Sunday, October 6, 2024
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Kieran Culkin, Bob Odenkirk, Bill Burr to Star on Broadway in “Glengarry Glen Ross” Next Spring

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Roman Roy and Saul Goodman are coming to Broadway.

Kieran Culkin and Bob Odenkirk will top line David Mamet’s short but sour “Glengarry Glen Ross” next spring on the big stage. Comedian Bill Burr co-stars.

Culkin is loaded with awards from TV’s “Succession.” Likewise, Odenkirk has been praised up and down for “Better Call Saul.”

Patrick Marber will direct.

The saga of a bunch of nasty real estate agents in their office has had many incarnations on stage, as well as a great movie. Mamet’s script is oft-quoted, and the play itself has become a staple.

Culkin and Odenkirk are inspired casting. Burr might actually be playing himself.

In real life, Mamet has gone from being a critics darling to a PR nightmare as he’s expressed more and more right wing, off the wall political views that have startled his former friends

This should be good!

Two Time Oscar Winner Cate Blanchett’s New Movie “Borderlands” Scores a ZERO on Rotten Tomatoes

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Cate Blanchett never makes a misstep.

Sometimes the two time Oscar winner has made errors of judgement, but none like “Borderlands.”

There are 11 reviews on Rotten Tomatoes of Eli Roth’s adaptation of a game. The critics are unanimous: they hate it. AwardsWatch wrote: “Borderlands is the worst kind of bad movie; the type devoid of any offbeat quirks that could propel it to a second life as a cult classic, feeling insufferable and overlong at a brisk 102 minutes because of its sheer lack of originality.”

“Borderlands” has a unique zero so far. That’s 0. It’s by far the lowest rating Blanchett has received in her nearly 30 year career. The worst before this was for George Clooney’s convoluted “Monuments Men” which had 31%.

It’s been a little more than a decade since Blanchett won her 2nd Oscar, for Woody Allen’s “Blue Jasmine.” She’s made consistently odd choices since then of mostly B level material. “Borderlands,” however, is the worst by far. What’s gone wrong? First of all, there is not a lot of quality material for women. But also, obviously, there is some miscommunication. Blanchett should be doing only top quality material with A list directors and writers. She’s on the level of Meryl Streep and Viola Davis.

“Borderlands” reviews will no doubt rise slightly before it hits theaters tonight. But it’s time for Blanchett to do a reset. One movie might be to come to Broadway in a great play and pick up a Tony Award. That usually works!

Philippe Petit Walks the High Wire 50 Years Later Inside Cathedral of St John the Divine, Accompanied by No Less than Sting

Fifty years ago on Wednesday (last night) Philippe Petit made history walking on a highwire between the Twin Towers at the World Trade Center. It was illegal, of course, but it made headlines around the world.

Last night, exactly five decades later, Petit — a few days short of his 75th birthday– commemorated his magical moment. This time it was inside, at New York’s majestic, soaring Cathedral of St. John the Divine, where he produced an evening called “Towering” that left the audience breathless.

Petit’s long time friend, the musician Sting, provided the music, accompanying the great artist with two songs, “Fragile,” and “Fields of Gold,” with a classical ensemble. At the end of the evening, Sting returned with a gorgeous new song from a musical work in progress about Petit called “Let the Great World Spin.”

There were other performers, as well, all of whom were greeted with cheers by an audience that included Sting’s wife, Trudie Styler, plus the legendary singer Judy Collins, actors Griffin Dunne and Tony Danza, plus author Susan Cheever, and everyone’s favorite rapper, Shaggy.

After a selection of musicians and dancers opened the show, Petit himself climbed several dozen feet in the capacious cathedral, took a balance bar, and began his first walk back and forth along the wire. The first walk was done slowly and with precision, and I think the audience was satisfied he still had his game on.

But then came subsequent walks in which Petit abandoned any apprehension, walking sprightly and sometimes sitting down in the center of the suspended wire. A couple of times, he lay down on his back as if he were on chaise longue and kicked one leg with abandon. He was mesmerizing, to say the least.

As for this fellow, Sting, he certainly has a career in front of him. Considering that he is always on tour, the famed rock star’s voice proved to be as supple as Petit’s athletics. They’re a good match. And Sting’s acoustic guitar, made up of strings not unlike the one Petit crosses, provided a poetic juxtaposition, although not quite as dangerous. So did the choice of one song in which he sings, “How fragile we are.” Indeed.

After he’d dazzled the crowd, Petit spoke of his 1974 walk. He said he had some confessions to make. The principal one was that he had not practiced for six years before pulling off the Twin Towers feat. He admitted he’d only arrived in the US six months before the event.

Petit also corrected the record regarding his best friend, Jean-Louis Blondeau. He said that Blondeau did shoot the arrow between the towers — mapping out the path — and was responsible for holding one end of the wire when others had given up. The admission may be late, but it’s here.

