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Exclusive: Jennifer Hudson Has a Boy!

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Exclusive: It’s official! Oscar winner and “American Idol” star Jennifer Hudson gave birth to a baby boy late yesterday. His name is David Daniel Otunga, Jr., named for his father and Hudson’s fiancee. Hudson tells me he weighed in at seven pounds, fourteen ounces. And Jennifer and David, Sr., by the way, did not know the sex of the baby in advance. They bought blue and pink clothes, just in case!

Hudson’s pregnancy has been an unusual one for a star. For one thing, she never announced it. She simply turned up “showing” at a concert last winter and let the fans speculate for themselves.

Part of this was privacy, some of it was superstition, but most of it had to do with the terrible tragedy she and her family underwent last October. The murders of her mother, brother and nephew were beyond comprehension. But Jennifer, who is basically a positive person, turned lemons into lemonade. She and fiancee Otunga conceived a child soon after the episode.

So many congrats to Jennifer and David Otunga. The other day her recording of “The Star Spangled Banner,” which had been included on the second collection of songs for the Obama inauguration, shuffled up on my Zen XFi (no iPods here). It was magnificent. Hudson has the potential to be the Aretha or Gladys of this generation. And now she’ll be a mom, too.

P.S. Note to paparazzi: Hudson is not where you think she is, so just forget it. By the time you read this, she and David Jr. will be snug as a bug in a rug far from prying eyes!

Jacko Kids Get Their Own Lawyer

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I told you first, on July 21st. that Sony would release its Michael Jackson movie on October 30th.

Well, now it’s official. The movie was one of several deals for Michael Jackson’s estate that were approved yesterday.

But the entire court proceeding endured a curve ball yesterday. The reason? The judge in the case decided ‘ mostly because of crazy lawyering on the Jackson family side ‘ that a separate lawyer should be chosen to represent Michael’s kids.

This effectively knocks out Katherine Jackson’s legal team having anything to do with the kids, who are the main beneficiaries of the estate.

And how did this happen? Katherine Jackson’s lawyers started objecting to the sound deals being made by the estate’s executors involving merchandising and Michael’s likeness, as well as his deal with AEG Live. The judge hearing the case was then pushed to bring in a law guardian for the kids.

Katherine Jackson’s side’s nitpicking looks it has cost her her legal and monetary ties to the children.

This is similar in a way to what happened on the Monday after Michael died. Knowing full well that a will would be presented to the court, but not knowing what was in it, Katherine’s side went ahead and told the court that Michael died without a will. This meant that only his heirs ‘ his kids ‘ would inherit the estate. If that had gone through, instead of the will which made it to court later, Katherine Jackson would have screwed herself out of her portion.

So far, so good, for the Jackson estate executors. They’ve made great strides in the last six weeks, a real accomplishment considering what they’re up against.

Jacko Show May Go To Vegas

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Michael Jackson’s “This Is It” show may wind up in Las Vegas a la the Beatles’ “Love” show at the Mirage Hotel.

Sources say that the new thinking is that “This Is It” could set up shop at a Vegas hotel and become a permanent institution in Sin City.

The sets for “This Is It” are currently being stored at the Staples Center in Los Angeles. But the cast and crew, including director Kenny Ortega, are itching to show the world what they were working on before Jackson died on June 25th.

Either way, they’ll get their chance. As I first reported, the whole saga of “This Is It” is coming to movie theaters on Oct. 30th courtesy of Sony/Columbia Pictures.

Today (Monday) under armed guard all the elements of the film project will be transferred from AEG Live’s secure editing bays to the Sony Studios. I’m told the film is basically done, but everything has to be finalized with a locked print by mid September to insure the gearing up of a massive marketing campaign. Sony paid $60 million for the film rights, but with prints and promotion that number is sure to skyrocket past $75 million.

The movie will not be the only release for Oct. 30th. I’m told Sony Music is racing to ship a CD soundtrack to accompany the film. That CD should be an enormous hit considering that right now Michael Jackson CDs are all over the charts starting at number 1, all over the world. What a shame that Michael is dead. He’s finally the King of Pop, and he’s not here to enjoy it.

Madonna: Only $54,000 Donation for Malawi Aid

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madonna 250x300 Madonna: Only $54,000 Donation for Malawi AidA tax report has finally turned up for Madonna’s big Africa charity event held 18 months ago, and it’s revealing in unexpected ways.

If you recall, Madonna got Gucci to host an all star fundraiser back in February 2008 for her Raising Malawi-Kabbalah charity. Since Raising Malawi wasn’t a sanctioned 501 (c) 3 charity, Gucci collected the money instead and said it would distribute it to Raising Malawi and UNICEF. At the time, a claim was made in the press that the event ‘ which had lots of celebrities like Tom Cruise and Demi Moore in attendance ‘ made around $3.7 million.

