Saturday, October 12, 2024
Home Blog Page 369

Exclusive: Soap Actress Anna Stuart Talks About On Screen Daughter, Anne Heche: “She is truly dancing with the stars”

EXCLUSIVE Actress Anna Stuart, a superstar on daytime TV for the last several decades, played Anne Heche‘s mother on the NBC soap opera, Another World, in the early 90s. (Heche played twins, actually, and won an Emmy Award.) The two remained so close that when I ran into Stuart years ago at Heche’s Broadway premiere in “On the Twentieth Century,” she told me, “Anne is like a daughter to me.” I never forgot that.

When Heche had her tragic and still unexplained accident, I immediately contacted Stuart, who was too confused and upset to speak about what was going on. With the space of a few days, she has now graciously agreed. We spoke last night by phone. Stuart was in her upstate New York home, planning to meet her husband, actor James Cromwell, who’s been filming all summer in Los Angeles, for the Emmy Awards.

She told me that on that trip she’d planned to see Heche. They were constantly in touch over the years. Early on Heche had spent a lot of time at Stuart’s home, even after she’d left the soap. “She was closer to me than almost anyone except my husband, my dogs, and my cats,” Stuart said softly.

On “Another World,” Stuart had already played wealthy society heiress Donna Love for several years. At the time Heche debuted, though, Stuart was off the show. “I was in California, they were calling me every three months to come back. They sent me a tape of the new girl playing my daughter, you can see it on YouTube. She’s in a bubble bath. She was very pretty, of course. But you could see she had that energy.”

Stuart had been trumpeted to the just 18 year old Heche as formidable. “She was ready for me,” Anna says. “She wrote a poem to me — this was around the time of Dynasty and the clothes — one line said ‘She wears shoulder pads in her long underwear,'” Stuart laughed. Over the years, they exchanged a lot of poems. “She wrote me wonderful things. How I never failed her. She wrote a wonderful prose poem for [older son] Homer’s 16th birthday. I hope he has it.”

They became close friends right away. Heche liked where Stuart was living enough that she rented a nearby cottage. “We were family,” Stuart says. “She’d bring boyfriends by. I was in her [very small] wedding [to husband Coley Laffoon]. Badgely Mischka asked to dress her. She had two dresses.” Over time, Heche brought both Laffoon and their newborn son, Homer, for visits.

Of the marriage to Laffoon, Stuart says, “Anne marched to her own drummer. I don’t know. They were on two different pages.” She added, not suggesting this had anything to do with Laffoon, “She had a mantra, Truth is my weapon.”

We did talk briefly about Heche’s relationship with Ellen DeGeneres. Stuart says, “I’m not sure she would have gone ahead with it if she’d known the toll it would take on her career.”

Now she tells me a story about Anne’s failed audition for Brian DePalma’s movie, “Carlito’s Way.” “She was supposed to play a stripper, a pole dancer,” Stuart recalls, “Penelope Miller got the part. Al Pacino thought Anne was too young. But still, Heche was all in. Stuart accompanied her to a private men’s club on 8th Avenue. “She took a stiff drink and then she got up and did it. She danced on a pole. And there I was, dressed like her prudish chaperone in my turtleneck. But I was like a mother at a 6 year old’s dance recital. I was so proud of her. And she was good!”

So what happened? Stuart doesn’t know. She hadn’t seen Heche since before the pandemic, but there were many calls and Face Time, birthday greetings last May. “If I’d known she was in so much trouble,” Stuart says. “I needed to see her in person. She was losing her way. There were signs. She lost her balance. She was obviously in a lot of pain. I can’t help anyone reason it out.”

In an earlier email, Stuart summed up her relationship with Heche for me: “Meeting Anne Heche, was like being transported up to the Starship Enterprise into a new galaxy. She was like no one I had ever met. Her sparkle, her enthusiasm, and fierce curiosity, made you want to stand close by, in the hopes that some of it might rub off on you. She affected everyone that way. I saw that magic over and over again.” She adds: “She is truly dancing with the stars.”

