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Whitney Houston Breaks 7-Year Curse

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Whitney Houston’s first new album in seven years hits stores today. And get this: “I Look to You” is already number 1 on amazon.com in CD sales, and number 8 in downloads.

For Whitney, a seven-year curse is over. Her last album, “Just Whitney,” was a spectacular failure back in 2002.

But Houston is a beautiful case of rehabilitation and people caring, gone right. Last week she filmed not one but two videos in the same day ‘ the title track, “I Look to You,” and her Alicia Keys-penned hit, “Million Dollar Bill.”

Those are great, but Whitney has a secret’hit on the new album. It’s a’ dance version of Leon Russell’s “A Song for You.” I predict that when Larry Jackson of Arista/J Records gets the extended dance mixes out of this track, it could be a smash unlike anything Houston has had before. The track is on a par with Donna Summer’s “Last Dance,” and made for success.

So congrats to Larry, and mostly, to Clive Davis. If Whitney looks to anyone, it’s to him. It was clearly Clive’s determination that he resurrect Whitney the artist, but also the human being. The complete story hasn’t yet been told how Davis got a fragile Houston into rehab and set her on the road to recovery. It’s a rare story of humanity in a business that is usually unforgiving.

No Beatles Download News Coming From Apple

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Everybody in the Apple/Ipod/Beatles world, please cool down.

The big Apple announcement next week on Sept. 9 has nothing to do with the Beatles. I am assured by my Fab Four insiders that there will be no news on that concerning downloads of Beatles songs on iTunes.

The Apple press conference set for that day is supposedly all about Cocktail, the new add-on service that’s supposed to help increase album sales.

I don’t know why anyone thought a Beatles announcement was forthcoming. There are so many clues that it’s not happening. For one, the tagline for the day, on the invites, is “It’s only rock and roll but I like it.” This a line from a Rolling Stones song. Did you really think Apple would use that for a Beatles promotion?

And really, 09-09-09 has already been cleared as Beatles day around the world for selling physical CDs, not downloading music. On that day the entire Beatles catalog is relaunched for the first time in 22 years in stereo and mono remastered discs. The mega promotion has been so heavily marketed, and clearly designed to move physical units, a downloading announcement would be totally counter productive.

At this rate, my guess is it will be a long, long time before the Beatles’ music is offered for legal downloading anywhere. And why would they? One great aspect of the Beatles’ unwillingness to remain available only on CD is so that the albums are not broken up into singles. In the cases of Revolver, Rubber Soul, Sgt. Pepper. The White Album, and Abbey Road, it only makes sense to force consumers to encounter them as whole concepts, and not all mixed up in a random shuffle.

Mad Men: Fourth Season, and Contracts for All

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102456 mad men s3 341 Mad Men: Fourth Season, and Contracts for AllBack on October 20, 2008, I wrote a column about the actors from “Mad Men,” as well as series creator Matthew Weiner not having contracts for a third season.

It made me laugh last night to see another columnist claim to have some corner on this story. The hype is getting out of control in some areas!

Anyway, it turned out that Jon Hamm had a contract, but the second-tier players did not. The situation was eventually remedied, and even Weiner got his deal. Now AMC has renewed “Mad Men” for a fourth season, and everyone will be back.

They’d better hurry getting back on the air with the new season once this one is over. And Weiner had better be extra careful how his timeline proceeds. It does seem that 1964 is just around the corner on “Mad Men,” which will be the beginning of a new world to the characters — one jarringly different from the beautiful early ’60s scenarios everyone’s in love with.

By 1964-65, “Mad Men” runs the risk of becoming “Bewitched,” the original TV show about the advertising world. “Bewitched” was silly on many fronts, but its depiction of Larry Tate, Darren and the ad firm they worked for — the clients, the pitches, the constant firing and threatening of employees — was incredibly accurate. Can we expect Sterling Cooper competing with McMahon Tate? I hope so.

Whitney Houston Gets Second Day on Oprah

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Whitney Houston was so good on Tuesday’s taping of Oprah that she’s doing a second one tomorrow.

This means that Whitney will get not only the Oprah premiere on Sept. 14, but a full second hour on Sept. 15 to finish up.

What this also means is that Houston’s “I Look to You” album should skyrocket in sales.

The CD, which was released yesterday, looks like it’s tracking toward a 300,000 copy debut. Frankly, it’s surprising everyone, even the people at Arista Records. Reports are that “I Look to You” is exceeding expectations and is No. 1 in most foreign markets after making its worldwide debut on Monday.

Houston’s success can be attributed to a lot of things, but mostly the idea that she’s overcome her difficulties and survived. Everyone loves a survival story, and Whitney is certainly one of the most rooted-for celebrities ever.