The Gucci Foundation tax filing has just been obtained by this column via Guidestar.org. It shows that Gucci in fact did give just under $3 million to both Raising Malawi ‘ which teaches Kabbalah Center curriculum to orphans in Malawi ‘ and UNICEF each. (UNICEF received about $300,000 less than the newer organization.)

That’s swell. But the filing also lists who else gave what for that event.

The big surprise? Madonna doesn’t put her money where her famous mouth is. Her Ray of Light Foundation kicked in a paltry $54,000.Malawi is the country from which she’s (controversially) adopted two children and made a big deal out of her huge donations to help orphans. It’s not like she doesn’t have the money. According to Forbes, Madonna earned $110 million in 2008 from her Sticky and Sweet Tour.

Even less money came from Madonna’s then paramour and protegee, Alex Rodriguez of the New York Yankees. His A-Rod Family Foundation donated a measly $20,000.

(There may be an explanation for the odd number of Madonna’s donation amount: 54 is three times 18, or “chai” meaning life in Hebrew. The Hebrew letters that spell out “chai” correspond with the number 18. Numerology is a big part of the Kabbalah Center. Madonna, as she wrote recently in an Israeli newspaper, thinks she’s Jewish. However: She has never actually converted to the religion.)

Other contributors of note included designer Donna Karan ($100,000), director Steven Spielberg’s Wunderkinder Foundation ($50.000), Jerry Seinfeld ($20,000), actress Angie Harmon ($20,000), Chris Rock ($20,000), plus donations from Rosie O’Donnell, Sting and Trudie Styler, Billy Joel, Russell Simmons, CNN’s Christiane Ampanpour, and NBC chief Jeff Zucker. The cash-strapped New York Times kicked in $10,000, and there were contributions from Hearst Publications, Hachette Filipacchi, Versace, Estee Lauder, Christian Audigier, financier Steven Cohen, Saks Fifth Avenue and Neiman Marcus, and so on.

The big ticket donors: Japanese lingerie designer Mika Noguchi ($700,000), Conde Nast Publications ($170,000), and hedge fund billionaire Philip Falcone ($420,00). Gucci itself donated almost $2 million to its own Foundation. Gucci’s parent company, PPR of France, kicked in $50,000. Not too long after that, Madonna became the spokesperson for Louis Vuitton, owned by rival LVMH.

Not apparent from the Form 990 tax filing: listings for most of the celebrities who turned up that night including Madonna’s fellow Hollywood Kabbalists Demi Moore and Gwyneth Paltrow, and folks like Tom Cruise, Jennifer Lopez and Marc Anthony, and Sean Diddy Combs. You can see them all walk the red carpet here.

Aside from the Madonna event, The Gucci Foundation ‘ which was created sort of instantly 18 months ago ‘ also gave away sizeable amounts to lots of other arts institutions from the Museum of Modern Art in New York to Martin Scorsese’s Film Foundation and Memorial Sloan Kettering Hospital.

And still: though The Gucci Foundation has made a timely tax filing, there is no such filed form for Raising Malawi. A subsidiary of the Kabbalah Center of Los Angeles, Raising Malawi has been collecting money for more than three years with no public record.

The Gucci Foundation filing also doesn’t break down how much the Madonna event cost, or its expenses. But with all expenses paid, the Foundation now has $23,533 in total assets.

To “Oliver” Star re Jacko Kids: “Please Sir, No More”

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Mark Lester: for years the child star of “Oliver!” lived in relative obscurity as a London area osteopath. He was Michael Jackson’s friend, but kept out of the limelight.

Back during Michael’s child molestation trial years, Lester and I spoke often. After Jackson was arrested in November 2003, Lester stayed with him on New Year’s Eve at the home that was rented for Jackson by the Nation of Islam.

Lester was also at Neverland, by coincidence, when Martin Bashir was filming “Living with Michael Jackson.”

We talked a lot about Michael, his health and well being, and his children. During all those conversations, Lester never once mentioned that he thought he was the biological father of Michael’s daughter, or that he’d donated sperm to an insemination project.

It is true that Lester rode in the car with Michael and promoter Randy Phillips to the AEG press conference at the O2 Arena last March announcing the “This Is It” concerts. And Michael often visited Lester, his wife and chilren with his own kids during his year and a half out of the U.S. following the trial.

But the former Oliver Twist as Paris’s dad? It’s unlikely. Lester, to my disappointment, seems as though he’s sold his story to the British tabloids. He’s cashed in on Michael’s death like everyone else. You can almost guess that a book is forthcoming, too: “My Friend, Michael.”

What a shame.

Lester claims his daughter resembles Paris. She does not. Harriet Lester looks just like Mark Lester when he was Oliver. She has that same bright blonde hair. Paris Jackson ‘ whom Debbie Rowe still insists was conceived in Paris, and thus is named ‘ has brown hair.

