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Meryl Streep is in the building. She’s joined Steve Martin, Martin Short, and Selena Gomez in the non TV Hulu show, “Only Murders in the Building.” Director Adam Shenkman posted the notice to Facebook.
It’s a great idea for Meryl, a three time Oscar winner. She’s taken a short break from working, and this is a great way to come back. Will she be the murderer, the one who killed Paul Rudd at the end of last season? Or will she make brief appearances like Shirley MacLaine?
Streep has done very little television since becoming the top tier movie star with “Sophie’s Choice” in 1982. She won an Emmy for playing Ethel Rosenberg in 1993’s “Angels in America.” A couple of years ago she appeared in the HBO series, “Big Little Lies,” where she was nominated for an Emmy. In 1978, at the start of her career, she won an Emmy for her role in the CBS mini series, “Holocaust.”
Steve Martin, Martin Short, Selena Gomez, Paul Rudd, and- MERYL STREEP. Only Murders in the Building Season 3 🎬 #OMITBpic.twitter.com/kO1wGvLsMv
— Only Murders in the Building 🕵🏻♀️ 🕵🏻♂️ (@OnlyMurdersHulu) January 17, 2023
What is it with Madonna? Why can’t she class it up?
She’s announced a world tour for this summer in video featuring a disgusting conversation with her, comedian Amy Schumer, and actor Jack Black. It’s not funny or smart or cute. She’s 64 and acts like prurient pre-teen.
Add to that the fact that she looks extremely weird. She wears pigtails (Lene Lovich, circa 1979), has no eyebrows, and her skin seems waxy. What she doesn’t seem to get is, aside from hardcore fans, the general audience isn’t interested in this approach.
Will this be her final bow? The only people who hope not are all the songwriters who wrote her hits and will get paid. Madonna is promising all greatest hits, many of them were written by other people.
The domestic tour features two nights each in New York and Los Angeles, with stops in all major markets.
Miley Cyrus has been a celebrity for a long, long time thanks to her childhood series, “Hannah Montana.”
Then she launched an adult singing career which culminated in 2013 with back to back singles. They were “We Can’t Stop” and “Wrecking Ball.” She twerked on national TV, got very raunchy, tried country music, released a punk album, and made a lot of mistakes. She was straight, married, fluid, she posed naked, she was a mess, she was everything. Her audience got exhausted.
Now Miley — who recently turned 30 — has her first actual hit in a decade. “Flowers” has rocketed to the top of every chart, from iTunes to Spotify. It’s a radio hit, too. Part of the success here was moving from RCA Records, where she’d worn everyone out, to cousin Columbia Records. Columbia is hot right now with Adele, Harry Styles, Lil Nas X, and Kid Laroi, among others. In fact, Miley was featured on a Laroi remix in 2021 called “Without You,” that set the stage for her return.
“Flowers” is written by Gregory Aldae Hein and Michael Pollack, two hot songwriters of the moment. Lightning has struck as Miley prepares to release a new album next month presumably featuring just as well thought out songs and presentation. Maybe she’ll appear on the Grammys. Now, if she doesn’t blow it this time she could have a second chance at a hit recording career. That would be very nice.
They’ve been friends for around 25 years. So “Law & Order SVU” actors Chris Meloni and Ice T are having a laugh over a so called feud that the National Enquirer is trying start between them. (I didn’t even know the Enquirer is still in business!)
The two guys got right on Twitter and made fun of the whole thing. Ice T called the NE “Clownass MFs).” Meloni says Ice T sent over the email he got from the nearly defunct tabloid. “He was kind enough to let me know we were feuding,” Meloni wrote. A Meloni follower said, “I’m glad I don’t have to choose between you. I think I’d choose Ice T.” To which Meloni responded: “Same.”
Daniel Kwan and Daniel Scheinert aka “The Daniels” took the CCA by storm yesterday with their crazy, innovative “Everything Everywhere All at Once.” The multifaceted multiverse movie took home Best Picture, Director, and three more awards at the show last night. They’re on a roll with indie film fans and critics. (Not clear yet how the older Academy will deal with them.)
The Daniels are Emerson College graduates, friends since school, and are truly nice, humble guys. They love to talk about film, and especially editing. The editing in “EEAAO” is superb, with images inside of other images, collages and kaleidoscopes. It’s very weird that they weren’t short listed by the Academy for Visual Effects. Go figure.
And guess what? The Daniels are indie no more. Even though A24 released “EEAAO,” the next film will be at Universal Pictures. The guys signed a five year deal back in August. They’re already writing the first film in the deal, Scheinert says the new film will have at least surface connections their $60 million hit. He told me, “We don’t want to repeat ourselves, but we know what fans expect.” In other words, no more hot dog fingers, or bagels, but new ideas just as good if not better.
