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Will the Beatles Crash Spotify, Apple Music When They Start Streaming on Thursday?

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The Beatles are coming to Spotify and Apple Music on Thursday– streaming for the first time anywhere.

Will they crash the systems when their songs all hit at the same time? My guess is Yes.

I have actually confirmed that the Fab Four finally gave in to the streaming services. This may account for Paul McCartney’s sudden flurry of public appearances on “Saturday Night Live” and at Nets and Rangers games over the weekend. That’s his way of doing P.R.

A new Beatles juggernaut is coming. Something tells me Christmas morning the Beatles will hold some new records for old records.

Keep refreshing…

Theater: Live “Harry Potter” Play for London’s West End Features Black Actress in Emma Watson Role

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J.K. Rowling continues to fascinate: she’s allowed a black actress to be cast as a grown up Hermione in “Cursed Child,” the “Harry Potter” legit play set for London’s West End in July. How fantastic is that? Jamie Parker, Noma Dumezweni & Paul Thornley will play Harry, Hermione & Ron in the play that will be the theatrical equivalent of “Star Wars” and “Adele.” To be sure, the male actors don’t look anything like their movie counterparts. But casting an African American actress in the role originated by Emma Watson is daring and smart. Bravo!

Here’s what Rowling Tweeted when this was announced:

Cecil the Lion’s Despicable Killer Dentist Posts Photo from “Star Wars” and Huge Spoiler

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The dentist who killed Cecil the Lion is a bad guy, we know that. But his rise to infamy knows no shame. Over the weekend, Walter Palmer’s River Bluff Dental posted a picture taken (I’m guessing illegally) of the climactic moment from “Star Wars: The Force Awakens.” He then gives away the movie’s main spoiler, which by now at least 25 million know about. But on Friday, it was still a big secret.

Do people really go to this dentist? I always thought Minnesotans were smart and hip.

Here’s Palmer’s Tweet:

91 Year Old Fiddler on the Roof Co-Writer Sheldon Harnick: Donald Trump “Shouldn’t See the Show…He Should Play the Constable”

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We are, of course, in awe of 91 year old Sheldon Harnick, lyricist for one of the greatest of all Broadway musicals, “Fiddler on the Roof.” Fifty one years after it first opened, “Fiddler” was revived last night to cheers and raves.

The timing couldn’t be better. “Fiddler” was about the ousting of the Jewish population of Russia circa 1905-1915. “Fiddler” tells what has become a universal story. (My own maternal grandmother’s story is almost note for note from the “Fiddler” plot.)

Now in 2015 “Fiddler” resonates for the vast immigration and emigration issues haunting the world– from the Syrian refugees to Donald Trump suggesting we block Muslims from entering the U.S. Imagine if Trump had been in power in 1905.

“I don’t want Donald Trump to see the show,” Harnick said last night at the post-premiere celebration at Gotham Hall.

“I think he might learn from it,” I suggested to Harnick, who is one youthful 91. (“I think I’m dyslexic,” he said, “and that I’m 19.”)

“You’re right, he should see the show,” Harnick corrected himself. “He could play the Constable.” That’s the Russian military man who informs the people of Anatevka they have three days to sell their homes and vacate their premises.

Harnick wrote the now famed lyrics to the show’s songs– which are all hits, one after another. It’s kind of remarkable that the score has somehow now grown even in its genius, from “Tradition” to “If I Were a Rich Man” to “Sunrise Sunset” and “Do You Love Me?” as well as the title song. All those memorable turns of phrase came from Harnick. Bravo!

“My favorite moment tonight was at the end of If I Were a Rich Man, when the audience just exploded into applause and appreciation,” Harnick told me.

Quite an opening night crowd, by the way: Candice Bergen and husband Marshall Rose, Sarah Paulson and Holland Taylor, Tony Shalhoub, Alan Alda, George Takei, Judith Light, Joel Grey, Bernadette Peters, Molly Ringwald, Michael Cerveris, Ruthie Ann Miles (from the King and I), Bob Saget, David Hyde Pierce, and Jeffrey Tambor all turned out for director Bartlett Sher’s sophisticated production and Danny Burstein and Jessica Hecht leading a knockout cast.

The songs, the Jerome Robbins choreography– it’s all sublime.

“Fiddler” is back. Donald Trump, come take a look!

“Star Wars” Now U.S. All Time High Weekend Opener, 2nd International to “Jurassic World”

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Just so we’re all on the same page. “Star Wars: The Force Awakens” is now the record holder for biggest ever opening weekend at $240 million. That beats this year’s “Jurassic World.”

However, “Jurassic World” holds the title for total global weekend opener, beating “The Force Awakens” by about $7 million. The latter came in at $517 million. Someone in a foreign land didn’t hold up their part of the bargain.

So now “Star Wars” has been seen by at least 25 million people in the U.S. in one weekend. That’s saying an average movie ticket is $10. That includes IMAX and 3D, with major cities at higher prices.

That’s more than a third of the number of people– 65 million– who voted for Barack Obama in the 2012 Presidential election.

Think about that for a minute.

(Watch) Paul McCartney Surprises Bruce Springsteen on Best “SNL” in Maybe Years, with Hosts Tina Fey and Amy Poehler

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What a great “SNL” tonight– the show just ended with Paul McCartney surprising Bruce Springsteen and the E Street Band singing “Santa Claus is Coming to Town.”

