Saturday, October 5, 2024
Home Blog Page 139

Review: “The Crown” Comes to a Bittersweet End After Six Seasons as Prince Philip Says to Queen Elizabeth, “The good news is, the party’s over”

0

I know you will want to skip to the final episode of “The Crown” when the remainder of season 6 drops this morning.

Please don’t! Watch it in order so the buildup to the inevitable, bittersweet ending can grab you by the throat. If you’ve been a fan of this series, the final few episodes bring the series to a glorious and sad ending.

Much of Season has already been taken up by Charles and Diana, and the latter’s death. Now we get high school age William and Harry, how they adapt to the death, to Diana, and to Charles’s marriage to Camilla. This is the take away from all that: no actress can make Camilla attractive or likeable. Olivia Williams certainly tries here. But it’s a thankless job.

“The Crown” telling us almost nothing about Ann, Andrew or Edward. There’s no Koo Stark or Randy Andy or Fergie sucking toes. That’s why “The Crown” now becomes real historical fiction, with imagined conversations, the clanking of chains through the palaces, and a heavy dollop of Tony Blair. The series which relied so much on newsreels and actual accounts of events takes a sharp turn into soap opera.

Other than the final episode, the two that really stand out are one about the Queen facing the changing public’s attitude toward the monarchy, and another about Princess Margaret’s sad, final days. Lesley Manville is deeply moving as Margaret. Peter Morgan does a lot to portray the sisters’ relationship from the day their father died til the end.

What does permeate the final episodes is a frostiness between Elizabeth and Philip. You get the feeling that she loved him but she’s pretty much had it with him. When he dies, it’s almost a relief. Morgan allows the Queen some self reflection, and we get a chance to go back to her Claire Foy youth for one untold episode when Elizabeth was at a crossroads choosing between public duty and her own needs.

Imelda Staunton looks and sounds more like Foy than Olivia Colman, although both former Queens do turn up at the end in Elizabeth’s memory. But Staunton could not look more like the idea of the real Elizabeth, and hues closer to our original feeling for her under Foy, just with more gravitas. She leaves a deep impression, as the excellent Jonathan Pryce says — in his final, no doubt award winning speech that defines not just the moment but all of our feelings about the Crown– “The good news is, the party’s over.” We know she stayed as long as she could to prevent what happens after the series, what we now know to be the vicious battering of everything Elizabeth worked for in her 70 year reign.

Review: Jeffrey Wright Gives a Tour de Force Performance in Cord Jefferson’s Savvy “American Fiction”

0

I first saw Cord Jefferson’s “American Fiction” at the Hamptons Film Festival and was knocked out. It opens this Friday and is a sleeper hit that I hope will resonate at the box office.

Jefferson, who used to write for the defunct Gawker website, has come up with a trenchant satire along the lines of “Wag the Dog.” Like this year’s “The Holdovers,” “American Fiction” is also a personal statement with well drawn characters portrayed by top actors.

Chief among them is Thelonious “Monk” Ellison played in a career defining moment by Jeffrey Wright. Monk is a college professor who’s fighting with his students and hasn’t published a book in eons. His school puts him on leave, so he heads home to Boston and family. That includes his sister, Lisa — the charming Tracee Ellis Ross — his newly gay brother (a muscular and funny Sterling K. Brown) and his mom, played by the legendary Leslie Uggams. Monk also gets a girlfriend in the form of Erika Alexander, who should be in more movies. (She was a TV star in the 90s.)

At the same time, Monk — who publishes esoteric books and is a snob — is frustrated by new, hot Black writers who are pretending to be “ghetto” to get attention. One in particular, Sintara (that’s Issa Rae) is winning awards and getting attention for her book, which just makes Monk irate. Suddenly strapped with expenses from his mother’s dementia, Monk sets out to write a junk book under a pseudonym — Stagg R. Leigh — to make money and make fools of publishing and academia.

What unravels is Jefferson’s brilliant send up of the literary world and culture in general. Monk sells his book for a fortune and demands of the cluesless white publisher that it be titled “Fuck.” The publisher– who is led to believe Monk is an ex con on the run– agrees. And the rest is mayhem as Monk has to keep lying and covering up what he’s done. The book is (implausibly) rushed to publication, which it means it qualifies for a Literary Award both Monk and Sintara are judging. (This is a fable.) So now two different paths for lying have been set, and you know they will converge with a bang.

