Monday, September 30, 2024
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Box Office: “The Flash” Finds Little Traction with $55 Mil Three Day Weekend, Aiming for $64 Mil Outing

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“The Flash” had a tough good weekend.

Total for three days (plus previews) is $55 million, which is lower than the hoped for $60 million.

With tomorrow, the four day weekend will be over $64 million. The $100 million mark is not coming any time soon..

Andy Muschietti’s comic book action film is fun and funny. There are lots of Easter eggs. By now you know George Clooney makes a cameo, and there are plenty of other cool clips and references to older DC Comics movie and TV stars. Warner Bros. says the audience is skewing older. But people of all ages will dig it. For someone as ancient as myself, the nods are a pleasure. Younger people will certainly like Ezra Miller and Sasha Calle.

Whatever happens next for the DC Comics universe, this chapter ends on a high note. Since tomorrow is a holiday, go see “The Flash’ and get a big bucket of popcorn!

Box Office: Asteroid City, Star Studded, Crashes To Earth with Declining Numbers All Weekend, Low Audience Score

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“Asteroid City” has crashed to Earth.

The latest outing for Wes Anderson started strong on Friday with $350,000 in 6 locations.

But on Saturday that number fell to $250,000 and today they’re expecting just $190,000.

Word of mouth isn’t there, and the audience score on Rotten Tomatoes reflects that: just 50%.

Anderson’s last effort, “The French Dispatch,” made only $16 million. This one may not get there at this point.

The audience — even die hard fans of Anderson’s twee tales — may have just tired of the same thing over and over again. Long since passed are the days of his films with real stories and a few characters. Remember how charming “Bottle Rocket” and “Rushmore” were? Then came “The Royal Tennenbaums,” Anderson’s effort to bottle JD Salinger. “The Life Aquatic” made no sense, but Anderson was forgiven. He had a good then with a few films that were totally the same in style: “Darjeeling Limited,” “Grand Budapest Hotel,” and “Moonrise Kingdom.” (There was also my favorite, “The Fantastic Mr. Fox,” with Noah Baumbach.)

But enough is enough. “Isle of Dogs,” animated, never caught on. “French Dispatch” was a puzzlement.

Luckily, there’s word that Anderson’s next one may be a more slimmed down drama about a father and a daughter. There’s also a 37 minute short, though, again stuffed with stars, which will come first. (I don’t know where these “shorts” — like Pedro Almodovar’s “Brokeback Mountain” tribute- are supposed to play.)

Hope springs eternal! We’ll see when the Asteroid goes wide this Friday is there’s a bigger more enthusiastic audience.

Disney’s Pixar Has Another Box Office Dud with “Elemental,” Opens $20 Mil Lower Than Failed “Lightyear”

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Something has gone very wrong at Disney’s Pixar.

Once the gem of animation, Pixar has found itself on the wrong side of a losing cartoon war.

“Elemental.” their latest, opening Thursday and Friday to just $11.5 million, The three day weekend will come to around $30 million. (I thought Elemental was a cheese, frankly.)

This one follows on the heels of recent losers like ‘Lightyear,” and “Turning Red.” As much as everyone knocked “Lightyear,” it had a $50 million opening weekend. So that’s a drop of 50% according to my calculator.

Red is the operative word here, as these movies are losing money and not attracting audiences. Their best movie in years, “Soul,” won Oscars but had no theater life because of the pandemic.

Pixar is betting on “Inside Out 2.” to get things back to their previous level of success. But that’s not until a year from now.

Anna Wintour’s Looking for a New Assistant, Job Description Includes No Sleep, No Life, Ability to Dry Clean at Home, Must Carry Eyeglass Cleaner

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Actually on the Conde Nast careers site: four days ago they posted a job opening to be :Anna Wintour’s assistant.

It’s hard to imagine after watching “The Devil Wears Prada” that anyone wants this position. Listed requirements don’t mention no sleep, no life, ability to dry clean at home, and absorb abuse. Also must always have eyeglass cloth at the ready for the shades.

Salary is $60,000 to $80.000. Sounds low to live in Manhattan, but you’re living in the office so rent is free!

Also available at Conde Nast: Editor in chief of Bon Appetit and Epicurious. Salary is between $250,000 and $350,000. Every single predecessor has been guillotined at some point. Background: Fencing.

Box Office: “The Flash” Takes $13 Mil Friday for $60 Mil 3 Day Weekend, Success for Non Sequel Movie with Controversial Star

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There’s a lot of handwringing on FilmTwitter this morning about “The Flash.”

But the DC comic book action film made $13 million last night for a total so far of $24.5 million. Good word of mouth guarantees at $60 mil three weekend, and a total of $72 mil including Monday.