It was a sublime night, and will be performed again tonight (Thursday) for those lucky enough to score a ticket.

Kanye Konquered as “Vultures 2” A Sales Stiff with No Streaming, Toppled by Summer Female Pop Phenom

Kanye West’s “Vultures 2” is a bust.

Released on Friday night, it’s over by Wednesday afternoon. No one is streaming it. The tracks haven’t caught on.

“Vultures 2” debuted on iTunes at number 1, but has quickly fallen to number 2. It’s been toppled by female phenom force that’s been building for months: Chappell Roan’s “The Rise and Fall of a Midwestern Princess” — released last September — is now finally number 1.

What’s worse for “Vultures 2” is that is has no streaming. None of its tracks are on the iTunes top 100 for downloading. But on Spotify, the the numbers are sad. “Field Trip” has done the best, with 8.5 million streams. All the other tracks are way below. If this were a hit album, streaming business would be booming.

As I wrote a few days ago, “Vultures 2” is tepid and timid. The tracks are throwaway. The album sounds like sketches for an album that will never be heard.

But on a larger scale, the response to “Vultures 2” may have more to do with the public being done with West, his antisemitism, his right wing politics, and overall hubris. He’s photographed wife Bianca — who is almost completely naked — while his head is covered in masks or netting. No one takes him seriously, and he’s offended Blacks (“slavery is a choice”), Jews, and everyone else.

We’ll wait til hard numbers come in on Friday.

PS Wait til Taylor Swift wins at the Grammys next winter, and West is ignored once again.

Trump Predicts Biden Return at DNC to Take Nomination Away from Popular Kamala, Truth Media Stock Price Keeps Falling

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There may be a connection between Donald Trump’s flailing on social media, and the downward price spiral of his Truth Media.

Today, Truth Media is down another 5%, to $25.55 at 1:15pm. That’s almost 6% down from yesterday as the rest of the markets are up.

But yesterday, Trump wrote on Truth Social, supported by the stock, that he thinks Joe Biden will return at the Democratic National Convention and retake the nomination from Kamala Harris.

He wrote: “What are the chances that Crooked Joe Biden, the WORST President in the history of the U.S., whose Presidency was Unconstitutionally STOLEN from him by Kamabla, Barrack HUSSEIN Obama, Crazy Nancy Pelosi, Shifty Adam Schiff, Cryin’ Chuck Schumer, and others on the Lunatic Left, CRASHES the Democrat National Convention and tries to take back the Nomination, beginning with challenging me to another DEBATE. He feels that he made a historically tragic mistake by handing over the U.S. Presidency, a COUP, to the people in the World he most hates, and he wants it back, NOW!!!”

This is Trump not knowing what to say in his attacks anymore. He’s ignoring today’s long lines in Wisconsin for Harris and Walz’s rally. The idea that Biden will return to usurp Harris is something out of “Games of Thrones,” not reality.

Watch this stock as it continues to drop.

Anna Wintour’s Vogue September Issue Gambles Big Time on Blake Lively Potential Movie Bomb

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It looks like Anna Wintour gambled big time on her September issue.

Published today are photos and videos featuring Blake Lively and Hugh Jackman — the Ryan Reynolds fan club — in a very lavish and expensive project involving director Baz Luhrmann.

It appears that the whole gang made a mini movie which now takes over Vogue’s social media. It’s also the cover of the September issue.

Jackman is hot right now as one half of the “Deadpool and Wolverine” team making box office history.

But Lively stars in “It Ends with Us,” a movie adaptation of commercial novelist Colleen Hoover’s novel — one of many in her airport reading series.

Unfortunately, “It Ends with Us” may really end with this movie for Hoover, Lively, et al as early reviews are dreadful. Rotten Tomatoes has it at “rotten” with just a 54%. My spies tell me the movie is mostly not watchable.

Wintour gambled that “It Ends with Us” would be a big hit, although who knows why? Hoover is a best selling writer the way that Campbell’s soup is popular in winter. Her ‘works’ are as important as bath rugs.

Does it matter? Probably not. “It Ends with Us” will be over before September 1st. “D&W” will still be doing big business. Vogue, which no longer depends on newsstand sales, just needs the hits on social media.

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Vogue (@voguemagazine) • Instagram photos and videos

“Deadpool and Wolverine” Crosses $420 Mil Mark, Looks at $650 Mil Total

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“Deadpool and Wolverine” has become the biggest Marvel juggernaut since “Black Panther.”

Shawn Levy’s MAD magazine send up of Marvel movies hit $420 million last night in the US after less than two weeks in release. Experts are saying the target finish will be around $650 million.

How many times have fans gone back to see “D&W”? It would have to be more than a half dozen. This will just go on and on until September 6th, when “Beetlejuice Beetlejuice” comes in to scare it off.

