Sunday, October 6, 2024
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Morgan Freeman’s Step Granddaughter Stabbed to Death in Front of NY Apartment

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Edena Hines, the 33 year old step granddaughter of actor Morgan Freeman, was stabbed to death in front of her New York apartment building overnight. Reports say her boyfriend was found with the body, and he’s been arrested.

What a tragedy. Hines– granddaughter of Freeman’s first wife– was a vivacious self described teacher, actor and writer.

She was in a 2012 production of “A Raisin in the Sun” directed by Phylicia Rashad at the Westport Playhouse:

from her website:

“After three years studying at New York University’s prestigious Graduate Acting Program, Edena joined the hoards of other bright eyed hopefuls looking for success in New York’s acting scene. Finding a lack of opportunity she decided to turn her sights to teaching under-exposed youth in her native Memphis, TN.”

Hines had recently played a receptionist in Freeman’s latest film, “5 Flights Up” with Diane Keaton, and had finished a larger role in a new movie called “Landing Up.”

Just heartbreaking. Condolences to her family.

 

Box Office Update: Man Cries UNCLE As Spy Film Flops; “Compton” Raps $56.1 Mil

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It was a rap weekend as the story of NWA scored big time. “Straight Outta Compton” took in $56.1 mil through Sunday on estimates. It’s a big achievement, although $24 million of it came on Thursday-Friday. Universal obviously expects a slowdown today. But with very little coming in the next week, “Compton” could start picking up steam from the curious, and people who might have been scared off by all that security talk. The movie opened to calm audiences, thank goodness.

“Man from UNCLE” cried “uncle”– $13.5 million for the weekend. That’s a total blow out. Surprising for so many reasons. It won’t affect Guy Ritchie, who’s always got another “Sherlock Holmes” in him.

Elsewhere, “Ricki and the Flash” pretty much caved. I don’t know what happened to this movie. But the set up for the audience and the release date were a problem. Touted as something important, with some real press, “Ricki” might have had a chance in October. Now it’s joined Sony’s other 2015 misfires in a heap. Was it because it came from the old Sony regime? A lot of work went into the making of that film. Jonathan Demme, Meryl Streep et al deserved better.

Meantime– surprise!~- “Southpaw” is chugging along nicely at $45 million and still very much attracting audiences. Jake Gyllenhaal will get a Golden Globe nom and an Oscar campaign. Well done.

 

“Hitman: Agent 47” Presser Gets Testy, But Zachary Quinto Reasons It Out Like Spock

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Zachary Quinto, one of the busiest and most versatile actors in movies today, has a bunch of high-profile projects coming out in the next year, including the action-packed, “Hitman: Agent 47,” based on the popular video game, which opens August 21. Quinto is best known for playing Spock in the “Star Trek” films and is now filming “Star Trek Beyond.” He plays lawyer Glenn Greenwald – who happens to be gay – in Oliver Stone’s upcoming “Snowden.” Last year he was critically acclaimed for his Broadway performance in “A Glass Menagerie.”

“Hitman: Agent 47” centers on an elite assassin, played by Rupert Friend (“Homeland), engineered to be the perfect killing machine and is known by the two digits on the barcode tattooed on the back of his neck. He’s in a life-and-death struggle with an enigmatic and powerful rival (Quinto) to prevent the creation of an army of killers from being unleashed on the world. Hannah Ware (“Boss”) plays a young woman who cannot remember her past but holds the key to defeating this plan.

Friday the trio of actors along with first-time feature film director Aleksander Bach turned up at the Crosby Street Hotel Friday to talk about “Hitman: Agent 47” with the press.

The first question came from Stephen Schaefer of the Boston Herald. He asked the three actors what their biggest challenge was in creating their roles. Then his question, directed at the affable and intelligent Quinto, got the press conference off to a rocky start.

Schaefer asked the actor, in light of his part as Greenwald in the Stone film, due out Christmas Day, and his part as James Franco’s lover in “I Am Michael,” if as “an out actor do you find that you are the go to guy for gay roles and in that sense do you see your assassin here as gay?”