For a non sequel action film, totally original, introducing a bunch of characters, with a controversial and not well known lead actor– that’s pretty damn good.

“The Flash” should pick up speed during the week, too, as school lets out and again, word of mouth spreads.

Focus Features debuted “Asteroid City” in six theaters, three each in NY and LA, to hit Wes Anderson’s prime base. Of course it did well on opening night. But so did “The French Dispatch,” which ultimately made $16 million.

“Spider Man” and “Transformers” continued to do well.

Everyone’s waiting for “Indiana Jones,” which Film Twitter will also attack mercilessly.

Review: John Slattery, Steve Buscemi, Michael Shannon Get Behind Their Respective Cameras for Winning Films

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Among the pleasures of Tribeca this year, actors have taken the helm of movies, working well with other actors, and finding stories that reveal their strengths as directors.

Actor John Slattery, well known for his role in Mad Men, is not just another pretty face. He premiered a film at the Tribeca Film Festival as director: “Maggie Moore(s),” scripted by Paul Birnbaum, could not be funnier given that two, not one, women named Maggie Moore are murdered. Slattery’s “Mad Men” pal Jon Hamm—let’s just say he’s not the Don Draper heart throb we knew, –leads a cast of loony characters. Hamm plays a lonely widower who works as the cop on this bizarre coincidence of a case. “SNL” alum Tina Fey, nutty as a peeping tom neighbor, is divorced and their relationship grounds the dramatis personae, including a pedophile, a dumb fast-food store manager, a closeted Nazi freak, and a large, scary deaf man for hire.

Sad things happen and make you laugh but no one you really know and love gets hurt in the making of this madcap movie. Well, maybe except one.

And, big reveal, Slattery does fine work making all the comedy and poignancy land.

Steve Buscemi’s “The Listener” stars Tessa Thompson on screen, and many voices off. On the phone you hear characters calling in to a suicide prevention hotline. Buscemi has a stunning actress to occupy the visuals: Thompson in closeup or wandering her apartment chatting up depressives on a path to killing themselves and yet offered hope by Thompson’s ingenuity in a soothing voice—until a British woman comes on—the unmistakable cadences of Rebecca Hall—and you see how easily “the listener” becomes “the thinker,” pondering her own path forward.

In “Eric LaRue,” a family faces small-town tragedy. A young man shoots three of his classmates. Now the mother (Judy Greer) must face the community, the mothers of the dead boys, and find spiritual guidance. The father (Alexander Skarsgaard) is already in the throes of some deep faith with a nirvana-faced Allison Pill’s help. Never has Christianity looked so creepy.

The fast pace of blockbusters like “The Flash” may have given Shannon, who plays a supervillain, the thought to slow things down. It does take a while for “Eric LaRue” to build its power. Then again, guns and their availability may be the subtext here, if perchance, the subject of religion in the heartland bleeds into American politics.

“Billions” Is Back In August for One Last Season That Sees the Return of Bobby Axelrod (Damian Lewis)

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“Billions” is coming back for one final season on August 11th. The show returns on that date on Paramount Plus and two nights later on Showtime.

Damian Lewis comes back as Bobby Axelrod. Lewis left two seasons ago when his actress wife, Helen McCrory, was ill with cancer. She eventually, sadly, passed. Since then Lewis has released an album of songs he wrote and plays guitar on.

How Bobby could be back is a good question. He fled the US rather than be prosecuted for his financial crimes. Both Lewis and Paul Giamatti should have gotten Emmys for every season but Showtime — which is about to expire — did little for this series.

Welcome back, “Billions”!

New York’s Famed (But Closed) Plaza Athenee Hotel to Become Ultra Chic, Expensive, Exclusive Nobu Hotel and Restaurant

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Nobu, the Hotel, is coming to New York.

The hotel and restaurant combo for the upscale wealthy and chic is taking over the famed but now closed Hotel Plaza Athenee on East 64th St.

Nobu, of course, is already a big hit restaurant in New York’s Tribeca and West 57th St. It’s also a mainstay of Hollywood and Malibu where there’s already a hotel. The new one will be called Plaza Athénée Nobu Hotel and Spa New York.

Now they will plant their flag on the Upper East Side in 2026. The remodel will take the once cozy hotel and turn it into something sleek and uncomfortable. There will be a rooftop terrace, a Japanese spa, and sushi for everyone starting at four hundred dollars!

