Tuesday, October 8, 2024
Home Blog Page 1360

“Danish Girl” Star Alicia Vikander’s Parents Got a Big Surprise Yesterday When They Boarded Plane to Hollywood from Sweden

0

alicia vikanderAlicia Vikander is this year’s actress launched into stardom — think Chastain, Lawrence, Blanchett, etc. She’s got two BAFTA nominations this morning, for “Ex Machina” and “The Danish Girl.” She’s nominated for the Golden Globes. Her Oscar nomination is around the corner. If you follow the tabloids, she dates Michael Fassbender. She’s also quite lovely.

Last night at W Magazine’s annual kickoff party on the 6th floor of the Chateau Marmont, Vikander told me the best story of the awards season. When her parents boarded their British Airways flight to Hollywood from Sweden, she gave them an incredible surprise– first class tickets upgraded from coach. It’s not like Alicia has a lot of money. She pieced together various upgrades from tickets she had this year, and paid for it herself.

“My parents live in a small village in Sweden,” she told me. “I’m waiting to hear from them. They must be shocked. They had tickets in economy!” I’m telling you, this girl was beaming with delight. Jack Huston– just about to break big– and Lily James (of Downton fame, Cinderella, etc) applauded her.

Lynn Hirschberg and W editor in chief Stefano Tonchi host this party with the Chateau owner and hotel mogul Andre Balazs. “Every year we try to make it smaller and it gets bigger!” red haired Lynn yelled to me over the din of actors, directors and fashionistas stuffed into the Chateau suite that spills out onto an enclosed terrace. Someone asked Lynn, one of my favorite all time movie writers, how she should be described. Doyenne? Is it too soon for that? I don’t think so.

The Chateau suite is so crowded– like a subway car at rush hour– that exuberance takes over just from the madness. Everyone is happy, from Downton Abbey star Joanna Froggatt (Anna) and her husband, James, who moved to L.A. three days ago– three days ago!!!– to a very sweet Kristen Wiig, who literally made herself into a wallflower in the hallway (“I can’t go in there!”).

There were lots of actresses– from Blanchett (who radiates glamour)– my pal “Room” star Brie Larson (also now in that Chastain-Lawrence galaxy)– to a contemplative Quentin Tarantino hanging out in the photo booth room accepting kudos from his fanatic fans in the industry. (You’d be surprised how A listers approach him– like he’s Yoda and Gandhi wrapped into one).

I ran into Gerald Butler– now this is a guy who looks like a Movie Star. He’s very happy to be in town because, he told me, all he’s been doing is working. “I made four films this year back to back!” he exclaimed.

Who else was there? Helen Mirren, Christoph Waltz, Kirsten Dunst, Anthony Mackie, Michelle Monaghan, Rami Malek, Adam McKay, Julie Delpy, Tom Hiddleston, Thomas Middleditch, Lola Kirke, Taylor Lautner, Gael Garcia Bernal, Jay Duplass, Paul Dano and Zoe Kazan, producer Laura Bickford, writer Bret Easton Ellis- and I’m sure I am missing a few.

Missing this year, thank good ness– the Cronuts that had been featured in the last few years. Instead dessert– after delicious Chateau truffle raviolis and more– were small glazed doughnuts stuffed with bacon. You read that right. But please tell my healthcare insurer I did not try one. Many did, and I think they were carried out on stretchers!

Will Smith Offers to Work for “Joy” Director David O. Russell “At a Discount”

0

You would think Hollywood would be exhausted by now with all the parties around town. Not so at the Sunset Tower Hotel, where “Joy” director David O. Russell and “Concussion” star Will Smith were jointly being feted at a cocktail and conversation soiree hosted by Jerry and Linda Bruckheimer and the inexhaustible Colleen Camp.

“Joy” co-star Diane Ladd (a three time Oscar nominee) drove down from Ojai with husband Robert Hunter to be there for Russell along with “Mad Men” creator Matt Weiner, Nastassja Kinski, director Catherine Hardwicke and “Concussion” director Peter Landesman, Cuba Gooding, Brenda Vaccaro, Jason Patric, director Michael Mann, famed publicist Norby Walters and his producer son Gary, “Joy” producer John Davis, Harvey Weinstein, and Jennifer Jason Leigh.