“First question first, what was your biggest challenge?” repeated the publicist to the actors.

“Clearly you think it’s being gay,” cracked Quinto, causing the journalists to laugh.

(For the record, the bromance between Henry Cavill and Armie Hammer’s characters in “Man From U.N.C.L.E. has many more homoerotic tension than anything in “Hitman.”)

Quinto elaborated, “I don’t see the correlation. That’s a leap that I would never take. You know, I feel like the separation between who we are as actors and the characters we play, is what makes the whole thing interesting so you know that to me is an outdated mode of thinking, the one you just presented to me. I don’t really have an answer for you there.”

The actor added that just because the character he plays in the aforementioned two films is gay, and that he’s been a part of telling gay stories but that didn’t mean all of his characters were gay. “Weird question, my friend. But the biggest challenge I think in this film is the stamina, the action, keeping everything at the level that it needs to be at or staying there,” he said. “I think was a challenge we were all happy to me (a part of). It was good fun to come to work with these two.”

Rupert Friend then asked Schaefer, “Yeah, I mean, did you think that Hitman was gay?” The journalists laughed.

“I had no idea,” Schaefer replied. “You could say these two guys were having this homoerotic dance of death.” (Again laughter, some of it nervous twitters.)

“It’s a bizarre way of looking at it,” Quinto added.

When it was Ware’s turn to reply to the question of the biggest challenge of her role she hesitated, “Hem, yeah, sorry I’m a bit distracted. It was a physical role for all of us and that was fun and it really” stretches you as an actor. She went on to talk about the compelling characters they portray as well as the physicality of the role.

At that point Quinto, who couldn’t leave the question, asked Schaefer again what outlet he wrote for?

“I just realized I’m sorry I can’t move on from the fact that this,” Quinto said. “My friend, I really, actually find borderline offensive that you would sort of make this leap and ask that question” he said “as a journalist,” adding that that “sort of mode of thinking hindered people’s progress in the world of our industry so I think you have to be a little bit more mindful about how you talk to people and ask them questions.”

Schaefer, who also writes for the Advocate, elaborated, “There is this idea that some people think that it’s best or wonderful when gay actors can play gay roles whereas straight actors have always played gay roles and it is sort of uncharted territory to have a star who is an out actor” playing gay parents.

Replied Quinto, “But that’s a different question, that’s a different point that I could engage you on. But just to take the leap to ask me whether or not because I am gay, the character is gay, that’s where I find it’s offensive, so it’s good to move on from that, but I thought it was important to clarify that.”

Quinto’s graceful response defused a tense moment and displayed just how intelligent and sharp the actor is.

 

Photo c2015 Showbiz411 by Paula Schwartz

Box Office: Rap is Back as Straight Outta Compton Sets Record with $24 Mil Opening, Dr. Dre Scores with Soundtrack

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“Straight Outta Compton” set a record last night for an August opening with $24 million. The F. Gary Gray movie is looking at a $75 million weekend. Interesting, too, because Dr. Dre’s accompanying soundtrack sold 300,000 copies this past week and finished at the top of the charts. Rap is back!

(And just think: all those Dre fans are listening to the album on his Beats headphones.)

“Compton” tells the story of how Dre and his generation went from Compton to billionaire status. It’s quite a success story. And while the movie is making loads of money, Universal has a hidden cost in security at theaters where it’s playing.


Meantime, “The Man from UNCLE” is a bust. Last night the Henry Cavill- Armie Hammer spy flick did $4.9 million. The weekend is bleak with $12 million tops for Guy Ritchie’s effort. Warner Bros. has not had a happy summer. “Vacation” was a disaster. “Magic Mike XXL” and “Focus” were among the strike outs this spring and summer. Luckily “Mad Max: Fury Road” and “San Andreas” hit big.

But “UNCLE” doesn’t say much for Warner’s Superman, Henry Cavill. He’s a great looking guy, but there’s no heat around him. Hopefully the excitement over “Batman vs. Superman” will over come that.

