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Fans on Social Media Say The Weeknd Is Wrecking His Career with “Disgusting” Soft Core Porn TV Series, “The Idol”: Record Sales Say They’re Correct

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Is The Weeknd wrecking his music career with “The Idol”?

Fans who watched the second episode on HBO last night are more disappointed than freaking out on social media today.

In the 2nd episode, which desecrates John Lennon’s memory by calling itself “Double Fantasy,” The Weeknd appears in a soft core porn sequence that can only be described as disgusting. It’s also a teenager’s fantasy of some kind, so ridiculous you almost laugh out loud.

The Weeknd — Abel Tesfaye — also has dialogue that’s being mocked all over social media. I’m going to refrain from restating it here, but it’s completely vulgar and gross. Then he and the character Jocelyn, played by Lily Rose Depp (whose nipples are on record now forever from two episodes) engage in rough sex.

This is more than any pop star in their right mind would commit to film. The result is quite negative. Part of the reasoning for “The Idol”‘s existence is to sell records heard on the show. But already a single, called “Popular,” is a smashing dud on iTunes. “Popular” is being streamed on Spotify to any recorded numbers. Luminate, which records sales both physical and streaming, as well as airplay, shows an alarming down turn for The Weeknd in the last two weeks. “Popular” has had only 3,590 downloads so far.

I can’t imagine that The Weeknd’s record label, Republic Records, isn’t worried about what effect this will have on the singer’s future sales and albums. Or maybe no one cares. I guess we’ll see soon.

Here are some comments:

Watch the Very Classy Tony Awards In Memoriam Sung by Last Year’s Amazing Winner Joaquina Kalukango

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The In Memoriam last night on the Tony Awards was so classy — the Oscars and Emmys should really look at how they did it.

Last year’s Tony winning Actress in a Musical Joaquina Kalukango is the singer. She has the most remarkable voice. Can’t a real record company make something with her? We’re missing an opportunity. Verve? Decca? Sony Masterworks? Is there anyone left?

Kudos for the show including Tina Turner and Raquel Welch.

https://youtube.com/watch?v=WqmlgRtkWXU

Ratings: MSNBC Won Thursday Night Over Fox News After Trump Indictment Announced, Maddow Sub Alex Wagner Beat Sean Hannity Handily

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Amazing.

On Thursday night, when the Trump indictment was being read and examined on every cable news show, MSNBC beat Fox News.

Ever more amazing: at 9pm Rachel Maddow substitute Alex Wagner took Sean Hannity by 200,000 viewers with 2.5 million. At 10pm when Maddow joined Lawrence O’Donnell, MSNBC’s numbers went even higher to over 2.6 million..

At the key gateway for the night. MSNBC’s Chris Hayes out classed Fox by 500,000 viewers.

What’s the take away? In a pinch, viewers were looking for what was really happening as opposed to Fox’s fictitious weaving of alternative facts.

And CNN? Anderson Cooper had two times his normal audience, but came in third.

Tony Awards Without Writers: Aaron Rodgers, Mrs. Maisel, Grand Wizards, Bleeped Words, Non Binary Winners, and a Shake Shack Dinner in Washington Heights

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By now, anyone who’s interested in the Tony Awards has an idea of what happened last night.

Without writers, the show– hosted by Ariana DeBose— was a refreshing free-for-all. Not to say they didn’t need a script — they did — but DeBose made the experience lively and off the cuff. She’s full of charm. When she returned in the middle of the show and effectively announced, looking at her wrist, “I don’t know what these notes are, or who’s next,” she won the audience over.

But lack of script meant some people on stage surprised the audience. Actress Denee Benton called Florida governor Ron DeSantis a “grand wizard,” meaning of the KKK. That got a huge applause. Another winner used the “f” word, which was bleeped on screen but we heard it loud and clear. My phone blew up from all over the place with people asking what he said. “I’m a f***t with a Tony Award!” will probably become a t shirt.