On “Oprah,” apparently Houston talks frankly with Winfrey about her drug addiction, her life with Bobby Brown, and just about everything else people are curious about. If this proves true, and Whitney really comes clean, the catharsis should re-establish her. The worst thing Houston ever did was her Diane Sawyer interview in 2002 — her infamous “I can afford better drugs than crack” speech. For Houston to open up, be honest, and take responsibility for that whole mess, well, then, she’s back.

Also on “Oprah,” set-siders (I love that expression) say Houston’s gut-wrenching performance of the Diane Warren song “I Didn’t Know My Own Strength” should ensure an outpouring of emotion– and a guaranteed hit single.

Jackson Update: Blanket Was Never Home Alone

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Best laugh of the weekend: a Brit tabloid’s assertion that Macaulay Culkin is the biological father of Blanket, Michael Jackson’s youngest child.

Are they kidding? This is as preposterous as Mark Lester being Paris’s father.

In each case, there isn’t even a slight hint of physical similarity. Forget that Culkin is blond and blue eyed, and that Blanket is dark and possibly Latino.

It makes no difference to the British press!

We can only imagine the laugh Culkin, who lives in New York’s West Village with his girlfriend, must have gotten.

Who’s next to be revealed as a bio parent of a Jackson child? Eggs from Tatum O’Neal? Sperm from Bubbles the Chimp?

As I’ve reported since 2005, Blanket is the product of Michael Jackson’s biological matter and a surrogate mother. The surrogate was chosen from a catalogue of names presented to Jackson by none other than Dr. Arnold Klein. Neither Dr. Klein, Mark Lester, Macaulay Culkin, nor Topo Gigio is the father.

Worried About ‘Mad Men’

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Last night, little Sally Draper read “The Decline and Fall of the Roman Empire” aloud to her grandfather on “Mad Men.” It’s roughly May 1963 in the world of the Drapers and their friends. The book could not have been more appropriate.

Perhaps Matthew Weiner was worried about his characters: the end is coming. Last week, Roger Sterling’s daughter chose November 22, 1963 for her wedding. It’s not going to be pretty. All I could think last week was, these poor people do not know what’s coming.

I wish for them that they could live in this oblivious bliss forever, smoking, cheating, drinking and living like John Cheever will never be supplanted by Kurt Vonnegut, Hunter S. Thompson, and Tom Wolfe. If only.

Last night, Sterling (the amazing John Slattery) actually performed in black face at his own party. Peggy tried marijuana. A young couple did the Charleston — this is many years after Elvis, but just one before the Beatles — and an ad man recalled his Princeton singing group days with a barbershop quartet number. This is a delicious moment in time, when no one is the wiser ab0ut anything.

But there are hints: Peggy, who last week slept with a stranger, is pushing into the real Sixties. She may leave the others behind.

Let’s hope 1963 is plotted out slowly. In November we get the assassination. Three months later the Beatles land in America. And then it’s all over. Off will come the gloves. Literally. I hope Weiner is savoring the moment while he can.

P.S. In case you don’t realize it, Bobby Morse is playing Cooper, the owner of the original ad agency. He was on Broadway in 1962, starring the antecedent to “Mad Men,” “How to Succeed in Business Without Really Trying.” It’s intentional, and very clever. Michelle Lee should be brought in as Joan’s mother. That would close the circle.

Basterds Beat the Odds with $20M Weekend

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Quentin Tarantino’s “Inglourious Basterds” is a phenom. The wild Brad Pitt starrer ‘took in $20 million over the weekend, bringing its total to $73 million. Ka-ching! “Basterds” will be the first $100 million movie for The Weinstein Company, easily earning money and restoring faith in investors.

At the same time, TWC’s “Halloween II” followed “Basterds” on the box office chart at No. 2, with $17 million. By the time “HII” has a DVD release for actual Halloween, this movie will also be a huge money maker for TWC.

And they still have “Nine” and “The Road.” Which goes to show us all: he business is cyclical. No one is ever “finished.” Except maybe for Kevin Smith, who must regret his comments to The New York Times now.

Marisa Tomei, Liv Tyler’s Missing Movie

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You may recall a big announcement last spring about a remake of a Korean film, now called “10a/10b” starring Oscar nominee Marisa Tomei and the very choosy (about picking roles) Liv Tyler. The indie world roared with approval.

Well, guess what? “10A/10B” has been aborted, and the result is a pair of lawsuits and a lot of angry people. In fact, not only was the plug pulled on the film, but last May, when the decision was made by the film’s financiers to kill it, they substituted in a hastily written new script that was tailored for the existing sets.

