Thursday, October 3, 2024
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Bruce Springsteen’s Sonically Sensational Show Lands in NY with Paul McCartney, Other A List Celebs in Audience

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Bruce Springsteen is like some kind of car– Maserati, Lamborghini? — that goes from zero to 60 in 2 secs. That’s what happened when he took the stage at Madison Square Garden last night with the enormous and gifted E Street Band. Maybe it was more like a rocket blasting off. Bruce is 72, so fit that at the end of show he rips his shirt apart to show his mighty chest and proclaim, “I am the Lion King.”

The show starts with “No Surrender” and “Ghosts” and feels like you’ve walked into the middle of a show. The group begins at warp speed. Have they been playing somewhere else and you just found them? How could be they be going 100 mph from the get-go? I was thinking maybe Bruce thinks it’s all a continuous show. They just wake him, then put him to sleep, then reactivate him again. The E Street Band just comes in like a cyclone.

 

Mind you, I’m watching this show with distractions: Paul McCartney and wife Nancy are sitting just above me. In their section are Michael J. Fox and wife Tracy Pollan; Ben Stiller and Adam Scott, having a “Severance” moment, with their respective wives. I see a lot of other people I recognize in their section including actor Keegan Michael Key, and Rock and Roll Hall of Fame chief John Sykes, and my old friend Leslie Sloane, the great Hollywood publicist, who’s dancing like she’s Courteney Cox in the “Dancing in the Dark” video. When the people in my section on the floor see this group, they start taking pictures of them like they’re seals at the zoo. They’ve also spotted “East New York” actor Richard Kind, and everyone wants a selfie.

Other celebs included Daniel Craig, Edward Norton, Michael Gandolfini, and Broadway stars Andy Karl and wife Orfeh.

Back on stage, Bruce and co. command attention. How could they be better than ever? But they are. The show is exactly three hours, and even though Bruce is getting the crowd to shout “We won’t go home,” it’s better that he realizes for once we must go home. So he packs in four hours of excitement into three, never takes a break, a sip of water, a bathroom break, never flags, and is so authentic and genuine it almost breaks your heart. We don’t deserve this.

Since it’s 2am, I’ll give you a couple of highlights: first of all Max Weinberg, age 71, is a mother on those drums. He’s the driving force, just pounding away, killing it. How he doesn’t collapse when the show is over, or during it, is anyone’s guess.

Huge moments during “Kitty’s Back” for all the players. It’s an especially difficult number combining jazz solos with swing and rock. It was mesmerizing.

The main show has 19 songs including “Out in the Street,” “The Rising,” and the poignant “Last Man Standing,” plus “Badlands” and some other top notch Springsteen cuts.

But the last hour brought “Jungleland” for the first time since 2017, followed by a Murderer’s Row of favorites: “Thunder Road” — the final sax solo is the signature sound of the E Street Band. Listen to it, you’ll see what I mean. No other short piece of music from the catalog defines them this way.

Then: the lights come up for “Born to Run” and stay up through “Rosalita,” “Glory Days,” “Dancing in the Dark,” and “Tenth Avenue Freeze Out.” There’s nothing like hearing and seeing 20,000, lights up, singing every word, doing call backs with Bruce, freaking out to the sizzling guitars of Little Steven van Zandt and Nils Lofgren. Nothing. It’s a glorious feeling. Bruce make a small town of out a massive group. People who don’t know each other are dancing together.

The show ends with Bruce alone on stage, under a hot spot light, singing his “I’ll See You in My Dreams.” After all that celebrating, the grace note is funereal. He’s confronting the death of dear friends and looking at his own mortality. The original “I’ll See You in My Dreams” from 1924 was a love song, a lullaby. But Springsteen has turned the idea on its head. It’s a sad song, but realistic: “Death is not the end.” We can only hope and wonder.

Wherever Bruce Springsteen is playing on this tour, get in there and see him. That’s an order.