It’s a tough business, that show business. Just ask 20th Century Fox, suffering the fall out from “The Fantastic Four.” The poor thing did $599 per screen last night. Like Cavill, the Human Torch doesn’t much have heat either.

 

Golden Globe Group Gives Away $2.1 Million to Charities, Lady Gaga Introduces Herself to the HFPA

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The Hollywood Foreign Press Association, the organization that puts on the Golden Globes, has always been known as quirky, to say the least. They stayed true to form at Thursday night’s annual grants banquet at the Beverly Wilshire Hotel. The evening was a mixture of philanthropy–they handed out $2.1 million to various causes– and a vaudeville show.

Pop teen heart-throb Nick Jonas started off the night singing a lovely rendition of Louis Armstrong’s “What a Wonderful World.”He was followed by the group’s returning president Lorenzo Soria (the HFPA rotates their titles so former officers can regain power) who greeted the crowd by saying that, “we are proud to say we have made a difference in many lives.”

Soria explained the various grants they give out, explaining that this year broke a record.  He also cheekily thanked one of the sponsors, Moet Chandon, for “keeping us all in a good mood.”

Then came the parade of stars, all of whom hope to garner Golden Globe nominations later this year. Still, they glittered, and what the heck? It’s Hollywood.

Two time Oscar winner Jane Fonda, looking like five million bucks minimum, was hilarious when she introduced Benicio Del Toro and Emily Blunt.  They were MIA, so Fonda had to riff for a good couple of minutes and said, “Benicio, he’s just not reliable.  You look into his eyes and think, ‘Really interesting, but maybe not so reliable.  But Emily Blunt, you’d think she’d be ok, I mean that voice and opposite Meryl Streep in “Into The Woods.”

Fonda kept riffing until they came on, but the shtick continued because they could not read the Teleprompter, which was far away. Benicio noted, “Hey I’m screwing up.  I was never good at auditions, but I’m a good improviser.”  When he finally got it right, Jon Hamm and Jake Gyllenhaal boisterously bounded up to the stage and shook his hand to congratulate him.  Halle Berry, who also struggled a bit to read the prompter, declared, “Hey I’m going to be 49 tomorrow, not bad!”

lady gaga, emily blunt, benicio del toro at hfpaOther amusements were Jon Hamm playing the handsome idiot vying to get a role in one of his co-presenter’s [Elizabeth Banks] franchises; Sarah Silverman, who along with her co presenter John Krasinski, mimed the grant they were giving to the Silent Film Festival, showed off her mightily defined cleavage. This prompted Bryan Cranston who followed her to quip, “ I want to thank Sarah Silverman for her luscious Globes.”

Lady Gaga was present and hung all night with her “American Horror Story: Hotel” producer Ryan Murphy– they’ll be looking for Golden Globes soon so this was high end diplomacy. Looking demure in a white gown and coiffed blond hair, Gaga gave the crowd a bit of too much information when she said, “ I just snarfed an olive in my nose and there is still a little bit in there,” She then presented awards to children’s programs and said, “I went to a lot of performing centers as a kid, they are weird places. “  She added though, “Personally, music played such a personal part of my happiness.  Thank you HFPA, we need to make young people feel good about themselves.”

Other stars to take the stage were Andrew Garfield, Ice Cube, America Ferrara, Jason Isaacs, Topher Grace, Joe Manganiello, Brie Larson, Dakota Johnson, Saoirse Ronan, O’Shea Jackson Jr, Allison Janney and Sophia Bush.

Most of the Globe members were there, including our old friend Theo Kingma, former president. (He’ll be back, just wait.) Current prez Lorenzo Soria, who writes for Italian publications, told me at the end of the night: “It was a wonderful night, we are very proud. I’m happy with the results. And it’s good we gave all this money to organizations that deserve it.”

