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Shortage of Best Actresses in the Coming Oscar Season

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Carey Mulligan (Getty photo)

Carey Mulligan (Getty photo)

We may be in trouble, folks. Even though the Academy has opened up Best Picture to 10 nominees, there seems to be a shortage of choices in another category.

There’s an alarming scarcity in the Best Actress division. Not only has this been a pretty terrible year for movies in general, it’s been worse for women. For some reason, no one’s written them any good leading roles. There are plenty in the Supporting Actress category, but very few and far between in lead.

Here’s what we’ve got to pull from: Meryl Streep in either “It’s Complicated” or “Julie & Julia“; Renee Zellweger in “My One and Only“; newcomer Carey Mulligan in “An Education“; two-time Oscar winner Hilary Swank in “Amelia“; Emily Blunt in “The Young Victoria“; Mimi Kennedy in “In The Loop“; Evan Rachel Wood in “Whatever Works”; Penelope Cruz in “Broken Embraces“; Rachel Weisz in “The Lovely Bones“; Natalie Portman in “Brothers“; Ellen Page in “Whip It” and perhaps one of the many actresses from “Nine,” although they seem to be supporting parts.

Of course, if HBO had released “Grey Gardens” to theatres, Drew Barrymore and Jessica Lange would be in the race. Alas, they’ve gone on to get all the television awards.

Otherwise, it’s slim pickings this year. If someone out there knows of any other candidates, send them in ASAP. And P.S., who’s the breakout star in that group of names above? Carey Mulligan. Remember, you heard it here first.

Who’s Going to Pay for this Jacko Funeral?

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Michael Jackson, still not buried properly, faces yet another burial postponement.

The most recent announcement was that Michael would be buried on August 29th, his birthday. This seemed odd to this column since Jehovah’s Witnesses don’t celebrate birthdays.

But now the date is postponed to September 3rd because the Jacksons say they aren’t ready. Michael is ready, trust me. But the city of Glendale says they’re charging the Jacksons $50,000 for police protection. The question is, who will pay this bill?

It turns out that the big Staples Center memorial and the mishegos that preceded it at Forest Lawn–limos, etc–cost AEG Live $600,000. The Jacksons did not pay for it. In fact, in court today sources say AEG may try and get the money back from the Jackson estate.

The main problem with all this parading around–funerals, services, etc– is that the Jacksons do not have any money. Other than what they’ve managed to exploit from Michael’s death, they have no actual income. For years, the family lived on Michael’s handouts. But now that he’s gone, there’s a crisis, insiders say.

But here’s a solution: why not just have a simple internment at Forest Lawn, unannounced and without any fanfare? That would cost a lot less than $50 Gs.

Penelope Cruz NOT Pregnant, Muchas Gracias

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penelope cruz 2 Penelope Cruz NOT Pregnant, Muchas GraciasWe can all put away our baby gifts. Penelope Cruz is not pregnant.

Despite reports all over the Internet that culminated in a local tabloid’s speculation, Cruz is not expecting a child. I got the info from one of her close buddies (for real).

In fact, Penelope appeared in London and Berlin less than a month ago to promote her new movie, Pedro Almodovar’s “Broken Embraces.” She was very clearly not pregnant and not attempting to hide any “baby bump.”

If Penelope’s off the circuit for a couple of weeks, maybe she’s taking a vacation! She should. In a couple of weeks, the “Broken Embraces” publicity will kick into high gear as the movie is shown at several film festivals before its September opening. And then, of course, there will be an Oscar campaign. Not a good time for morning sickness.

Maybe this rumor got started because at the Cannes Film Festival in late May, Penelope got a stomach flu. She was pretty green around the gills. But if she’d been a month pregnant at the end of May. she’d be showing by now. And by the looks of her recent pictures, it ain’t so. We’ll have to defer to her friend, and put away the rocking chairs for the time being.

Jackson Estate Wins Crucial Victory Over Family’s Objections

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The executors for Michael Jackson’s estate won a crucial victory today in Los Angeles Probate Court. Judge Mitchell Beckloff has approved a deal with AEG Live to send Michael’s memorabilia on a tour to New York, London, and Tokyo. The exhibition should add $6 million to the estate’s coffers.