Jefferson is clever. He’s made the Ellisons debt heavy but still upper class, with a beautiful home in the Boston suburbs and a beach house on the city’s south shore. They are the opposite of what Monk is angry about in current Black movies and books. He comes from a good family that has nothing to do with pimps, gang bangers, and so on. The point is made precisely. Meanwhile, the music of the real Thelonious Monk plays in the background. (So does an obscure Joe Simon sounding R&B band called Ace Spectrum circa 1975.)

Like any layered satire, “American Fiction” benefits from a second screening because it’s full of little Easter eggs you might not get the first time. My favorite is the name Stagg R. Leigh, which no one in the movie picks up on. (The Lloyd Price hit, “Stagger Lee,” was derived from a 19th century African American pimp who became a legend in real life. Plus, the family name Ellison is a nod to Ralph, author of “Invisible Man.”)

Of course, “American Fiction” wouldn’t outdo itself without a surprise twist of an ending, very “meta,” and ironic as the whole thing maybe is an actual American fiction, but who can separate the various strands as Jefferson gives us multiple possibilities of how this will all conclude. Without doubt this screenplay will be a surprise winner at all the awards shows, and Jeffrey Wright — who I saw in “Top Dog/Underdog” on Broadway and has since become a standard bearer for great acting — will finally get his due.

Emmy Awards Grab Anthony Anderson to Host Much Delayed Awards Show on Fox Next Month

0

The Emmy Awards are coming to Fox on January 15th.

The host? Anthony Anderson has come on board. The star of “Blackish” and “Law & Order” should make for a fun show.

The Emmys were supposed to be on back in September, but got delayed because of the strikes. This means we’ll have two Emmy Awards shows this year. The next one will be in September 2024.

“With our industry’s recent challenges behind us, we can get back to what we love — dressing up and honoring ourselves,” Anderson said in a statement. “And there’s no better celebratory moment to bring the creative community together than the milestone 75th Emmy Awards. When Fox asked me to host this historic telecast, I was over the moon that Taylor Swift was unavailable, and now I can’t wait to be part of the biggest night in television.”

Critics Choice Nominations Gets It Mostly Right But Snubs Annette Bening, Fantasia, George Clooney Boat Movie, “Wonka,” Chalamet, Ava DuVernay “Origin”

0

The Critic Choice nominations are out. They weren’t supposed to be out until Noon Eastern time, but People magazine misread the time zone and announced them at 9am Eastern. There will be a lot of trouble right now.

The CCA Awards air Sunday, January 14th on The CW Network. They’re far more prestigious than the Golden Globes and taken a lot more seriously. They got the noms mostly right, although they snubbed both Annette Bening and Fantasia, which I’m sorry about. They also ignored new movies by George Clooney and Ava DuVernay, but that’s because they were screened so late in the schedule. Also, there was no affection for “Wonka.” Surprise Best Picture nom went to “Saltburn,” which was otherwise shut out of the main awards.

Best Picture

American Fiction
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
Saltburn

Best Actor

Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Jeffrey Wright, American Fiction

Best Actress

Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Greta Lee, Past Lives
Carey Mulligan, Maestro
Margot Robbie, Barbie
Emma Stone, Poor Things

Best Supporting Actor

Sterling K. Brown, American Fiction
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Ryan Gosling, Barbie
Charles Melton, May December
Mark Ruffalo, Poor Things

Best Supporting Actress

Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
America Ferrera, Barbie
Jodie Foster, Nyad
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers

Best Young Actor/Actress

Abby Ryder Fortson, Are You There God? It’s Me, Margaret.
Ariana Greenblatt, Barbie
Calah Lane, Wonka
Milo Machado Graner, Anatomy of a Fall
Dominic Sessa, The Holdovers
Madeleine Yuna Voyles, The Creator

Best Acting Ensemble

Air
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Oppenheimer

Best Director

Bradley Cooper, Maestro
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Alexander Payne, The Holdovers
Martin Scorsese, Killers of the Flower Moon

