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Bob Dylan Tells NY Audience He Wants to Get Jann Wenner Back in the Rock and Roll Hall of Fame (Exclusive)

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Bob Dylan didn’t really speak until the end of his two hour show at the Beacon Theater tonight. But what he said was surprising.

After introducing his incredibly talented band, Dylan said, “Jann Wenner is here tonight. Anyway, he got booted out of the Rock and Roll Hall of Fame. We don’t like that. We’re trying to get him back in.” (The audience applauded.) He also complimented the band saying, “These songs aren’t easy to play.”

Wenner was removed from the Rock Hall board of directors recently after telling a NY Times reporter that he didn’t think Black or female artists were articulate enough to be included in his book of interviews.

Not only was Wenner ousted from the Rock Hall, but Rolling Stone magazine disassociated themselves from their founder instantly. The book Wenner was promoting flopped.

The Beacon was sold out. Dylan played about 17 songs, leading the band on piano. He doesn’t seem to play the guitar anymore. The show was much better than one I saw last year, with dynamic sound, and the band more richly rewarding than ever. The entire set was a smash. Highlights included “Key West,” “Black Rider,” and “Every Grain of Sand.”

There were few ‘greatest hits’ the closest would be “Watching the River Flow,” “I’ll Be Your Baby Tonight,” and “When I Paint My Masterpiece.”

While it’s admirable that Dylan is loyal to Wenner, I wonder if he understands how the Rolling Stone editor got the bounce from the Rock Hall.

No pictures from the show. It’s phone free, they were locked in a pouch which caused a lot of commotion before and after the succinct program. In the audience: famed concert promoter Ron Delsener.

It was a Dylan day. Earlier in the afternoon, I caught Timothee Chalamet in his new movie, “Wonka.” Chalamet, who went to the Dylan show on Tuesday in Brooklyn, is in rehearsals for “Complete Unknown,” the James Mangold film about Dylan.

Dylan is the subject of a new 600 page book called “Bob Dylan: Mixing Up the Medicine.” All the material is taken from the official archives at the Dylan Center in Tulsa. It’s considered the most accurate book about Dylan yet. Chalamet is said to be using it for his research.

RIP Beloved Talent Agent Kenny DeCamillo, 67, Depended on By Stars Like Aretha Franklin, Regis Philbin, Diana Ross, and More

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I put off writing this yesterday because the news was so upsetting.

Kenny DeCamillo died on Tuesday at age 67. He was brilliant and funny, always smiling, but serious about his clients. For 30 years he was a star agent at William Morris representing and booking A list acts. His death is really awful.

I knew Kenny two ways — one because he worked with Aretha Franklin and the other through Regis Philbin. They loved him and depended on him. I will never forget when Kenny showed up in a blizzard in 2015 at Aretha’s show in Bridgeport, Connecticut. I said, Kenny, where did you come from? He shook the show off his trench coat. “Oyster Bay Long Island!” he said.

He called me “Rog,” which most people are not allowed to do. He was friends, legitimately, with everyone. He was always in a good mood, even when things in showbiz were bad. This was remarkable. I’ll tell you a secret: Kenny saw Seth Meyers guest host with Kelly Ripa after Regis left, and told me Seth would be a serious contender to take over the job. This was before Seth got his late night gig. I ran with that rumor and we had a lot of fun with it. But I don’t think Seth wanted to get up so early in the morning.

All this year when we talked, we kept saying we were going to have lunch, with our mutual pal, Mark Simone. The next time someone says that to you, do it. I am so sorry we never did. I’ve lost so many friends at a (relatively) young age who were agents, managers, personal reps. It looks like a glamorous job, but it’s not. It’s hard work and a little thankless. I just hope Kenny got to enjoy his time here with his wife and his daughter. (He has a serious stroke about three weeks ago and never recovered.) I know his friends all enjoyed him so much. Thanks for everything, Kenny. See you on the other side.

Review: “The Crown” Season 6 Pt. 1 Abandons History for Soap Opera of Charles, Diana, and the Conniving Fayeds

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“The Crown” was very exciting when it first took off, mainly because it mixed the personal life of the Queen with historic events. While there were certainly invented conversations among people long since dead, you at least had the feeling you were inside chapters that had a consistency and connection to facts.

As the series proceeded, you knew we were eventually going to be clobbered with the Charles and Diana story. Now we have, in the first four episodes of the final season. Everything else is abandoned. It appears that for the first ten months of 1997, nothing else happened except how Diana hooked up with Dodi Fayed and wound up dead.

