Sunday, October 6, 2024
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Paul Haggis’s Courageous “Disconnect” from Scientology

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“Crash”director Paul Haggis does not want to discuss his letter of resignation from Scientology. He told a mutual friend, who communicated this to me after this column was first to report what was going on. Haggis, with much courage and conviction, resigned from this so-called “religion” (as designated by the Internal Revenue Service.) It’s the only religion I know of from which you can resign.

Haggis, my source says, was surprised that the letter became public. He will just continue to work on his new film, “The Next Three Days,” in Pittsburgh.

But the cat is out of the bag, as someone used to say.

I’ve known Paul Haggis a while now, probably since before “Crash.” He’s always been one of the nice guys. He wrote a great CBS series called “EZ Streets.” He worked as a writer on “thirtysomething.” He wrote the screenplay for “Million Dollar Baby.” In all the time we crossed paths, I knew he was a Scientologist but we never discussed it. Unlike Cruise, Travolta and Alley, he didn’t seem like a public proseltyzer. He seemed uncomfortable about the whole thing.

Now we see a respected man, an artist, an Academy Award winner, finally coming to terms with this situation. His letter to the robotic Tommy Davis, the celebrity wrangler of Scientology, is a brave one. Not only does Haggis cite his unhappiness with Scientology’s public stances. He addresses the personal as well.

To think: Haggis and his wife Deborah were barred from associating with her parents because they left the sect. Davis told CNN this sort of behavior didn’t happen. He laughed it off on camera. Haggis writes to Davis in his letter: “To see you lie so easily, I am afraid I had to ask myself: what else are you lying about?”

That’s it. Suddenly, all eyes should be on Scientology, its celebrities, and how they’re affecting the people around them. Haggis and Rennard were ordered to “disconnect” from her parents, an elderly couple, to deny them the right to see their grandchild. What kind of religion is so cruel that is advocates such a thing?

See the CNN clip that got Haggis so angry here. The discussion of “disconnect’ begins around 3:20. You may recall that when Katie Holmes first met Tom Cruise no one from her family saw or spoke to her for weeks. Her closest friends had no idea what had happened to her. When baby Suri was born, Katie’s parents were not present. They had to wait two and a half weeks to see their grandchild because Cruise was away on a promotional tour, sources said then.

Haggis’s letter continues: “…after writing this letter, I am fully aware that some of my friends may choose to no longer associate with me, or in some cases work with me.” This is after 35 years. So now the questions have to be asked about Tom Cruise and Katie Holmes, John Travolta and Kelly Preston, Kirstie Alley, Juliette Lewis, all of them ‘ what exactly is the truth, what is going on?

After the Haggis letter, there’s no going back.

“Law & Order: Criminal Intent” Kills One of Its Own

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I told you a few weeks ago that “Law & Order: Criminal Intent” was letting go of three main players: Vincent D’Onofrio, Kathryn Erbe, and Eric Bogosian. Now I can tell you this: one of their characters will die.

“CI” just finished filming an episode in which one of the three is murdered. That’s the exit show for the other two as well.

I am told by “CI” insiders that Erbe, especially, is very unhappy with the way things have worked out over there. “She was told everything was going fine, and then they were fired.”

Whoever was murdered isn’t too happy, either. But I’m not giving that part away.

The show is next turned over to Jeff Goldblum, who will soldier on without the original cast.

Meantime, there’s a new companion book out for “Law & Order SVU” by Susan Green and the Hollywood Reporter’s own Randee Dawn.

Fans of the show will love the episode breakdowns and the interviews with all the actors. And here’s something you might not know. Richard Belzer’s Det. Sgt. John Munch came over from another show, “Homicide: Life on the Streets.” That show was created by Barry Levinson and Tom Fontana. They owned the Munch character, but waived all rights to him ‘ including royalties. Ten years later, Fontana jokes, he wishes maybe he hadn’t signed it all away. Belzer is still on the show and going strong!

Exclusive: “Crash” Director Paul Haggis Breaks With Scientology

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Paul Haggis, the Oscar-winning writer-director whose credits include “Crash,” “Million Dollar Baby” and “Letters From Iwo Jima,” has left the Church of Scientology.

