Saturday, October 12, 2024
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Miramax Without Harvey is Neverland without Jacko

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Reports are frantic that the bidding for Miramax is almost over. A group of investors, which doesn’t include Harvey and Bob Weinstein, seems eager to get the once great company. Now Colony Capital, the group that is also co owner of Michael Jackson’s Neverland, is said to be in the mix. The total price Disney wants: $675 million.
But Colony’s very astute Thomas Barrack should understand something essential: there is no Miramax without the Weinsteins. The name is too closely identified with the brothers who named the film company after their parents. In the five years since the Weinsteins left Miramax and started The Weinstein Company, Miramax has lost almost all of its name value.
What are Colony and friends buying really? A library of 50 really great movies including Best Picture winners: Shakespeare in Love, Chicago and The English Patient. There’s also The Cider House Rules, Good Will Hunting, Finding Neverland, Fahrenheit 911, Il Postino, Chocolat, In the Bedroom,  Gangs of New York, Frida, Cold Mountain, Emma, City of God, Cinema Paradiso, sex lies and videotape, Bridget Jones’ Diary, The Talented Mr. Ripley, and and the Tarantino movies Pulp Fiction, Jackie Brown, Kill Bill Vols. 1 and 2.

That’s it, really. There are lesser films in the library, and there may be a may to milk some dough out of them with TV sales. But otherwise Miramax is just a name. And it’s a name that means little without the Weinsteins. For quite a while now former Mirmaxers have scratched their heads wondering how Disney came up with their $700 million pricetag. The fact is, the public is smart. They know the Weinsteins are at their own company. Miramax is quickly turning into a name like Orion–one with no history attached to it.

At this point, the Weinsteins–with many potential Oscar nominees set for this fall release– are probably smart to let the whole thing go. True, not having the name Miramax is sad. But in the end, what’s the point? For Colony and whatever combo of investors to make Miramax work, they’re going to have to come to the Weinsteins later and make some kind of deal. Otherwise, they’ve just bought a name and a library. The Weinsteins are what brought cache to it. If you don’t agree, just think of the post-Weinstein Miramax run by Daniel Battsek. It just never got off the ground despite Battsek’s good taste and intent.

And Tom Barrack? He bought Neverland thinking it could be turned into a Graceland for Michael Jackson fans. But that never happened, wasn’t possible. Now Neverland is known as Sycamore Valley Ranch, it’s empty and will be sold off one day. It’s a very similar situation. He might just as well rename Miramax Sycamore Valley Films.

Paging Joaquin Phoenix for Mafia Murders Movie

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Joaquin Phoenix, semi-retired but on the way back, is being sought for a new movie about Mafia murders.

Phil Carlo, the legendary crime writer, has optioned his book, “The Butcher: Anatomy of a Mafia Psychopath,” to New York based Jailbird Productions. Famed “GoodFellas” writer Nicholas Pileggi is penning the screenplay.

Everyone involved wants Phoenix to play Tommy Pitera, now serving multiple life sentences for being the mob’s most vicious hit man from the Bonnano crime family.

Carlo is hot right now. Mickey Rourke is said to be starring in an adaptation of his book, “The Ice Man,” which is not about R&B singer Jerry Butler but about another crazy hit man. And former Soundgarden lead singer Chris Cornell and his brother in law Nick Karayiannis are co-producing “The Night Stalker,” based another of Carlo’s books.

A new Phil Carlo mob true crime story, “The Killer Within,” hits stores in September from Overlook Press.

It’s maybe instructive to take a look at Phil Carlo’s website. It will scare you straight about hit men. The real guys must look at movies like “Killers” with Ashton Kutcher and laugh til their sides hurt.

Was David Letterman Punished by Emmy Awards?

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Was Dave Letterman punished by the Emmy Awards?

It sure seems like it. Until this year, Letterman’s talk-variety fests have always been nominated for Outstanding Variety Series. In the years when hosts have been nominated individually, Letterman’s name was always on the list.

This year, he’s been omitted. Only Letterman’s directors gained nominations. Otherwise, zilch.