Best Adapted Screenplay

Kelly Fremon Craig, Are You There God? It’s Me, Margaret.
Andrew Haigh, All of Us Strangers
Cord Jefferson, American Fiction
Tony McNamara, Poor Things
Christopher Nolan, Oppenheimer
Eric Roth and Martin Scorsese, Killers of the Flower Moon

Best Original Screenplay

Samy Burch, May December
Alex Convery, Air
Bradley Cooper & Josh Singer, Maestro
Greta Gerwig & Noah Baumbach, Barbie
David Hemingson, The Holdovers
Celine Song, Past Lives

Best Cinematography

Matthew Libatique, Maestro
Rodrigo Prieto, Barbie
Rodrigo Prieto, Killers of the Flower Moon
Robbie Ryan, Poor Things
Linus Sandgren, Saltburn
Hoyte van Hoytema, Oppenheimer

Best Production Design

Suzie Davies, Charlotte Dirickx, Saltburn
Ruth De Jong, Claire Kaufman, Oppenheimer
Jack Fisk, Adam Willis, Killers of the Flower Moon
Sarah Greenwood, Katie Spencer, Barbie
James Price, Shona Heath, Szusza Mihalek, Poor Things
Adam Stockhausen, Kris Moran, Asteroid City

Best Editing

William Goldenberg – Air
Nick Houy – Barbie
Jennifer Lame – Oppenheimer
Yorgos Mavropsaridis – Poor Things
Thelma Schoonmaker – Killers of the Flower Moon
Michelle Tesoro – Maestro

Best Costume Design

Jacqueline Durran, Barbie
Lindy Hemming, Wonka
Francine Jamison-Tanchuck, The Color Purple
Holly Waddington, Poor Things
Jacqueline West, Killers of the Flower Moon
Janty Yates, David Crossman, Napoleon

Best Hair and Makeup

Barbie
The Color Purple
Maestro
Oppenheimer
Poor Things
Priscilla

Best Visual Effects

The Creator
Guardians of the Galaxy Vol. 3
Mission: Impossible – Dead Reckoning Part One
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse

Best Comedy

American Fiction
Barbie
Bottoms
The Holdovers
No Hard Feelings
Poor Things

Best Animated Film

The Boy and the Heron
Elemental
Nimona
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem
Wish

Best Foreign Language Film

Anatomy of a Fall
Godzilla Minus One
Perfect Days
Society of the Snow
The Taste of Things
The Zone of Interest

Best Song

“Dance the Night,” Barbie
“I’m Just Ken,” Barbie
“Peaches,” The Super Mario Bros. Movie
“Road to Freedom,” Rustin
“This Wish,” Wish
“What Was I Made For,” Barbie

Best Score

Jerskin Fendrix, Poor Things
Michael Giacchino, Society of the Snow
Ludwig Göransson, Oppenheimer
Daniel Pemberton, Spider-Man: Across the Spider-Verse
Robbie Robertson, Killers of the Flower Moon
Mark Ronson, Andrew Wyatt, Barbie

Taylor Swift Celebrates 34th Birthday By Putting Eras Tour Movie on VOD for 20 Bucks

0

Taylor Swift is giving us a gift for her 34th birthday.

The pop star has put her Eras Tour movie on video on demand for 20 bucks — and it’s the extended version!

What a year Swift has had! Person of the Year! The most records sold in 2023! Biggest tour of the year!

She’s so hot right now Santa is taking her on the sleigh and she’ll get to feed the reindeer!

Next up: performing on the Grammy Awards!

Happy Birthday, Taylor!

RIP Great Actor Andre Braugher, 61, Star of “Homicide,” “Brooklyn Nine Nine,” Two Time Emmy Winner

The great actor Andre Braugher has died at age 61. The report says he had a short illness.

Braugher won 2 Emmy Awards on 11 nominations. He was an actor’s actor, the real deal, not the construct of publicity or the star making machine. He starred in “Homicide: Life on the Streets,” a drama, and then a comedy, “Brooklyn Nine Nine.” They were each hits.

Recently he played NY Times editor Dean Baquet in “She Said.”

Among his credits was the Angelina Jolie movie, “Salt,” which he was mostly cut out of. I asked him about it once and he looked at me and said, incredulously, “Was I in Salt?” and laughed.