The day was a victory for Michael’s estate and yet another failure added to Katherine Jackson’s legal wranglings. But it’s not Katherine herself who’s incurred these losses, but the lawyers representing the Jackson family. They’ve been spurred on by Joseph Jackson, who’s tried to stop the estate at every turn from moving forward.

Interestingly, the judge refused to let Michael’s brother, Randy, testify. The family’s lawyers argued that Randy was an expert. The judge was incredulous, and said no. If Randy had taken the stand, it would have been a disaster. His short run as Michael’s manager produced nothing but lawsuits and anger. He was eventually fired.

Also not testifying today was Leonard Rowe, the ex-con shady concert promoter who was touted by the Jacksons as their financial adviser.

Even the attorney guardian for Michael’s children approved the AEG deal.

John Branca, executor for Michael and his long time attorney, testified in closed court over the phone from a family vacation. His testimony was said to be most persuasive.

That leaves little more room for Katherine Jackson’s side to keep objecting to the estate’s deals. Sources at the Hayvenhurst house say Mrs. Jackson is barely aware of all this, and that she is still grieving for her son. But someone had better tell her that legal bills are now running into the millions, and that she hasn’t had one victory in court yet. And in the end, despite the court agitations having been brought by other family members, the bill is going to wind up being paid from Katherine’s inheritance. Ouch!

CNN Demoted in NYC by Time Warner

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It was announced a couple of weeks ago, but if you weren’t paying attention, today was a little weird in the NY cable world.

CNN’ has been demoted by Time Warner Cable to Channel 78. It’s been 10 on the “dial” for many, many years. Now it’s been catapulted into the outer space of the cable dial in the country’s most important media market.

In its place, a channel that absolutely no one needs or was missing: FX. They show “Nip/Tuck,” and re-runs of Fox movies and TV shows.

Also demoted was Lifetime, traded with Oprah’s Oxygen Network. So just at the moment that cable’s most popular reality show, “Project Runway,” comes to Lifetime, the channel is sent to Siberia.

But the CNN change is really ridiculous. Everyone knows the lower number channels get the higher traffic. And while CNN has lagged in ratings for a few years, it’s still the number 1 news destination when there’s a crisis. The next time there’s a terrorist bombing a lot of people may be watching “That 70s Show,” wondering if Wolf Blitzer has been replaced by Ashton Kutcher.

Different reports have suggested that channels pay extra to get top billing. Interestingly, both TNT and TBS have retained excellent spots on the Time Warner lineup. They, like CNN, are owned by Time Warner. So this begs the questions: did Time Warner not care what happened to CNN? Did they think TNT and TBS were more important? It sure seems like it.

‘Basterds’ Heroine Makes Beautiful Music With Pop Star

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Knockout blonde French actress Melanie Laurent plays sexy heroine Shoshanna in Quentin Tarantino’s “Inglourious Basterds.” It’s her first movie in English at age 26.

But Laurent has other sides too. She directs films ‘ and even made a short film about porno just before playing Shoshana.

She’s also a singer. For the last year or she’s been collaborating with Irish singer songwriter Damien Rice up in Woodstock, New York. Rice, she says, may do the soundtrack for the French film she’s writing right now.

Ooh la la.

Getty photo

Getty photo

I had lunch with Melanie and co-star Christoph Waltz (pictured here together) yesterday over at the Standard Hotel near the HighLine. No one knows them yet. After “Basterds” opens on Friday, they will be household names and faces. Melanie, as Shoshanna, and Christoph, as Col. Hans Landa, steal the movie from a corps of hard at work actors including the hilarious Brad Pitt.

Since “Basterds” played in Cannes, each of their lives has changed. And it’s interesting since Christoph is exactly twice Melanie’s age (he doesn’t look it). At 53, he’s an overnight sensation.

“I just turned down a big police series in Germany,” Christoph tells me. “They offered me everything. They even announced I’d accepted. But I didn’t. I don’t want to do it.”

