Monday, October 7, 2024
Home Blog Page 1372

Oprah Cuts Deal for “Memoir” 22 Years After Cancelling Original Book

0

Oprah Winfrey has cut a deal to publish a “memoir” and have her own imprint with MacMillan Publishers. It’s being done under Flatiron Books, a so-so publisher that is not really equipped to deal with big celebrities. No money is being discussed. It sounds like a co-venture to me, with Oprah funding it herself. We’ll see. And we’ll see how much of a “memoir” it is.

It’s surprising that Oprah went this way. She was supposed to publish a memoir back in September 1993 with Knopf. She had a $3 million advance. Three months out, she cancelled the book. It was all written and ready to go. She said at the time the book didn’t have “heart.” There was a lot of outrage in the book community. (That just means people sighed and went back to work.)

Flatiron itsself is an odd choice. Their “Carly Simon” autobiography Boys in the Trees has just hit the bestseller list despite all their efforts (it wasn’t featured on the Flatiron website until yesterday). They also published a memoir last month by actress Illeana Douglas that was more or less hidden until I found it the other day buried on their website. Oprah had better bring in her own marketing team.

Book publishing is by and large a dead animal. It’s like one of the carcasses in “The Revenant.” Nothing’s changed in the three decades since I was a book publicist at Ballantine/Random House. Hardly any of them are pro-active. All authors still have the same complaints about lack of communication, no budgets etc. Very very frustrating.

Sinatra Gets Lincoln Center Tribute from Sting, Fantasia, Christina Aguilera and…Seth MacFarlane?

0

Sting stole the show last at David Geffen Hall, singing two songs in the tribute to Frank Sinatra with Alan Gilbert and the magnificent New York Philharmonic Orchestra. The world’s most famous crooner would be 100 years old this month. To paraphrase Seth MacFarlane, who hosted the show and sang several numbers, that would make him younger than most PBS viewers. The Sinatra tribute was taped for PBS.

Some parts of the show worked really well, some not so much. Sting, the only genuine mega star on stage, also gave his Sinatra numbers some life and personality. His gravel and molasses voice, in fine form, was perfect for “Witchcraft.” Later he and famed trumpeter Chris Botti put their own stamp on “In the Wee Small Hours” with some rhythm for their blues.

Ditto Fantasia, who remains highly underrated even after conquering Broadway and the pop charts and winning “American Idol.” Her entries– “Learning the Blues” and “On the Sunny Side of the Street” — gave Sinatra some unique soul. He would have approved.

Not everyone was so successful. MacFarlane came to this show from taping another Sinatra special Las Vegas on Wednesday night with Tony Bennett and a bunch of current pop stars. He obviously idolizes Sinatra, looks good in a tux, and radiates Rat Pack nostalgia. But his voice is limited, and after a couple of songs he sounds like a demo singer. Less would have been more here, so be advised. Nonetheless, MacFarlane was very funny in his emcee role. We’ll see how much of his slagging makes it onto PBS.

Broadway stars celebrating Sinatra fared pretty well, with Bernadette Peters and Sutton Foster leading the way. Billy Porter of “Kinky Boots” has a great voice, but his look was sort of anti-Sinatra. Kyle Dean Massey was bland.

This show includes direction by Lonny Price and choreography by Joshua Bergasse — it’s all simple and elegant. The other Sinatra show, produced by Kenny Ehrlich for the Grammys airs on Sunday on CBS with Tony Bennett. Too bad Tony wasn’t at this one. Or Harry Connick, Jr. (he’s on the CBS show). This show needed them. On the pop front, Natalie Cole seems oddly missing. On the Broadway front I’d have much preferred Norm Lewis or Brian Stokes Mitchell. Maybe they were out of town. Christina Aguilera was kind of a tag on for “New York New York.” Liza Minnelli, of course, would have made for a more dramatic choice.

In the end, go back to the original. There was only one Sinatra. His Capitol recordings are the best, and they are all reissued now from Universal Music. I’ve got the “Sinatra 100” CD with 25 songs in my car, and you should have it in yours. All the crazy stuff you see on the road just melts away when “Summer Wind” is on.