The show was funny all the way through, with only one weird questionable moment in the “Weekend Update” that seemed strangely anti-Semitic. But I’ll forgive that — it was a joke that went wrong. (I’d cut that out of the west coast feed, frankly.)

Otherwise, hosts Tina Fey and Amy Poehler were a delight. And Maya Rudolph, who’s like a secret weapon, was a smash. Ditto Kate McKinnon as Hillary Clinton.

The best sketch of the night was “Meet Your Second Wife,” in which youngish married men met there future wives– children, who, in 20 years they would marry. Nicely done.

Bruce Springsteen and the E Street Band sang “Meet Me in City” from “The Ties That Bind: The River Collection.” “The River” seems like a much better album than it did when it was released. This was a terrific promo for Bruce’s tour commencing in January.

“Star Wars” Fall Out: Tina Fey-Amy Poehler “Sisters” Got a Sliver of the Audience

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Tina Fey and Amy Poehler were sent to do the job of the Empire last night, but they didn’t fight back. Their very funny (really, see it) comedy “Sisters” took in $4.9 last night opposite “Star Wars.” The Universal comedy will do $14 million for the weekend. It’s a sliver of the “Star Wars” money but it’s not bad. And I’ll bet “Sisters” will improve through the New Year’s weekend as everyone looks for a good laugh after all that moping around in space. Meantime, Tina and Amy must be just a little ticked at the odd Hollywood Foreign Press. They hosted the Golden Globes for three years. But the minute they left, the HFPA snubbed them by not giving a nod to “Sisters” at all. However, the Critics Choice Awards have nominated the film for Best Comedy, smartly. It’s a hoot.

Moviegoers Awaken: “Star Wars” Sets Friday Opening Record, Looks at $230 Mil Plus Weekend

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The moviegoers have awakened. And they’ve gone in droves to “Star Wars.” Last night (including $57 mil from Thursday previews), “The Force Awakens” reaped more than $120 million and set a record for all time Friday night openings.

Now Disney– which spent months hedging bets with statements that this wouldn’t happen in case it really didn’t– is predicting $200-$225 $250 million for the weekend. That will also be the biggest opening ever.

Already, not counting last night, the J.J. Abrams extravaganza has well over $250 million in the bank including international receipts. And that’s just the beginning.

Disney, Abrams, Lucas, plus the three original stars– Harrison Ford, Carrie Fisher, and Mark Hamill– are all giving thanks this morning. Even Carrie’s dog, Gary, must be smiling.

Clint Eastwood’s “Sully” Sullenberger Movie with Tom Hanks Will Crash Land Next September

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Clint Eastwood had Warner Bros.’ biggest hit last year– “American Sniper.”  He’s also been with Warner Bros. since Bugs Bunny was eating strained carrots. And he’s 85 years old. So you’d think he’d be rewarded.

But last night WB announced a punishment of sorts for Clint: they are releasing his “Sully” Sullenberger movie starring Tom Hanks on September 9, 2016.

So this means that “Sully” will open on the second day of the Toronto Film Festival, not that it’s going to be in the festival but meaning that it won’t be, and that TIFF publicity can’t help it. “Sully” will also not benefit from Telluride, should it be selected. It’s certainly not a selection for the Venice Film Fest. Each of those fests takes place the week before “Sully” opens.

Indeed, the one place where “Sully” would make sense is the New York Film Festival, since Sullenberger bravely landed his plane in the Hudson River. But by the time the NYFF opens, “Sully” will already be three weeks old.

Opening a film on the Friday after Labor Day generally is a bad idea. People have been away for two weeks and are concentrating on school opening.There’ s no time to promote it. And it’s a week too early for big fall previews in magazines and newspapers.

This past September, no “important” movie opened until the 18th– “Black Mass” and “Sicario.” On September 4th, the biggest title was Robert Redford in the indie drama “A Walk in the Woods.”

Could “Sully” really be that bad? Anything’s possible, I guess. But what a disappointment for everyone involved if so.

Beatles Streaming? We Told You in August It Could Happen Before the End of the Year

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Rampant rumors all day Friday that the Beatles may start allowing streaming of their music beginning Christmas eve.

I told you this on August 5th: http://www.showbiz411.com/2015/08/05/beatles-still-not-streaming-on-apple-music-may-be-soon-but-not-exclusively

But listen, do you want to know a secret? The Beatles do far better keeping their music off of streaming services. Their albums and box sets are still big sellers, at the retail price. Unless they’ve negotiated special fees with Spotify, Apple, and even, hmmm, Tidal, I don’t know why they would cave in agree to this. They’re doing just fine without it.

Is it happening? Seems like it. First, I did report it from an excellent source. Second, all the people involved have gone radio silent in the last 24 hours.

Here’s one reasoning for all this: the new Beatles “1+1” box offers new stereo mixes of the 27 #1 songs. The mixes are so amazing that the Beatles will probably remix the whole catalog this way. So why not stream the old mixes? Then they can advertise the new mixes on CD and download, and not on streaming, in the future?

Let’s see what happens. But do remember who told you first, kids.