The problem is, we’ve seen it all before, in dozens of TV movies, in theatrical movies, over and over. Bringing in fine, appealing, well trained actors like Dominic West and Elizabeth Debiki doesn’t change the story. The only interesting part of these four episodes is actor Salim Daw as Mohamed Al Fayed and Khalid Abdallaas as Dodi. In “The Crown” version of the story, the father is determined for his son to make Diana his wife. Daw is riveting as the Machiavellian puppet master of his dimwitted playboy son who already has a fiancee, but ditches her upon instruction.

In this way, the Fayeds are the monsters and manipulators. Charles is a good guy who can’t believe what’s going on. Diana is depicted as a sad sack, depressed about her life, aimless in romance, dithering about until it finally dawns on her that the Fayeds are using her. By then, it’s too late and winds up in the tunnel.

As for the death scene, “The Crown” handles it very tastefully. Don’t worry, there are no bloody moments in the car as it swerves in the tunnel. Charles — who by now is turned into a hero, which is ridiculous — flies to Paris to ID the body and he’s so sad that the women he cheated on for years is finally out of the way. The whole thing is beyond belief. What follows is a lot of hogwash, as the clueless Queen fails to address the country about Diana. I was in London at this time, and the public was furious. You get a little of that, but sympathetically from the Palace point of view. (Really, Charles should send Peter Morgan a Bentley for rehabilitating him this way.)

The press reviews are only supposed to be for Part 1, the first four episodes. I can tell you, entre nous, that if you wait til episode 6, “The Crown” reasserts itself as something other than this annoying daytime drama. Imelda Staunton and Jonathan Pryce, as Elizabeth and Philip, rise to the occasion of history. If only more of that had been in the first batch, with this sideshow as only that and not the main story.

Jimmy Kimmel to Host the Academy Awards for 4th Time

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Yes, it’s Oscar season.

The good news is ABC has unsurprisingly tapped Jimmy Kimmel to host the show for the 4th time. The Oscars air March 10, 2024.

This Oscars will center on many current movies including Barbie, Oppenheimer, Killers of the Flower Moon, Air, Poor Things, and a few more.

Kimmel piloted the 2023 show to revived ratings. He’s the right guy to balance snarkiness and a sense of importance.

Jennifer Aniston Salutes “Friends” Pal Matthew Perry: “Oh boy this one has cut deep…we loved him deeply”

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The “Friends” cast tributes to Matthew Perry continue. As if they are timed. (Hmmmm….)

Jennifer Aniston says: “…we loved him deeply. He was such a part of our DNA. We were always the 6 of us. This was a chosen family that forever changed the course of who we were and what our path was going to be.”

“Napoleon” Faces New Waterloo With Negative Reviews, Joaquin Phoenix Attends Paris Premiere But Snubs Press, Leaves Early

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Ridley Scott’s “Napoleon” is meeting a new Waterloo.

Last night in Paris, star Joaquin Phoenix showed up with wife Rooney Mara, bypassed the press, and left the screening early according to Variety.

At least got a first class trip to Paris, right?

Reviews for “Napoleon” are mixed to negative, with Rotten Tomatoes current score at 62% — and falling. I’m sorry I missed last night’s screening in New York. Apparently, “Napoleon” is very funny, which is not what you’d expect from an epic about a man who looted the world as he pillaged it.

Vanessa Kirby, however, is getting good notices as Josephine.

Among the publications that didn’t like it: Variety, the Hollywood Reporter, Vanity Fair, and The Wrap. In Variety, Peter DeBruge wrote: “Napoleon ultimately suffers from the same problem as its subject: The film’s ambitions are greater than the people demand, as Scott bites off more than he can manage.”

“Napoleon” opens next week.

Nick Jonas TV Version of “Jersey Boys” Still Coming Despite Being Filmed 18 Months Ago

Somewhere, lost in space, is the Nick Jonas version of “Jersey Boys.”

Back in July 2021, I wrote about the stealth filming of a TV version of “Jersey Boys” at a Cleveland theater. It was directed by Des McAnuff, who brought it to life on Broadway for a decade. Jonas was playing Frankie Valli. Three time Tony nominee Andy Karl (Rocky, Pretty Woman, Groundhog Day) — also known for “Law & Order SVU” — plays Four Seasons’ Tommy Devito.

At the time, Peacock was planning to show it, as “Jersey Boys” was a Universal Pictures and theater production. The movie, directed by Clint Eastwood, came out in 2014 and wasn’t met with much enthusiasm. This “Jersey Boys Live!” was supposed to supplant it.