Of course, this was the year when Letterman was rocked by scandal involving extortion and the on air admission that Letterman had sex with women on his staff. At the time Letterman seemed like he’d managed to handle the brouhaha by getting “in front” of it. But apparently the whole business didn’t go over well with the Emmys.

The Emmy committees obviously also didn’t care for Jay Leno’s behavior during the whole Tonight show debacle. Leno was totally ignored this year even though he had two shows to choose from. It’s especially embarrassing since the Emmys are on NBC this year. But that had little impact apparently on the committees.

Emmy Awards Honor Conan, Snub Jay AND Dave

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The 2010 Emmy Award nominations are out. And guess what? Conan O’Brien‘s short lived version of “The Tonight Show” got several nods including Best Variety series, and writing and directing mentions. But Jay Leno–in two shows– and Dave Letterman–got pretty much zilch.

Leno’s “Jay Leno Show” and his “Tonight Show” were omitted. And Letterman’s late night show got only directing nominations. The nominees for Outstanding Variety series were for Conan, the Daily Show, the Colbert Report, Bill Maher, Saturday Night Live. The Letterman people must be incensed. One can only wonder if Dave’s private life problems seeping into the show didn’t somehow affect what happened here.

For O’Brien the nominations, and the obliteration of Leno, have to be sweet revenge. Also the Emmy telecast is on NBC this year, on August 29th. Imagine if O’Brien wins–just the thought of it is too tantalizing.

Other Emmy nominations — there are zillions of them–went to a host of deserving people including this year’s IT girl, Betty White, as well as Mary Kay Place, Bobby Morse (Mad Men),  and Matthew Fox (Lost), plus two for Jon Hamm (Mad Men and 30 Rock), Peggy and Joan from Mad Men–Elizabeth Moss and Christina Hendricks, 93 year old Eli Wallach (please–he should win!) and of course a raft of nominations for 30 Rock and Glee.

Plus–HBO got over 100 nominations. Is that possible? Well, they have True Blood, Al Pacino in the Kevorkian movie with that entire cast, The Pacific, etc. Showtime also did well with Nurse Jackie.

http://www.emmys.com/sites/emmys.com/files/62ndemmys_noms.pdf

Harvey Fuqua, the Man Behind Motown, Dies at 80

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I am heartbroken to report that Harvey Fuqua has died of a heart attack at age 80.

A splendid person, a real gentleman, and just a good guy, Harvey was the man behind Motown. He was first the leader of the Moonglows in the 1950s, and wrote the hit “Sincerely.” But then he went to work for Berry Gordy at Motown.

Fuqua’s jobs were myriad–writing, producing, and teaching the Motown acts how to behave in public. His best pal was Marvin Gaye, whose records he produced. Both he and Marvin wound up marrying Gordy’s sisters, respectively, Gwen and Anna. Harvey also worked on dozens of other Motown hits, including many with Johnny Bristol including his classic “Hang On In There Baby.”

Harvey’s place in R&B history cannot be overstated. The fact that it took so long to get him into the Rock and Roll Hall of (Shame) Fame is a…shame. But he was a trustee of the Rhythm and Blues Foundation in its heyday. A big man, with a rolling gate, and penchant for golf, he didn’t pull punches.

A few years ago I was in the ticketing office of the R&B Foundation’s Pioneer Awards with him. Someone called from the Rock and Roll Hall of Fame demanding tickets–and good ones– to the Pioneer Awards. Said Harvey: “Let them sit in the back, where they put us for their show.”

And that’s what happened.

Harvey, you will be missed, missed, missed. God speed. I mean it, “Sincerely.”

Paul McCartney, Yoko Ono Surprise Ringo Starr on Stage at Radio City

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What a night for Ringo Starr: Paul McCartney and Yoko Ono put aside their usual differences and surprised the ex Beatle on stage at Radio City Music Hall for his 70th birthday on Wednesday night.

McCartney was a total surprise to Starr–he appeared at the end of show, strapped on a guitar and launched Ringo’s band into the Beatles’  “Birthday.” It was historic since the Fab Four never played the song live anywhere. Tonight, Ringo played drums and Radio City was like Shea Stadium in 1966. McCartney was spot-on, too. Brilliant.