This is his chance, now, after a quarter decade, to make it in movies. He’s so good at comedy and drama, he’s already fielding lots of offers. It’s a dream come true.

“It’s unreal,” he says. “I mean, it’s real, because it’s happening. But it’s unreal.”

Don Hewitt Remembered

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“60 Minutes” creator Don Hewitt was a tremendous journalist and a great pal. His death yesterday came as no surprise considering how unwell he appeared at Walter Cronkite’s recent funeral.

But little by little we are whittling down to nothing the great era of television journalism. Don was in the forefront of it. He kept “60 Minutes” above the fray, refusing, for example, to do pieces on O.J. Simpson during his murder scandal unless there was something monumental. “60 Minutes” was so well shaped and executed, also, that Hewitt never allowed “identifiers” ‘ you had to follow the story to know who the people were. The stories were so good you could listen to them on the radio and not miss a thing.

When Ed Bradley did a piece on Michael Jackson in 2003, right after his arrest, CBS was accused of paying $1 million for the rights. Hewitt denied it, and was furious when the New York Times made such a suggestion. I wrote a column about it on Jan. 14, 2004, called “‘60 Minutes’ Producer Hewitt: Times Won’t Print His Letter.”

Here it is, again:

Don Hewitt, the respected executive producer of CBS’ “60 Minutes,” is hopping mad at the New York Times. They won’t print his letter to the editor regarding the Times’ assertion that CBS paid Michael Jackson $1 million for his interview.

I ran into Hewitt and his wife, Times writer Marilyn Berger, at the lavish party TNT threw at the legendary Four Seasons restaurant for their remake of “The Goodbye Girl.” Hewitt told me a letter he sent to Times editor Bill Keller was rejected for publication, despite the Times having run a story by Sharon Waxman claiming that Hewitt’s show participated in checkbook journalism to get an interview with Jackson.

I told you in this column that Waxman was wrong, and CBS has since denied paying Jackson $1 million so he would sit down with Ed Bradley.

Hewitt, of course, is outraged. “I guess they don’t print a letter to the editor if you write it to the editor,” he told me.

In his letter to Keller, Hewitt wrote: “How could a newspaper that prides itself on publishing ‘news that’s fit to print’ allow an anonymous and admittedly disgruntled source with an axe to grind put damaging and utterly false words in the mouth of a journalist as respected as Ed Bradley? Is it not a violation of journalistic ethics to publish an unsubstantiated story about anyone (let alone a fellow journalist of the stature of Ed Bradley) without getting corroboration that he actually said what you quoted him as saying?”

Hewitt asks Keller “to stop insisting that what you published on Dec. 31, 2003 about Ed Bradley and Michael Jackson was fair and balanced ‘ which it most certainly was not.”

Hewitt told me last night that he is still convinced that no payment was made by CBS to Jackson, and that he questioned Les Moonves about it. “Les said no, and I believe him,” Hewitt said.

Catherine Mathis, the Times’ press rep, had no response from Bill Keller.

As for Hewitt, he wants everyone to know that he has “a contract that runs forever” and has no intention of retiring. In fact, he’s moving into what he says is the biggest office in the CBS building, previously occupied by Bryant Gumbel. And this Sunday, to avoid being trampled by football in the ratings (games on Fox, ‘natch), Hewitt will run a spiffed-up rerun of its 35th anniversary show.

“We’re hot right now in the ratings,” he said, “and I don’t want any setbacks. But you can’t win against football.”

Or, evidently, the New York Times.

Everyone Falls for ‘Bad Mariah’ Story

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If only some of these “gossip columns” checked their facts and figures.

One of yesterday’s local papers got just about everything wrong in its story about Mariah Carey and Whitney Houston’s new albums. I do hope Michael Lewittes takes them to task in his new Gossip Cop blog.

The NY Daily News apparently doesn’t know that this year’s Grammy eligibility deadline has moved up a month to Aug. 31. Because the decision was made late, Carey decided to wait and make her album good instead of rushed. As you can read in this column, the album is done and very, very good.

Whitney’s album is being released officially on Aug. 31. It’s been moved up a day from Sept. 1. I’m just sayin’…let’s get this stuff right. It ain’t rocket science.