New York Times Eviscerates Jared Kushner Book in Already Classic Scathingly Hilarious Review

0

In a week, Jared Kushner’s book, “Breaking History,” will be delivered into the world officially.

But today, the New York Times’s Dwight Garner reviewed in what may become a historic take down. It’s scathing and hilarious at the same time.

And the net net here is that “Breaking History” sits on the amazon best seller list at 1,800, showing no sign of interest with six days to go.

Garner writes: ‘”Breaking History’ is an earnest and soulless — Kushner looks like a mannequin, and he writes like one — and peculiarly selective appraisal of Donald J. Trump’s term in office. Kushner almost entirely ignores the chaos, the alienation of allies, the breaking of laws and norms, the flirtations with dictators, the comprehensive loss of America’s moral leadership, and so on, ad infinitum, to speak about his boyish tinkering (the “mechanic”) with issues he was interested in.”

He continues: “This book is like a tour of a once majestic 18th-century wooden house, now burned to its foundations, that focuses solely on, and rejoices in, what’s left amid the ashes: the two singed bathtubs, the gravel driveway and the mailbox. Kushner’s fealty to Trump remains absolute. Reading this book reminded me of watching a cat lick a dog’s eye goo.”

The whole thing is a work of art and a must read. “Breaking History” is just breaking wind.

Darlene Love, the Real Queen of Christmas, Objects to Mariah Carey’s Trademark Application, and She’s Right

0

Mariah Carey knows just how to get herself in hot water.

According to Variety, Mariah is trying to trademark “The Queen of Christmas” for herself. This is because the only record she has on her resume that still sells is “All I Want for Christmas Is You.” The song has been a mega hit for 25 years largely because it’s a take on all the Phil Spector Christmas songs. Walter Afanasieff wrote “All I Want,” Mariah claims co-authorship, but really it’s written and produced like a Spector/Ellie Greenwich song.

Darlene Love objects to the trademark. Darlene is the actual Queen of Christmas, even more so now that Ronnie Spector has sadly left us. Darlene’s “Christmas (Baby Please Come Home)” is the ultimate Christmas record. She sang it on David Letterman’s show every year for 25 years. It dates back to the 60s.

And it was written by Spector, Greenwich, and Jeff Barry.

Since she registered her complaint about Mariah trying to muscle in on Christmas, Love has had to endure the wrath of Carey’s fans, the Lambs. (They are hardly lambs, as I could have told her.) Below are Darlene’s latest thoughts on the subject.

Gwyneth Paltrow Becomes First Oscar Winning Actress to Be a Guest Judge on “Shark Tank”

Well, that’s it.

Gwyneth Paltrow is joining “Shark Tank” as a guest shark..

Paltrow won an Oscar in 1999 for “Shakespeare in Love.” She never again returned to the Oscar stage. Her only other award as an actress is as a guest star on “Glee.”
Her lack of interest in her acting career is all the more puzzling considering her mother, Blythe Danner, is one of our great actresses. Her father, Bruce Paltrow, was a gifted writer, director, and producer.

But Gwyneth’s winning of an Oscar was not a watershed moment for a great career on the stage, screen, or TV. It turns out to have been the stepping stone to life as an annoying entrepreneur. Her GOOP brand has been much parodied, criticized and even sued. She’s been mocked for her ridiculously overpriced and silly products. She’s no doubt made a fortune.

And now, here she is, taking a seat with Mark Cuban and Barbara Corcoran and the bald guy and other guy and whoever. She’s going to sit there and nod her head while goofy participants present seat cushions that also trim toenails and tennis racquets that play music.

It seems about right. I’m sure she can relate. Among other things, Goop is currently offering a $314 fry pan. You can’t cook any of Goop’s wellness eggs in it, however.

Demi Lovato Releases Her “29” Single Possibly Targeting Wilmer Valderrama For Dating Her When She Was 17

Demi Lovato has released her new song, “29,” in advance of tomorrow night’s album release of “Holy FVck.”

Lovato is now 29. But when she was 17 she dated “NCIS” and “That’s 70s Show” actor Wilmer Valderrama. He was 29. Looking back, she accuses him of taking advantage of her. This is celebrity at the low end of the pool, but the song is catchy and should give People, Us, and Hollywood Life a lot of fodder.

