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Adele Challenge: Can She Break Curse of Low Rated Pop Star Specials on Broadcast TV?

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Lady Gaga couldn’t do it, and she had the Muppets.

Five years ago, Beyonce and Taylor Swift went head to head and got nowhere.

Both Ed Sheeran and Miley Cyrus have pretty much struck out in the recent past.

So the question is: Can Adele, in the middle of selling five to seven million albums, drawing a viewing audience tonight on NBC? Her special, Live from Radio City Music Hall, was produced by Lorne Michaels. She sings all her old and new hits, drops the F bomb, and takes the piss, as the Brits say.

But will it bring ratings?

Pop acts on primetime rarely score hits even when they’re number 1 with a bullet.

“Ed Sheeran: Live at Wembley Stadium” drew a total of 2.09 million viewers this past August. He pulled a meager a 0.5 in the 18-49 demo.

In August 2014, Miley Cyrus had a total of 2.01 million viewers for her “Miley Cyrus: Bangerz Tour” special, with a 0.7 adults 18-49 rating.

There’s so little interest in concerts like this on broadcast TV that Taylor Swift is giving away her “1989” special on AppleMusic to the streamer’s subscribers.

But Adele may be different. She’s an actual phenomenon at the peak of her game. Her “Live from New York City” has a two hour lead from a big finale on “The Voice,” a compatible show. Will “Voice” fans stick around? “NCIS: Los Angeles” on CBS and “The Great Holiday Baking Show” on ABC are the competition.

In real life, Hollywood gets the “Star Wars” premiere. New York has “The Hateful Eight” opening night. Plus Sting is performing his “Symphonicities” at Carnegie Hall.

PS so many celebs at the taping…read my report from that night...

Michael Shannon, On Oscar Track for “99 Homes,” Has New Indie Film

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Seems like when you’re hot, you’re hot. Michael Shannon, on an Oscar track for his supporting role in “99 Homes,” has a new indie film.

“Pottersville” sounds like the anti-sequel to “It’s a Wonderful Life.” Alas, it’s an original film directed Seth Henrikson, produced by Scott Lochmus, Ron Perlman, Josh Crook, and Jonathan Gray.

Shannon plays a man named Maynard who gets swept up in a sighting of Bigfoot, according to sources. Believe it or not there is regular discussion of Bigfoot and Sasquatch on over night radio shows like George Noory’s “Coast to Coast.” (There’s also discussion of alien abductions.)

Shannon has been getting critics award attention for his role in “99 Homes” and may score a Critics Choice nomination. He’s got 7 or 8 indies coming in 2016, supplementing them by playing General Zod in the Superman movies like “Man of Steel” and the upcoming “Batman v. Superman.” He wrapped a legit run last night in “Pilgrim’s Progress,” a stage production at his Chicago Red Orchid Theater.

Star Wars Trivia: The First Harrison Ford-JJ Abrams Movie, 25 Years Ago, Wasn’t a Big Hit

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When “Star Wars: The Force Awakens” opens this week, it won’t be the first time Han Solo and J.J. Abrams have made a movie.

The first time was just about 25 years ago, in 1991. Abrams wrote and got a co-producer credit on “Regarding Henry.” The Mike Nichols-directed film starred Harrison Ford and Annette Bening. It was Abrams’ first produced screenplay, at age 24.

“Regarding Henry” was not a big hit. It was a middling comedy with some nice moments and a kind of soggy reveal. Abrams had a walk on as a delivery boy. The film made a not bad for the time $43,001,500 as Ford, long past Han Solo, was hot off “Working Girl,” as were Nichols– from that film– and Bening– from “The Grifters.”

Abrams had a couple of other films produced at the time including a pre-scandal Mel Gibson in “Forever Young.” But it wouldn’t be until almost eight years later that he’d start to hit it big in TV with “Felicity,” then “Alias,” and “Lost.” The rest, as they say, is history!