PS McCartney, below, stood for most of the show and made it all the way to the end.

c2023 showbiz411

Meet the Celebrities’ Secret Weapon – Motivational Artist Billy Alsbrooks – Whose Viral Messages Have Over 70 Million Streams

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Motivational Artist Billy Alsbrooks is on his 2023 ‘Blessed and Unstoppable‘ 28 City World Tour and will be in New York City on Saturday, April 15th, 2023.

This four-hour intense personal development workshop will change the trajectory of your whole life. Billy has this rare gift of being able to help people who haven’t found their passion, who feel lost, defeated, or stuck. His words and vocal charisma open the listener’s mind, and then with a few perfectly timed self-assessment questions, he instigates the paradigm shifts that unlock the greatness that’s been lying dormant within.

No matter what area of your life you’re struggling in, the profound success principles Alsbrooks teaches, and the masterful way he presents them will usher in the breakthroughs you’ve been looking for. This will be more than just a seminar, it’s going to be a complete spiritual experience, a chance at a new and more meaningful life. Billy is going to give you the blueprint that will truly make you Blessed and Unstoppable!

Tickets are on sale now for his landmark seminar that will take place at the New York Hilton Midtown (1335 Sixth Avenue, New York, NY 10019) starting at 1:00 p.m. 

Tickets and additional information can be found at: https://bit.ly/3jl1Jmn  

Joni Mitchell All Star Tribute on PBS Featuring James Taylor, Brandi Carlile, Cyndi Lauper, Marcus Mumford, Stolen by…Joni Mitchell, Of Course!

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The supernaturally gifted Joni Mitchell stole her own tribute show tonight, the PBS Library of Congress Gershwin Prize.

There are plenty of stars on this show including Herbie Hancock, James Taylor, Annie Lennox, Cyndi Lauper, Ledisi, the omnipresent Brandi Carlile, Diana Krall, Graham Nash and so on. And they are all excellent, performing Joni’s songs. Star band leader Greg Phillinganes as lined up an A list band of jazz musicians who bring light and texture to the set list.

But who steals the show? Why, Joni, of course! Her performance of the Gershwins’ “Summertime” outstrips everything else on the bill. Her voice, as Laura Nyro once wrote, is “a choir of carousels.” After all of her health struggles, the fact that Mitchell is walking and talking is a miracle. But listen to her sing now, it’s like the old Joni. Amazing and wonderful.

This is a show not to be missed on PBS. Check your listings.

Previous recipients of the Gershwin Award are Paul Simon, Stevie Wonder, Sir Paul McCartney, songwriting duo the late Burt Bacharach and the late Hal David, Carole King, Billy Joel, Willie Nelson, Smokey Robinson, Tony Bennett, Emilio and Gloria Estefan, Garth Brooks, and Lionel Richie. My vote for next honoree is Carly Simon. Her songs fit the Gershwin bill to a tee.

Here’s “Summertime.” Listen to Philliganes’ piano, it’s sublime.

PS Sitting behind Joni, notably, is director Cameron Crowe. He recently announced he’s writing and directing her biopic. He’s been a great friend to Joni and vice versa for decades. Can’t wait to see what he comes up with!

Village People Founder Furious with “Spinning Gold” Movie for Pretending to Include “YMCA” Singers

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Village People founder Victor Willis is furious about the new movie “Spinning Gold.” The movie is about Neil Bogart, who created Casablanca Records. Among the stars who had hits on the label were the Village People. They are not in the movie, but Willis says Bogart’s sons, who made the film, have pretended their appearance by including a clip of a fake Village People doing their now famous dance — the one we see at sporting events.

I haven’t seen this movie because, frankly, no one’s sent me a word about it. I don’t even know who’s releasing it. But I had a bad feeling about it. The Bogarts obviously couldn’t license the original music — they have a bunch of questionable people reproducing the old hits by older artists. Also, how realistic could they be about their dad, who was not exactly Ted Lasso?