There were two non binary winners, definitely a first. J. Harrison Ghee won Best Actor in a Musical for “Some Like it Hot,” dressed in a beautiful blue gown. Alex Newell picked up Best Featured Actor in a Musical for “Shucked,” arriving on stage in what looked like a peach swirl with decolletage. They’re each very talented, but the Tonys were making a point. With all the insane enmity toward the trans and gay community in the world beyond Broadway, representation was paramount.

The United Palace Theater, an ornate former Loews movie palace in Washington Heights, was the setting this year instead of either Radio City Music Hall or the Beacon Theater, both owned by Madison Square Garden Productions. Either the Broadway League couldn’t make a deal with MSG or this was the idea of Lin Manuel Miranda, the change to a neighborhood foreign to most of the Tony audience added to the adventure. We had airy seats in the front of the mezzanine that afforded a spectacular view of the stage. There was even a cool breeze. Down below, ironically, the stars suffered from heat prostration because the orchestra section was trapped without much ventilation.

Some people theorized what would have happened if there had been writers: wouldn’t the show have been much longer? No. Producer Glenn Weiss and I chatted at the after party about that. Last night’s show was bulked up a extra numbers. Weiss and producer Ricky Kirshner managed to load and unload about 20 Broadway shows in what seemed like a magic act. Some of them, like Josh Groban leading “Sweeney Todd,” were mesmerizing. Others were simpler, like “Into the Woods” and “Kimberly Akimbo,” which won Best Musical despite not looking like one compared to “Some Like it Hot.” We’ll see which shows get ticket sales bumps this week.

(My only quibble: the “Sweeney Todd” number, while magnificent, didn’t feature nominee Annaleigh Ashford.)

After the show, instead of heading to the Plaza Hotel for the after party, wrist band holders had dinner al fresco right in front of the theater under three tented sections. Shake Shack was the main caterer. It wasn’t easy to find people, and most everyone left right away for individual shows’ parties held back in midtown. But a few hearty celebs stuck around including new Jets quarterback Aaron Rodgers, who stood on line for a Shake Shack burger in a gray Dolce and Gabbana suit with a matching pin from the designer. Derided by many for a variety of reasons, Rodgers was incredibly pleasant and forthcoming. I asked him the most important question: “Are we going to have a good season?” He didn’t hesitate to respond: “We are!”

Rachel Brosnahan — Mrs. Maisel to you — came to support the show’s Tony winner, Miriam Silverman, who picked up Featured Actress in a Play for “The Sign in Sidney Brustein’s Window.” Brosnahan was not nominated for anything, and it’s rare that an actor would come to the Tonys anyway, But that’s Brosnahan, who has a lot of awards of her own and just wanted to be there.

I also ran into “SVU” star and theater producer Tamara Tunie, “Some Like it Hot” director Casey Nicholaw, and a few others, but for the most part the outdoor dining scenario was not star studded. Where was Lin Manuel Miranda, our nominal host? A source told me he left almost immediately. “He’s having a little get together at his place,” I was told.

Next year may we all be back at the Plaza.

LA Story: Nancy Davis’s Race to Erase Raises $2 Mil for MS Research, Gala Features Siedah Garrett and Flo Rida

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Hollywood is known for supporting causes, but few in Tinseltown have been at it with the tenacity and dedication as Nancy Davis, with her Race to Erase MS Gala which just had its 30th event at the Fairmont Century Plaza. 

Nancy, daughter of the late scion Marvin Davis and the classiest lady in Hollywood Barbara Davis, has been indefatigable in her quest (she was diagnosed  with MS in 1992) to better the treatment and to find a cure for multiple sclerosis.  