PS The Lincoln Center show was used as a fundraiser to raise more money for David Geffen Hall, formerly Avery Fisher Hall. Geffen gave $100 million to get his name on the building for life, but apparently that wasn’t enough. Dan Crown, who’s an Oscar film in the race with “Beasts of No Nation,” was a producer.

Scott Weiland, of Stone Temple Pilots and Velvet Revolver, Dead at 48

0

Scott Weiland is dead. He was 48. Reportedly his manager found him dead on his tour bus. Weiland rose to fame as lead singer of Stone Temple Pilots. He had many drug issues, and eventually left that group. He wound up in Velvet Revolver, but drugs plagued him.

Weiland had a wife and two sons, ages 13 and 15. What a shame. There was a moment when Stone Temple Pilots were huge. If Weiland hadn’t gone off the rails then STP would have gone on to bigger things. Condolences to his family and friends.

Who didn’t love this song? RIP Scott Weiland

Kit Harrington is Back for New “Game of Thrones” Season (Watch Teaser)

0

Is he Jon Snow? Is he someone else? “They have no idea what is going to happen.”

Here’s the teaser for the new season of “Game of Thrones.” Kit Harrington is back and it’s all about him.

Adele Cost Sony $67K When She Appeared on 2013 Golden Globes for “Skyfall”

0

It’s a good thing Adele is making so much money for Sony Music now.

Two years ago, she cost Sony over $67,000 when appeared on the 2013 Golden Globes.

The invoice for the trip turned up in the Wikileaks Sony email hack a few months ago.

Plane for Adele and a companion came to $37,000. Another fare, also roundtrip, for someone from her management office was almost $14,000. There was another $11,000 on hotels. Almost $5,000 was spent on something called “Heathrow VIP.” Plus sundries the total came to $67,638.88.

Mind you, this was well before Adele turned into the sales tsunami she is today. Still, at the time, her “21” album had already sold in the millions.

Also, remember that Adele didn’t actually sing “Skyfall” on the show. She did win, so that was good. She said in her acceptance speech that she and a friend named Ida were “on a night out.” An expensive one!

Bill Murray’s Gem of a Christmas Special Features Miley Cyrus, George Clooney, Chris Rock

0

No one
really knew what to expect last night at  the Paris Theater when Bill Murray and Sofia Coppola unveiled “A Very Murray Christmas” for Netflix.

But the hour long special is a gem, a gift box stuffed with toys and candy. Murray hosts the one hour show written by Mitch Glazer with a boatload of guests including Chris Rock, Miley Cyrus, Amy Poehler, the rock group Phoenix, Jason Schwartzman, George Clooney and a boffo warbling Maya Rudolph. Paul Shaffer is the on camera musical director, and Dimitri, the beloved maitre d’ at the Sunset Tower Hotel dining room in West Hollywood, has a special role.

Most of it was filmed at the famed Hotel Carlyle on New York’s Upper East Side, the most swellegant hotel in NYC.  There are also loads of famed session players doing the music starting with drummer Steve Jordan and singer Cindy Mizelle.

The screening boasted all of these people as well as socialite Lee Radziwill, sister of the late Jacqueline Kennedy Onassis, and Trudie Styler who came with sister in law Anita Sumner (one of Sting’s sisters) plus Steve and Maureen van Zandt.

I just loved this special. Sofia Coppola– dad Francis Ford Coppola was in the house last night as well as brother Roman, who produced the show–outdid herself with a jaunty, sophisticated take on the old Bob Hope specials. Murray has never looked more focused, singing Christmas carols, performing the old Stax Albert King song “Santa Claus Wants Some Lovin'” with Clooney et al. Maya Rudolph offers a sensational “Christmas (Baby Please Come Home”). Everyone’s in formal attire. It has the feel of a party from a Preston Sturges movie or a Dean Martin special.

You will want to get Netflix just to see this show, trust me.

Oscars Irony: Michael Keaton Moves Up to Lead in Race from “Spotlight”

0

Thanks to the New York Film Critics. They gave Michael Keaton Best Actor in “Spotlight.” They moved him up from supporting actor status. Now he goes straight to the top of the list for the Academy Awards as “Spotlight” is the favored film.