Braugher started as a theater actor. He appeared in many productions of Shakespeare with the Public Theater in New York, and won an Obie in 1996 for “Henry V” and one for “The Whipping Man” in 2011. You know if had lived Braugher would have been a mainstay on Broadway in years to come.

What a loss!

Andre Braugher accepting the Emmy Award.

Harry and Meghan’s Archewell Foundation Ended 2022 MINUS $675K, Down $11 Mil in Donations, UP $500K in Salaries

0

Prince Harry and Meghan Markle’s Archewell Foundation skidded off the tracks in 2022.

According to Archewell’s Form 990, the not for profit’s contributions fell by $11 million, from $13 mil to $2 mil.

Still, salaries went UP by $500,000.

Archewell finished the year technically in the red, MINUS $675,000 in Revenue Less Expenses.

The foundation’s grants to needy causes were cut by more than half, from $3 mil to $1.2 million.

The donations made by Archwell included $200K to Georgetown University. (What? What?) and $165,000 to Kaboom, a group that creates playspaces in communities.

I have no idea what this charity is, really. There doesn’t seem to be a clear mission other than to exist.

MSNBC Bucks Nepo Baby Criticism, Hires Luke Russert to Be Host, Creative Director of New Series

0

You have to give MSNBC’s Rashida Jones credit. The news director of the popular cable network won’t be turned off by accusations of ‘nepo baby.’

Jones has hired the late Tim Russert’s son, Luke, to oversee a new event series on the network. “MSNBC Live,” will be an event series launching in 2024, featuring high-profile interviews, expert forums and panels on a local and national scale.

Russert’s experience is being the son of Tim Russert and Vanity Fair writer Maureen Orth.

NY Magazine coined the term ‘nepo baby’ earlier this year. It references children of famous people who get breaks despite having little or no experience. Nepo Baby immediately became a catch phrase in the lexicon.

A little background: When Tim Russert, the beloved NBC journalist, died suddenly, son Luke got work on the network immediately because he was his son. Then he left, wrote a book, and went on a book tour. The book was not a complex investigation into a newsworthy subject, but a memoir about losing his dad and “finding” himself. The MSNBC press release doesn’t even say this — they don’t even supply a biography of Luke, which is really weird. They don’t need to, apparently.

So congrats to Luke Russert! He really worked his way up the ladder. And bravo to Rashida Jones for taking the brave path and not appointing someone with a long resume. It’s a daring, bold move.

Donald Trump Now Says in Social Media Rant that He Wanted to Testify in NY Trial, Can’t Explain Why He Didn’t

0

Just so you know, Donald Trump really wanted to testify this week in his NY fraud trial. He says so on social media this morning. He doesn’t say exactly why he didn’t, but still calls the judge and attorney general of New York names.

This is a very lame Trump post at best. I guess he figures his followers will just read the top line (aloud) and go back to the funnies. But Trump didn’t testify because one more word out of him under oath would make things worse than they already are.

CBS Can’t Find a Host for Golden Globes: Will Cedric Be Entertaining on Show Night? Drew Barrymore? LL Cool J?

0

Cedric the Entertainer just announced the Golden Globe nominees on CBS. Will he wind up being the host of the show on January 7th?

There’s a good chance because reportedly no one else wants to do it. Not Chris Rock. Certainly not Tina Fey and Amy Poehler, who are long gone. Ricky Gervais? Nope.

CNN reports that the show hasn’t secured a host with less than a month to go.

That’s because the Globes are riddled with scandal. Past hosts have had a ball ridiculing the Hollywood Foreign Press Association. The HFPA is gone in name now, but around 60 members continue in the newly configured Globes. They are mostly the same people. Would the host still make fun of them?

Cedric seems an obvious choice. CBS’s Jack Sussman loves to have network stars host shows, which is why LL Cool J and James Corden did the heavy lifting for years on the Grammys and Tonys. Corden is gone. LL Cool J — now that would be funny and so right.

Maybe CBS could have pressured Stephen Colbert to do the duties. But he’s been sick, and is looking forward no doubt to the Christmas break. One outside shot– Drew Barrymore, also contracted to CBS for her talk show.

Stay tuned..