But leave it to the coolest lady in Hollywood, Dame Helen Mirren, to steal the show. When it came time for the remarks, Helen elegantly stepped in front of David, and in her best Queen Elizabeth voice boomed, “Hello. This is not David. It’s Helen and I’d like to thank Will Smith and all of you for coming.” While Russell and Smith cracked up, Helen continued her witty banter.

Russell thanked Will Smith for making “Concussion,” saying, “I’ve been a longtime fan of Will. I didn’t know about all of this before I saw it. I was knocked out by it, pardon the pun.” Will spoke up and returned the compliment saying, “I would like to thank David for his beautiful work in “Joy.” He addressed Russell: “Hey I wasn’t in the movie, and I do some acting you know. I’ve seen all of your films. I am offering myself at a discount for your services.”

Smith continued, “When they came up with this idea to this event as a joint evening,” which then elicited unintended laughs, to which Will cheekily clarified, “not that kind of joint.” Will continued, “I thought it was a wonderful idea. These award things can get lost into arrogance and vanity, so something like this just to say thank you is a good thing.”

Russell said, “Joy” is for anybody that has a dream, “Concussion” is so big and important and truly impactful.” Gracious David then thanked all for being there and especially Helen for “giving me my mighty voice.” So all in all, a relaxed Hollywood evening where everyone mingled and worked the room.

Movie Awards: British Academy Gives 9 Noms Each for “Carol,” “Bridge of Spies,” 2 for Alicia Vikander

0

BAFTA– the British Film Academy– announced their nominees while you were sleeping in the U.S. They went big for Todd Haynes’ “Carol” and resurrected the chances of Steven Spielberg’s “Bridge of Spies.” Each film received 9 nominations. Aside from snubbing David O. Russell’s “Joy”– as well as Star Wars and Spectre– they got a lot of things right. They gave two- yes two– nominations to Swedish-British actress Alicia Vikander, the movie “It” girl for 2015. I saw Alicia earlier in the evening, and she was not prepared for that turn of events, certainly. But, well played! She’s a keeper.

BEST FILM
THE BIG SHORT Dede Gardner, Jeremy Kleiner, Brad Pitt
BRIDGE OF SPIES Kristie Macosko Krieger, Marc Platt, Steven Spielberg
CAROL Elizabeth Karlsen, Christine Vachon, Stephen Woolley
THE REVENANT Steve Golin, Alejandro G. Iñárritu, Arnon Milchan, Mary Parent, Keith Redmon
SPOTLIGHT Steve Golin, Blye Pagon Faust, Nicole Rocklin, Michael Sugar

OUTSTANDING BRITISH FILM
45 YEARS Andrew Haigh, Tristan Goligher
AMY Asif Kapadia, James Gay-Rees
BROOKLYN John Crowley, Finola Dwyer, Amanda Posey, Nick Hornby
THE DANISH GIRL Tom Hooper, Tim Bevan, Eric Fellner, Anne Harrison, Gail Mutrux, Lucinda Coxon
EX MACHINA Alex Garland, Andrew Macdonald, Allon Reich
THE LOBSTER Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Efthimis Filippou

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
ALEX GARLAND (Director) Ex Machina
DEBBIE TUCKER GREEN (Writer/Director) Second Coming
NAJI ABU NOWAR (Writer/Director) RUPERT LLOYD (Producer) Theeb
SEAN MCALLISTER (Director/Producer), ELHUM SHAKERIFAR (Producer) A Syrian Love Story
STEPHEN FINGLETON (Writer/Director) The Survivalist

FILM NOT IN THE ENGLISH LANGUAGE
THE ASSASSIN Hou Hsiao-Hsien
FORCE MAJEURE Ruben Östlund
THEEB Naji Abu Nowar, Rupert Lloyd
TIMBUKTU Abderrahmane Sissako
WILD TALES Damián Szifron

DOCUMENTARY
AMY Asif Kapadia, James Gay-Rees
CARTEL LAND Matthew Heineman, Tom Yellin
HE NAMED ME MALALA Davis Guggenheim, Walter Parkes, Laurie MacDonald
LISTEN TO ME MARLON Stevan Riley, John Battsek, George Chignell, R.J. Cutler
SHERPA Jennifer Peedom, Bridget Ikin, John Smithson

ANIMATED FILM
INSIDE OUT Pete Docter
MINIONS Pierre Coffin, Kyle Balda
SHAUN THE SHEEP MOVIE Mark Burton, Richard Starzak