We were the first to report this on Sunday afternoon, after which many news sites helped themselves to the story.

In a stunning move, Haggis has written a letter explaining his exit to Tommy Davis, the celebrity wrangler for Scientology and the son of Scientologist actress Anne Archer. The veracity of the letter has been confirmed by a friend of Haggis.

Two things seem to have pushed the popular, amiable Haggis over the edge. One was Scientology’s backing of Proposition 8 in California banning gay marriage.

The other is more personal. It turns out that Haggis and his wife, actress Deborah Rennard, came into Scientology through her parents, of all things. But at some point, Rennard was ordered to break off from her parents and have nothing more to do with them because they’d violated some code of the sect. This heartbreaking situation has finally taken its toll.

(I always had a crush on Deborah Rennard when she played J. R. Ewing’s loyal secretary, Sly, on “Dallas.”)

Haggis is currently filming “The Next Three Days” with Russell Crowe, Liam Neeson, and another former Scientologist, Jason Beghe.

Haggis has taken an enormous step here, and one that should resonate among all celebrity Scientologists. Here’s his letter.

Tommy,

As you know, for ten months now I have been writing to ask you to make
a public statement denouncing the actions of the Church of Scientology
of San Diego. Their public sponsorship of Proposition 8, a hate-filled
legislation that succeeded in taking away the civil rights of gay and
lesbian citizens of California ‘ rights that were granted them by the
Supreme Court of our state ‘ shames us.

I called and wrote and implored you, as the official spokesman of
the church, to condemn their actions. I told you I could not, in good
conscience, be a member of an organization where gay-bashing was
tolerated.

In that first conversation, back at the end of October of last year,
you told me you were horrified, that you would get to the bottom of it
and ‘heads would roll.’ You promised action. Ten months passed. No action
was forthcoming. The best you offered was a weak and carefully worded
press release, which praised the church’s human rights record and took
no responsibility. Even that, you decided not to publish.

The church’s refusal to denounce the actions of these bigots,
hypocrites and homophobes is cowardly. I can think of no other word.
Silence is consent, Tommy. I refuse to consent.

I joined the Church of Scientology thirty-five years ago. During my
twenties and early thirties I studied and received a great deal of
counseling. While I have not been an active member for many years,
I found much of what I learned to be very helpful, and I still apply
it in my daily life. I have never pretended to be the best Scientologist,
but I openly and vigorously defended the church whenever it was criticized,
as I railed against the kind of intolerance that I believed was directed
against it. I had my disagreements, but I dealt with them internally.
I saw the organization ‘ with all its warts, growing pains and
problems ‘ as an underdog. And I have always had a thing for underdogs.

But I reached a point several weeks ago where I no longer knew what to
think. You had allowed our name to be allied with the worst elements of
the Christian Right. In order to contain a potential ‘PR flap’ you
allowed our sponsorship of Proposition 8 to stand. Despite all the
church’s words about promoting freedom and human rights, its name is
now in the public record alongside those who promote bigotry and
intolerance, homophobia and fear.

The fact that the Mormon Church drew all the fire, that no one noticed,
doesn’t matter. I noticed. And I felt sick. I wondered how the church
could, in good conscience, through the action of a few and then the
inaction of its leadership, support a bill that strips a group of its
civil rights.

This was my state of mind when I was online doing research and chanced
upon an interview clip with you on CNN. The interview lasted maybe ten
minutes ‘ it was just you and the newscaster. And in it I saw you deny
the church’s policy of disconnection. You said straight-out there was no
such policy, that it did not exist.

I was shocked. We all know this policy exists. I didn’t have to search
for verification ‘ I didn’t have to look any further than my own home.

You might recall that my wife was ordered to disconnect from her parents
because of something absolutely trivial they supposedly did twenty-five
years ago when they resigned from the church. This is a lovely retired
couple, never said a negative word about Scientology to me or anyone
else I know ‘ hardly raving maniacs or enemies of the church. In fact
it was they who introduced my wife to Scientology.

