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Whitney Houston Debuts New CD, Gets ABC Special

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houston Whitney Houston Debuts New CD, Gets ABC SpecialWhitney Houston’s new CD, “I Look to You,” got the star treatment tonight. Music mogul Clive Davis played nine tracks from the album, due Sept. 1, for an A-list audience at Jazz at Lincoln Center. When he was done, Houston walked out and got a standing ovation and cheers.

She deserved it, too. The nine songs — there will be 11 altogether — are solid tracks, with several tipped as potential hit singles.

I also found out that Houston has signed with ABC for a special that will air the last week of August, right before her album is released.

In the very buzzy crowd: Alicia Keys, who wrote and produced “Million Dollar Bill,” a surefire hit that got a huge response; Diane Sawyer, who’s having Whitney on “Good Morning America”; plus actress Vivica Fox, Gayle King, Martha Stewart, Nikki Haskell, and lots of family. Whitney brought along mom Cissy Houston, cousin Dionne Warwick, and daughter Bobbi Kristina, who’s blossomed into a beautiful young woman.

Also there were many heavyweights from the music biz including L.A. Reid, Charles Koppelman, and Andre Harrell, whom RCA Records chief Barry Weiss called “Dr. Jekyll and Mr. Hyde” for reasons of his own.

But it was Whitney’s night. She looked stunning and a little stunned as the audience warmly embraced her and welcomed the new songs. Besides the Alicia Keys hit, the the standouts include an absolute knock-out cover of Leon Russell’s “A Song for You,” which could do for Whitney what “Let’s Stay Together” did for Tina Turner’s 1984 comeback. There’s also a sleeper mid-tempo number called “Nothin’ but Love,” two excellent tracks from R. Kelly including the beautiful title song, and Diane Warren’s David Foster-produced “I Didn’t Know My Own Strength.”

During the Keys track, by the way, Alicia — dressed in black and looking hot — got up and boogeyed around from her seat, and took some video on a Flip camera.

For her part, Whitney got big laughs when she told the invited audience, “I had a plan to go to an island and start a fruit stand.” She said neither her mother nor Davis would allow her to do that. “My mother said, ‘I’m tired of hearing your voice on the radio. I want to hear new songs.’ ”

Davis, remarkable for pulling off this coup, spoke off the cuff before he played the songs. Why, after so many years and so much success, is he still making these albums and coaxing these stars to be as good as they can be?

“I keep doing it because music has been my passion,” he said. “And the report cards have been good.”

Tonight, as usual, he got an A.

Jacko Movie of Rehearsals “Will Show Everyone What Good Shape He Was In”

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I told you right after Michael Jackson died that AEG Live had 100 hours of rehearsal footage on film. I also told you that they had enough music for 2 live CDs. Some people are just reporting this now. Better late than never.

Randy Phillips of AEG Live was described in another column yesterday as being “ghoulish” about all this. Far from it: the film Phillips and Kenny Ortega are racing to put together could mean $100 million for the Jackson estate, meaning Michael’s kids. That’s a gift of foresight.

Phillips says the footage ‘ which was shown last week to Paramount, Sony, Universal and Fox ‘ “will show everyone what good shape he was in. He’s in all the decision-making about how the show is being put together. No one will be able to say he was out of it.

“From the beginning, we knew he’d had two incredible rehearsals back to back right before he died. The film will show all the auditions leading up to those shows, including the ones with dancers and musicians. Ironically, it’s the movie Michael always dreamt of making but could never get together.”

Phillips says everyone’s working overtime getting the final presentation in order. He did not tell me this, but I do expect that for Christmas we will have this film, a companion CD soundtrack from Sony, and a box set of CDs as well.

And: just so Michael’s fans know, the August 29th date in London is still on hold. A decision will be made soon whether to go ahead with it. Phillips says it requires transporting much of the production from Los Angeles ‘ ‘and just for one night.

NBC Offered $10M for Jacko Special as Leno Launch Pad

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62910 leno jay 341x1821 NBC Offered $10M for Jacko Special as Leno Launch PadPlans for a TV special tied to the Aug. 29 memorial to Michael Jackson ‘ which was supposed to be held at London’s O2 Arena ‘ may be dead in the water, according to sources.

I’m told that NBC was ready to pay at least $10 million to broadcast the memorial as a special. But word now is that negotiations are at an impasse over price and because of all the perceived friction among the players in the Jackson estate.

NBC Universal declined comment.

The network considered scheduling the special for 8-10 p.m. during the premiere week of Jay Leno’s new talk show, including possibly leading into the show’s premiere on Sept. 14, the day after the season launch of “Sunday Night Football.”

