Monday, October 7, 2024
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Aretha Franklin Steals Kennedy Center Honors TV Show with “Natural Woman”

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Watch this: Aretha Franklin stole the Kennedy Center Honors last night singing Carole King and Gerry Goffin’s “You Make Me Feel Like a Natural Woman.” Wow. The show was very well produced by the new team of Ricky Kirshner and Glenn Weiss, who took over for George Stevens Jr. after 37 years. Kirshner must have been very happy since his dad, the late great Donnie Kirshner, was the music publisher who gave Goffin and King their careers.

Trivia: Seiji Ozawa was honored for his years at the Boston Symphony Orchestra. John Williams — composer of the “Star Wars” music– succeeded him at the BSO. Weirdest thing of the night: Miranda Lambert singing the Eagles “Desperado” for no reason. The Eagles were supposed to have been honored but bowed out because of Glenn Frey needing surgery. There was no explanation. Huh?

But here is the Queen of Soul in all her glory. This sublime performance is absolutely historic and amazing.

Believe it Or Not: A Michael Jackson Court Case Is Going on Right Now in Los Angeles

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It’s hard to believe, but six and a half years after his tragic death, yet another court case involving Michael Jackson is going on right now in Los Angeles.

The case is billed as Qadree El-Amin vs. Michael Jackson Estate (John Branca, John McClain). Although she’s not named as a plaintiff, the person lurking behind this effort to extrude money from the Estate is Michael’s former p.r. lady and “manager,” Miss Raymone Bain.

When Tom Mesereau, Michael’s criminal attorney, fired her right before the jury decision in June 2005 for Jackson’s child molestation case, she called me. I was driving back to L.A. after another week in wonderful Santa Maria, California. I turned right around. Raymone, who’d ruled the roost, was out.

Yet she returned a year later, after Jackson’s self-exile in Bahrain and other places. She was his manager now, and would be until Tohme Tohne ousted her in a coup. The Raymone Era could take up its own book. She sued Michael for $44 million after he died. Well come on, why not? Ah, Raymone. She is a legend. She should get points for tenacity and perseverance.

El-Amin et al’s complaint, filed in May 2013– almost four years after Michael’s death-alleges that back in 2006 he, someone named Broderick Morris, and Bain’s assistant all contracted with Jackson to start a new company that would house all his film and recording projects. They have documents to prove it, they say.

Who is Qadree El-Amin? I have no idea, really. But from 1997-2013 he has about 20 cases in civil court. They range from breach of contract to a domestic dispute to a divorce. There’s also a paternity case and several Small Claims cases. Whoever he is, Mr. El-Amin is no stranger to L.A. Superior Court.

The complaint El Amin filed is full of mistakes in its timeline and generalizations about Jackson. I’m sure Howard Weitzman– handling the trial himself, I hear– is going to town on this stuff, as well as the omission of how Tohme got rid of Bain and how she wouldn’t let go. (Then, of course, Tohme wouldn’t let go.)There’s no jury, but the trial judge must be getting an earful.

By the way: My favorite part of the complaint is an exhibit– in which El-Amin et al add on their June 1, 2006 contract with Jackson. The agreement claim that Michael intends for his son Prince to become Chairman of this new company they all started together when the boy “finishes scoool.” Yes, that’s the way it’s written, just above Michael’s floating signature. LOL.

Good luck!

Watch Lady Gaga Perform Diane Warren’s “Til it Happens to You” 2015’s Best Movie Song

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Diane Warren wrote this amazing song, produced and tweaked by Lady Gaga, who performed it at the Billboard Women in Music event earlier this year. Warren’s been nominated for Oscars six times, but this time I think she’ll win. The song is from the documentary “The Hunting Ground” about campus rape.

Here’s Lady Gaga. Wait til she plays this on the Oscars. Through the roof, as they say.

Miley Cyrus’s “Sad Christmas Song” Has A Beautiful Melody– And Suitably Off beat Lyrics

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Miley Cyrus, working with the Flaming Lips, is getting more and more interesting as a songwriter. As a singer, she’s tops, just listen to her sing “Silent Night” in Bill Murray’s “A Very Murray Xmas” on Netflix. Gorgeous.

