast.

Justin Timberlake Sells Music Catalog Rights, Youngest So Far of Songwriters to Cash In

Justin Timberlake is cashing his chips in at the window.

Timberlake has sold his music catalog to Hipgnosis Music funded by Blackstone. Justin is only 41, making him the youngest of all songwriters to sell his catalog in its entirety.

In the last year we’ve seen Bob Dylan, Bruce Springsteen, Sting, and many others sell the rights to their songwriting catalogs and even recordings to big money endeavors. The result is a pay out of anywhere from $100 million to $500 million. The artist no longer receives royalties, they get the lump sum. Then the new owner goes out and aggressively places the music in commercials, movies, and other projects for big licensing fees.

The average age of the artists who’ve done this is 70 years old. Timberlake is not in that generation. But his sale is a sign that hed like his money now, please, rather than wait until he’s 70 and there is no more business. Justin has his name as a co-writer credit on all his solo material, including his biggest hit, “Can’t Stop the Feeling.”

Justin is also not prolific. He hasn’t released an album of new material since 2018’s Man of the Woods. His back to back smash hits, “20/20,” volumes 1 and 2, came in 2013. Married, with two small children, he obviously has an eye on financial independence and estate planning.

Hipgnosis has been very splashy in the last couple of years, especially using a huge investment from Blackstone to buy up catalogs. There have been whispers of some quiet changes within the company recently, but so far their ship keeps sailing with confidence.

As for Justin, it won’t be long before we’ll be hearing all his songs pitching various products. One of his hits was called “Sexy Back,” and soon we’ll hearing some product is ‘bringing sexy back.’ It could be a car, a liquor, or a detergent!

Baz Luhrmann’s “Elvis” with Tom Hanks and Austin Butler Opens to Muted Praise from Critics at Cannes

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As you probably know, Baz Luhrmann’s “Elvis” starring Tom Hanks and Austin Butler opened at Cannes yesterday.

There was a 10 minute ovation, noted. But Cannes is famous for thunderous standing ovations unless a movie is a total stinker. So this expression of delight is not a surprise. (Also, the movie is 2 hours 39 minutes. Some people may have just wanted to see if their blood was still flowing.)

Critics, however, have given the much anticipated film muted praise so far. “Elvis” has an 82 on Rotten Tomatoes with just 17 reviews filed so far. The film will get a real Elvis press junket at Graceland on June 11th.

The reviews are what I would call a “B” so far. Most of the critics who’ve filed liked it, with reservations. Some really didn’t care for it. Those would include Richard Lawson of Vanity Fair and David Ehrlich of Indie Wire. Peter Bradshaw of The Guardian in London had little use for it too.

But Justin Chang writes for the LA Times: “To complain that “Elvis” is basically a compilation of musical-biopic conventions is a bit like complaining about a greatest-hits album; it also misses… [Luhrmann’s] ability to suffuse clichés with sincerity, energy and feeling.”

Owen Gleiberman of Variety really liked it: “A fizzy, delirious, impishly energized, compulsively watchable 2-hour-and-39-minute fever dream — a spangly pinwheel of a movie that converts the Elvis saga we all carry around in our heads into a lavishly staged biopic-as-pop-opera.”

So, stay tuned. I had heard from early screenings that “Elvis” was very stylish but didn’t penetrate the myth of Presley beyond what we already know– and that if you don’t know much about the subject there’s not a lot to learn here. Personally, I’m fascinated and can’t wait to see it.

Dead Show Walking: Broadway’s “Paradise Square” Scored 10 Tony Nominations But No One Is Going to See It

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No one knows why “Paradise Square” received 10 Tony nominations. No one except Tony nominators who were clearly not in touch with reality.

The musical received terrible reviews. It’s also a bust at the box office. And oh yeah it’s produced by Garth Drabinsky, an ex con.

Last week, “Paradise Square” — despite the Tony nominations — made just $241,952. With a huge cast and orchestra, not to mention theater costs, the musical is bleeding red ink. It’s a Dead Musical Walking. It’s playing at just 57% of its capacity.

The Tonys are on June 12th. “Paradise Square” will not win anything. If box office continues at this pace — same as it’s been for weeks — the end will be announced in short order.