Although it caused her terrible personal pain, my wife broke off all
contact with them. I refused to do so. I’ve never been good at following
orders, especially when I find them morally reprehensible.

For a year and a half, despite her protestations, my wife did not speak
to her parents and they had limited access to their grandchild. It was a
terrible time.

That’s not ancient history, Tommy. It was a year ago.

And you could laugh at the question as if it was a joke? You could
publicly state that it doesn’t exist?

To see you lie so easily, I am afraid I had to ask myself: what else
are you lying about?

The great majority of Scientologists I know are good people who are
genuinely interested in improving conditions on this planet and helping
others. I have to believe that if they knew what I now know, they too
would be horrified. But I know how easy it was for me to defend our
organization and dismiss our critics, without ever truly looking at what
was being said; I did it for thirty-five years. And so, after writing
this letter, I am fully aware that some of my friends may choose to no
longer associate with me, or in some cases work with me. I will always
take their calls, as I always took yours. However, I have finally come
to the conclusion that I can no longer be a part of this group. Frankly,
I had to look no further than your refusal to denounce the church’s
anti-gay stance, and the indefensible actions, and inactions, of those
who condone this behavior within the organization. I am only ashamed
that I waited this many months to act. I hereby resign my membership in
the Church of Scientology.

Sincerely,

Paul Haggis

Ps. I’ve attached our email correspondence. At some point it became
evident that you did not value my concerns about the church’s tacit
support of an amendment that violated the civil rights of so many of our
citizens. Perhaps if you had done a little more research on me, the
church’s senior management wouldn’t have dismissed those concerns quite
so cavalierly. While I am no great believer in resumes and awards, this
is what you would have discovered:

[Haggis lists his numerous awards]

The full text of the letter can be found here.

REM is Back (Yay), Boom Boom Room, Bebe Buell, and More

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Michael Stipe and REM are back. Stipe turned up last night at the Boom Boom Room (or whatever it’s called this week), Andre Balazs’s fiercely hip nightclub in the sky on the 18th floor of the Standard Hotel in the meatpacking district. (This place looks like those nightclubs in movies from the ‘30 and ’40s ‘ amazing.) Stipe sported a big mustache, of all things. He told me that REM starts recording a new album next month, which is always good news, in New Orleans. Here’s a clip of the group’s last single, the catchy pop hit, “Supernatural Superserious.”

…Also at the Boom Boom Room, Harvey Weinstein, Chace Crawford, Russell Simmons, Calvin Klein, Barry Diller and Diane von Furstenberg, Gwyneth Paltrow, John Sykes, Rob Wiesenthal, David Lauren, Nancy Moonves (the ex Mrs. Les Moonves), and a ton of fashion folk from Gucci and elsewhere… If you can figure out how to get into this place, it’s the hotspot of the moment ‘ and gorgeous, with magnificent views of the city. Cha cha, as they say. And everyone’s dressed really nicely, too!…Oh yes, I did overhear Chace Crawford say to a friend, “I’d like to get a drink but I don’t know where to start!” The place was a madhouse of fun, very packed…

…Bebe Buell plays the new Village Underground tonight at 7:30 pm in the East Village. Her album, “Sugar,” is available on ITunes and Amazon…It’s also legendary photographer Bob Gruen’s birthday later tonight, with his annual celebration. Happy Birthday, Bob!…

…CAA’s Bryan Lourd hosted a party for Woody Harrelson and a bunch of A listers last night at his West Village house. Bryan’s ex wife, Carrie Fisher, is selling out her one woman show, “Wishful Drinking,” on Broadway every night….