Listen and Watch How the New “Star Wars” Film Begins Thanks to “60 Minutes”

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The “60 Minutes” piece tonight on “Star Wars” should whet any appetites that aren’t already in overdrive. But this extra piece from their website is just great.

Box Office: Ron Howard’s Disastrous “In the Heart of the Sea” Ends Warner Bros.’ Miserable Year

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I do not say this happily: Warner Bros. has had a very bad year. Last night Ron Howard’s “In the Heart of the Sea” made $3.5 million in its opening. They’re looking at a $10 million weekend for a $150 million-plus movie about the men who fought “Moby Dick.” And that’s just the end of a sad story in 2015.

Of Warner’s 25 releases in 2015, only two have made over $100 million– “San Andreas” ($155 million) and “Mad Max: Fury Road” ($153 million). Two others are bright spots– “Creed,” which has already made $72 million, and “The Intern,” a comedy with Robert DeNiro and Anne Hathaway that reaped $75 million. “Get Hard,” a comedy no adult saw on purpose, with Will Ferrell, scored $90 mil in the US and $10 mil abroad.

Otherwise, really nothing worked. From “The Man from UNCLE” to Sandra Bullock in “Our Brand is Crisis” to a Zac Efron comedy called “We Are Your Friends” that made $3.6 million, it was all dross.

Some films did better internationally, like the Wachowskis’ incomprehensible “Jupiter Ascending,” Hugh Jackman in “Pan,” or Will Smith in “Focus.” Lack of understanding English- but the need to see movie stars or special effects– helped in those situations. Johnny Depp in “Black Mass” was the big hope, but it fell short.

All these things are cyclical. Warner Bros. has had great years, and they will again. Ron Howard has two Oscars– for “Apollo 13” and “A Beautiful Mind,” not to mention great hits in “Cocoon,” “Frost/Nixon,” “The Da Vinci Code,” “Splash,” and so on. Rent his racing movie, “Rush.” It’s wonderful.

“In the Heart of the Sea,” has a solid cast but lacks a big movie star. A similar movie, “A Perfect Storm,” starred George Clooney, for example. Chris Hemsworth and Tom Holland weren’t enough, especially without any women.

And so we move on. All eyes now are on “Batman v. Superman” coming March 25th 2016. It can’t come fast enough. And next November, the J.K. Rowling movie “Fantastic Beasts and Where to Find Them.” Fast forward!

Shawn Mendes, Demi Lovato, Nick Jonas, The Weeknd Light Up Z100 Jingle Ball

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My annual trip to the Z100 Jingle Ball is like an anthropological expedition. The number 1 radio station in the country, Z100, and Clear Channel aka I Heart Radio present the top pop acts of the year to 16,000 screaming teenage girls and the adults who bring them to Madison Square Garden. The shrieking is so high pitched you expect dogs to come running from all over Manhattan.

The five hour show was a comprehensive survey of the good, the bad, and the ugly of what kids are listening to on what used to be called Top 40. What you learn mostly in 2015 is that there are no instrumentals and hardly anyone plays an instrument with any proficiency; the singing is mostly loud; the songs are monotonous and sound largely the same; and it doesn’t matter.

But let’s be positive: Demi Lovato turns out to be quite the singer, a real rock belter on a par with Heart or Linda Ronstadt. If only her material were better. Nick Jonas and his brother Joe, separately, are more interesting that anyone knew and more talented. Nick in particular has a solid band and a real penchant for blue eyed funk, with a wicked falsetto. The Weeknd is more than “I Can’t Feel My Face,” has a haircut styled by Al Sharpton, and is the real thing. (I’d like to see him in his own show, smaller venue.)

There were some driftier moments. I’m a Selena Gomez fan, but she seemed wide of the mark tonight. Fifth Harmony was just loud. 5 Seconds of Summer could be a great pop rock band if they could focus, and get rid of a song that borrows from Duran Duran’s “Hungry Like the Wolf.”