DIRECTOR
THE BIG SHORT Adam McKay
BRIDGE OF SPIES Steven Spielberg
CAROL Todd Haynes
THE MARTIAN Ridley Scott
THE REVENANT Alejandro G. Iñárritu

ORIGINAL SCREENPLAY
BRIDGE OF SPIES Matthew Charman, Ethan Coen, Joel Coen
EX MACHINA Alex Garland
THE HATEFUL EIGHT Quentin Tarantino
INSIDE OUT Josh Cooley, Pete Docter, Meg LeFauve
SPOTLIGHT Tom McCarthy, Josh Singer

ADAPTED SCREENPLAY
THE BIG SHORT Adam McKay, Charles Randolph
BROOKLYN Nick Hornby
CAROL Phyllis Nagy
ROOM Emma Donoghue
STEVE JOBS Aaron Sorkin

LEADING ACTOR
BRYAN CRANSTON Trumbo
EDDIE REDMAYNE The Danish Girl
LEONARDO DICAPRIO The Revenant
MATT DAMON The Martian
MICHAEL FASSBENDER Steve Jobs

LEADING ACTRESS
ALICIA VIKANDER The Danish Girl
BRIE LARSON Room
CATE BLANCHETT Carol
MAGGIE SMITH The Lady in the Van
SAOIRSE RONAN Brooklyn

SUPPORTING ACTOR
BENICIO DEL TORO Sicario
CHRISTIAN BALE The Big Short
IDRIS ELBA Beasts of No Nation
MARK RUFFALO Spotlight
MARK RYLANCE Bridge of Spies

SUPPORTING ACTRESS
ALICIA VIKANDER Ex Machina
JENNIFER JASON LEIGH The Hateful Eight
JULIE WALTERS Brooklyn
KATE WINSLET Steve Jobs
ROONEY MARA Carol

ORIGINAL MUSIC
BRIDGE OF SPIES Thomas Newman
THE HATEFUL EIGHT Ennio Morricone
THE REVENANT Ryuichi Sakamoto, Carsten Nicolai
SICARIO Jóhann Jóhannsson
STAR WARS: THE FORCE AWAKENS John Williams

CINEMATOGRAPHY
BRIDGE OF SPIES Janusz Kamiński
CAROL Ed Lachman
MAD MAX: FURY ROAD John Seale
THE REVENANT Emmanuel Lubezki
SICARIO Roger Deakins

EDITING
THE BIG SHORT Hank Corwin
BRIDGE OF SPIES Michael Kahn
MAD MAX: FURY ROAD Margaret Sixel
THE MARTIAN Pietro Scalia
THE REVENANT Stephen Mirrione

PRODUCTION DESIGN
BRIDGE OF SPIES Adam Stockhausen, Rena DeAngelo
CAROL Judy Becker, Heather Loeffler
MAD MAX: FURY ROAD Colin Gibson, Lisa Thompson
THE MARTIAN Arthur Max, Celia Bobak
STAR WARS: THE FORCE AWAKENS Rick Carter, Darren Gilford, Lee Sandales

COSTUME DESIGN

BROOKLYN Odile Dicks-Mireaux
CAROL Sandy Powell
CINDERELLA Sandy Powell
THE DANISH GIRL Paco Delgado
MAD MAX: FURY ROAD Jenny Beavan

MAKE UP & HAIR
BROOKLYN Morna Ferguson, Lorraine Glynn
CAROL Jerry DeCarlo, Patricia Regan
THE DANISH GIRL Jan Sewell
MAD MAX: FURY ROAD Lesley Vanderwalt, Damian Martin
THE REVENANT Sian Grigg, Duncan Jarman, Robert Pandini

SOUND
BRIDGE OF SPIES Drew Kunin, Richard Hymns, Andy Nelson, Gary Rydstrom
MAD MAX: FURY ROAD Scott Hecker, Chris Jenkins, Mark Mangini, Ben Osmo, Gregg Rudloff, David White
THE MARTIAN Paul Massey, Mac Ruth, Oliver Tarney, Mark Taylor
THE REVENANT Lon Bender, Chris Duesterdiek, Martin Hernandez, Frank A. Montaño, Jon Taylor, Randy Thom
STAR WARS: THE FORCE AWAKENS David Acord, Andy Nelson, Christopher Scarabosio, Matthew Wood, Stuart Wilson