Her “Sad Christmas Song” has echoes of Aimee Mann. The lyrics– well, Miley has a sense of humor. She shows Santa her tits. And then there’s this coupling: My little sister says I’m the Grinch/But my mom thinks I’m just a bitch.”

Hannah Montana, where are you? The truth is, Miley is putting everyone on. But a serious artist is blooming.

]miley cyrus xmas song

“My Sad Christmas Song”

This is my sad Christmas song
I’ve had it stuck in my head all day long
I wrote it in the car on my ride home
Cause I knew I’d walk in the door and I’d be alone
Why’d I even put up that fuckin’ tree?
If there’s no one here that’s gonna see
Just how pretty she looks on Christmas Eve
Cause there’s no one here next to me

This is my sad Christmas song
So I light another bong
I turn on the radio
I binge watch our favorite shows
This year feels kind of lame
But the last one was the same
But the holiday spirit they say
Is taking off on a plane
This is my sad Christmas song
Fa lalalala

I always thought that Santa was kind of cute
There’s something about his beard, big belly, and boots
I left Santa more than cookies this year
I thought he might appreciate a few beers
That’s why I’m always on the naughty list
He said cause when I get drunk, I’m always showing my tits
He leaned in for a kiss and he got real near
I had to stop Santa and say “My true love ain’t here”

This is my sad Christmas song
So I rip another bong
I never been good at making plans
Next year, I’m gonna be with my man
My little sister says I’m the Grinch
But my mom thinks I’m just a bitch
Why did you have to go?
We were under the mistletoe
This is my sad Christmas song
Fa lalalala
Fa lalala

Missing you on fuckin’ Christmas, why did you have to go?
Wishing you a Merry Christmas, know I miss you so
Missing you on fuckin’ Christmas, why did you have to go?
Wishing you a Merry Christmas, know I miss you so

Wishing you a Merry Christmas
(Fa lalalala
Fa lalala)
Wishing you a Merry Christmas
(Fa lalalala
Fa lalala)
Wishing you a Merry Christmas
(Fa lalalala
Fa lalala)
Wishing you a Merry Christmas

Madonna Gives $1 Mil to Her Shaky Malawi Charity, $90K to Sean Penn’s Haiti Foundation

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Madonna donated $1 million in 2014 to her Raising Malawi Foundation, a shaky group trying to improve its public persona after being linked with the cult Kabbalah Center for years.

Last year Madonna donated $1,250,000 directly to Kabbalah. This year, the $1 mil goes to Raising Malawi, which makes a lot of claims about work it’s doing in the impoverished African country from which Madonna adopted two children.

The Raising Malawi website gives little info about who’s running it, and what constitutes a board of directors. Their 2013 Form 990 just lists the singer, her manager, and accountant. The board had previously been stocked with Kabbalah Center execs and associates. At one point, millions of dollars went missing.

Madonna donates money through her tax free Ray of Light Foundation, which in 2014 also gave $89,898 to her ex husband Sean Penn’s J/P Haitian Relief Organization.

All together, Ray of Light donated $1.8 million to various groups, about $400,000 less than last year. On a positive note: Almost $450,000 went to groups from Michigan, Madonna’s home state including a boxing gym in her hometown of Traverse City. She gave $15,000, as usual, to the T.J. Martell Foundation, the record industry charity that funds cancer research. She didn’t give anything, at least through Ray of Light, to amFAR or the Elton John AIDS Foundation.

 

Broadway: “School of Rock” Breaks House Record, But One Kid Is Already Being Replaced Because He’s Too Old

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Andrew Lloyd Webber’s “Cats” ran for about 2000 years at the Winter Garden Theater. But this past week, his rambunctious and wildly fun “School of Rock” broke the box office house record at the WG, pulling in $1,506,236.20. The show is actually playing at 101% of its capacity, which means they must be seating people in the bathrooms.

One of the many talented kid actors, however, is leaving the show (if he hasn’t already). Jared Parker, who’s 13, has gotten too tall to play Lawrence, the keyboardist in the school rock band. A casting call went out out a couple of weeks ago to replace him. Parker has been with the show since its infancy at the Gramercy Theater last June. He’s a big hit on stage and really clicks with the audience.

Luckily, Parker is already a Broadway vet, having been in the original cast of “Matilda.” I’m sure he’ll be getting TV and stage work, maybe even movies, before too long.