The $10 million fee was first offered to include the special, backstage footage and maybe even a Universal film. But with chaos involving the estate and other studios ‘ Sony and Fox, in particular ‘ offering more than $50 million for a Jackson film, NBC, other sources say, at the very least wants to lower its license fee offer “considerably.”

As I’ve said before, the problems are with Joseph Jackson, Michael’s father. Tonight he’s going on “Larry King Live,” where he’s expected to roil the waters some more by placing blame for Michael’s death just about everywhere. He’ll be accompanied by Leonard Rowe, the concert promoter who was successfully sued by R. Kelly for fraud for $3.4 million.

“What these guys don’t get is that they’re shooting themselves in the foot and hurting the Jackson family’s chances for making money,” an insider tells me.

Jackson Sr. is also ‘ depending on what he says tonight on “Larry King” ‘ possibly destroying his family’s attempt to secure custody of Michael’s children. If King asks him any tough questions about abusing Michael or disciplining his kids, Joe Jackson will hardly seem like a fit guardian.

Insiders also tell me that Katherine Jackson is “disgusted” at this point by her husband’s greed, and is starting to understand that his machinations could backfire on the whole family.

Debbie Rowe’s New Lawsuit: Kids’ Paternity Revealed?

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Debbie-Rowe-lawsuitIt’s inadvertent wording’or is it?

In the defamation lawsuit filed on July 16th in Los Angeles by Debbie Rowe against Rebecca White, you can read between the lines and see something that may be very revealing.

Rowe sued White for defamation after the TV show “Extra” let White say she had emails from Rowe saying she didn’t want custody of her kids with Michael Jackson.

The lawsuit was mentioned by websites like TMZ.com. But for the first time, no one bothered to publish the actual papers. Not only do they show Rowe as allegedly victimized by a prevaricator, they also shine a light on the paternity of Prince Michael I and Paris Katherine Jackson.

At the beginning of the complaint, there is this summary for the judge: “Ms. Rowe is the mother of two children born during her marriage (dissolved 2000) to the internationally renowned performer Michael Joseph Jackson.”

Very oddly, and perhaps importantly, Rowe’s attorney does not cite Michael Jackson as the childrens’ father. Rowe is the mother of children “born during her marriage.” Indeed, the word “father” does not appear at all in the 15-page document.

Lawyers are usually very specific about wording in any cases, especially high-profile ones. What Rowe’s complaint does not say: Debbie and Jackson were the parents of these children. This would certainly seem to suggest that Jackson was not the father of these children.

Something similar popped up legally back in April 2005 during Jackson’s criminal trial. Attorney Robert Sanger was arguing in front of Judge Rodney Melville (with the jury out of the room). I wrote about this then, but it’s important to remember that Sanger said on the record that certain evidence would be admitted’quote’”The circumstances that relate to the birth of the children wouldn’t be admitted for the truth of the matter. Only his love of the children.”

The fact that Michael Jackson was not the biological father of Debbie Rowe’s children: It’s there, in legal documents, hiding in plain sight.

Meanwhile, it’s instructive to note that White, the alleged defamer here, is also accused by Rowe’s attorneys of making up stories about Naomi Campbell and the late Heath Ledger for profit. The complaint also claims that White asked Rowe for money, and, most importantly, that she fabricated the emails upon which “Extra” based its story.

And the last bit is the most disturbing: didn’t “Extra” check the validity of White’s claims? Didn’t they verify that the emails existed, and that they came from Rowe? Didn’t they learn anything from Dan Rather’s infamous memo misfortune?

Gordon Waller, of Peter & Gordon fame, dies at 64

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Gordon Waller, who rose to fame in the 1960s as Peter Asher’s partner in the singing duo Peter & Gordon, died suddenly on Friday at age 64 from a massive heart attack. Waller lived in Connecticut. He and Asher had started performing together again, tentatively, just a few years ago, three decades after retiring. Peter & Gordon remain the only group for whom Paul McCartney wrote a hit, “A World Without Love,” while the Beatles were together. Peter Asher sent this statement to our Beatle expert pal Martin Lewis:

“I shall miss him in so many different ways. The idea that I shall never get to sing those songs with him again, that I shall never again be able to get annoyed when he interrupts me on stage or to laugh at his unpredictable sense of humour or even to admire his newest model train or his latest gardening effort is an unthinkable change in my life with which I have not even begun to come to terms.”