SPECIAL VISUAL EFFECTS
ANT-MAN Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke
EX MACHINA Mark Ardington, Sara Bennett, Paul Norris, Andrew Whitehurst
MAD MAX: FURY ROAD Andrew Jackson, Dan Oliver, Tom Wood, Andy Williams
THE MARTIAN Chris Lawrence, Tim Ledbury, Richard Stammers, Steven Warner
STAR WARS: THE FORCE AWAKENS Chris Corbould, Roger Guyett, Paul Kavanagh, Neal Scanlan

BRITISH SHORT ANIMATION
EDMOND Nina Gantz, Emilie Jouffroy
MANOMAN Simon Cartwright, Kamilla Kristiane Hodol
PROLOGUE Richard Williams, Imogen Sutton

BRITISH SHORT FILM
ELEPHANT Nick Helm, Alex Moody, Esther Smith
MINING POEMS OR ODES Callum Rice, Jack Cocker
OPERATOR Caroline Bartleet, Rebecca Morgan
OVER Jörn Threlfall, Jeremy Bannister
SAMUEL-613 Billy Lumby, Cheyenne Conway

THE EE RISING STAR AWARD (voted for by the public)
BEL POWLEY
BRIE LARSON
DAKOTA JOHNSON
JOHN BOYEGA
TARON EGERTON

Shia La Beouf May Be Reunited in Secret Film with “American History X” Director Tony Kaye

0

EXCLUSIVE You must remember this: a couple of years ago, Alec Baldwin and Shia LaBeouf were supposed to star together on Broadway in a revival of “Orphans.”

But Baldwin and LaBeouf fell out, and Shia left the production with a lot of public acrimony. Ben Foster replaced him in the role.

Now LaBeouf–who’s mostly been having sex on screen, making performance videos, acting kooky lately– and Baldwin may be reunited at last in a film directed by Tony Kaye called “Stranger than the Wheel.”

Kaye and LaBeouf have been working on “Stranger” very quietly for some time, I’m told. It’s the story of a young man tracing his relationship with an abusive father. Alec could be playing the dad. At least, that’s what Shia and Kaye want.

“Stranger than the Wheel” has been around a while. Back in 2000, Dennis Quaid was going to star in it. The original screenplay is by Joe Vinciguerra.

Kaye is the talented and mercurial director of “American History X,” among other films. He also made a series of acting teacher videos with the late Marlon Brando that are the stuff of legend at this point. There was a lot of static about all that, but it’s a long time ago in a far off galaxy.

Kaye, like LaBeouf and Baldwin, is no shrinking violet. If they make “Stranger” and all survive, it could be incendiary. And worth seeing.

Pop Chart: Ed Sheeran’s Justin Bieber Song “Love Yourself” Topples Adele’s “Hello” on iTunes

0

The chipping away has finally worked. Adele’s “Hello” has been dethroned from its long run at number 1 on iTunes. It’s still number 1 in amazon, but on iTunes Justin Bieber’s “Love Yourself” has overtaken it. “Love Yourself” is written by Ed Sheeran, with input of some kind by Bieber It’s one of the few songs on Bieber’s “Purpose” album that isn’t ornamented by digital bird noises.

Adele needn’t worry. Her album is still number 1 and leading Bieber– number 2 on the album charts– by tens of thousands. Interestingly, Bieber’s sales numbers are hugely increased by streaming, while Adele is almost all physical sales. Bieber’s fans don’t need to own his music. They just like listening to it. Adele’s fans want the product in their possession.

“The Big Short” Stars Steve Carell, Ryan Gosling Get Big Time Oscar Treatment in Hollywood

0

You know you’re at a cool party when Dan Aykroyd greets you at the front door of a beautiful Beverly Hills home high in the sky. And it’s not even his house!

Aykroyd was an official co-host with his wife, the gorgeous Donna Dixon (yes, she is still every bit the ravishing beauty from “Bosom Buddies”) at an intimate gathering to celebrate Adam McKay’s “The Big Short.” Aykroyd was waiting for Dixon outside, even with the drizzle and the unseasonable cold, shaking hands with stars as they filed in one by one.

The actual hosts were famed producer Mike Medavoy and his stunning wife, Irena, who are sort of Hollywood’s unofficial goodwill ambassadors this week.  Last night it was “The Big Short,” tonight it’s “The Revenant.” If you want to know where anyone is this week, ask the Medavoys. (They couldn’t be nicer about it either– and so much cozier than another hotel or restaurant party.)