That’s showbiz. The kids from Menudo used to be dropped into the Atlantic Ocean or something when they got too big. When the kid who played Walt on “Lost” started to grow they had him kidnapped off the show. When he turned up in the last episode he was 32, had a mustache and was playing for the Carolina Panthers. (Just kidding!)

Haskell Wexler, Two Time Oscar Winning Cinematographer and Filmmaker, Was 93

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Jane Fonda Tweeted today about Haskell Wexler, the Academy Award winning and legendary cinematographer who has died at age 93: “The brilliant, beloved Oscar-winning cinematographer, Haskell Wexler has died. He was my friend. He filmed “Coming Home”and a documentary with me and Tom Hayden in North Vietnam in 1973. He was brave & gorgeous and I loved him.”

He won 2 Oscars, for Mike Nichols’ “Who’s Afraid of Virginia Woolf?” in 1967, and Hal Ashby’s “Bound for Glory” in 1977. He was also nominated for “Blaze,” “One Flew Over the Cuckoo’s Nest,” and one of the most beautifully shot pictures ever, John Sayles’s “Matewan.” He shot another of Sayles’s classics, “The Secret of Roan Inish,” in 1999. (PS It’s time for some lifetime achievement awards for John Sayles.)

Wexler directed a slew of highly regarded documentaries, as well as his own famed feature, “Medium Cool,” in 1970. But he was known for making other directors’ films look great. Among his credits were “Coming Home” with Jane Fonda, “The Thomas Crown Affair,” and “In the Heat of the Night.” He’s uncredited on Francis Ford Coppola’s “The Conversation,” released in 1974.

Wexler’s real estate magnate brother, Jerrold, helped him produce “Medium Cool.” Jerrold Wexler was later the stepfather of Darryl Hannah.

Haskell Wexler leaves a rich and almost endless legacy in the film world. He will be sorely missed.

 

 

Oh Yes, By the Way, “Star Wars” Crossed the $1 Billion Line at the Worldwide Box Office

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Blahblah blah. “Star Wars” crossed the $1 billion line on Sunday, globally. That’s about $550 million US and $550 million everywhere else.

Harrison Ford is that really it? If you come back you can own all of Wyoming, buy four more planes, and even hire a pilot. Just sayin’….

Best picture nomination? I don’t think so. But not because it’s not good. The Academy in the past has always viewed these event and comic book movies as outside their purview. The closest any of them ever got was “ET.” Really– a lot of people could argue that if Christopher Nolan’s Batman movies didn’t make it, why should “The Force Awakens”?

I don’t mind that the Critics Choice Awards added “Star Wars” to its list of Best Picture nominees, however. That awards show is for popular films. “Star Wars” deserves that nod, even if it doesn’t win. (Which it won’t.)

So, now–$2 billion looms. A month from now? Two months? Or much faster? We’ll see how this vacation week plays out.

 

Jennifer Lawrence Opens “Joy” with $17 Mil Weekend: She’s the First Bona Fide Female Star Since Julia Roberts

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All hail Jennifer Lawrence. She  opened David O. Russell’s “Joy” with a $17 million weekend. JLaw is now a bona fide movie star at the box office, the first female since Julia Roberts who is really going to make a run of it.

Lawrence already has an Oscar for “Silver Linings Playbook” and box office success with “The Hunger Games.” But these were ensemble films in which Lawrence was featured strongly.

With “Joy,” the movie is really built around her, and the marketing was on her shoulders. She’s surrounded by great actors like Robert DeNiro and Bradley Cooper, and all those wonderful ladies like Diane Ladd, Elisabeth Rohm, and Isabella Rossellini.

In the end though, selling the story of Joy Mangano and her Miracle Mop was all about Lawrence. The audience bought it. I did, too. Rossellini is the breakout surprise, as well.

Lawrence is a likely Oscar nominee for “Joy,” too.  I’d put her in with Cate Blanchett, Charlotte Rampling, Brie Larson, and my favorite choice, Lily Tomlin. That’s my Dream Team of lead actresses for 2016.

“Joy” itself has divided critics, but I thoroughly enjoyed it. Russell is tremendous at directing these screwball family comedies with dramatic underpinnings. I’d like to see him try something more like his “Three Kings” next. But “Joy” is a bright spot in a season of serious (and joyless) films.