Where do they get the dough, you ask? NBC pays them a license fee of around $10 million a year to use the Golden Globes name for the big show in January. To make it tax free, the HFPA gives away a portion every year. Just FYI.

photo credit : Image Group LA on Behalf of the HFPA

Rolling Stone Snubs Eric Clapton, Sting, Aretha, Cat Stevens, David Byrne in List of Top 100 Songwriters

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Rolling Stone magazine– already in shambles and discredited after their UVA rape story debacle– is at it again.

Always ready with a top 100 list to get publicity, this time the moribund mag has published a list of the top 100 songwriters — presumably of the rock era since the Gershwins and Cole Porter are MIA.

But also missing are quite a few important songwriters of the rock era– and it’s very embarrassing. Completely omitted: Eric Clapton, Sting, Aretha Franklin, David Byrne, and Cat Stevens, among others.

This means that “Layla,” “Every Breath You Take,” and “Peace Train” didn’t rate among Jann Wenner’s editors. LOL.

Also missing: Carly Simon, Phil Collins, Peter Gabriel, Bob Seger, Billy Preston, Cyndi Lauper, The Doors, Jefferson Airplane, Steven Tyler and Joe Perry, Jon Bon Jovi, Crosby Stills or Nash. (Neil Young, of course, made it without fail.)

Who made the cut? How about Radiohead? Can you hum any of their songs? How about their only actual hit “Creep”? The song was actually pinched from the Hollies’ “The Air That I Breathe.” They now share songwriting credit and royalties. Also included are The Notorious BIG and Jay Z. Huh? This is a list of songwriters.

Madonna? She’s relied totally on producers and co-writers. She’s never actually written a song. All of her original hits, like “Material Girl” and “Like a Virgin,” were composed by professional songwriters. She’s ranked AHEAD of James Taylor and Gamble & Huff. Okay? What?

Sting is a particularly egregious if not for “Every Breath You Take” but for the Police’s dozen or so top hits and his songs like “Fragile,” “If Ever I Lose My Faith in You,” and “Fields of Gold.” What really stings is that Rihanna, Bruno Mars, and many current acts have appropriated Sting’s sound for their hits.

Clapton? Not just “Layla,” but every thing from “Tears in Heaven” to “Sunshine of Your Love.” Hello?

Aretha? She only wrote “Think,” “Rock Steady,” “Daydreaming,” “Call Me,” “Since You’ve Been Gone,” and “Who’s Zoomin Who.”

David Byrne? The Talking Heads? Jann, baby, you are out of it.

Of course, Rolling Stone is a joke at this point. Who takes it seriously, especially after the UVA episode? But this is really the last straw. Bleh.

Broadway: After 12 Years and Millions of Dollars, “Wicked” Brings In Heavy Hitters Michele Lee and Fred Applegate

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Guess what? I’d never seen “Wicked” on Broadway before last night. It opened 12 years ago with Kristin Chenoweth and Idina Menzel, made millions, launched careers, and played all over the Milky Way. All I knew were the commercials.

So last night I finally had the chance to see it because the producers have recently added two heavy hitters to the already talented cast: Michele Lee, double Tony nominee and 14 year star of TV’s “Knots Landing” is playing Madame Morrible. Fred Applegate, a TV and Broadway veteran who just appeared to acclaim in Sting’s “The Last Ship” is The Wizard of Oz. They’ll be there all this fall, too. What a delight to see both of them on stage.

Michele is playing Madame Morrible with seething delight, going from what looks like patrician passivity to delicious mayhem. She’s the one who predicts the cyclone that will bring Dorothy’s house to Oz. (Lee has a great voice and sings a lot in the show. But I wish composer Stephen Schwartz would give Madame Morrible her own show stopper.)

Since she and the Wizard are allied in many plots, Lee’s arrival was timed with Applegate’s. They told me over dinner they’re having a ball. Pay close attention because they have their own little back story going on stage. After all this time, I asked Fred, isn’t “Wicked” sort of like a machine? He jumped in: “No, I gotta tell you, they are the nicest people. Everything is hands on. It’s sort of brilliant.”