Carey, by the way, cancelled a bunch of dates once the album was completed, and went on a late, delayed summer vacation. She has a big fall ahead, with the album release and the Lee Daniels Oscar movie, “Precious.”

Graceless Premiere for Anna Wintour Doc

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It looks as though the biggest star of R.J. Cutler’s “The September Issue” didn’t get her picture taken at last night’s premiere.

The documentary about Anna Wintour and Vogue magazine produced an unlikely sympathetic figure: the much put-upon Grace Coddington, who actually runs the magazine. She’s its heart and soul as depicted in the film. Wintour is her antagonist, an obstacle Coddington must overcome. The whole thing is ever so entertaining for a very small group of people.

But photos from the Museum of Modern Art premiere last night from all the agencies do not indicate that Coddington was present.’ Neither, it seems, did the magazine’s flamboyant creative director,’Andre Leon Talley. Maybe they were told to stay out of the pictures. In every one with a celebrity, it’s Anna Wintour,’Sienna Miller (pictured here together), to whom she’s nasty in the film, as well as’Renee Zellweger (she’s in town, why not?), lots of models and a few designers (Donna Karan, Cynthia Rowley, etc.) as well as the ubiquitous’Marc Jacobs. Plus, of course:’David Bowie and Iman, P Diddy, Donald and Melania Trump.

Getty photo

Getty photo

Of the 119 photos put up on its website by Wire Image photo agency, 16 are of Wintour. There are even four of her daughter, listed as “actress” Bee Shaffer. But no Grace, Andre, or anyone else connected to Vogue. It’s a similar story at Getty Images.

Cutler’s made a fine film, as I reviewed from Sundance last January. Wintour comes off much like the character that parodied her in “The Devil Wears Prada” ‘ contentious, capricious, dismissive. The film will be a field day for fashionistas. I’m not sure who else will see it during its short-fated run in theaters. A&E Indie films (have no real idea what this is) is distributing it. Perhaps the doc will turn up on A&E before too long. That’s a good place for it.

The best part of the movie, by the way, comes toward the end. That’s when the raven-haired, most extraordinary Coddington ‘ frustrated by Wintour’s continual rejection of her photo essays ‘ uses Cutler’s cameraman as a model in a story.

Renee: “I Don’t Feel Like I Won an Oscar”

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Despite having won an Academy Award for best supporting actress in “Cold Mountain,” Renee Zellweger tells me: “I don’t feel like I won an Oscar.”

The star of “My One and Only,” opening nationwide on Labor Day, was at the movie’s Manhattan premiere last night, with dinner following at the Rouge Tomate. We were talking about whether she felt she could relax about work now that she’s won an Oscar.

“But I don’t feel like I did win an Oscar. I don’t think about that at all,” she said. “I’m not at the top of my mountain,” she said in response to my query. “Maybe a quarter of the ways up. I have a lot to do.”

Zellweger spent last summer in Baltimore making “My One and Only.” She says she put all future script searches on hold, but she’s looking again. If there’s another Bridget Jones movie in her future, she didn’t mention it. She was happy enough to accept kudos for playing the real life mother of Hollywood veteran George Hamilton in “”My One and Only.”

Meantime, Hamilton told me his son, Ashley, will be a contestant on “Dancing with the Stars” this fall. “He called me and said, Dad, What do I do?” George laughed. Hamilton senior has already been on the show. Ashley, to his knowledge, cannot dance. “I said, just hang in there for a few episodes,” George said.

Meanwhile, Hamilton was happy to meet CNN’s beautiful Felicia Taylor, a New York broadcasting regular. Her dad is another Hollywood icon, Rod Taylor, and an old friend of George’s. Rod Taylor also has a small role in “Inglourious Basterds.”

“We had some good times,” George reminisced about Rod, who starred memorably in Hitchcock’s “The Birds.” with Doris Day in “The Glass Bottom Boat,” and in dozens of classic TV shows as well as “Falcon Crest.”

“It’s weird, chatting with the adult daughter of an old friend,” George said. Yes, time marches on!