Willis writes:

Spinning Gold Is SPINNING LIES About Village People’s Involvement In The Movie.
TO VILLAGE PEOPLE FANS AND THE PRESS:
For months now, I have been inundated with comments from fans asking about Village People’s involvement in the motion picture titled Spinning Gold. Moreover, I have received several media inquiries about the same. As a result, I must now respond to all the inquiries.
No, Village People are not featured in that movie because Tim Bogart could not afford to pay the required licensing fees associated with use of Village People music and image. So, he somewhat went around it by inserting an unauthorized scene with people dressed as Village People doing the YMCA dance. And we are not cool with that at all. I did license use of a portion of YMCA for the motion picture soundtrack only.
I don’t know how this iteration of Spinning Gold was eventually stitched together by Tim, along with it’s shameful and outright horrendous casting of Donna Summer and Gladys Knight, but this iteration of the movie (for which there have been numerous) should never have seen the light of day.
Nonetheless, my interest is only in the suggested portrayal of Village People in the movie with use of press releases naming Village People, time and time again, leading fans to believe that Village People would be featured in the movie when in fact, they are not.

Sharon Stone, Who Once Played “The Muse,” Gets a MUSE Award, But She’s Not Amused

The only one of this year’s nine muses awarded by New York Women in Film to actually have been in a movie as a muse — Albert Brooks’s 1999 “The Muse” — Sharon Stone played goddess to the hilt.

At a packed 700-person luncheon this week at Cipriani 42nd Street, she spoke of growing up in a town so small there was no traffic light; watching Fred Astaire and Ginger Rogers on television and dreaming of dancing down a spiral staircase, she punctuated her story of finally achieving that, “and I did.”  “And I did” became the punchline of several more achievements including starring as an action hero.

Hers is a story of many triumphs–making it in New York being one of them. Yes, she started as an Eileen Ford model and still had to look for change in telephone booths so she could take the subway home downtown to a studio she shared with another girl and a million roaches. Recently in L.A. her pal Sarah Paulson asked her why people hate her so much. “You know why,” she said.

No other movie has followed her like “Basic Instinct.” An little known actress at the time, she was paid $500,000. Michael Douglas was paid $14 million. There is of course one of the most memorable movie scenes which aside from making everyone say, Did I just see what I just saw, features her speech about loving sex with a particular partner because he liked to experiment. Wow! She became the voice of female pleasure like no other woman since The Wife of Bath! Few have torn away the curtain on hypocrisy as she has. Now we have college professors fired for showing full frontal Michelangelo’s David, she said. Prior to “Basic Instinct,” she says, “I was not allowed to cross my legs, or hold my arms up. You could not show armpits. We should think about what we can do.”

“Slumdog Millionaire” star Freida Pinto made it all about her journey, how motherhood helped her transcend insecurity, perhaps the most common thread among women who achieve—until now. Cookbook author and lifestyle guru Sandra Lee had taken the stage before, and recounted a time Stone sat with her on an airplane. Sharon Stone gave her sage advice, she said: “Make sure your hair is not perfect.” Munching on branzino and ricotta cheese cake, guests listened intently as Lee told everyone how excited she was to be in New York.

But Danielle Brooks belted it out. I mean, she literally sang, “New York/ New York.” “If I can make it there . . . “ and no one wanted to follow that act. Winner of the NYC Mayor’s Office of Media & Entertainment Made in NY Award, she just wrapped filming “The Color Purple” in the role of Sofia. She also just made her Broadway debut in the most recent Broadway revival. This theater season she killed in August Wilson’s “The Piano Lesson,” my pick for this year’s Best Revival Drama Tony. Watch for a nomination for her too.

Inspiring, the NYWIFT “Muse” Award luncheon hit every note: on stereotypes, equal pay for women, sexism, racism, age-ism, but as one speaker noted, “The women in this room are powerful. And the few men who are here, they must be powerful too.” Everyone took home a David Yurman bracelet. The message: Every goddess and action hero must be adorned.

Netflix’s $100 Million Quest for an Oscar May Be Doomed by New Academy Plan to Require Theater Releases

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The party may be over for Netflix.

The streaming platform has spent nigh on $100 million over the last decade to get a Best Picture Oscar. This year, all their plans fell apart anyway as their only viable candidate was the German language war film, “All Quiet on the Western Front.” They won Best International Film, but couldn’t compete with the other candidates.