So where is it? I’m told “it’s still being edited.” Also, it may not be a Peacock release, as sources say it may still be offered for distribution.

Nick Jonas, meanwhile, couldn’t be hotter. The Jonas Brothers, despite having trouble selling records, have played to packed arenas including Yankee Stadium this summer. So it’s time for “Jersey Boys Live!” It would be a welcome distraction right now.!

The Beatles on Track for 70,000 Albums Sold This Week on Red and Blue Remixed Greatest Hits

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The Beatles continue their roll on the charts.

“Now and Then,” the new single, is at number 6 on iTunes and selling like crazy. Last week it sold 120,000 copies (with streaming).

The new news is that the Red and Blue greatest hits albums, remixed in dazzling sound, are hits as well.

The two double albums are set to sell around 35,000 copies apiece this week. Hitsdailydouble has predicted the numbers.

That’s an equivalent of 70,000 in sales. But since they’re double albums, it’s actually 140,000 copies.

The Red album — 1962-66 — is selling more on streaming than on downloads or CDs/LPs, which doesn’t make sense. The remixes on the Red album were mostly unavailable before these editions. The Blue album — 1967-70 — is selling more physical copies. In the end, you can’t have one without the other.

Of course, the Blue album includes “Now and Then.” It also includes a new mix of “Revolution,” a frighteningly mad punk rock record that is lightyears before its time and continues to be absolutely remarkable looking back at 1968. It was the flipside, believe it or not, of “Hey Jude.”

Friends Star David Schwimmer Remembers Matthew Perry: “Thank you for ten years of laughter and creativity”

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“Friends” star David Schwimmer has posted a memorial tribute to Matthew Perry.

The pair worked together for a decade as part of the “Friends” ensemble, and remained a close knit family.

He ends his post with a typical Perry sardonic twist:

I imagine you up there, somewhere, in the same white suit, hands in your pockets, looking around—

“Could there BE any more clouds?”

Review: Barry Manilow’s “Harmony” Makes a Tuneful, Tearful Premiere on Broadway After 25 Years in the Making

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I hate even to call “Harmony,” which opened on Broadway Monday night, just Barry Manilow’s musical. It’s written by Bruce Sussman, a labor of love for both men. It’s been at least 25 years in the making.

“Harmony” is based on the true story of the Comedian Harmonists, a troupe of singers who lived and worked in Berlin in 1934. Three of them were Jewish, including their nominal leader — called Rabbi — so you can imagine what fate befell them as the Nazis quickly gained power.

The story is a little “Fiddler on the Roof,” a little “Sound of Music.” But it’s no “Springtime for Hitler.” There is serious stuff going on as the Harmonists’ story runs the gamut from happy young men seeking fame to people running from fascism to save their own lives. “Harmony” could not be more timely at a moment in modern history when antisemitism is rampant.

Broadway veteran Chip Zien leads a strong cast of New York theater darlings including Sierra Bogess and Julie Benko as the wives and girlfriends of the Harmonists. Zien brings sharp comic timing and real pathos to Rabbi as an old man looking back at his life. Danny Kornfeld plays his younger self with all the necessary confidence and bravado of a young man on the upswing.

The other Harmonists are just as talented, and just so there’s bit of pizzazz, Sussman gives us Josephine Baker in the form of dazzling Allison Semmes so it’s not just a drab male downer. Semmes kicks it up just when some glamor and femininity are needed. Not that Benko and Bogess aren’t hot stuff, but their characters have more serious matters to deal with, like fighting those Nazis.

Nevertheless, Benko and Bogess sing like angels and Manilow has given them great material. The “Harmony” songs form a lovely score that’s got a couple of top 40 hits in the mix because come on, this is Barry Manilow. But the music also fits the Broadway mold and gives opportunities to the entire cast to show off their vocal chops. There were thunderous ovations opening night and even a standing ovation mid show. Director Warren Carlyle and the whole creative team have suffused “Harmony” with real depth.

There is nothing harder than premiering a new musical. The audience has been trained to adore revivals, material they know and love and are comfortable with. You’ve never heard these songs before, you don’t know where the story is going exactly. (You can read about the real Harmonists here.) So I give Sussman and Manilow extra points for being brave enough to pull this off. Is “Harmony” perfect? No. But in this political climate, the show has an extra urgency and reason to survive. You will be moved to tears by the end (in a good way), knowing that this journey gave us a blueprint for the future.