Before I finished talking to Daniel Kwan, he ran into “Better Call Saul” winner Giancarlo Esposito They hit it off like a house on fire. and the new movie hasn’t been cast yet. Stay tuned!
“Ozark” star Julia Garner may indeed play Madonna one day if the matronly Material Girl ever gets a decent screenplay together and finds a director other than herself. (I’m not sure it’s a good idea, but there it is.)
Garner has garnered a raft of awards for playing the hell out Ruth Langmore on “Ozark” and Anna Delvey in “Inventing Anna.” She is a startling presence in whatever she does, a pistol, as they used to say. (The first role I saw her in was Lily Tomlin’s spitfire granddaughter in a terrific film called “Grandma.”
So I was thrilled to meet her at the Critics Choice Awards. She’s a petite blonde who sounds nothing at all like hillbilly Ruth or Eurotrash Anna. I was delighted to learn that she’s a nice Jewish girl from the Bronx. She told me: “If you’re blonde and from the Bronx, you’re either Jewish or Irish!”
So what’s she going to do next? The Madonna thing is sort of out there in the mist. Meantime she says, “Im ‘just turning everything down.” She’s got to choose the right material after two such celebrated roles.
And “Ozark” fans, two important things: Garner’s favorite character on the show was Darlene, played also with effortless grit by Lisa Emery. Julia told me: “I was very sorry when they killed her off.” Also, Garner has still never been to Lake of the Ozarks despite seeming like she was born there. She has no immediate plans to visit, either. She’s a Bronx girl, after all!
Last night on the Critics Choice Awards you may have heard Cate Blanchett praise British actress Andrea Riseborough and her indie film “To Leslie.”
Over the weekend, the movie and actress were mentioned by Kate Winslet, as well, and Jane Fonda and Frances Fisher plugged it on social media.
Last week there was a screening at CAA hosted by Demi Moore, with Gwyneth Paltrow in attendance among others. All of CAA seems to have awakened at the last minute to push “To Leslie.”
But it may not be enough.
The smart indie was released in October and scored 98% on Rotten Tomatoes. I never heard of it until the other day, and neither had most critics or press. I received one email about it in November for a Los Angeles screening, and nothing ever again.
The problem now is, Oscar nominating ballots must be returned tomorrow. Most voters have never heard of this movie. Why? is a good question. The distributor, Momentum Pictures, is a subsidiary of the very well fixed Entertainment One, from Canada. They’ve released a lot of movies and know who all the publicity people are. They could certainly have launched a campaign of some kind. It’s not even clear if it was released in the US for eligibility. All I can find is a UK release that netted $1,429.
Momentum bought “To Leslie” after the South by Southwest Festival last March 2022. So why didn’t they show it at Tribeca or Toronto? (I mean, they’re Canadian, of all things.) Why did it get no press all year? Riseborough isn’t well known, but Oscar winner Allison Janney is in the film. She’s a big TV star from “Mom.” Certainly something could have been done.
“To Leslie” is directed by Michael Morris. Riseborough plays a familiar character: an addict who’s trying to straighten out her life. Writer Ryan Binaco based Leslie on his own West Texas mother, who won the lottery and spent the money in every wrong way. You can catch is on streaming services.
But “To Leslie” probably won’t make the Oscars. It barely made the Spirit Awards with Riseborough scoring a nomination for Best Actress. Yet Momentum didn’t try to capitalize on that either. Right now, the Oscars leading actress category is pretty set with Michelle Williams, Cate Blanchett, Michelle Yeoh, Danielle Deadwyler, and Viola Davis the likely five finalists. So maybe Riseborough will get something good out of all this in the way of another, bigger role that will net her buzz next time around. She deserves it.
Last night’s Critics Choice Awards show was everything one of these big star studded affairs should be: the most fun ever. Host Chelsea Handler deserves a lot of the credit, she set the tone right from the start without putting anyone down but making gentle fun of the news as it intersected with Hollywood. I hope she’ll return next year.
The big surprise was the Best Picture– “Everything Everywhere All at Once” and its directors, the Daniels, all won. The estimable Cate Blanchett won Best Actress for “Tar,” Brendan Fraser– who most of us thought was out of the race– won Best Actor for “The Whale.”
The supporting actor winners were emotional. Ke Huy Quan continued his run for “Everything Everywhere” and Angela Bassett became the first ever actor in a Marvel movie to win the CCA. They are likely repeating at the Oscars.