But even more preposterous is the idea that Michael, who was paranoid about his kids, would want to spend so much time with the man who was their biological father. It makes no sense.

Of course, stranger things have happened. But if Lester did feel he was Paris’s father, was going public for money the way to announce it? He certainly could have contacted Michael’s attorneys, set up quiet meetings, and done any number of things that wouldn’t have embarrassed and scared the child. And he could have done it all for free.

To paraphrase Lester’s famous line from the movie: “Please, sir, no more.”

Michael Jackson’s Mother: No MBA, Just a Mom

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Michael Jackson’s mother, Katherine, is a nice lady with a big heart. But she doesn’t have an MBA or any other business degree despite an Associated Press article yesterday that made it seem as though she was the Warren Buffet of Encino.

Indeed, before a judge decides to add Mrs. Jackson as a decision maker in her’son’s complicated estate, he might consider’a few things.

To wit: Michael Jackson trusted his mother because’there was no one else to trust in the’family.

At the Hayvenhurst’Ave. Jackson home, Katherine’has had to make do over the years with hand outs from Michael and daughter Janet. The household came to a’grinding halt a couple of years ago when’Michael’though he loved his mother’didn’t make payroll at Hayvenhurst or Neverland. The situation was a total disaster, with much of the remaining staff leaving their jobs. Janet finally stepped in to help out.

Katherine Jackson ‘ despite other reports that she helped Michael decide to buy the Beatles catalog ‘ in her own words, in her book, “My Family, the Jacksons,” Katherine wrote: “I’m sure that his conversations with his celebrity friends and other successful people helped Michael make the decision to buy the Beatles’ catalogue.” She knew nothing else about it.

Also, the idea that Michael had anything to do with Little Richard’s music’catalog is preposterous. Michael had little or nothing to do with the actual administration of Sony/ATV Music Publishing from when it was created’in the mid-90s.’Although the idea of Michael Jackson’as a clever businessman was advanced by press geniuses like the late Lee Solters, the company was handled by lawyers and executives including Michael’s now executor, John Branca. Michael’s involvement was simply in using Sony/ATV as a leveraged asset.

Warner Music’s Biggest Problem: No Hits

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Really, you can fire everyone and cut back all use of paper clips, but if you want to have a successful record company, you’ve got to have hits.

In the five years of Edgar Bronfman and Lyor Cohen’s reign over Warner Music, they’ve had few hits. Almost none, in fact. They relied on acts already signed to the company, such as Linkin Park, Green Day, Josh Groban and Nickelback.

The WMG stock has sunk to all-time lows, then revived very slightly based on completely strange reports from stock analysts.

Now the cows have come home to roost: massive losses posted yesterday.

How sad it must be for the remaining WMG staff and shareholders that as this news is released, the company’s biggest-selling album is No. 20 on the charts, with 27,000 copies sold for the week. It’s the Zac Brown Band. Ever hear them? Are you humming a Zac Brown song now? I didn’t think so.

It’s summer. The time when kids buy and listen to music, and WMG has, really, nothing.’ This is obviously not’the Warner Music of “Rumours,” or even “Smoke From a Distant Fire.” There is nothing to hum along to except stories of Bronfman and Cohen buying new, more expensive homes.

But Zac Brown is on WMG’s Atlantic Records, run by Craig Kallman. If it weren’t for Atlantic, WMG wouldn’t exist at all. Somehow Kallman and his staff’have kept the whole enterprise running despite WMG’s penchant for failure. If’Kallman had real support beyond his label, then Rob Thomas’s “Cradle Song” and the single “Someday” would be No. 1 on their respective charts. Instead, the excellent CD is struggling.

WMG reported a third quarter loss of $37 million, compared to $9 million same time last year. Come on, are we kidding? That’s with the release of the Green Day album, which, of course, was a disappointment. In the U.S., revenue fell 10%. Bronfman’s usual plea is that the release schedule is “backloaded” to the fall. If Warner doesn’t come up with a single hit this fall, or Christmas, then what? This party is over. If there really are shareholders somewhere, they should be storming the doors in Rockefeller Center.

WMG stock opened at $5.59 yesterday and closed at $5.28.

Network Soap Operas: Has the Endgame Begun?

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Has the end game begun to remove soap operas from the network airwaves? It sure looks like it.

Today, ABC announced it was moving “All My Children” from New York to Los Angeles in January. The given reason? Cheaper to produce because of space. But that doesn’t really wash. New York, if given the opportunity, could have made ABC a great deal to keep the soap in the city where it’s always been produced.

Yesterday, CBS’s Nina Tassler pretty much threatened “As the World Turns” with extinction in the press. The 53-year-old soap is the last remaining show owned by Procter & Gamble. The company once had many soaps, but whittled itself down to two when it cut “Another World” in 1999 from NBC. Next month they’re bringing “Guiding Light” to an end on CBS after 60-plus years.