…Famed theater costume designer William Ivey Long (winner of five Tony Awards, kids) tells me he’s lost 4o pounds just by going to the gym and working with a trainer. Is it that easy? Anderson Cooper is using a guy named T.J. Thelonious Johnson, to stay in shape. Hmmmm…Maybe it’s time to see what this work out thing is all about…

A who’s-who of New York society joined hosts Alexander and Brenda Von Schweickhardt at their penthouse for a private launch of Oceana New York, a nonprofit international advocacy organization dedicated to protecting and restoring the world’s oceans. In attendance were one of my old friends, actress Patti D’Arbanville, plus Nile Rodgers and Nancy Hunt, “Law & Order” star Linus Roache, Foreigner’s Mick Jones, the great composer Philip Glass, society titans Sue Cohn Rockefeller, Denise Rich, Bettina Zilkha, as well as Fernanda Kellogg, president of The Tiffany & Co. Foundation and CEO of Macy’s, Terry Lundgren. Welcoming guests were Hollywood escapee Keith Addis, Oceana Board chairman, and Jim Simon, executive vice-president of Oceana…

Yes, we always hear about Gwen Stefani, leader of the group No Doubt. But that group’s Tom Dumont wrote all the music for a great new documentary called’ “The Providence Effect,” after his father-in-law, Rollin Binzer, introduced him to the project. This film about the Providence St. Mel school, is’ a hit with teachers ‘ America’s unsung heroes. It recently debuted at a private screening with documentary filmmaker Rollin Binzer, business tycoon Tom Hurvis, actor Joey Dedio, Providence St. Mel founder Paul J. Adams III, and Major Gregory L. Canty, an alumnus of Providence St. Mel and a Senior Army White House Social Aide under President Obama ‘‘all of whom are part of the film’s cast and crew.

Michael Jackson Getting Record Biz Tribute

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Michael Jackson gets a big tribute on Wednesday night Oct 28th at the annual T. J. Martell dinner in New York.

The T.J. Martell Foundation is the premiere charity in the music business, set up by Columbia Records’ beloved Tony Martell in memory of his son, T.J.

The foundation is a leader in raising money for cancer, leukemia, and AIDS research. Every year, the dinner honors a record exec for his humanitarian efforts. This year it’s Bruce Lundvall, the popular veteran chief of Blue Note Records. Bruce is one of the last great music men in the record biz. Among his many successes: Dexter Gordon, Willie Nelson, James Taylor, Natalie Cole, Wynton Marsalis, and Norah Jones.

Willie Nelson, Wynton Marsalis, Diane Reeves, Michelle Branch, Big Kenny of Big & Rich, and a host of other musicians will serenade the Martell crowd. And at the end of the night, there’s a big, secret tribute planned to Michael Jackson.

Martell will also honor board members who passed away this year including my pal, and everyone’s, the great Michael Klenfner. Michael, one of the most successful promotion men in the history of the record business, loved the Martell Foundation and all its events. His passing is a loss for them.

There are probably tickets still available. Email kfitzpatrick@tjmartellfoundation.org for more information. As Tony Martell said to me yesterday: “Cancer does not know about a bad economy. It just keeps going.”’

Sienna Miller’s Brave Leap to Broadway

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58715126Sienna Miller and Jonny Lee Miller hit Broadway last night with a bang. They co-star with Marin Ireland (she was so good in “reasons to be pretty“) in Patrick Marber’s “After Miss Julie,” an update of Strindberg’s “Miss Julie.” It’s not an easy play. For what seems like an eternity, not a word is said on stage while Marin Ireland’s character does chores on stage as she waits for the Millers (who are not related in real life or fiction) to return from a dance. At one point her character falls asleep on stage. The actress told me later she’s incredibly tense she herself will doze off, too. “Luckily, Sienna wakes me up. I always know she’s coming to do it!”

But the three actors (pictured), especially glamorous Sienna ‘ who continues to impress as a serious actress ‘ pull it off. If you can make it through the second half of this 90-minute play, the rewards are vast.

The stars got a lot of attention last night at their premiere. Claire Danes and newish husband Hugh Dancy were right there to cheer them on, as were Jill Clayburgh and David Rabe, actress Rachel McAdams, Vogue magazine’s Anna Wintour and even one of the vampires from “Tru Blood” ‘ the tall and very tan Alexander Skarsgard. (Did you know his father is the excellent Swedish actor, Stellan Skarsgard?) Gossipeuse Cindy Adams was there, too, with her friend, Judge Maryanne Trump Barry, the sister of the Donald and aunt of the about to be married Ivanka. (The Orthodox Jewish wedding to Jared Kushner is this weekend in New Jersey. I’m told mom Ivana got just 10 seats for her friends.)