Broadway: “Company” Box Office Jumps by $100K After Star Patti Lupone Curses Out Audience Member

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Give Patti Lupone her Tony Award — and a raise.

Before May 11th, the box office at the much praised revival of “Company” was so-so. The week ending May 8th produced receipts of $617,117. It marked the third week in a row of steep declines.

Then came May 11th. At a talk back after the performance, the Tony winner and Broadway legend cursed out an audience member who wasn’t wearing their COVID mask properly. “Company” was plagued this winter and spring with COVID backstage.

Lupone said: “Put your mask over your nose — that’s why you’re in the theater. That is the rule. If you don’t want to follow the rule get the fuck out. I’m serious.” The audience inside the Bernard B. Jacobs Theatre cheered.

The news traveled fast thanks to video on social media. Lupone made headlines. And the result PR wise has been huge. That week, box office soared to $720,000. It rose again this past week to $726K. Maybe Patti should tell off more of the theater goers, or go around to other shows as well!

Of all the musical revivals this season, “Company” most deserves the Tony Award. And Patti deserves her Featured Actress in A Musical award. But she also might get a commission!

Rarity: “Downton Abbey: A New Era” Made More Last Night Than On Its Preview Night, Picking Up Steam

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When “Downton Abbey: A New Era” debuted last Thursday night in previews, box office watchers were disappointed. The Simon Curtis- directed sequel took in just over $1 million.

Weekend box office came to just $16 million, about half of what the first film made in 2019.

But then last night, a curious turn of events: “A New Era,” which has great reviews, made $1.7 million. Very unusual. That’s more than it made last Thursday.

The movie is picking up steam. Maybe fans didn’t really know about it, or know that a major character dies and that a lot more things happen, too. Word of mouth is obviously very good.

So let’s see how “A New Era” fares the rest of this week. It’s a must see if you loved this series!

Ratings: Even Dwayne Johnson Can’t Lift “Young Rock” Above Dismal Numbers, “This Is Us” Finale Narrowly Edges “FBI: International”

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It could have been a big night for NBC. “This Is Us” ended its teary six season run with 6 million viewers. The weeper narrowly edged out “FBI International” on CBS by 250,000 viewers.

But “This Is Us” was weighed down by a Rock– The Rock, actually. Dwayne Johnson guest starred with Randall Park on “Young Rock” but did nothing to help the show’s dismal numbers. “Young Rock” found only 2.26 million viewers and pulled NBC to a second place finish in overall viewers.

If Johnson couldn’t give “Young Rock” a boost maybe that should give someone a clue that this show has no audience. Dwayne Johnson is very popular in action movies, but his fame doesn’t translate to TV.

The only thing that saved NBC with a first finish in the key age group was “This Is Us.” The soap had the most younger viewers at 9pm. Otherwise, now that it’s over, and “Young Rock” persists into a new season, NBC will have to do something on Tuesday nights.

“The Simpsons” End Season 33 with Lowest Ratings Ever, Even Hugh Jackman Couldn’t Help

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“The Simpsons” ended Season 33 on Sunday night with their sixth episode in a row under 1 million viewers. Technically two of those six rose to just above 1 million with delayed viewing. But the reality is, the smart cartoon is coming to an end.

Even with Hugh Jackman singing, Robert Reich lecturing, and an attack on Fox News, “The Simpsons” ended the 2022 season with a whimper. This week’s total viewers were the lowest ever, just 927,000.

The show is renewed by Fox for two more seasons. But if the ratings continue in this steep decline, 35 seasons will be the limit. Of course, that’s a huge record and nothing to be embarrassed about. The Simpsons will live on in syndication well after our lifetimes.

Watch the Trailer for Netflix’s Most Expensive Movie Yet, the $220 Million “Gray Man” Starring Ryan Gosling and Chris Evans

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“The Gray Man” hasn’t had a proper trailer yet, here it is. The $220 million movie is Netflix’s most expensive yet. Directed by the Russo brothers and starring Ryan Gosling and Chris Evans with Ana de Armas, the movie has a lot of explosions. It also sounds like a “Mission Impossible” knock off. Hey, maybe it’s great! We’ll see on July 15th in theaters and July 22nd on Netflix.