Just before that, Ringo had been celebrated by a raft of stars and musicians at the end of “With A Little Help from My Friends,” his Beatles signature song. Suddenly on stage was Yoko Ono, looking grand in a white hat, and boogeying like she was half her age. At one point, Ono grabbed a mic and signaled for it to be turned on. Wiser heads prevailed because they thought she might warble. Instead, Ono sweetly wished Ringo a happy birthday.

In the audience was Olivia Harrison, the lovely and loyal widow of George Harrison. Also on hand were Peter Asher, the record producer and long time pal of the Beatles (his sister Jane was once engaged to McCartney) plus McCartney’s lawyer and brother in law, John Eastman, with wife Jody; and Ringo’s stepdaughter, Francesca Gregorini, co director of the film, “Tanner Hall.”

But the stage was filled with stars, and so was the backstage, starting with Keith Richards and Patti Hansen, Steve and Maureen van Zandt, Max Weinberg. Foreigner’s Mick Jones with ex wife Ann Dexter Jones, Nils Lofgren, and Jeff Lynne, as well as Barbara Orbison (devoted widow of Roy and astute businesswoman), Ed Begley, Jr., Apple Records’ excellent chief Jeff Jones, concert producer David Saltz, and Paul’s girlfriend, the beautiful Nancy Shevell, as well as legendary drummer Jim Keltner, and mogul about town Steve Bing.

And surprise! actor Hayley Joel Osment–all grown up and graduating from NYU on August 5th. He doesn’t see dead people any more–but does see a great film career in front of and behind the camera.

When a cake was wheeled out on stage, the audience pushed forward and sang “Happy Birthday.” Perhaps over saturated with birthday wishes, Ringo waved the crowd good night and sang “Happy Birthday to me…” as he wandered off stage.

As for the main show itself, it ran a little less than two hours and was the usual hodgepodge party that Ringo’s All Starr Band endeavors usually are–the musicians are all great, but sort of two hit wonders who create a jukebox effect around the famous drummer. The outstanding moments belonged to Edgar Winter, whose “Frankenstein” is an epic masterpiece. Winter plays almost all the instruments, too, from sax to keyboards to vibes. This man is underrated. Rick Derringer was also very, very good, first playing “Hang on Sloopy,” his 1965 hit, and then “Rock and Roll Hootchie Koo” from almost a decade later. These are consummate musicians.

The show itself was a little Ringo-lite. But maybe as he celebrates 70 Ringo is happy to turn over the showier aspects to his compadres, and just relax. No one can say he doesn’t deserve it. And if you went to Radio City for a birthday party, you got a great and memorable one.

Do we feel old? Why yes: Ringo’s grand kids also came out at the end. But he’s young enough looking that he’s no grandpa. Still think of it: Ringo is indeed a grandfather. Meanwhile, Paul McCartney is such a mensch–he really looked like he was going to cry as he and Ringo hugged on stage. Later I overheard Nils Lofgren–the amazing guitarist–introduce himself to Paul. “You know, I play with Bruce Springsteen, I played on Ringo’s first solo albums,” the legendary musician said to Paul. McCartney looked astonished. “Of course I know who you are!” he said, pumping Lofgren’s hand vigorously.

PS I did run into Sid Bernstein, now 92 and going strong, the original promoter who brought the Beatles to America. He’ s never let them forget it, too. God bless Sid Bernstein. Without his ingenuity and foresight, none of this would be happening now.

Michael Jackson: Defense Lawyer Mesereau Says Juries Don’t Like to Convict Doctors

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Michael Jackson‘s accused killer, Dr. Conrad Murray, may not be convicted so easily.

That’s what Jackson’s former defense lawyer, Thomas Mesereau, suggests in an interview that’s buried in a new book.

The interview is with, of all people, Judge Larry Seidlin, the “crying judge” who made a fool of himself when he presided over the Anna Nicole Smith inquest in Florida. Not satisfied with his two minutes of fame, Seidlin has “published” a “book” called “The Killing of Anna Nicole Smith.”