Now, the Academy of Motion Pictures is considering a new rule requiring films to play in theaters in at least 15 of the top 50 markets. Puck, a newsletter, was first to report this yesterday and I’ve confirmed it.

Prior to the pandemic, Netflix and other streaming platforms that didn’t show their movies in theaters were ineligible for Oscars. Then, when people couldn’t go to theaters, the Academy allowed in their films. But the crisis did huge financial damage to theater chains, so when the pandemic subsided, the Academy reverted to its old rules: films had to open in theaters in New York or Los Angeles to quality for the Oscars.

But the theaters have suffered tremendously. Two big houses in Manhattan have announced they’re closing. In Hollywood, the vital ArcLight and Cineramadome are shut. So the Academy may come to the rescue with this plan. If Netflix, Amazon, Hulu want to be in the Oscar business, they’ve got to have moderately wide releases around the country first.

This is a great idea. Already, Amazon, with Paramount, is about to do that with Ben Affleck’s great new movie, “Air.” Now Netflix would have to do that this fall with Bradley Cooper’s “Maestro” — which they will sink millions into for awards — and Apple will have to do the same with Martin Scorsese’s “Killers of the Flower Moon.”

Who wins? The filmmakers, for one. They deserve to get their films off of laptops and phones and back on the big screen. The theater owners will finally get their customers back. And the streamers will still get lots of subscribers out of it.

Netflix must be having a fit at this point. They still can’t get into Cannes competition because as festival leader Thierry Fremaux says, they’re committed to movies in theaters. Already Netflix faced a defeat when Apple, in 2022, won Best Picture with “CODA.” But they will have to adapt to the new rules so that the entire industry, not just them, benefits from releases.

It’s Official: Martin Scorsese Will Return to Cannes Red Carpet for the First Time Since 1986 with DeNiro-Di Caprio “Killers of the Flower Moon”

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Martin Scorsese’s “Killers of the Flower Moon” will debut at the Cannes Film Festival, confirmed.

I told you on February 20th this was happening. It was just a matter of Scorsese and editor Thelma Schoonmaker cutting the film down to a manageable size from over three hours.

“Killers” stars Robert De Niro in the lead role and Di Caprio in a smaller role, at the latter actor’s choice. De Niro, I’ve heard, is “spectacular.” (I’m sure Leo’s pretty good, too.)

Believe it or not, this marks the first time Scorsese has been back on the Croisette showing a film since 1986 with one of my personal favorites, “After Hours.” Where’s he been? It’s probably just been a matter of timing. Very often Scorsese finishes a movie a right up to the time of release. A lot of his films have opened in late fall. But this one is ready to go!

Ten years earlier, Scorsese won the Palme D’Or for his seminal film, “Taxi Driver.” In 1998, he was appointed head of the jury.

Based on David Grann’s best-selling book and written for the screen by Eric Roth and Martin Scorsese, “Killers of the Flower Moon” is set in 1920s Oklahoma and depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the “Reign of Terror.”

Best News in 7 Years: NY Grand Jury Indicts Donald Trump Over Stormy Daniels Pay Offs! DA Bragg Pulls Off a Surprise

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For the first time ever in history a US president has been indicted by a grand jury.

Donald Trump, the greatest political criminal in US history, is finally facing the music. To paraphrase the Rolling Stones song Trump illegally uses: “You can sometimes get what you want.”

Pop a cork!

What makes this so lovely this afternoon: DA Alvin Bragg’s office had leaked to the press that the grand jury was taking a break for a month, putting Trump into a false sense of ease. Bragg obviously knew that wasn’t true, so we give him lots of points for pulling off a head fake. Nicely done!

Also, the Wall Street Journal reports that aside from the Stormy Daniels story, the Karen McDougal-National Enquirer pay off is involved. This explains the return of Inquirer publisher David Pecker to the grand jury this week.

Read the NY Times coverage here

Also, the Yankees won their opening game vs. the San Francisco Giants, 5 to 0.

