“The Color Purple” reviews have arrived, and they are everything I hoped for. Rotten Tomatoes puts is at 88% fresh. Blitz Bazawule’s movie is headed to the Oscars.

Fantasia leads a cast of terrific actors who all deserve to be nominated, including Taraji P. Henson, Danielle Brooks, and Colman Domingo.

“The Color Purple” started life as Alice Walker’s novel, then became a Steven Spielberg movie starring Whoopi Goldberg. It went on to success as a Broadway musical, then returned to Broadway reimagined. So this is the fifth time around, and it’s a charm.

Bazawule has breathed even newer life into the story of sisters Celie and Nettie, their abusive father and the lives they made in the South in the early part of the 20th century. It’s a tribute to Walker’s work that “The Color Purple” has retained such a strong impact every time it’s told. But Bazawule’s fresh approach — combined with music from the Broadway shows — makes for a sensational film.

Fantasia, who won “American Idol” and then played Celie in the first Broadway iteration, is remarkable. We already know her amazing voice, but she gives life to Celie in an even more nuanced performance. “The Color Purple” is full of acting revelations. Taraji P. Henson is already a star, but no could have imagined her singing, and dancing the way she does here. Danielle Brooks was a star on Broadway last year in “The Piano Lesson,” but her version of Sofia, the spitfire that comes into Celie’s family’s life, rips the paint right off the ceiling. And don’t forget Colman Domingo as the abusive Mister, who is eventually given his comeuppance.

“The Color Purple” should be the hit of the holiday season, gripping audiences of all kinds. And thanks to the original story, when the movie hits its climactic moment, there isn’t a dry eye in the house. Exuberant and painful, “The Color Purple” is a landmark film.

Last January I was able to screen Elijah Bynum’s “Magazine Dreams” thanks to the Sundance Film Festival website.

“Magazine Dreams” was up for distribution and starred Jonathan Majors, so everyone clamored to see it.

The movie– about a body builder who’s quite violent and finally snaps — was so grim I didn’t want to review it. It was too depressing.

Imagine my surprise when Disney’s Searchlight picked it up for the fall, and an Oscars push. I couldn’t imagine Academy voters warming to this story.

A few weeks later, I actually met and shook hands with Majors at the Oscars. He was actually very engaging. I mentioned I’d seen the movie, I didn’t tell him what I thought. A week later, Majors was arrested for domestic abuse. His career, at least for now, is over after being found guilty today of assault and harassment.

“Magazine Dreams” has a robust 84% on Rotten Tomatoes. All the critics who liked it cited Majors’ impressive performance even if the movie itself was lacking in many ways. Searchlight probably thought they could get Best Actor nominations and wins regardless of the film’s downbeat arc.

Now, apart from the critics, it’s hard to imagine who will see “Magazine Dreams.” Searchlight can just bank it in the vault or sell it back to its producers. If the producers get it back they could put it on VOD. But Majors would be wise not to encourage that. Killian Maddox, his character, is disturbed and disturbing. He’s no Willy Wonka. Frankly, he’s lucky the jury never saw it.

For writer-director Bynum, this has to be a massive disappointment. Regardless of the cons, the pro’s outweighed them. Bynum’s career would have taken a big jump forward. Whatever happens, we can only hope he’ll get another shot and make a movie even better.

We hear a lot about Zack Snyder, former director Warner/DC comics movies.

Even in “Barbie,” there’s a joke about the “Zack Snyder cut” — a reference to the endless director’s version of “Justice League.”

But Snyder seems to have struck out with anyone’s cut of “Rebel Moon.” A Netflix movie getting a one week run in theaters, “Rebel Moon” has an atrocious 22% on Rotten Tomatoes. Even audiences don’t seem excited, giving it a shaky 72%.

Even more worrisome: “Rebel Moon” is the first part of a trilogy.

Netflix has nothing to worry about. They’ve had a bunch of successes this Oscar season with “Maestro,” “Rustin,” “Nyad,” and “American Symphony.” So there had to be one layabout in the group, and it’s “Rebel Moon.”

One reviewer called it “A hugely expensive but uninspired ‘Star Wars’ knockoff with some thrilling action sequences, and some truly ugly moments that taint the entire thing.” Another said: “It’s a film populated by some of the Justice League Snyder Cut filmmaker’s worst impulses: a mess of imagery, some of it attempting to shock, congregated largely around the idea of what might look good in a trailer.”

And so on. I’m only sorry that Djimon Honsou, a two time Oscar nominee, isn’t getting offered better roles.

“Rebel Moon” hits Netflix this Friday.