I’ll skip Seidlin’s sad efforts to get Mesereau to praise him. Certainly, Mesereau slyly ignores Seidlin’s request for compliments. But what Mesereau, a top notch criminal defense lawyer, does say might be of interest. It’s particularly noteworthy since he liked Michael Jackson a lot, and fought hard for his acquittal in 2005.

Mesereau says: “I think that any prosecutor is going to be a little hesitant to go after someone who appears to be just the delivery person” —  in regard to Anna Nicole’s situation. But then he continues:  “You know, any crime requires a certain mental state, a certain form of intent. In law school, you learn about the general intent and specific intent but regardless of what term you use, it does require one to have a criminal state of mind to be guilty of almost any crime.”

There’s a lot more along this line, but Mesereau then answers a question by bringing in the Elvis Presley case–and this is relevant to Dr. Murray as it is to Dr. Christine Ehrosevich, who was Anna Nicole Smith’s doctor.

“Remember, the physician who was prescribing Elvis Presley inordinate amounts of medication was charged with manslaughter and acquitted years ago. So juries, in my opinion, don’t like to convict doctors unless there’s a tremendous pattern of abuse and criminal conduct.”

Mesereau continues, speaking in general circumstances: “Now if the doctor committed malpractice, maybe that belongs in a civil trial, maybe it belongs in an administrative hearing on his license. But I think a lot of people are reluctant to bring it to [the] level of a crime.”

Jackson fans are very emotional about Dr. Murray. But things when you get into a courtroom. Mesereau’s thoughts on this subject cannot be overlooked. I’m sure Dr. Murray’s lawyers are paying close attention to them.

Ringo Starr: Happy 70th Birthday!

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Wednesday, July 7th: believe it or not, it’s Ringo Starr’s 70th birthday. Happy Birthday, Mr. Richard Starkey!

Ringo is often maligned because he wasn’t heavy like John Lennon or George Harrison, or the melodic genius Paul McCartney. But Ringo played those drums like crazy, and still does. There’s nothing like it. If you do listen to the Beatles Mono box set you can hear him doing stuff no one else does to this day. He is not just following along and bashing the kit–what most rock drummers do–but he’s making a musical contribution equal to those of the others in the band.

My particular favorite of Ringo’s from the early Beatles is “Ticket to Ride.” But there so many instances when it’s him– goofy, fun, and probably trying to keep it light– while the three others pondered the universe.

And let’s not discount Ringo’s solo work with Richard Perry–the “Ringo” album especially, still a tour de force. And “Back Off Boogaloo”–it rocks. Ringo’s work ethic is also unmatched. He has all the money in the world, but gets out there every summer with his All Starr Band.

Tonight, Ringo plays Radio City. It should be some party. Ringo, many happy returns

Mad Men May Skip Ahead Through 1964

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This isn’t too much of a spoiler for “Mad Men.”

But it does seem like the folks from Sterling Cooper are going to flash forward a bit through most of 1964.

When we last saw Don, Betty, Roger, Joan, Pete, and Peggy it just at the end of 1963, right after the Kennedy assassination.

But episode 2 of the new season–which begins on July 25th–is called “Christmas Comes But Once a Year.” When I checked with an AMC source, the response was affirmative. This means that episode 1, “Public Relations,” may be set just a little earlier, around November 1964.

The other episodes filmed so far include some I’ve mentioned before and a few new ones. They are “The Rejected,” “The Good News,” “The Chrysanthemum and the Sword,” and my favorite so far, the tantalizing “Waldorf Stories.”

Episode 4, “The Rejected,” is directed by John Slattery, who plays Roger Sterling.

My AMC source is cagey, knowing what a fan I am. “It’s like Matt Weiner has invented a whole new show,” she says.

Interestingly, so far there’s no cast listing for Henry Francis, the character who would supposedly marry Betty after her divorce trip to Reno. Actor Christopher Stanley’s IMDB page hasn’t been updated to reflect that he’s even in this season. Ah, mystery! We’ll have to wait a bit and see if Betty went through with her divorce.