Michele is loving her vivacious and un-witchlike co-stars Caroline Bowman and Kara Lindsay, who play Elphaba (the Wicked Witch of the West) and Glinda, the Good Witch.

Ironically, Michele opened in “Seesaw,” the Cy Coleman classic, in 1973 at the very same theater. It’s the Gershwin now. It was called the Uris then. She was very young. Last year she gave up her New York apartment to live full time in L.A. Of course, that’s when the call came for “Wicked.” My guess is she’ll roll right into another musical when her “Wicked” term is over.

After the show we walked over to Bar Centrale for a drink and a bite. West 46th looked pretty quiet for 11:30pm. There was no one in the joint except Meryl Streep having a chat with famed photographer Brigitte Lacombe. Danny Strong, who created “Empire,” was eating with pals. Very quiet. No one famous.

Only on Broadway, kids. Only on Broadway.

Robin Thicke Tries for Comeback Using Nicki Minaj, References “Hillary Rodham”

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Robin Thicke is back. In fact is new single is called “Back Together” and features Nicki Minaj. Any recording artist who wants to prove they’re hip has Nicki Minaj on their record. I hope she charges them a fortune.

Thicke already released a new single that went nowhere called “Morning Sun,” which required adding Barry White’s name to the songwriting credits. Stop me if you’ve heard this already, but Thicke has a problem using elements of other people’s songs in his own. (See GAYE, Marvin)

Thicke’s last album sold 12 copies. It was called Paula, and it was all about how he wanted his childhood sweetheart, mother of his child and wife back. When she said no, he found a 20 year old. (That way he got the child back too.)

In some interviews I see Thicke is now saying he was the victim in his personal debacle. Whatevuh. If you can dance to the record, fine. Otherwise, TMI at this point. We’ll see how “Back Together” does on the charts. It’s a good record. Let’s hope it’s not sampled from something else. But it seems Max Martin wrote and produced it, so we’re cool.

Check out the reference to Hillary “Rodham” in Nicki’s rap.

Cecil the Lion’s Killer Tweets: “Did you know that lions go to the dentist too?” and “People care less and less every day”

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The Twitter account for River Bluff Dental, the office of Dr. William Palmer in Bloomington, Minnesota, is full of hubris. Today– in an effort to win back patients– they Tweeted: “The practice is still closed even though people care less and less about CecilTheLion day after day. Fickle people.”

It’s not the wording that smacks of insensitivity– it’s the illustration of a lion accompanying it that should outrage Palmer’s critics.

It’s not the first Tweet from River Bluff Dental to feature a picture of a lion. This was their Tweet on August 10th:

And this:

Back on August 4th, Palmer was convinced his problems were over. Are they? I’m not convinced:

Oscar Winner Paul Haggis Clears Up Misquote About Best Picture: “I am very proud of Crash”

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Somehow, some interviewer messed up Paul Haggis’s quotes about his Oscar winning Best Picture “Crash.” Some people don’t like the fact that “Crash” beat “Brokeback Mountain” and “Munich” for Best Picture in 2004. But the Academy voted for it. It was not a mistake. “Crash,” for its time, affected a lot of people. Haggis is a consummate filmmaker who also wrote “Million Dollar Baby.” His excellent HBO mini series, “Show Me A Hero,” starts this week.

Here’s what Paul told me today:

“I am very proud of Crash, and am honored to have been chosen as one of the best films of that year – especially in a year where there were so many terrific and daring films that explored real and pressing issues. It is unfair and rather ridiculous to ask a director if his film is “the best”- being a Canadian I am never going to be one who stands up and announces “Yes, my film absolutely deserved to win over all those amazing films.” It’s not going to happen — and my answers have always been consistent.

“I am very proud of Crash, I am proud to have been able to make an independent film that got people talking more about issues of race and class, especially at a time when everyone was saying “we don’t have these problems in America right now” — as many critics did. And I am proud to now be part of a creative team that is exploring those issues again — because we need to do more than talk about these issues, we need to actually start addressing them.”