Keaton will win the Oscar in lead. It’s a make up from last year’s loss in “Birdman” to Eddie Redmayne in “Theory of Everything.” Of course ironies abound: Keaton was directed in “Birdman” by Alejandro Innaritu, who now brings Leonardo DiCaprio in “The Revenant.” But Keaton, who’s been waiting longer than Leo for his gold statue, will win. Mark my words.

Moving Keaton out of supporting gives Mark Ruffalo a chance to win in supporting for “Spotlight.” He’ll be pitted against today’s NYFCC winner Mark Rylance, and Sylvester Stallone. Close race, too close to call right now. If Stallone gets the Golden Globe, that may end his Oscar chances. The Academy will swing back to Ruffalo.

The “Spotlight” cast all wanted to be in supporting out of loyalty to one another. But they would lose a lot that way. Case in point: “Boyhood” couldn’t score Best Picture last year because it had no lead actor. (“Birdman” won because it had a best actor candidate, even if Keaton didn’t ultimately win.) “Spotlight” needs Keaton to captain them to gold. And Keaton should– his character, Robbie, holds the answer to a question asked in that movie. He’s the linchpin.

It’s all good for Leo, his day will come. And “The Revenant” will score many prizes. Remember: Some days you eat the bear, some days the bear eats you.

Marlon Brando on Marilyn Monroe: “They most certainly murdered her”

0

It was about time actress Illeana Douglas wrote a book. I found out about it by accident since her publisher has kept it all a secret. Douglas has starred in dozens of movies and TV shows, and for quite some time in the 90s was the girlfriend of Martin Scorsese. Her grandparents were the great actor Melvyn Douglas and the great California congresswoman Helen Gahagan Douglas. (Defeated after two terms by Richard Nixon, Helen coined the phrase “Tricky Dick”.)

Illeana’s book is called “I Blame Dennis Hooper: And Other Stories from a Life Lived in and out of Movies.” She started as a publicist with Peggy Siegal in the mid 80s, went to work for Scorsese, was hired by him as an actress (she’s in a lot of his movies from that time), and became his girlfriend. Even after that was over, Illeana hasn’t stopped working for a minute. She has two movies in the can for 2016.

The book is a memoir of working with Scorsese, DeNiro, and all the big New York filmmakers. It didn’t always have a happy ending. She filmed Spike Lee’s “Jungle Fever” and was cut out of it. She was in Woody Allen’s “Husbands and Wives.” Didn’t see her?

From the book: It snowed the day we shot, and I could not believe I was staring at another great cinematographer, Carlo Di Palma, as he lighted a set. I thought, My God, I have made it. I will probably be in every Woody Allen movie. Annie Hall Douglas. My part got cut. I went to an early screening and nobody had told me I was no longer in the movie. I think Marty was more upset than I was. The nerve to cut another director’s girlfriend out of your movie.

One episode that can’t be overlooked: Illeana and Scorsese go to meet Marlon Brando. She writes: “We discussed the many abandoned movie projects— Brando and Michael Jackson with Jackson as God, and a project with the Native American activist Russell Means that Marty was to direct.”

Brando was so huge, Illeana remembers, that he wouldn’t eat with them in public. They stayed in his hotel room, where Brando “took up the entire couch.”

But the big headline?

It was late at night, and by that time we had had many bottles of wine. I asked him, because I knew I had to, about his relationship with Marilyn Monroe, and he said, “They most certainly murdered her.” I said, “Do you really believe that?”

“Oh, yes,” he said. The way he said it gave me the chills.

Much much more. You can’t put it down…

 

 

 

Helen Mirren Worried Husband Taylor Hackford Wouldn’t (Expletive Deleted) Her Again After She Played Queen Elizabeth

0

expletives included Dame Helen Mirren shocked the Gotham Awards audience Monday night when she accepted the Lifetime Achievement Award. It was about her Oscar winning performance in “The Queen” as Queen Elizabeth II.

“I’ll have to you a story about ‘The Queen,’” Dame Helen told the audience. “When the film was first screened at Venice, I’d never seen it before nor had my husband, Taylor (Hackford), and the first shot is of me completely in all the regalia and the wig and everything, and I turned to look at the camera, and my husband lets out this huge laugh because he’s never seen me dressed as The Queen before. So I leaned over to him and I said, ‘Darling do you think you’ll ever fuck me again?’”