But what a shame if “Mad Men” has missed 1964, the Beatles arriving in America, and LBJ’s run against Barry Goldwater. It’s a year fraught with possibilities for backdrop. On the other hand, Weiner may just want to get on with it, so that a seven year run will take the show to the end of the 1960s–its natural stopping point.

Warner Music Group: No Spin Can Help Them

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I’ve got to say, reading Peter Lauria‘s account of Fred Goodman‘s new book about Warner Music, even I thought I must have been wrong.

The book is “Fortune’s Fool,” and apparently, according to the usually astute Lauria, Edgar Bronfman, Jr. is the man who saved the record business. Lauria falls all over himself to endorse Goodman’s thesis: that Bronfman is a genius who should be apologized to now since he’s also a pioneer and seer.

As they say on the inter-web: OMG. That nothing could be farther from the truth is an understatement. That two journalists fell for it makes it all the worse.

Warner Music in its current incarnation is an industry joke. In the five and a half years that they’ve had the company, Bronfman and Lyor Cohen have developed no artists. They’ve relied solely on artists who were signed before they bought the company. The few one-off surprise hits they’ve had — no follow up. Take poor James Blunt, who will be singing “You’re Beautiful” for the rest of his life, or Gnarls Barkley, still “Crazy” after all these years.

WMG has also managed to lose Madonna, Nickelback, and Paul Simon–the latter not a bestseller anymore but a prestige act who should have been cultivated. Green Day, Linkin Park, Eric Clapton, Josh Groban, Faith Hill, and Michael Buble–all were there well before Bronfman and friends.

For five years the charts have reflected the truth about WMG: a few scattered hits from Craig Kallman at Atlantic Records. But the name Warner Records no longer appears on hits. I know this is very old school, but a successful record company is indicated by HITS-not by layoffs and cutting staff to the bone. Clive Davis and Doug Morris can turn on the radio and hear their HITS from, respectively, Arista/J and Universal Music groups. Edgar Bronfman cannot say that.

Every year for five years WMG stock price has dropped into the abyss. Each quarter, Bronfman gets on a conference call with analysts and answers questions about “possible changes in the digital market” or some such nonsense. He also promises that the “schedule is backloaded” so that the big hits are in the fourth quarter. As usual, we’re waiting:

Last week the charts were dominated by Universal/Interscope, Universal/A&M, Arista, Capitol, and Columbia. And the punchline there is that Capitol is, like, non functioning. Despite constantly teetering on the edge of EMI and Terra Firma’s collapse, Capitol and its subsidiaries are still somehow getting music out there.

Yet, Warner/Atlantic (Elektra was silenced by Bronfman) can barely get the “Twilight” soundtrack into the top 10. It’s a cult movie, but the CD has no marketing. Tom Petty returns after a long silence and isn’t in the top 10. Basically, WMG lives on a country act called the Zac Brown Band. That’s it. Oh yes, and a one off at Atlantic called B.O.B.

But Columbia, with all its faults, has the “Glee” soundtrack, and Train, a group they manage to continue exhuming. Their Epic label has Ozzy Osbourne‘s new hit. Arista has managed to make Sarah MacLachlan a hit again this summer, and kept Alicia Keys alive. UMG has Eminem, Drake, the Black Eyed Peas, Lady Gaga and a new Sting album in one week’s time. Disney even has Miley Cyrus.

One could say that Sony benefited from Michael Jackson’s death in unexpected album sales. But WMG owns Warner Chappel Music, publisher of Michael’s own songs. Where was the WMG artists-cover Michael Jackson album this year? No where. I never even heard anyone mention such a thing.

As for the Genius: we’re waiting. WMG stock opens this morning at $4.67, off its year high of $8.02.

PS Bronfman, Goodman and Lauria’s genius, is the same guy who lost $30 million promoting luxury concert events in the Hamptons three years ago with BullDog Entertainment and $3,000 concert tickets. http://www.foxnews.com/story/0,2933,329266,00.html#2