Shawn Mendes, who’s 17 and has been performing for a year, was the star of the night. He plays acoustic guitar, and sings by himself. He presents clean cut and a little boring, but once he starts playing and singing, watch out. This is a talent who must be cultivated carefully. He sang three songs solo, then was joined by a band and Fifth Harmony’s Camila Cabello for “I Know What You Did Last Summer,” their hit. Mendes was the only other artist besides Charlie Puth who actually played an instrument, and played it well.

And then there’s Charlie Puth. Someone should sign him now to play Neil Sedaka on film or stage. He’s Sedaka, Billy Joel, Michael Feinstein, Robert Morse, and Gavin DeGraw all rolled into one. He also strongly resembles Charlie Walk, the famed record exec at Republic Records. He makes it seem like he just stopped by, and has better things to do, but his parents asked him to play a few songs.

Hailee Steinfeld is an actress. She turned 19 on stage, she announced. She’s had a hit single this year, but she’s really like Shelley Fabares. I don’t quite see it. Hailee has to get back to acting. But I admire her True Grit (she was in that movie).

Fetty Wap was, unsurprisingly, a bust. R City impressed by playing hits they’d written for others. I don’t get Calvin Harris and Zedd, two djs, but the kids loved them. Tove Lo, a female singer, was fine. Conrad Sewell was a mystery.

One last thing: these performers need songs or need to learn how to write them. Demi Lovato is wasting her time on crap. She needs real guidance and she could jump out of the pack. I thought she’d be some twerpie Disney cast off. But damn, I’d love to hear her sing Jefferson Airplane’s “Somebody to Love” or Heart’s “Crazy for You.” Bonnie Raitt should kidnap her and take her to a studio.

PS Z100’s Elvis Duran has lost a ton of weight and looks a million bucks.

 

George Lucas’s Wife, CBS Contributor Mellody Hobson, Broke Tradition At this Year’s Kennedy Center Honors

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When the Kennedy Center Honors airs later this month on CBS, we’ll see a break with tradition. Usually, the honorees are seated in a box in the Kennedy Center near the President, with their families. But the honorees don’t speak or perform, and neither does anyone from their family.

But in the case of “Star Wars” creator George Lucas that practice was changed this year. I’m told that Lucas’s wife, investment guru Mellody Hobson, who’s a financial news contributor to the CBS Morning News, gave  a toast to her husband from the box. According to onlookers, the always impressive Hobson makes a moving speech about Lucas as a parent and father.

“That has never been done or allowed before,” said one observer. “It was very unusual. But of course, Mellody is known to the people at CBS.”

No other family member of inductees like Carole King, Rita Moreno, Cicely Tyson or conductor Seiji Ozawa were invited to speak. The rest of Lucas’s tribute portion is orchestral selections from his movies.

Among the performers for King were Aretha Franklin, James Taylor (“Up on the Roof”) and Sara Bareilles.

The show is said to be “much slicker” and very different this year with new producers after the unceremonious ouster last year of founding producer George Stevens Jr. after 37 successful years.

Music: Adele Hits 5 Million Copies of “25,” Coldplay Caves to Spotify (Hurting Jay Z’s Tidal)

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Adele did cross the 5 million mark this week with “25.” According to hitsdailydouble.com, she sold 660,000 copies this past week. The number was actually 690,000 including streaming.

Elsewhere in the music biz, Coldplay finally caved to Spotify. Their new album, “A Head Full of Dreams,” is finally available on the streaming service. It had already been on Apple Music, Tidal, and Google Play.

Giving in to Spotify is a big deal. Those other services are simply not as big. And Coldplay is losing the war with Adele on the charts. To stay relevant, they must be on Spotify. I’m playing it now on the premium service as I type this. Good album!

But giving in to Spotify also means Tidal, Jay Z’s service, is doomed. And Rihanna’s people will have to take a hard look at this turn of events. They can’t put her “Anti” album on Tidal alone and expect to have an impact. Tough deal for Jay Z. Chris Martin was one of his original “owners.”

Remember, I broke the story of how Jay Z organized a bunch of pop stars to launch Tidal. It was a pipe dream. It’s been a hard knock life ever since then.