The ballroom at the Fairmont Century Plaza Hotel had a very chill vibe to it. Stars mixed with critics, producers, directors, and so on. The place was at maximum capacity but the commercial breaks allowed a lot of socializing, especially among people who hadn’t seen each other in a long time.
I got to meet some actors I really admired but are relatively new to this world. They included Julia Garner, Danielle Deadwyler, Anya Taylor Joy, Jeremy Allen White and Ayo Edebiri, plus I spoke to Jennifer Coolidge, Andrew Garfield, Glenn Powell, Miles Teller, and my old friend Giancarlo Esposito, who won Best Supporting Actor in a Drama for “Better Call Saul.” This was a long awaited award, and much, much deserved. (Coolidge, by the way, having a big year thanks to “White Lotus,” says she doesn’t know what her next job will be. I heard that from a lot of actors this weekend.)
Viola Davis and husband Julius Tennon commanded a table near mine with her “Woman King” director Gina Prince-Bythewood, and “The Fabelmans” with Michelle Williams, Paul Dano, Judd Hirsch, and Gabe Labelle were between our table and the stage. Williams brought her BFF, Busy Phillips, one of my favorite people, who always lightens the tension with a warm sense of humor.
And this was just a quarter of the room. Scattered throughout the ballroom were Julia Roberts, Jeff Bridges, John Goodman, Kaley Cuocco and Tom Pelphrey, director Martin McDonagh, James Cameron, Michelle Yeoh, and the folks from “RRR” (they won Best Foreign Language Feature and Best Song), plus the great writer Tony Kushner, Sarah Polley, Austin Butler of “Elvis” fame, and …you get the idea.
I loved running into Bill Nighy, the popular and famed British star of “Living.” He’s about to get an Oscar nomination. Nighy came to prominence in the US playing the goofy rock star in “Love Actually.” Since then he’s been in dozens of films including “Best Exotic Marigold Hotel” with Judi Dench. So how is Dame Judi, I wondered? (She just turned 88.)
“I just saw last week in London,” Nighy told me. “She made lunch. Lamb chops, green beans, and potatoes.”
I said: “You mean she had someone make it for you?”
Nighy shook his head. “No she did it herself, in her own kitchen and it was marvelous. She’s something else.”
She sure is– and so were the CCAs. Finally, someone got an awards show right!
WINNERS OF THE 28th ANNUAL CRITICS CHOICE AWARDS
FILM CATEGORIES
BEST PICTURE Everything Everywhere All at Once (A24)
BEST ACTOR Brendan Fraser – The Whale (A24)
BEST ACTRESS Cate Blanchett – Tár (Focus Features)
BEST SUPPORTING ACTOR Ke Huy Quan – Everything Everywhere All at Once (A24)
Lisa Marie Presley wanted to have a music career but it never really happened in a big way.
Sadly, with her death this week, Lisa Marie is finally getting recognition and sales.
Her three solo albums are in the top 21 of iTunes, rising there from literally nowhere. The order is “Storm and Grace” at number 16, “Now What” at 20, and “To Whom it May Concern” at 21. If only she could have seen that when she was alive.
Lisa Marie’s death combined with the “Elvis” movie has put three of her father’s greatest hits collections on the top 100 also. Ironically, Elvis’s family will receive less in sales moneyfor his records than Lisa’s Marie’s will for hers.
Meanwhile, there are two existing official Elvis Presley foundations. Their total assets come only to less than $200,000. The Presley fortune of $100 million was whittled down by bad management, mismanagement and bad advice over the years. Their only successful entity is Graceland, which has not closed for a minute since Lisa Marie died.
It wasn’t a very successful weekend for new films at the box office.
Gerard Butler’s “Plane” literally crashed. (It’s a movie, and it failed, so you can say literally.) The total was $11 million through tomorrow, although just $10 million for the four days from Thursday through Sunday. What’s it about? I guess, a plane. They couldn’t call it “Airplane!” for obvious reasons, and if they’d called it “The Plane,” there would have been “Fantasy Island” memes. Maybe they should have called it, “Winging It.” Or, just “Plain.”
Warner Bros. released a dead on arrival remake of “House Party” involving LeBron James as producer. Critics hated it, and audiences weren’t interested. Total b.o. for the weekend was around $3.5 million, Also the audience score was just 62%. LeBron James’s name is a pull for basketball but not for movies. Live and learn.
Meanwhile, “Avatar The Way of Money” is heading to $2 billion worldwide. The US part of that is $562 million, which sounds like a lot (and it is ) but it’s no “Black Panther” (the first, good one) or “Top Gun Maverick.” Never underestimate the international audience. They like images. And apparently, blue ones.