Mamie van Doren, 91, The Original Pamela Anderson, Has No Kind Memories of Superstar Comedian Bob Hope

Mamie van Doren is 91 years old now, but she hasn’t tempered with age.

van Doren was a blonde bombshell model-actress of the 50s and 60s who was married five times and had dozens of celebrity lovers. She was the Pamela Anderson role model. She was on the cover of every magazine and in tons of B movies.

Today, van Doren– an animal enthusiast and author of two memoirs — weighed in on Twitter when a fan asked what Bob Hope was like. van Doren did USO shows with Hope in the 60s.

Her answer may leave a lot of jaws dropped. She wrote:

“He was an asshole that made a living off of the troops. Plus he got plenty of ass doing it. A miserable human being. Not from me. I was Miss Palm Springs here and just turned 17…He wasn’t funny at all. He had to have a comic writer with him all the time. He treated girls like whores.”

She added: “And he always had his hands in his pockets.”

Now, as they say, tell us what you really think!

Hope was a huge movie star in the 40s and 50s, particularly with singer Bing Crosby in his “Road” movies. Genuinely funny, Hope is revered for those movies by many comics who followed. But in the 60s — doing USO shows for US troops at the height of the Vietnam War– he turned into a Nixon Republican, and all his “cool” went out the window. People my age derided him as he became an emblem for conservative, wealthy warmongers. All his outlier wisecracking disappeared, which was too bad, He could have been a subversive hero in the time of Lenny Bruce and Richard Pryor but his success did him in.

van Doren included a picture of her and Hope, seen here.

Who is Ariel Zilber and Why Is He Obsessed with Writing About Megyn Kelly — 20 NY Post Articles Already This Year

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You remember Megyn Kelly? She was bounced from Fox News, and then NBC — where she had no ratings — let her go and bought out her contract. She has not been on network TV since then, instead carping and blabbering without any sense on social media.

No one cares what Kelly thinks, anywhere as far as I can tell, except for the New York Post. So far this year they’ve run about 20 articles on her already. All them have been written by the same person, a reporter named Ariel Zilber. If Kelly blows her nose, Zilber files a story. If she gets a Cheerio stuck in her teeth, Ariel Zilber is there. There are no interviews and no reporting. They’re just puff pieces promoting her SiriusXM podcast– not a show, a podcast.

Last year, in 2022, Zilber wrote about 50 stories that included Kelly’s name. Again, Kelly doesn’t like something, or goes after someone, and this, Zilber feels, is news. It must also be felt by Rupert Murdoch’s Post, even though Murdoch’s Fox News kicked her out of the building.

Before the Post, Zilber filed Kelly stories at the Daily Mail.

Many reporters have beats. I certainly do, people we write about on a regular basis because they’re of public interest, or notorious enough to require following. But Megyn Kelly? The only thing she and Zilber seem to have in common is they are rabid right wingers. That’s it.

And yet today we are 20 stories in for 2023. No one else in the world writes about Megyn Kelly, or cares about her. If Zilber weren’t carrying her water four times a month, no one would remember she was still around. We wouldn’t know, as Zilber told us in October 22, that Megyn Kelly dunks on Kim Kardashian’s ‘enormous fake ass’. We wouldn’t be aware — we were told today that ” ‘They’re not going away’: Megyn Kelly ‘f–king sick’ of calls to ban guns after Nashville shooting

I was losing sleep over her opinion on these matters.

Where does Kelly deliver these bon mots? Apparently, she does have that podcast onSiriusXM. Not a show–a podcast– a vanity project that I’m dozens of people race to hear every day. Me? I’d rather listen to Little Steven’s Underground Garage or Soul Town on Sirius XM when I’m in the car. If I want hot blown in my face, I can just roll down the window!

As for Zilber, his LinkedIn page says he’s a business reporter for the New York Post, although so far it’s unclear what business he has writing Megyn Kelly pieces every week– that is, unless he’s in some kind of business with her that hasn’t been made clear yet. Otherwise he’s just giving her publicity out of the goodness of his heart.