Inside, actress and social butterfly  Colleen Camp– who appeared this year in “Grandma,” “Knock Knock,” and “She’s Funny that Way”–was busy also co-hosting and greeting the stellar crowd including Lily Tomlin, “Grandma” director Paul Weitz, the naturally ebullient David O. Russell, Candy Clark (beloved from “American Graffiti”), plus Val Kilmer, Chaz Bono, Melanie Griffith, star jewelry designer Loree Rodkin, Laura Dern, Mary Kay Place, producer Fred Roos, director Tony Kaye, Marisa Tomei, Judd Apatow, and so on. I don’t know if they saw each other, but Rosanna Arquette and Vincent Spano, who starred in John Sayles’ great romantic comedy “Baby It’s You,” were also roaming around.

Brenda Vaccaro, raspy throated, theatrical, still a force of nature, told me: “I filled in for Valerie Harper this summer in a musical in Maine. I’d never sung before. I thought, why not?”

And then there were Steve Carell and Ryan Gosling, as well as Jeremy Strong, stars of “The Big Short,” a movie that came into the Oscar race late but has picked up steam fast. Based on Michael Lewis’s book about the 2008 financial crisis, “The Big Short” seemed like a movie no one would understand. But then actress Margot Robbie appears in a bathtub and explains it, and the math part drifts away. You’re in.

Back to the party: Gosling bear hugged Carell, who’s become the Tom Hanks of this generation (nicest guy, everyone loves him), Russell and Weitz compared directors’ notes, everyone marveled at Melanie Griffith– who I think is ready for a serious film comeback folks, and producer Howard Rosenman regaled Tomlin and Tomei with stories of his years as Leonard Bernstein’s assistant.

And yes, Mary Kay Place and I did discuss the coincidence of “Mary Hartman, Mary Hartman” debuting 40 years ago this week. She played country singer Loretta Haggers, and was so funny that it seems like time has never passed. Judd Apatow told her, “I have the box set, and it’s huge”– he motioned his arms out wide. After all, it was a nightly show that went on forever. “Yes,” Mary Kay, still cut as a button, said, “and some episodes were very, very good and some were baddddd.”

The party may still be going on. It’s so great to come to Hollywood– it’s like a dream of a movie of a dream.

 

Samuel L. Jackson, Uma Thurman, Jennifer Jason Leigh, Walt Goggins Explain “The Hateful 8” So Well You Want to Give It an Oscar

0

Samuel L Jackson, Jennifer Jason Leigh, Walton Goggins were the guests of honor at an elegant Weinstein Company brunch and conversation Tuesday morning at the Monkey Bar on East 54th Street to celebrate the success of Quentin Tarantino’s revenge Western, “The Hateful Eight,” which opened last month.

Harvey Weinstein introduced Uma Thurman and mentioned the remarkable relationship between the director and his muse and the three films they made together. “Hopefully they’re planning a fourth,” said Harvey, somehow also managing to get in a dig at Republicans and their denial of global warming in his brief introduction.

 Uma Thurman spoke about how she met Quentin 20 years ago over dinner, “interrupting each other constantly from the get go over a three and a half hour conversation – and then we made a few films.”

Thurman said she was one of the few people who “he shows his scripts to when he births them – Sam is also on the list,” adding that neither of them had “leaked the script” on the Internet.” The guests laughed.

Thurman spoke about of Tarantino relives the narrative of his invented characters. There was more laughter when she whispered, “I don’t think he does any research. But that’s the scary part,” he said. “I accused him of doing no research but being somehow, some kind of intuitively brilliant channel of what is a very real experience.” Thurman added, “Sam, Jennifer, Walton, you guys were amazing! And believe me I know, when you see them cold, they were cold. When you see them hurt, they most likely did.”

A lively half hour conversation followed moderated by movie writer Scott Feinberg.

Jackson met Tarantino in 1992 when he auditioned for a part in “Reservoir Dogs.” He was supposed to read Harvey Keitel and Tim Roth but neither actor was there, so he ended up auditioning with Quentin and producer Lawrence Bender.

“They just seemed to be two horrible actors. I left that audition thinking, ‘God those guys sucked, so I probably am not going to get that job and I didn’t.” At Sundance he attended a screening of the film and afterwards told the director how much he liked it. Two weeks later Tarantino sent him the script for “Pulp Fiction.”