There’s an expression “on the nose.” Maybe you’re too young to know it. It means doing something without any poetry or metaphor or allusion, just hammering it in, doing something exactly like arriving at a place “at 10 on the nose.” Demi’s “29” is no “You’re So Vain” because clever doesn’t exist anymore.

“Better Call Saul” Finishes Run with Highest Ratings Since August 2018 in Emmy Worthy Episode

0

“Better Call Saul” ended its glorious six season run on AMC on Monday night.

Ratings were the highest since August 2018 — 1.7 million people tuned in to see what happened to Saul aka Jimmy, Kim, and the rest of the characters.

The episode, which alternated in black and white, and color, was as Emmy worthy as anything I’ve ever seen. Bob Odenkirk was spectacular as Saul reclaimed his Jimmy identity and sacrificed himself for Kim.

Bryan Cranston appeared as Walter White in a scene with Odenkirk talking about regrets and time travel that was just so well written.

And thus ends the “Breaking Bad” story for good, I guess, unless AMC decides to spin Kim off into her own show.

Showdown at Broadway’s Coming “High Noon”: Family of Original, Blacklisted Screenwriter Carl Foreman Wants Him Acknowledged

0

EXCLUSIVE Big trumpeted announcement a couple of weeks ago. The 1952 classic film, “High Noon,” starring Gary Cooper and Grace Kelly, is coming to Broadway as a play in 2023.

“High Noon” is a highly charged political story about a sheriff in a western town who must face down the bad guys while protecting his wife. It’s one of the great movies of all time, produced by Stanley Kramer, directed by Fred Zinnemann, and written by Carl Foreman.

But in the announcement, only Kramer’s name was mentioned. For Broadway, an adaptation of the film’s screenplay is being adapted by Eric Roth (“Forrest Gump”). The producers are Paula Wagner and Hunter Arnold.

The complete omission of Foreman — who was nominated for an Oscar for his screenplay — has not gone over well with Foreman’s family. Foreman — a great screenwriter — was Blacklisted in 1952 by Joseph McCarthy, Roy Cohn, and the evil House Un-American Activities Committee.

In other words, Foreman — who saw his name removed from screenplays in the 1950s — is being blacklisted again seven decades later.

According to Glenn Frankel‘s excellent book, “High Noon: The Hollywood Blacklist and the Making of an American Classic,” Kramer and Foreman were equal partners in a company formed to produced the film. But when Foreman was called before the committee in 1951, he refused to give names of others who were member of the Communist party. He denied having been a Communist when he signed the Screen Writers Guild loyalty oath in 1950. He invoked the Fifth Amendment several times.

The result was that Foreman’s career was destroyed by the committee, McCarthy, and Cohn. Kramer, seeking to distance himself from any taint of Foreman, forced his partner out of their company. Foreman lost the rights to “High Noon” because, now broke, he had to sell his half of the company to Kramer.

According Frankel, the Washington Post summed up what happened to Foreman succinctly: “PARTNER TURNS ON RELUCTANT FILM QUIZ WITNESS.” (Frankel paints a brutal enough picture of Stanley Kramer that the producer should face a re-evaluation in Hollywood history.)

The only reason Foreman’s name remained in the credits is because star Gary Cooper insisted. Foreman was also permitted to stay on the set as “High Noon” was finished. But the next six years of his career were obliterated. All his screenplays were written under a pseudonym. His days of winning Oscars came to a halt. (He’d been nominated for two right before “High Noon.”) He did win an Oscar in 1958 for co-writing “The Bridge on the River Kwai” — but couldn’t accept it in his own name until 1984. Foreman returned to the committee in 1956 to denounce Communism, but he still refused to name names. As for his career, the damage was done.

Kramer, however, went on to make a lot of movies including “It’s a Mad Mad Mad Mad World.” He would know.

The Foreman family is not looking for money. What went on in 1952 can’t be changed. Their father has no rights to the now classic screenplay he wrote more than 70 years ago. But they’d at least appreciate acknowledgement that the coming play is based on Carl Foreman’s work.