“Between you and me, “Yes,” Mirren murmured to the audience. “This isn’t on television is it? Are we safe?”

Mirren– in the Oscar race this year for “Woman in Gold” —  paid tribute to writers, that her success had everything to do with the words of literary giants, who included Shakespeare, Strindberg, Christopher Hampton, Peter Greenaway, Harold Pinter, Eugene O’Neill, Tennessee Williams, Peter Morgan” and John McNamara, the screenwriter of her recent film, “Trumbo” about Dalton Trumbo.

“Everything you saw up there on that screen just now, everything I’ve done as an actor came from an idea, from a writer, facing a blank page. Writers have opened the door for me, the door from which I’ve had the great opportunity to walk through.”

Mirren then took a dig at Donald Trump. “What a beautiful and terrible things words are, a conveyance for love and hatred and inspiration and stupidity… Donald Trump… meanness and generosity, kindness and cruelty.”

“The blank page can be used for wisdom, poetry, imagination and the wonderful entertainment of storytelling,” but also “for insidious propaganda, for lies and brutality, but let us love our writers and their courage and always stand behind them when they’re threatened with silence by any chicken shit political censorship.” The audience cheered.

She included an appeal for the audience to lobby for the Palestinian poet Ashraf Fayadh, who has been condemned to death on blasphemy charges by the Saudi Arabian government.

 In the pressroom, a journalist asked Mirren about her acceptance speech, in which she spoke strongly about political censorship and about the power of words. She had mentioned Trump. As the rhetoric revs up, will thing get better or worse, she was asked?

“I don’t know. I don’t think Americans would give up their freedom of speech too easily. I think that would be a real battle. I think what we have to do is be conscious of other parts of the world,” especially “incredibly brave journalists, writers, poets,” who are “incarcerated and tortured.” She brought up the poet Fayadh again. “This is a really serious, thoughtful, gentle poet.”

When asked about what advice she held onto, Mirren revealed the surprising information that she was nervous. “Beware of fear. Fear is dangerous. I’m so frightened tonight. I’m so nervous. My heart was beating…Oh, my God! You have no idea… It’s such a nerve-wracking moment…Fear is destructive. It’s a terrible thing!”

Why nerve-wracking?

 “Because it’s New York and I’m a little overwhelmed by New York, you know? It’s just so big and sophisticated and hip and cool and everything. You’re a New Yorker, so you’re used to it, and I’m… It’s pretty impressive and also having those sorts of people out there. It’s terrifying!”

 How does she cope?

“Like tonight? I just keep breathing and saying, ‘It’s ok, don’t worry, the world’s not going to come to an end if you fuck it up. It doesn’t matter.”

Meanwhile for the last two hours she confessed that she had told her husband she couldn’t wait to get home and into her pj’s.

 

NY Film Critics: “Carol,” Todd Haynes, Michael Keaton, Saorise Ronan, “Inside Out,” Mark Rylance, Kristin Stewart Acting Nods, Eschews Michael Moore

0

The New York Film Critics’ choices for 2015 dribbling out right now.  Their choices are superb and must be applauded. They moved Michael Keaton to lead actor in “Spotlight,” where he belongs. They didn’t choose “Mad Max.” I am so impressed and relieved.

“Carol” wins Best Picture. Many congrats. Todd Haynes’ adaptation of Patricia Highsmith’s novel “The Price of Salt” is exquisite. Starring Cate Blanchett and Rooney Mara, now in theaters.

Mark Rylance has Best Supporting Actor for “Bridge of Spies”

Kristen Stewart Supporting Actress for “Clouds of Sils Maria.”

Best Director– Todd Haynes, “Carol”

Best Actor– Michael Keaton, for “Spotlight”

Best Actress– Saorise Ronan for “Brooklyn”

Animated film– “Inside Out” which should also get a Best Picture nom at the Oscars

Foreign film — “Timbuktu”– even though I thought this was released in 2014

First film– “Son of Saul”–great choice

Cinematography– the great Ed Lachman for “Carol”–  a rare achievement and must be seen

Non fiction film– Frederick Wiseman’s “In Jackson Heights” over “Amy,” “Going Clear” or “Where to Invade Next”

keep refreshing