Jennifer Jason Leigh, who is making her first film with Tarantino, said she had no idea what the set would be like. She laughed,  “I t’s a party. It really is a celebration and we were pulled and all the rest of it.” Uma — who sat near me– also laughed.

 “We had the best time I think all of us have ever had in a movie. We wept when it was over,” said the actress who plays Daisy, a mysterious woman with a past who is being transported to the hangman. There was music between set ups, she said and drinking to celebrate. “It started with Champagne Next time it was tequila. It doesn’t matter what time of day. Everything stops and there’s like a 45-minute party” to celebrate a good scene.”

It was noted that one of the actors – not to give away spoilers – asked to continue to come to the set and play his dead character after he was killed off.

“He’s still there on the floor,” Uma shouted out, “for Oscar consideration.”

Sam Jackson spoke about the importance of dialogue in Tarantino’s scripts. “I look for conversations that the characters have inside the story. It’s all just natural conversations. There’s nothing false about it. It all seems very genuine. The back and forth is wonderful cause we spent a majority of time making movies that are at least two-thirds action, where two-thirds of the script is go this way, do that, jump of this, drive, open this door, shoot that way, walk! And when you look at Quentin’s script, they’re six-eighths dialogue. It’s exhilarating!” he said. “ It’s like you’re about to go back on stage.”

The director famously doesn’t allow cellphones or other electronics on set so actors and crew tend to bond. “When Quentin says ‘Cut!’ we’re like either dressed in blood or too cold to go outside, so we sit and talk to each other. We talk about what we just did or laugh at each other and say, ‘Is this shit really as good as we think as it or we just blowing smoke up our own ass?’”

The crew can’t text. They watch the actors perform. “They applaud sometimes. They pat us on the back. Those are things that don’t happen on everybody’s movie set,” he said.

The moderator noted that some people were “aggrieved” on Jennifer’s behalf particularly, for the number of times she gets whacked – she is covered in blood for most of the film – and the enormous number of times the ‘n….r’ word gets thrown around.

This is an issue Samuel Jackson’s long addressed nowhere better than during the conversation.

“Like I said before,” said Jackson, “ Quentin doesn’t write anything that’s not genuine. Having grown up in the South, during segregation, I understand the conversation. I understand what he puts in characters’ mouths and why it comes out. I don’t understand why they continue to have this fixation with what he writes, because he writes about a specific subject, he has to use a specific word.”

Jackson mentioned more offensive words than the ‘n” word that the director could have used. “ But when you say ‘n…r,’ everybody knows specifically who you’re talking about. There’s only one in the movie.” Uma laughed. “You got me! Major ‘n…r.’ Oh yeah me.”

“I don’t understand the whole craziness about it or people spending their time sitting in a movie counting the number of times the word is said.” Jackson said, noting that there is a song in “Twelve Years a Slave” where the “n” word is said “ like 300 times, but nobody said, ‘Oh, why was that song in the movie?’”

As for Leigh’s character, who gets whacked throughout the film, Jackson said his wife had a problem with that on an initial viewing.

She asked, “Damn, how many times you gotta hit Jennifer?’ As many times as it takes for her to get the message.”

Jackson added, “We’re in the middle of that story every day we don’t even think about it, so the first time he hits her and I’m standing there, it’s kind of like, ‘Oh, okay,’ but as the movie goes on you do realize she’s dangerous. She’s not really like not used to being hit. She’s got some experience taking a punch,” he said.

She even baits other characters into hitting her. She’s plotting revenge. “She knows your time is coming. Also, this is a time when you know nobody was taking cellphone pictures of her face and putting them on the Internet. “It’s an incident in time. Men abused women in that way, especially if they were criminals. He’s taking her to be hung. He didn’t have to deliver her in a pristine manner.”

Jackson also mentioned that Jennifer Jason Leigh had a hard time saying the “n” word. “She said it a little tentatively for the first few days and then we finally got in the moment,” Jackson said. “I never had to say to her, ‘You need to get with it.’ We had to say that to Leo. Leo’s like, “Do I have to say…”? I told him, ‘Dude, if you’re going to do this movie you got to get real comfortable” with  ‘n…r’ real quick. Stop playing. You see the results in ‘Django,’ he got pretty comfortable with it.”

As guests exited the very pleasant brunch, Uma laughed at an inside joke about Quentin, adding, “He’s such a fucking liar!”