Sienna’s dad and stepmom were in the audience supporting her, too. After the show, the actress was glowing, and with good reason. Yet again, she’s beaten the tabloids and the odds makers and pulled off a little coup. Brava!

P.S. Jonny Lee Miller is no slouch, either. The first husband of Angelina Jolie, he’s been biding his time in British theater and on American TV in “Eli Stone.” He’s the real deal.

Michael Jackson: This Is Really ‘It’ Until February

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Michael Jackson’s “This Is It” opens worldwide in theaters on Wednesday. But you won’t be seeing it on DVD until February.

That’s because the movie studios have a deal with DVD companies. There has to be a 90-day window after the movie has played in theaters before it’s available in stores.

“This Is It” is set to play for two weeks, from Oct. 28-Nov. 13. Sony won’t admit it, but if it does well, the documentary could get a one or two week extension in theaters.

Either way, count 90 days from the end of its theater run before you can buy it as a DVD. That means no Michael Jackson Christmas. The earliest it would turn up is Feb. 13.

That nugget of info should create even more demand for tickets to the theater run. Even this reporter assumed “This Is It” would be the stocking stuffer of all time. But sources inside say no, and that’s it. Fans will have to rely on the collector’s item soundtrack CD featuring the songs from the movie in their original recorded versions.

Exclusive: New Track from Sting “The Burning Babe”

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Here’s an exclusive track from Sting’s new album, “If On A Winter’s Night.” The album drops on Monday, October 26th,the day before a bunch of other releases including the Michael Jackson album and Rod Stewart’s CD of soul song covers. Don’t get them mixed up!

I really love this track, called “The Burning Babe,” and asked for it especially to be released to us at showbiz411.com. All the tracks on “If On A Winter’s Night” are exceptional, rethought Christmas-type tales that make you want to put on the CD, pour some wine, and get into the holiday mood. But this one, and “Christmas at Sea,” Sting’s take on Robert Louis Stevenson, are examples of how this musician continues to grow and experiment successfully. Sting’s intrepid musicianship, his willingness to explore and expand, is quite frankly missing from the current generation of “rock stars.” They should take a lesson from people like him, Paul Simon, and David Byrne.

Last month, Sting and his band recorded “If’ On A Winter’s Night” live at Durham Cathedral in Britain. The DVD gets released on November 23rd, and three days later, on Thanksgiving, the whole concert plays on PBS’s “Great Performances” across the country. Sting also turns up next Thursday at the Rock and Roll Hall of Fame shows as the special guest of Stevie Wonder.

And watch this space: I do hear that Sting will be bringing the live show to some more venues soon to be announced.

In the meantime, enjoy “The Burning Babe,” based on a poem by Robert Southwell (1561-1595), with music by Chris Wood. I just read on Wikipedia that Ben Jonson, Southwell’s contemporary, was jealous of this poem. He had good taste!

Dear “Glee”: Madonna Didn’t Write All Her Hits

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Big announcement last night that Madonna has “turned over her entire catalog” to the show “Glee” for covering.

Okay, that’s nice. Only one thing. Madonna didn’t write all her songs. The “entire catalog” does not include “Like a Virgin,” “Dress You Up,” “Borderline,” “Holiday,” or “Material’ Girl,” for example.

Most of the others that “Glee” would want to cover were “co-written” by Madonna with either Patrick Leonard, Steven Bray’or William Orbit. “Ray of Light.” for example, was, ahem, sampled from a song by Christine Leach and two partners, then “reworked” by Madonna and her composer at the time, William Orbit.”Celebration,” her latest release, comes from Paul Oakenfold’s catalog with two other writers and Madonna tagged on. “Justify My Love” is a Lenny Kravitz song. “Love Don’t Live Here Anymore” was written for the group Rose Royce by Miles Gregory in 1978. There’s still some question about who wrote “Lucky Star.” And so on.