Instead, so far, it looks like Roth wrote the original movie. Foreman’s name is nowhere to be found in any announcement of the credits. Even his Oscar nomination is omitted. A press release refers to the movie simply as ‘Stanley Kramer’s High Noon.’

The play has not yet been cast, but whoever takes on the roles played by Cooper and Kelly will also be taking on the movie’s political history.

Amanda Foreman, Carl’s daughter, told me: “I don’t think the omission is a conspiracy, but I’d like my father’s work to be recognized.”

Stay tuned…

Salman Rushdie Solidarity Rally Planned by PENAmerica For Friday on the Steps of the NY Public Library

0

Time passes and nothing changes. I remember vividly participating in a PEN rally for Salman Rushdie back in 1988. Among the writers I went with were the late Nancy Milford and Judith Rossner. The room was packed with famous literary names.

Now, with the vicious attack on the famed writer imperiling him, PEN is organizing a new solidarity rally this Friday on the steps of the NY Public Library. A group of writers will read from “The Satanic Verses” and other pieces of his work.

The writers involved so far include Paul Auster, Reginald Dwayne Betts, Tina Brown, Kiran Desai, Andrea Elliott, Amanda Foreman, A.M. Homes, Siri Hustvedt, Hari Kunzru, Colum McCann, Douglas Murray, Andrew Solomon, and Gay Talese.

The event will be live streamed at 11 am with the hashtag #StandwithSalman. It is being organized by PEN, the New York Public Library, PenguinRandom House, and Amanda Foreman’s House of SpeakEasy. The live coverage will be on Twitter @penamerica. If there’s a way to embed it here on the site, I’ll let our readers know.

Amanda writes: “We are again facing a watershed moment. The war against freedom of expression is gaining strength. Globally, over 2000 writers and journalists have been murdered since Rushdie was sentence to death by Iran. On August 19 we have an opportunity to make a stand: courage breeds courage.”

Scooped Here July 21: DeNiro, Levinson Will Make “Goodfellas” Companion Movie, “Wise Guys”

0

I told you on July 21st.

Barry Levinson will direct “Wise Guys” written by Nick Pileggi based on his famous book. That book was also the basis of Martin Scorsese’s 1990 classic, “Goodfellas.”

Robert De Niro will produce and star in the movie playing two characters: Italian American crime bosses Vito Genovese and Frank Costello, who ran their respective families during the 20th century. In 1957, Genovese tried (and failed) to assassinate Costello, who was ultimately injured and attempted to retire from the mafia.

So all the trade papers reporting “exclusives” today can just forget it.

“Goodfellas” covered just a part of Pileggi’s story. “Wise Guys” is set against a broader picture.

Warner Bros, as I reported on July 21st, will be the studio for this film.

This will be a hot ticket once it’s all cast. See you in 2024.

Harvey Weinstein #MeToo Movie “She Said” Set for NY Film Fest, But After Auletta Book Fail, Will Anyone Care?

0

The New York Film Festival has added “She Said” to their Spotlight program for this fall.

This is the Universal film directed by Maria Schrader about the fall of Harvey Weinstein and the start of the #MeToo movement. It’s based on the book by NY Times reporters Jodi Kantor and Megan Twohey. They won Pulitzer Prizes for their work.

Zoe Kazan plays Kantor. Carey Mulligan is Twohey. It’s no doubt a well made film.

But will anyone care about all the gross things Harvey Weinstein did to women? At least pay money to see it on screen?

Ken Auletta’s book about Weinstein, “Hollywood Ending,” has sold fewer than 3,000 copies since it was released last month. It’s sitting at around number 12,000 on amazon.com.

Universal is hoping “She Said” will be like “Spotlight,” the Oscar winning movie about the Boston Globe investigation into pedophile priests. They don’t want it turn out like “Bombshell,” the movie about taking down Roger Ailes at Fox News. “Bombshell” was a box office bomb, taking in just $62 million worldwide. Ailes’s sexual harassments had a narrow audience. If Auletta’s book is any indication, the same may be true of Weinstein.

“She Said” will open officially in November.