Will there be a “D&W” sequel? There will be something, that’s for sure. Since Marvel has run out of ideas to propel anything forward, this kind of remix meta thing has life in it. Why not squeeze the orange until all the juice is gone?

Meantime, Levy and Marvel have just ‘revealed” all the spoilers and cameos and what they mean — even though millions of people already know them since they’ve spent so much seeing the movie. But it’s a good PR plan — tell everyone everything they already know, again!

Trump Says He’ll Be Doing a “Major” Interview with Unlikely Ally Elon Musk on Monday

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Donald Trump says on his social media that he’s getting ready for a big interview.

The interview won’t be with a journalist. It will be with a mega donor and unlikely ally, carmaker Elon Musk.

The interview will probably be on the Twitter X platform. Musk promotes right wing theories and philosophies on the money losing system. He also sponsors Tucker Carlson’s conspiracy theories among other bizarre personalities. But he’s being sued by former CNN journalist Don Lemon for reneging on their deal to host Lemon’s show on Twitter X.

Musk is a strange political bedfellow for Trump. Musk’s fortune comes from the manufacture of electric cars. Trump rails against electric cars, pushing for their demise so that gas and oil companies can prevail.

Well, on Monday they’ll break the internet, I’m sure.

Surprise Pop Star: Summer of 2024 Is All About Jelly Roll with 9 Singles in the iTunes Top 100

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Who’s the pop star of summer 2024? Taylor Swift? Chappell Roan?

Nope. It’s Jelly Roll!

The large, gravel voiced singer with tattoos all over his face has 9 singles on the iTunes Top 100.

“Liar” is at number 3. “Lonely Road” with mgk is 4. “I Am Not Okay” is at 6. At 34, “Save Me.” With Eminem, Jelly Roll is at 42 with “Somebody Save Me.” At 45 is “Dead End Road” from the movie, “Twisters.” “Need a Favor,” from 2023, is at 54. “Save Me” with Lainey Wilson is 56.

Jelly Roll’s real name is James Bradley DeFord. He’s 39 and unlikely pop star. He’s not magazine-ready physically. But it’s the voice, not to mention the engaging personality. That voice makes him, for lack of a better description, the male Adele. He can sing anything, on his own, or with anyone.

From Tennessee, Deford earned his GED in jail after a series of arrests and jail sentences for robbery and marijuana. He’s living proof you can turn your life around. What’s really cool is that when you meet him, he’s a peach. Even with those tattoos. DeFord is humble and friendly. And he’s the surprise star of 2024!

Full List for NY Film Festival Includes Sean Baker’s “Anora,” Paul Schrader’s “Oh Canada,” Brady Corbett’s “The Brutalist”

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Here’s the full list of main slate films at the New York Film Festival.

I’m particularly interested in Brady Corbett’s “The Brutalist.” The film stars Adrien Brody, Felicity Jones, Joe Alwyn, Alessandro Nivola, Jonathan Hyde, and Guy Pearce. It’s also a whopping 215 minutes.

62nd New York Film Festival Main Slate

Opening Night

Nickel Boys
Dir. RaMell Ross

Centerpiece
The Room Next Door
Dir. Pedro Almodóvar

Closing Night
Blitz
Dir. Steve McQueen

All We Imagine as Light
Dir. Payal Kapadia

Anora
Dir. Sean Baker

April
Dir. Dea Kulumbegashvili

The Brutalist
Dir. Brady Corbet

By the Stream
Dir. Hong Sangsoo

Caught by the Tides
Dir. Jia Zhangke

Dahomey
Dir. Mati Diop

The Damned
Dir. Roberto Minervini

Eephus
Dir. Carson Lund

Grand Tour
Dir. Miguel Gomes

Happyend
Dir. Neo Sora

Hard Truths
Dir. Mike Leigh

Harvest
Dir. Athina Rachel Tsangari

Misericordia
Dir. Alain Guiraudie

My Undesirable Friends: Part I — Last Air in Moscow
Dir. Julia Loktev

No Other Land
Dir. Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor

Oh, Canada
Dir. Paul Schrader

On Becoming a Guinea Fowl
Dir. Rungano Nyoni

Pepe
Dir. Nelson Carlos de los Santos Arias

The Seed of the Sacred Fig
Dir. Mohammad Rasoulof

The Shrouds
Dir. David Cronenberg

Stranger Eyes
Dir. Yeo Siew Hua

Suburban Fury
Dir. Robinson Devor

Transamazonia
Dir. Pia Marais

A Traveler’s Needs
Dir. Hong Sangsoo

​​Việt and Nam
Dir. Trương Minh Quý

Who by Fire
Dir. Philippe Lesage

Youth (Hard Times)
Dir. Wang Bing

Youth (Homecoming)
Dir. Wang Bing