Meanwhile, Riverside Memorial was packed on Friday with music heavyweights saying goodbye to our beloved outsized friend Michael Klenfner. Dan Aykroyd and Donna Dixon, Clive Davis, Paul Shaffer, J Records’ Richard Palmese,’ Bon Jovi manager Jack Rovner, Manhattan Records’ Ian Ralfini and wife Sunny, former Sony Records head Donnie Ienner, were just some of the people who got a kick out of hearing a few anecdotes about this legendary, big hearted guy.’ No one’s going to forget Klef, that’s for sure…

Walter Cronkite, Grateful Dead Fan

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The tributes will come pouring in today for Walter Cronkite, a more complicated man than you might imagine.

While Cronkite was certainly the gold standard for news and journalism, there were many quirky facets to him.

For one thing, few people know that he and his late wife Betsy were Grateful Dead fans. In particular, they were very friendly with the group’s Mickey Hart. What a long strange trip that must have been!

Walter was also deliciously funny. He loved to pull people’s legs. At a screening a couple of years ago, he pretended not to know Frank Gifford. When his friend, Joanna Simon, said, “Frank is a retired football player” as if to remind Cronkite, the newsman deadpanned, “How’s that going for you?” Gifford turned white.

One thing that wasn’t so amusing: how CBS News treated Cronkite after he left the anchor chair. Dan Rather refused to let him appear again on the CBS Evening News or even 60 Minutes. Until Rather lost his job and was succeeded by Katie Couric, Cronkite was persona non grata at CBS.’He formed his own production company, made many terrific documentaries, and often turned up on PBS or CNN.

It was a missed opportunity. When Couric took over, Cronkite came back to introduce her on opening night. The network paid him to use his voiceover after that on a nightly basis.

Betsy Cronkite, Walter’s beloved wife of 65 years, died in 2005 at age 89. By chance he started spending time with Joanna Simon, whose husband had recently also passed away. They lived in the same building. There was talk that the pair might marry. Simon was more than 20 years Cronkite’s junior, but they much in common–like Martha’s Vineyard and mutual friends. I am told that Cronkite’s family objected, which was too bad. I think Joanna Simon was the reason Walter made it these last four years.

Cronkite’s passing is pretty much the end of what passed for real television journalism. There are a few people drifting around out there, like Roger Mudd and Garrick Utley, Sander Vanocur, Mike Wallace and Morley Safer, old-timers who came up in the Murrow-Cronkite tradition. But for the most part now, it’s over. What passes for “journalism” now on cable but is really just loud-mouthed opinion is so far far from that tradition. Cronkite’s ability’and the whole school of reporters like him’to impart the news factually and dispassionately would seem quaint now by comparison. And it’s so very missed and needed.

Billy Joel Returns Favor to McCartney at New Shea Stadium

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One year ago, Paul McCartney popped into the old Shea Stadium to say goodbye by joining Billy Joel on a couple of hits.

Last night Joel returned the favor and played keyboards on the Beatles’ “I Saw Her Standing There” as McCartney christened Citi Field with the first of three shows.

It wasn’t an easy night. Humidity was 100% and rain pelted down hard sometimes. Even McCartney and the band got wet. But it was well worth it. Among the crowd: Pierce Brosnan, Stanley Tucci, Susan Sarandon and Tim Robbins, restaurateur Drew Nieporent, country superstar Martina McBride with her husband and kids.

McCartney, now 67, simply rocked the house with the best show of 2009. He mixed Beatles songs with his own hits, and debuted some video from the upcoming Beatles “Rock Star” game due on September 9th.

As always, he makes it look easy, when it can’t possibly be. He runs from piano to bass guitar, singing impeccably and managing to tell some engaging stories about playing Shea with the Beatles in the 60s. He’s got tributes to John Lennon and George Harrison, including a medley he’s made of “A Day in the Life” with “Give Peace a Chance.” (He should finish the former, however; it’s a masterpiece.)

There’s plenty from his Wings era, but maybe not enough’just “My Love,” “Band on the Run,” “Jet,” “Mrs. Vandebilt,” and “Let Me Roll’ It.” McCartney doesn’t realize his fans want to hear “Too Many People,” “Another Day,” and even “Hi Hi Hi” or “Junior’s Farm.” What was impressive: “Sing the Changes” from his recent “Electric Fireman” album, sounded like it should be a radio hit. And I’d include “My Ever Present Past,” and “My Brave Face” over some other choices.

Still, McCartney remains a wonder. He’s at the top of his game again. He even dressed in a black suit and white shirt reminscent of the Beatles’ old early costumes. Nice touch.

Jackson Family Makes First Move On Michael’s Money

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The Jackson family is ready to object to Michael’s will.