Nancy’s own daughter, Isabella, introduced her and Nancy told the packed crowd that, “Together, we have done what many thought was impossible.  There are now 25 drugs on the market to help stop the progression of MS.  31 years ago, when I was diagnosed with MS, the doctors said go home, and told me that I would never walk again or be able to take care of my children.  At that moment all I had was hope.  Instead of singing a song of defeat, I became inspired by a song my parents played constantly in our home, “The Impossible Dream”.  That became my quest; , to beat the unbeatable foe, to reach the unreachable star no matter how hopeless, no matter how far. “  

Nancy then paid tribute to two people who passed who meant much to her; her son, Jason, and the actress, Anne Heche, one of Nancy’s closest friends and supporters of the cause.  Anne’s former partner, James Tupper, came with their 14-year-old son Atlas, the first time they were on a red carpet together.  Atlas is the spitting image of his mom who died tragically almost a year ago.  Tupper told me that “Atlas is a great kid.  He’s doing well in school and really is into tennis.  He plays every day for two hours.”  When the discussion turned to Anne he said, “we miss Anne every day.  We look out for each other.  We love Anne.” 

James and Atlas and the VIP crowd were entertained first by singer/songwriter Siedah Garrett, who herself was diagnosed with MS years ago.  She included in her set the glorious song she wrote, “Man In The Mirror” which was a mega hit for Michael Jackson.  Nancy then brought up the researchers and doctors who have helped her along with her other daughter, Mariella, and husband Kenneth Rickel.  Diana Ross’s son, Evan, introduced the musical guest, the wildly energetic Flo Rida.   Other guests included Kathy Hilton, Ed Begley Jr, Joely Fisher, Lawrence Zarian, Denise Richards, Rob and Crystal Minkoff, AnnaLynne McCord, Dave Winfield, David Faustino, Katie Cassidy, Marg Helgenberger, Elisabeth Rohm, Cristina Ferrare,  Denise Richards, Peter Facinelli and many more.  The event raised over 2 million to benefit Race to Erase MS and its Center Without Walls program.   Nancy said that “We’ve replaced hopelessness with hopefulness.”  Bravo to her and all those that have been on this worthy 30-year journey. 

Box Office: “Transformers” Sequel Knocks “Spider Man” Sequel from Top Perch in Weekend Surprise Upset

The winner of the weekend if “Transformers: Rise of the Beasts.” It came in at number 1 with $60 million.

Second place goes to “Spider Man: Across the Universe” with $55 million.

The race is a little unfair since “Transformers” counts Thursday previews, which accounted for $8.8 million. On Thursday, “Spider Man”made over $10 million. So there.

Anyway, “Spider Man” now has $225 million banked after 11 days of release. So no one’s sending condolence cards.

Haha, listen to this: “Super Mario Brothers” is up to $570 mil domestic, $1.3 mil worldwide. What can you say?

Tony Awards Tonight: Hot Races in Every Category, But Look for Jessica Chastain, Leopoldstadt, Some Like it Hot, Annaleigh Ashford Among My Choices

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The Tony Awards are on tonight at 8pm on CBS.

It’s been another long theater season, with ups and downs. But there are hot races tonight, and despite the Writers Guild Strike this should be an entertaining show.

There are a lot of postulations about who should win, who will win, etc. I can only go by my gut about what will happen.

What won’t happen is Danielle Brooks winning Featured actress in a play for “The Piano Lesson.” She wasn’t nominated, which is just tragic.

Here are my hopes and dreams I’ll be sitting in the United Palace Theater and will be tweeting @showbiz411 regardless of who takes the stage.

Best Play: “Leopoldstadt” by Tom Stoppard. There’s no question.

Best Musical: My choice is “Some Like it Hot.” There’s a big push for “Shucked.” And another for “KImberly Akimbo,” a show I just didn’t get.

Best Revival of a Play: Four great choices, I lean toward “The Piano Lesson,” but “A Doll’s House” was cutting edge, “Top Dog/Underdog” was emotional, “The Sign in Sidney Brustein’s Window” was creative.

Best Revival of a Musical: It’s Sondheim’s world. How do you choose between “Sweeney Todd” and “Into the Woods”? The former is my favorite musical. But the latter was unexpected. The “Woods” have it.

Best Lead Actress in a Musical: Annaleigh Ashford’s Mrs. Lovett in “Sweeney Todd” was brilliant, hands down.