Zombie Duets: Barry Manilow New Album Pairs Him with Deceased Stars on their Signature Hits

0

Barry Manilow is certainly the crypt keeper. He’s gone from pairing himself in a duet with one dead singer to a whole album of Zombie duets.

On “My Dream Duets,” Manilow– who once sang a song he didn’t write called “I Write the Songs”–teams up with 11 famous singers who are six feet in the ground on their biggest hits.

This isn’t like when Natalie Cole made a version of “Unforgettable” with her late father, Nat “King” Cole. She was at least related to him.

No, this is Manilow capitalizing on whatever’s out there now that his own career has ebbed.

Manilow’s captive partners, so to speak, include Whitney Houston, Dusty Springfield, Sammy Davis Jr., Jimmy Durante, John Denver, Judy Garland, and Louis Armstrong.

The estates of those artists were obviously keen to see if they could make some money with Manilow. We can thank the Lord that there’s no “Imagine” with John Lennon or “Walk on the Wild Side” with Lou Reed!

If Manilow had waited, he could have had “This Will Be” with the aforementioned Natalie Cole. I guess that will be in Vol. 2.

Between this stuff and hologram concerts by dead artists, we can look forward to a whole new low in standards of taste in the coming years. Just what we needed!

By the way, this is NOT a Clive Davis production. Manilow moved to Universal’s Verve label a few years ago.

Spotlight, Carol Lead Writers Guild Nominees Among Those Eligible, Sicario Gets Hateful Eight Spot

0

Not all the Oscar buzzed films are eligible for Writers  Guild nominations. Quentin Tarantino isn’t in the WGA so his wonderful screenplay for “The Hateful Eight” isn’t on today’s list. “Sicario” got that spot. “Room” and “Brooklyn” also weren’t eligible. So these lists don’t reflect what the Academy can and will do  Like the PGA yesterday, these are specialized awards. They’re also a lot more subjective because they’re from a small pool. Still, here are the Writers Guild Awards nominees for 2016.

 

 

ORIGINAL SCREENPLAY

Bridge of Spies
Written by Matt Charman and Ethan Coen & Joel Coen; DreamWorks Pictures

Sicario
Written by Taylor Sheridan; Lionsgate

Spotlight
Written by Josh Singer & Tom McCarthy; Open Road Films

Straight Outta Compton
Screenplay by Jonathan Herman and Andrea Berloff; Story by
S. Leigh Savidge & Alan Wenkus and Andrea Berloff; Universal Pictures

Trainwreck
Written by Amy Schumer; Universal Pictures

ADAPTED SCREENPLAY

The Big Short
Screenplay by Charles Randolph and Adam McKay; Based on the Book by Michael Lewis; Paramount Pictures

Carol
Screenplay by Phyllis Nagy; Based on the Novel The Price of Salt by Patricia Highsmith; The Weinstein Company

The Martian
Screenplay by Drew Goddard; Based on the Novel by Andy Weir; Twentieth Century Fox

Steve Jobs
Screenplay by Aaron Sorkin; Based on the Book by Walter Isaacson; Universal Pictures

Trumbo
Written by John McNamara; Based on the Biography by Bruce Cook; Bleecker Street Media

DOCUMENTARY SCREENPLAY

Being Canadian
Written by Robert Cohen; Candy Factory Films

Going Clear: Scientology and the Prison of Belief
Written by Alex Gibney; HBO Documentary Films

Kurt Cobain: Montage of Heck
Written by Brett Morgen; HBO Documentary Films

Prophet’s Prey
Written by Amy J. Berg; Showtime Documentary Films

Adele Falls Back to Earth This Week with “Normal” Sales of Around 150,000

0

Adele is still number 1 this week, her seventh week in the top spot on the charts with her “25” album.

But last week she sold 300,000 copies after five weeks of million-more-crazy numbers.

Now this Friday she will end up between 150,000 and 170,000 copies. That’s “normal” for first week sales of most albums.

Adele’s path to 8 million sold is slowing down. She’ll make it, and well past that before the year — 2016– is out. But the phenom part of her launch is coming to an end. It’s sad, really, since she was calling from the other side.

Can anything knock her off number 1 next week? It doesn’t seem like it, but who knows? It’s time for the “Hello” single to start coming down, too. The question is, can a second single do as well? Or even close? And how can it be promoted to seem new?

Tough job, but our friends at Sony are probably equal to the task. They’ve done pretty well so far.