The new film, called “Columbus Circle,” was cooked up by producer Christopher Mallick on the plane coming home from the Cannes Film Festival, where he tried unsuccessfully to sell George Gallo’s “Middle Men.” On the plane, he says, actor Kevin Pollak pitched him the idea, and Gallo agreed to direct it.

Unfortunately, “10A/10B” screenwriter Floyd Byars doesn’t appreciate this bit of trivia. Last week he filed a counter complaint against Mallick and his Oxymoron Entertainment after the latter sued him and his group. At issue: whether Korean director Chul-Soo Park–who directed the 1995 original “301/302″–lied to Mallick about whether a Korean producer really owned the rights to his film. Mallick says he did know, and wants $3 million in damages.

On the other hand, Byars says the matter of rights was an issue that was quickly resolved, and that Mallick bailed on the project at the last minute, leaving everyone high and dry. Mallick, it is agreed, killed the film on the first day that his fairly well known stars, Tomei and Tyler, had started pre-production.

The lawsuits pit Byars–a well-known screenwriter with a long list of credits–versus Mallick, who made his money developing a credit-card billing system for adult movies and pornography. Mallick produced “Middle Men” and recently completed a documentary about what happens to retired porn stars. But Mallick, it should be pointed out, never actually work in the porn world. He just made it easier for people to get it.

Meantime, the American remake of “301/302″ remains in limbo. But its sets will live on in “Columbus Circle,” a film with the same director and some cast as the still unsold, unreleased “Middle Men.” (Wouldn’t it have been easier to work out the problems on “10A/10B”?) It’s sort of like a movie organ donation. Let’s hope the transplant takes.

TMZ Gets Punk’D With Fake Jackson Document

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Website TMZ got punk’d today by a concert promoter who wants a chunk of Michael Jackson’s money.

The site has published a letter purportedly from Frank DiLeo, Michael’s manager, instructing anyone who wants to produce a Jackson tribute concert to come through him. The letter bears a scrawled, indeciperable signature and the very funny sentence “Frank Dileo is the’manager of Michael Jackson (deceased)’in life and in death.”

The problem is, DiLeo tells me it’s not his letter, nor is it his signature. He didn’t write it, and has no idea who some of the people are who are named in the letter including a Fadi Rashed. “I’ve never heard of Fadi Rashed,” says DiLeo, and a Google search doesn’t help either.

DiLeo immediately called TMZ’s Harvey Levin, but Levin has yet to remove the fake correspondence.

Who wrote this piece of fiction? Well, yours truly received an email post-haste from publicist Ren Gravatt, who represents Patrick Alloco, of AllGood Entertainment in New Jersey. Alloco, in business officially and unofficially with a group that wants a piece of Jackson’s estate, claims to be suing DiLeo over Jackson family concerts that were supposedly to take place in Texas.

Gravatt was all too quick to send me the TMZ posting with this added information: “This latest expose piece on Frank DiLeo and his partner, Mark Lamicka, spells out the same sort of dubious behavior that has landed Mr. DiLeo and his company in Federal Court with AllGood Entertainment.”

The only problem with that last assertion, of course, is that DiLeo has never been served, and is not in federal court with AllGood Entertainment.

Strangely enough, Alloco is still trying to sue everyone connected with Michael Jackson over his alleged concert scheme, even through the singer is dead. The theory behind this latest move ‘especially after Gravatt’s email’is that Alloco and his group’including Joseph Jackson, Leonard Rowe, and Tohme Tohme‘may have fabricated the letter to make DiLeo look bad.

TMZ, like a lot of blogs, would do well to check each piece of paper that comes in rather than wind up in situation like Dan Rather’and have to deal with fiction.

Oscar Isaac Gets “Sucker Punch”-ed

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Oscar Issac

Oscar Isaac

One of Hollywood’s hottest up-and-comers has just landed the male lead in a big new film.

Oscar Isaac, who’s already the star of this fall’s historical epic “Agora” with Rachel Weisz, has been tapped by “Watchmen” director Zack Snyder for Warner’s “Sucker Punch.”

Isaac will be in good company, with Carla Gugino, Vanessa Hudgens, Jena Malone and Abbie Cornish all vying for his attention. Jon Hamm even makes a cameo.

We’ll see Oscar next summer with Russell Crowe in “Robin Hood.” He plays King John. It’s his second Ridley Scott-Russell Crowe movie, after “Body of Lies.”

I should point out that Oscar is managed by Jason Spire, the same guy who’s got Anthony Mackie ‘ hot as a pistol ‘ on track for a Best Supporting Actor nod in the current “Hurt Locker.” Mackie is currently appearing in the Public Theatre’s Central Park production of “The Bacchae.” You may not recognize him, though. In the second act, he wears a lovely frock and high heels. Let’s just say it’s an unforgettable sight!