Best Lead Actor in a Musical: The “Some Like it Hot” actors will split their vote. Josh Groban’s voice is amazing in “Sweeney Todd.” But I’d like to see Bryan D’Arcy James win for “Into the Woods.” Ben Platt would be the alternative in “Parade.”

Best Lead Actor in a Play: Wendell Pierce was so good in “Death of a Salesman,” and I wish he’d be chosen. But the production ended a while ago. When Sean Hayes plays “Rhapsody in Blue” in “Good Night Oscar” you know he’s going to win. How can he not? If only Willy Loman had known an instrument!

Best Lead Actress in a Play: I know Jodie Comer has many fans from “Prima Facie.” But never bet against Jessica Chastain. She was quite remarkable. Also, this catagory is the strangest. All the others have five nominees. This one has four, For some reason, Laura Linney isn’t listed. She might have won for “Summer 1976.”

Actor in a Featured Role in a Musical: Alex Newell from “Shucked” has the floor.

Actress in a Featured Role in Musical: Julia Lester from “Into the Woods” is likely the winner. But my heart is with Ruthie Miles from “Sweeney Todd.”

Featured Actor, Actress in a Play: Brandon Uranowitz is the only nominee everyone can agree on, from “Leopoldstadt.” I wish more of the cast had been nominated, too. Miriam Silverman stole “Sidney Brustein” from everyone in the cast including Oscar Isaac and Rachel Brosnahan. I think the latter two agree as well.

Best Director, Play and Musical: Patrick Marber, “Leopoldstadt.” Lear deBessonet, “Into the Woods.”

Best Choreography of a Musical: Susan Stroman overcame having no book for “New York. New York” an made her set pieces into the stars. If I could see those again without having to see the show, I’d be there.

Best Book of a Musical: David Lindsay Abaire was the most clever with “Kimberly Akimbo.” But I have a feeling “Shucked” will win.

Best Original Score: Not a great year. “Some Like it Hot” is total fun, but I think the Tony will go to “Shucked.”

Best Scenic Design: Play — “Leopoldstadt.” Musical: “Sweeney Todd.”

Best Costume Design: Play — “Leopoldstadt,” Musical: Donna Zukowska of “New York New York” also overcame many obstacles. Also, she does “Mrs, Maisel.”

Best Lighting Design — Play “Leopoldstadt” Musical: Natasha Katz did both “Sweeney Todd” and “Some Like it Hot.” Come on, give it to her.

Best Sound Design — Play– Ben and Mazx Ringham did both “A Doll’s House” and “Prima Facie,” so they have it. Musical: tough call, Sondheim vs, Sondheim but “Sweeney Todd” sounded superb.

What??? New Harry Belafonte Documentary Produced by Ex-Felon, Mob Connected Julius Nasso, Convicted for Sending Thugs to Threaten Action Star Steven Seagal

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I just got a press release about a new Harry Belafonte documentary called “Following Harry,” and did a spit take.

The producers are Julius Nasso, his son Frankie, and a documentary filmmaker named Susanne Rostock.

This is the same Julius Nasso who went to jail for a year and a day back in the 2000s, convicted for extortion conspiracy in a huge mob case that involved actor Steven Seagal.

To quote Wikipedia: “Believing that Seagal owed him $3 million in compensation for backing out of a four-film deal, Nasso enlisted members of the Gambino crime family to threaten Seagal in an attempt to recoup money Nasso allegedly lost.” (In 2010, Nasso- out of jail– was still suing Seagal.)

The Washington Post quoted prosecutors in what became a huge case here in New York as a mob associate.

You can read about the history of Nasso in the New York Times.

The Belafontes do have a previous connection to Nasso. In 2011, Nasso and son were two of 10 producers on a previous doc called “Sing Your Song.” In 2015, son David produced a film with him that Whoopi Goldberg voiced called “The Christmas Pearl.” I wrote it about the odd set up then. Nasso is now listed as co-CEO of Belafonte Arts and Media. I am not kidding.

In 2013, Nasso asked Barack Obama for a presidential pardon. He was turned down.