At NBC, the network is down to just “Days of Our Lives,” the 2009 edition of which is a plastic replica of its original.

The networks don’t realize the value of the soaps, and they never have. For one thing, they’ve been a tremendous breeding ground for young actors. Dozens and dozens of stars have gotten their start on the shows.

But megamanical executive producers and truly terrible writers have conspired to create a perfect storm here. At “World Turns” the writing was on the wall in early 2008 when the network did nothing to prevent P&G from booting Emmy winner and demo-perfect star Martha Byrne. The show has never recovered. Ratings dropped and dropped. No one seemed to care. That was a sign and a signal to the cast that anything could happen.

At ABC, for some reason “All My Children” — which was a cult favorite years ago among stars like Carol Burnett and Rosie O’Donnell — has been treated very badly. For a few years now they’ve broadcast the show not on tape but on some kind of unwatchable stock that was said to be for HDTV. It seemed like was being acted in slow motion or under’a coating’of cough medicine. Little attention was paid to continuity or storylines. On the internet, where soap fans are vehement in their postings, ABC Daytime chief Brian Frons is reviled.

Moving “All My Children” to L.A. should be its death knell. Almost all the actors and crew live in New York. East Coast casting always tends to a more realistic kind of show. “AMC,” set in mainline Philadelphia, certainly won’t look or feel the same staffed with plastic west coast types.

Soaps never made much sense, and they were beautifully lampooned in the movie “Soapdish” some years ago. The plots were always outrageous, but recently on “AMC” an aborted fetus turned up after 20-odd years as a grown man. On “ATWT” one character just had to head to toe plastic surgery so he could fool everyone in town. What the soaps’ producers don’t get is that the viewers aren’t stupid, and don’t want to be patronized. What a soap could get away with in 1990 isn’t possible now.

And there are so many good stories to tell that people who do watch TV during the day — or tape it or TiVo it — could relate to: Family life in this economy, the struggle to make it, or just keeping one’s head above water — plus a little fantasy — should be enough to hook viewers.

But amnesia, surprise paternity, or maternity, and people rising from the dead — all of these plot twists have worn out their welcome. Just as the networks should be realizing the worth of the shows, the soaps are going to have make drastic changes if they want to stay on the air.

Two things worth remembering: Keep your stars front and center, and focus the stories on families.

Tom Cruise ‘Family’ Infiltrates Fox

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cruise tom 200x300 Tom Cruise Family Infiltrates FoxTom Cruise’s extended family is slowly but surely infiltrating the world of Rupert Murdoch.

First came the news last spring that Cruise would make Jim Mangold’s “Wichita” at 20th Century Fox with Cameron Diaz. It’s the only film that he’s reasonably counting on for a 2010 release.

Then came Katie Holmes’ recent appearance on Fox TV’s “So You Think You Can Dance.” She’s not exactly Shirley Maclaine, and there wasn’t much reason to have her, but it got some publicity for everyone involved.

Now comes the news that Victoria Beckham, wife of Cruise disciple and constant work-in-progress David Beckham, is in “talks” to replace Paula Abdul on Fox’s “American Idol.” It was reported today in the Sun, a News Corp. tabloid in Britain, so you know this is one time that rag has gotten anything right.

If the Beckham news is right — and why shouldn’t it be, she has nothing else to do — it would seem like the fix was in for Abdul right from the start.

All that’s left now is David Beckham getting his own project. And then the Cruise and Fox families will be completely intertwined. Well played, as everyone says lately.

Adam Sandler Can’t Be Taken Serious(ly)

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sandler adam 200x300 Adam Sandler Cant Be Taken Serious(ly)“Funny People” may be the last time anyone will take Adam Sandler serious(ly).

The Judd Apatow-directed non-comedy took in a paltry $23.4 million this weekend, and got terrible reviews to boot.

It follows a trend for Sandler, who audiences apparently just don’t buy as anything but an overgrown child on screen. His other “serious” flops include “Punch Drunk Love,” “Spanglish,” and “Reign Over Me.”

The former “Saturday Night Live” star was always hilarious doing Opera Man or the Chanukah Song. In films, he had his moment entertaining a generation with “Wedding Singer” and “Happy Gilmore.”

In 2007-2008, Sandler proved that being an idiot on screen was profitable. He had three $100 million plus films–”I Now Pronounce You Chuck and Larry, “You Don’t Mess with the Zohan,” and “Bedtime Stories.” Each was a successful capturing of the lowest common denominator, which is nothing to be sneezed at these days. But there weren’t even Golden Globes coming for those, forget about real golden statues.

“Funny People” is no laughing matter. Kudos to Universal for trying it, but this should spell the end of Sandler as anything more than a congenial buffoon.