Madonna operates like a lot of today’s singers. When she’s ready to make an album, a call goes out to songwriters and producers to send in their best stuff. Madonna sifts through it with a producer, picks out what she likes, and then adds her own sensibility ‘ and her byline ‘ to it. Really, the only top singer of this generation who doesn’t do that is Whitney Houston. If she had done that from the start, she’d be a lot wealthier now.

So it’s lovely that Madonna is bestowing her songs on “Glee,” but in reality, they are not just her songs, they belong to lots of other people. And in some cases, they aren’t her songs at all.

Don’t get me wrong: Madonna is a spectacular, hard working performer and a force of nature. She’s a fashion icon and she knows how to cause a commotion. So let’s give the credit where it’s due, but let’s not pretend she’s Lennon and McCartney. “Glee” will be gleeful for a lot of songwriters if they use Madonna’s hits in the show.

Hall & Oates: They’re Back After a Mid-80s Career Suicide

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I come now to praise Daryl Hall and John Oates, without their ampersand. Listen, if you grew up with this stuff playing in the background, you hated it after a while. But now there’s a box set in release called “Do You Want, Be What You Are.” That was a song title from H&O long ago. But I would have named the box set after one of my favorite H&O songs, “It’s A Laugh.” But they are not a duo with much of a sense of humor.

Like most duos, H&O fought all the time. Things finally unhinged when, in the 80s, Daryl Hall started bragging about his voice. Then Lynn Hirschberg nailed them in a 1985 Rolling Stone piece and the party was over. This is what you didn’t say in an interview in 1985, but Daryl said it anyway. The conversation was about gossip that he and Oates had been lovers (they weren’t):

“”The idea of sex with a man doesn’t turn me off, but I don’t express it. I satisfied my curiosity about that years ago. I had lots of sex between the ages of three or four and the time I was fourteen or fifteen. Strange experiences with older boys. But men don’t particularly turn me on. And, no, John and I have never been lovers. He’s not my type. Too short and dark.”

It got worse. “It’s weird,” Hall told Hirschberg. “I’m just about the best singer I know, and it’s time for everybody to say that. I have total facility with my voice. And for some weird reason, critics don’t talk about it. Americans think that if you’re popular there must be something wrong with you. To me, the best music now is music that everyone’s listening to. Obscurity is just obscurity. There’s no romance in obscurity.”

Could there be more? Uh huh. ‘I think we’re the Eighties Beatles,’ Hall said. ‘If we had been born twenty years earlier, maybe the world would have seen that. There’s something about our personalities that is very Lennon-and-McCartneyesque. And there is something about the body of work that we both have that’s similar. I know people will have trouble accepting that. But I don’t have any trouble accepting it.’

Yikes. I have to stop there. Hirschberg was not arrested for murder because the Culture Police ruled it suicide. Read on in the story. Fifteen years down the drain.

So now to the box set. I have always held great affection for the second H&O album, “Abandoned Luncheonette.” It was produced magnificently on Atlantic Records by the legendary Arif Mardin. It’s a gem, a classic that contains the duo’s wonderful R&B hit, “She’s Gone.” It has the promise of so much.

But then Hall & Oates moved on to RCA, where they got commercial. Lots of hits followed, including some that I have enjoyed hearing again: “Your Imagination,” “It’s A Laugh,” “It’s Uncanny,” “Rich Girl.” There are also a pair from later in their hit run: “Out of Touch” and “Some Things Are Better Left Unsaid.” The latter should be a reference to that interview. Too bad they didn’t take their own advice.

Well, it’s water under the bridge. H&O were humbled for their hubris. After Hirschberg, the hits dried up. At one point, Daryl sang on an Elvis Costello record for cred. It didn’t help anyone. He does have a beautiful voice, as does Oates, and they always complimented each other well. You hear them more on “She’s Gone” and “Sara Smile” than on later records where the sound is pumped up for radio action. Listening to the box set, putting aside the interviews and the videos (they didn’t help ‘ you wanted to run from them in the 80s), Hall & Oates made a lot of really nice music. Not in the realm of the Beatles. (Ahem, who knows what fueled that conversation?) But it’s nice to hear it all one more time.