I still remember going to Nasso’s Get Out of Jail party at his estate on Staten Island in 2005. Nasso ferried his guests to Staten Island — including press — by limo from all over the place. (I drove myself, thanks.) I’ll never forget the tour we got of the place with Victoria Gotti in the party. The food was excellent.

But a Harry Belafonte produced by Julius Nasso? Belanfonte was a civil rights hero, a beacon for so many people. This should not be the way he’s memorialized, no matter how nice Nasso is now.

As Cindy Adams would say, Only in New York kids, only in New York.

RFK Jr Stays Mum When Asked in Interview if He Would Go on Alex Jones Show, Says He’d Like to Go on Steve Bannon’s

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The NY Times has a great Styles interview with actress Cheryl Hines and husband Robert F. Kennedy Jr. It’s a ‘get’ because no one can believe Hines, of “Curb Your Enthusiasm” fame, is in her right mind being with Kennedy, a man with such lunatic ideas his own family doesn’t endorse him for president or believe in what he says.

There are a lot of takeaways from the piece, but this stands out:

When asked twice if he would reject an endorsement from Mr. Jones, who lost a $1 billion lawsuit for repeatedly saying the 2012 Sandy Hook shooting that killed 20 first graders and six educators in Newtown, Conn., was a government hoax, Mr. Kennedy did not respond. Mr. Kennedy said that he would “love to go on Steve Bannon’s show, but Cheryl just can’t bear that,” so he has not.

Let’s not gloss over this important moment in the Times piece. Kennedy does not denounce Jones, a monstrous conspiracy theorist who has caused pain for so many people. Kennedy is keeping his options open. Got that?

Kennedy is a few lightbulbs short of a chandelier. We knew that when he recommended parole for SIrhan Sirhan, the man who assassinated his father. Why Hines stuck with him after his second wife committed suicide is a mystery. (The Times skirts around the gruesome details.) And then she married him. The family of Mary Richardson has nothing but bad things to say about Kennedy. They’ve been public about it. So that’s one thing.

But it’s Kennedy statement about the COVID vaccine, about the Holocaust, and so on that have shown him to be not a “Kennedy Democrat,” but a right wing nut who will be a distraction in a serious election. Now in this Times piece we get it: he’s right in there with Trump and MAGA, and has nothing to do with Democratic politics.

Hines, the piece points out, doesn’t seem to have a real grasp of what’s going on. This is surprising since she always seemed smart and intuitive. But her boss, Larry David, sends a text to writer Caitlin Moscatello underlining that he doesn’t support Kennedy. Cheryl’s long ago former boss, Rob Reiner, has come out for Biden.

And then there are the repercussions in Hollywood. Hines says: “I haven’t lost any jobs because of my support for his candidacy, but there was a project I’m involved in where there was a pause for discussion about how his candidacy might affect what we are doing but it has been resolved.” Mr. Kennedy added that so far, “I feel a lot of support and love from most of her friends, including Larry.” (In a text, Mr. David clarified: “Yes love and support, but I’m not ‘supporting’ him.”)

Moscatello’s piece is just the tip of the iceberg. There’s a lot more under the surface of the Kennedy-Hines connection, and there’s way more about Kennedy’s life and the frisson with the Richardsons that’s yet to be heard. But personal stuff aside, I find him a scary guy, and at this point we’ve had as much fringe politics as we can take in this country.

NBC Finally Cancels “Young Rock” And “Grand Crew” Because No One Knew They Were Still On

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At last, we can play taps for “Young Rock.”

A terrible sitcom about the early days of Dwayne “The Rock” Johnson, the series ran for three seasons, No one watched it. No one knew it was still on the air. Now are national suffering is over.

“Young Rock” can now fade into obscurity.

But NBC — like all the networks — still has shows that no one knows about. One of them was “Grand Crew,” which appeared as a plug in when the network ran out of reruns for other series. Now NBC has cancelled “Grand Crew,” too, although few will realize it. If only it had been called “Grand Cru,” and set in a winery. But it was just a Whinery.

Farewell, you two! See you — or not — on YouTube!