I have such great memories of the Plaza Athenee. The manager, Bernard Lackner, was a superstar. We had my parents’ 50th anniversary dinner there. The hotel dining room also was home to many movie and theater premieres, press events for film after film. I took Nicole Kidman to lunch there years and years ago where she ate off my plate. (I was surprised by her appetite.) I also had lunch at the Plaza Athenee with Robert Wagner, where we talked about Natalie Wood. He was terrific. They had the best waiters and the nicest staff.

Life goes on!

Grammy Awards Cut Best Album Category to 8 Slots, Move Three Awards to General Field, Add Some “AI” Jargon

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The Grammy Awards have made some changes to the rules for the 2024 eligibility.

There will only be 8 slots for Album of the Year this time, down from 10. Why? I would say because there are many fewer choices, so why strain to come up with 10? Right now the leading candidates are Miley Cyrus’s “Endless Summer Vacation” and Taylor Swift’s “Midnights.”

Indeed, the song of the year is Miley’s “Flowers” without a doubt. Ed Sheeran will certainly be in the mix, too. Will Morgan Wallen, top seller of the year, be allowed back in the fold? Hard to say. Foo Fighters will be among the nominees, so will maybe Zach Bryan and/or Luke Combs.

For R&B, I think there’s going to be a lot of talk about Durand Jones’s album, “Wait Til I Get Over.” But where is everyone? I mean people like India.Arie? Aloe Blacc? John Legend with an album of cool covers? Where is the new Stevie Wonder? Marvin Gaye?

The second biggest song this year after “Flowers” is Tracy Chapman’s 1988 hit, “Fast Car.” Combs is having SMASH hit covering it, weeks on the charts, plus the original is selling, too. Why? Because it’s an actual song, written by one person, telling a story, evocative and catchy. Remember all that?

Other changes: Producer of the Year, Non-Classical, and Songwriter of the Year, Non-Classical, will be moved to the general field, allowing all Grammy voters to vote in these non-genre-specific categories.

There are also three new categories for the big afternoon cattle call:

Best African Music Performance: A track and singles category that recognizes recordings that utilize unique local expressions from across the African continent. Highlighting regional melodic, harmonic and rhythmic musical traditions, the category includes but is not limited to the Afrobeat, Afro-fusion, Afro Pop, Afrobeats, Alte, Amapiano, Bongo Flava, Genge, Kizomba, Chimurenga, High Life, Fuji, Kwassa, Ndombolo, Mapouka, Ghanaian Drill, Afro-House, South African Hip-Hop and Ethio Jazz genres.

Best Pop Dance Recording: Recognizes tracks and singles that feature up-tempo, danceable music that follows a pop arrangement. Eligible Pop Dance recordings also feature strong rhythmic beats and significant electronic-based instruments with an emphasis on the vocal performance, melody and hooks. Dance remixes are eligible in the Best Remixed Recording category only and may not be entered in Best Pop Dance Recording.

Best Alternative Jazz Album: This category recognizes artistic excellence in Alternative Jazz albums by individuals, duos and groups/ensembles, with or without vocals. Alternative Jazz may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz (improvisation, interaction, harmony, rhythm, arrangements, composition and style) with other genres, including R&B, Hip-Hop, Classical, Contemporary Improvisation, Experimental, Pop, Rap, Electronic/Dance music and/or Spoken Word. It may also include the contemporary production techniques/instrumentation associated with other genres.

Box Office: “The Flash” Exceeds Expectations, Rushes to $9.7 Mil Preview Night Despite Fanboy Campaigns to Ruin It

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I really enjoyed “The Flash.” For some reason, say the fanboys on Twitter, I’m not supposed to. Apparently, there’s something called “Fan service,” which the self appointed purists don’t care for in their films. “Fan service” means the filmmakers made a film fans can enjoy and meets their expectations. I guess the fan boys want their comic book heroes to read Ibsen aloud in these movies!

Anyway. “The Flash” exceeded expectations last night in previews and made $9.7 million. That’s an excellent start to what should be a $70-$80 million weekend. Director Andy Muschietti pulled it off, and he gets to direct a Batman movie — although “The Flash” is already kind of a Batman movie.

“The Flash” is a big fun entertainment that wraps in Superman, Wonder Woman, Batman and the whole DC Universe. Ezra Miller is a knockout playing two characters at the same time — Barry Allen and The Flash. Michael Keaton returns as Bruce Wayne after decades and is most welcome Jeremy Irons is still Alfred. Ben Affleck also plays Bruce, they are in different universes. Michael Shannon is back as General Zod as Sasha Calle, who you may know from “The Young and the Restless,” is Supergirl (but they call her Kara).

There are lots of cameos, some cool clips toward the end, and a BIG surprise ending. Please, don’t give it away! (If you’re my age, the almost-ending will make you clap a lot!)

Don’t bash “The Flash.”