 

Pop Group 5 Seconds of Summer Burned in Interview: Attacks Justin Bieber, Alludes to Wild Sex Parties, Features Heavy Drinking, Sex Toys

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I can think of at least two times pop bands were badly mangled by Rolling Stone: a piece by the intrepid Lynn Hirschberg on Hall & Oates, and the fictional story by Patrick Fugit’s William on Billy Crudup’s band Stillwater in Cameron Crowe’s movie “Almost Famous.” The results were devastating.

Now we can add Patrick Doyle’s take down of Aussie group 5 Seconds of Summer. Doyle throws them on the ‘barbie and lets them grill until they are so overcooked there may be no coming back. 5SOS’s manager Matt Emsell also allowed the four lads to be photographed for the cover of Rolling Stone naked– yes, naked, in their birthday suits.

For a band whose bread and butter ticket sales is teen girls, young teen girls, this has set off fireworks on the internet. 5SOS, it seems, has been snookered into saying horrible things about girls, their fans, Justin Bieber, and just about anyone else you can think of.

Doyle: They were wildest on their early tours, when they’d go to bars to mingle with fans after shows. “When you put four young dudes on a tour bus, playing theaters, then arenas, you’re going to have sex with a lot of girls, I guess,” says [heart-throb Luke] Hemmings. “We had a good time.” Multiple girls in one night? “I feel like I shouldn’t say,” he says with a smirk. “You could say the possibility of that is high.” Multiple girls at the same time? “The possibility is high,” he says again. He cracks a devilish grin. “The possibilities are endless.”

That the manager of this group hasn’t been fired, or sued, for letting this article happen is unbelievable. Doyle’s entire story is pitched to make 5SOS seem like Spinal Tap — idiots who lucked into something, are living a life of debauchery, and are soon to be returned to their native Australia. They drink and smoke through the entire episode, and one of them– Clifford– reveals that he suffers from severe depression and has tried to go home without much luck.

Among the revelations less salacious but kind of interesting: they are now managed by Modest, the same London company that oversees rivals One Direction. Indeed, according to Doyle, One Direction has a 50% stake in 5SOS. The original manager, who sold out his share, recalls a calculated master plan to make the boys famous in a year. (Seems this naif was conned in this story, too.)

The portrayal of Hemming’s girlfriend, named Arzaylea, a 21 year old trust fund groupie, is beyond hilarious. Doyle: As Hemmings talks in my ear, she keeps her hand on his pants, rubbing his leg. They met at a get-together in L.A. three months ago. The party was “really bad,” but Hemmings was impressed when she told him her favorite band was an Arizona emo group the Maine. He invited her to 5SOS’s house around 3 a.m., and they’ve been together ever since. He tried to keep their relationship secret for weeks, getting out of cars separately to avoid the paparazzi, but tonight it seems like he’s given up. “It’s hard,” he says. “One of the weird things is you want it to be a secret, but you don’t want it to be a secret.” 

And then there’s the Bieber episode. According to Doyle, Capitol Records has put 5SOS in a Bel Air mansion a la “Entourage,” party central. When they occasionally leave, they get in trouble.

Doyle: Clifford and Hemmings hit their friend Nick Jonas’ party, then crashed one thrown by Justin Bieber at their favorite bar, the Nice Guy. They didn’t talk to Bieber – “I think he hates us,” says Clifford – but they had a good time. “It was fucking crazy, people standing on tables and shit,” he continues. “I probably shouldn’t say this, but he had his own album on loop for, like, two or three hours.” Clifford ended up in Beverly Hills at the Weeknd’s house party, which was so exclusive that the pool area had its own bouncer. Drummer Ashton Irwin – the band’s oldest and perhaps most responsible member – had been there earlier but left shortly after he was jostled up against a wall as Diddy and his crew pushed through the entrance.

Bieber — not exactly a member of Mensa himself — responded on Twitter of course, immediately.

bieber 5SOSWhat happens next? Twitter is also burning with comments from teen fans who are disappointed and confused. In one swoop, 5SOS has eviscerated its core audience. They didn’t want to be called a boy band, or appeal to young girls. Now they may have to find a whole new group of adoring fans.

So where was management? Where was a publicist? Who was minding this store? Rolling Stone, now lacking editorial integrity after their University of Virgina rape story debacle, must be thrilled they got this story.