As for Adele, the march toward 7 million copies by December 31st is on. The question now is, when will Adele accede to Spotify?

Adele’s “Hello” Knocked off Number 1 Perch by “Voice” Contestant Singing Queen Song

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Hello!

Adele’s number 1 song for almost three weeks has been knocked off its perch at number on iTunes.

The new number 1? A cover of Queen’s “Somebody to Love” by Jordan Smith, a contestant on “The Voice.”

I guess it had to happen eventually.

Adele’s “25” album is still number 1. But over at hitsdailydouble, the album sales may have slowed this week. Look for an update to see if “25” sold more than 400,000 copies this week.

Here’s previously unknown Jordan Smith. He does a great imitation of Freddie Mercury.

Broadway: “Color Purple” Scores a Huge Hit Opening with Jennifer Hudson and Overnight Star Cynthia Erivo

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“The Color Purple” played on Broadway from 2005 to 2008 and no one really liked it. Good actors appeared in it, including Fantasia, and it didn’t matter. It was just all wrong, even with Oprah Winfrey as executive producer.

Now the musical based on Alice Walker’s beloved novel is back, but it’s completely different. Re-imagine by John Doyle, this “Color Purple” should be considered a new musical and not a revival. Last night at the much smaller Jacobs Theater (the first version was in the huge Broadway Theatre), “Color Purple” scored as an astonishing hit, bringing the audience to its feet before the show even ended.

Oscar winner Jennifer Hudson, looking for less responsibility and some fun, plays secondary character Shug Avery and she is a delight. Her Shug slithers sexily across the stage, and sings like an angel. Hudson will pick up a Tony next June for featured actress in a musical, I’m sure.

The “star” of this show, however, is overnight sensation Cynthia Erivo. She’s 27, and British. She came with this production from London. She has no idea how her world was changed Thursday night. She wakes up this morning as the toast of the town. Hudson, who’s been there, can be of some guidance. (At 34, Jennifer is the “elder.” Hah!)

In the audience last night: Clive Davis, Valerie Simpson, R&B superstar Freddie Jackson, Gayle King, Tommy Tune, Bill Condon (who directed Hudson to an Oscar in “Dreamgirls”), Neil Patrick Harris, Tamron Hall, Ellen Burstyn, Patina Miller, Margaret Avery (who played Shug in the Spielberg movie), Gloria Steinem, Harvey Fierstein, the great Uzo Aduba and Taylor Schilling (supporting their “Orange is the New Black” castmate Danielle Brooks, so great as Sofia), Kate Mulgrew, and Gabby Sidibe.

During the curtain calls, Alice Walker came out on stage to join Marsha Norman (who wrote the script from Walker’s book) and songwriter Ally Willis (who won the night for most eccentric look). The audience cheered for Walker as if she were a rock star.

Director John Doyle is much awarded and highly regarded for paring big shows down, restoring them to the their true personalities, finding the heart and soul that’s sometimes been lost. This is what he did with “The Color Purple.” He told me after the show that he purposely went back to the original novel. The result is more of a play with music than a show stopping musical.

The real tragedies of Celie and Nettie’s lives are vivid now. The glamour of Shug, the transformation of the heartless “Mister” (or Albert) to some kind of enlightenment, the real wisdom of Sofia– are now grounded for the first time since the movie.

MIA last night– Whoopi Goldberg, who starred in the film, and Oprah, who is still a producer. Who was there: Candy Spelling, a big producer on this show, and a favorite on the Broadway scene these days. She brought along son Randy, former actor, now a life coach and author. He looks just like his late dad, Aaron Spelling.

JHud brought her life partner David Otunga, their six year old son David Jr., and David’s nephew. All the men were decked out in matching cobalt blue jackets. Jennifer was stunning in a gorgeous gown. She’s in the show until May. It’s not long enough. Write “The Color Purple” in now as Best Revival of a Musical. Or “miraculous” revival of a musical.