Katherine Jackson has filed a motion (see attachedpicture 24 210x300 Jackson Family Makes First Move On Michaels Money) with the court that’s considered a first step’a test, if you will’to see if there’s a way to change Michael’s will.

The document asks the court if it’s possible to undo a “no contest” clause in the will’s unpublished trust amendments. In essence, Mrs. Jackson is trying to get a foot in the door or a seat at the table along with the executors Michael chose’John Branca and John McClain.

What the court could not know, as I’ve been told by family insiders, is that this is the work of Joseph Jackson and business partner Leonard Rowe. Sources say they are using Mrs. Jackson as a stalking horse to gain some say in how Michael’s money is spent.

The document doesn’t look too sound, though. For one thing, it opens with a prevarication: that Mrs. Jackson filed to be in charge of Michael’s estate on June 29th because they thought there was no will, and that he had died in “testate.”

But this column reported three days earlier that Michael’s longtime attorney, John Branca, had a will and would present it to the court. Branca was away on vacation and didn’t get back until the 29th. Sources say he showed the Jacksons the will that afternoon, then filed it with the court.

The Jacksons simply ignored the will’s existence when they filed that morning. Mrs. Jackson’s attorney is now calling Michael’s will “the purported will.” But the July 7, 2002 will signed by Michael Jackson is indeed his will. And no willing it away will change that.

Executors of Jackson Will Could Face Challenge

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Legal representatives for Katherine Jackson filed papers Friday to challenge John Branca, John McClain, and Joel Katz as executors of estate in Michael Jackson’s will. Developing…

Aimee Mann: The Mary Stuart of Pop Music

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Aimee Mann ”whose songs occupy a quarter of my Creative Zen X-Fi MP3 player ‘ took requests last night at the City Winery on Varick Street; apparently she’d done something like this for the last two nights. This was her third of three shows with just two keyboard players who double as percussionists and background singers. There was a drum kit on stage. I don’t know who it belonged to and it didn’t matter.Aimee Mann

Aimee Mann, who’s 48, looks like she hasn’t aged since her debut hit in 1985, “Voices Carry,” with her group ‘Til Tuesday. She’s still lanky and blonde, with a butterscotch voice and an uncanny ability to find hooks within hooks of gorgeous melodies coupled with savvy lyrics. She’s the spiritual daughter of Joni Mitchell and John Prine. You can’t decide if you want to hear her play the piano or the guitar more, sing a ballad or rock out.

The show ‘ clocking in over two hours ‘ was breezy and fun as Mann let the sold-out audience guide her through their choices of over 90 songs by writing them on paper airplanes, and sailing them onto the stage. The result was a collection of favorite songs Mann hasn’t played a while in concert. (She had to keep a lyric book out on a music stand for reference, which was just fine).”I can stay all night,” she told the audience, and a massive cheer went up.

So we got “Calling it Quits,” “Save Me,” and “Build a Wall,” the three best songs from her “Magnolia’ soundtrack; the magnificent “Mr. Harris,” from Mann’s first solo album, and the laconic, beautiful, “Amateur”; her Elvis Costello collaboration, “Other End of the Telescope,”’ as well as “Voices Carry” and a dozen or so other gems including “You Could Make a Killing,” “Ray,” “Coming Up Close,” and “Can’t Get My Head Around You.”

Here’s the thing about Aimee Mann: she had it all with ‘Til Tuesday. Their third album, “Everything’s Different Now,” is a brilliant chronicle of a terrible breakup, a truly great theme album. But she had problems galore at Epic Records. She broke up the band, and went on her own. But more label problems ensued including one, Imago, that just vanished from underneath her.

Mann and manager Michael Haussman decided to start their own label, and work outside the system. They took control of their lives, but at the same left the music business proper. It was a gamble. The result was independence, but the cost was no longer being in the big picture. Mann’s solo albums consist of just her compositions; it’s one of the strongest pop catalogs ever. But instead of being Queen Elizabeth, she became Mary Stuart, always on the outside, and seeming like she’s causing trouble.

Mann’s latest album is badly named ‘ “@#%&*! Smilers.” Why? Who knows? It contains many exquisite, catchy songs including “Free way,” which would be played on the radio if radio still existed;’ and “Stranger into Starman,” a haunting track that begs to be in a movie. On stage she reproduces her complicated productions with ease. Her lyrics are bitter pills delivered in cream puffs. She also relates to the audience well since most of them are her fervent, dedicated fans just praying that this album of colossal successes will be the breakthrough. The main thing is, don’t miss her live whatever you do. One day it’s all going to happen. And then you can say, you were there. I don’t care how long we have to wait.