Monday, October 7, 2024
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RIP DIrector John Avildsen Won the Oscar for “Rocky,” Directed “The Karate Kid,” Introduced Susan Sarandon

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John Avildsen died today. The director of many hit films won the Oscar for “Rocky” in 1977. He left quite a nice legacy of films including “The Karate Kid,” “Lean on Me,” the original “Neighbors” with Aykroyd and Belushi.

Avildsen has two other films on his resume that are always worth watching. “Joe” starred Peter Boyle and a brand new Susan Sarandon in a character study that presaged Archie Bunker. Watching it now is like seeing a time capsule.

He also directed the great Jack Lemmon to his second Oscar in 1973’s “Save the Tiger.” (Lemmon also won for “Mister Roberts” in 1956.)

It looks like Avildsen more or less retired around 1999, but was thinking of a comeback next year with Richard Dreyfuss and an 89 year old Martin Landau in “Nate and Al.”

TV Ratings: “Twin Peaks” 99th Highest Rated Cable Show Last Sunday, Because It’s Just Terrible

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“Twin Peaks: The Return” was the 99th highest rated cable show last Sunday night. The Showtime series had 270,000 viewers at 9pm. To give you a comparison, AMC’s “Fear the Walking Dead” commanded 2.5 million viewers, at the same time, also on cable. “Keeping Up with the Kardashians” had 1.4 million viewers at that time.”American Gods,” on Starz, a channel no one knows exists, pulled 629,000 viewers.

And so on. You get the idea. “Twin Peaks” was the lowest rated show of any kind on cable at 9pm Sunday night.

To say that the “The Return” is a disaster is a David Lynchian understatement. In Episode 6, Lynch (Agent Cole) and Sheryl Lee (Laura Palmer) are listed in the credits, but don’t appear in the show as far as I could tell. This suggests a lot of last minute cutting. As this “Twin Peaks” makes no sense, moves at a snail’s pace and seems random, the credits bear the only explanation for what’s not going on.

The new show is not enjoyable. It’s exasperating. I can’t believe anyone watches it in real time: you must have your finger on a fast forward button. In Episode 6, Kyle Maclachlan as the Agent Cooper doppelganger Dougie says fewer than 20 words. Naomi Watts, not knowing what the hell is happening, looks like a small child lost in a superstore.

Very little is set in Twin Peaks itself, like the preceding five episodes. This show is set in Las Vegas and its environs, and maybe Washington, DC. Who knows? But what does happen in Twin Peaks is awful: a child is hit and killed by a careening truck driven by a coked up tertiary character. Two women in an office are brutally and graphically murdered by a dwarf. And they are mundane: Deputy Hawk pulls apart a bathroom door to discover some notes on lined paper. Coffee is poured at Norma’s but she (Peggy Lipton) isn’t there. Just Shelly (Madchen Amick), wasted in silence.

Guest stars included Laura Dern, revealed after 25 years as Diane, Agent Cooper’s secretary; the late Miguel Ferrer; Harry Dean Stanton, who looks dead; Robert Forster and Candy Clark. The one armed man dances in the red room as a hologram and warns Dougie “Don’t die.”

“The Return” is just bullshit. It’s a test from David Lynch: how much can he put over on you? How long will people pretend to understand in order to seem hip? There’s no plot, no story, no continuity, and more importantly, no fun. It’s not arch, like the old “Twin Peaks.” It’s just work, with no payoff.

 

Shia LaBeouf Will Star in Ed Zwick-Directed Film About Man Accused of Killing His 3 Children

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You can say this for Shia LaBeouf: he doesn’t shy away from tough roles or movies. He’s agreed to star in “Trial by Fire,” directed by Ed Zwick. This is based on the New Yorker story by David Grann about a man who was accused of setting a fire that killed his three children.

Todd Willingham maintained his innocence up til the end. But he was eventually sent to death row and finally put to death by lethal injection.  Through it all he was championed by a playwright named Elziabeth Gilbert, who will be played by the great Laura Dern. Gilbert has her own drama in the story– as Willingham was sent to death row, Gilbert was in a terrible automobile accident.

Since Willingham’s death, Gilbert– now recovered– has been an ardent speaker on being against the death penalty. There have also been investigations into the forensic science used in Willingham’s case– he may  have been innocent, as he claimed, but we’ll never know. Certainly the movie will have a lot of leeway in that direction, much like last year’s “Making of a Murderer.”

“Planet of the Apes” is Back: Woody Harrelson Plays a Cross Between Donald Trump and Kim Jong Un

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After this coming week, and several bad weeks (save for “Wonder Woman”) maybe Hollywood will be saved after all. Matt Reeves’ “War For The Planet of the Apes” will be a monster hit for 20th Century Fox. (The reviews are embargoed until Monday June 26th at 6 :00 am PT.   The film opens July 14th.) 

At the first advance small screening for some crew and press, director/co-writer director and co-writer Reeves told the small group of crew and press that he just finished the film “a couple of days ago.” 

Jane Goodall, the world’s foremost expert on chimpanzees and a revered animal advocate, saw the film in an unfinished version.  “She loved the movie, and I met her, just the most amazing person. She had her chimp doll, which I learned she carries everywhere, with her.  She won’t go to a movie that uses any animal in a cruel situation, so she loved this, since it’s all Weta [visual effects company] created.”

I asked him that the film seems to reflect exactly what’s going on today.

“We (Matt along with Mark Bomback) started writing this three years ago.   I wanted to make sure this is Caesar’s movie.  You see these two tribes and they’re both squatting on the same land, and the question is are they going to be able to co-exist or is it going to turn to violence? But it’s not Planet of the Humans it’s Planet of the Apes.  It’s a war movie, and we wanted it to root in stuff that feels real and to reflect human nature.

“The weird thing is that as we were starting to shoot this movie, there were all these events that were weirdly resonating and I was so like, ‘this is so odd.’  We didn’t set out to do all this timely stuff but it all sort of aligned, as it got closer.  So people thought we were writing about this situation and that. I had to tell people that, it took three years to make this movie. So in our exploration to make a war movie, there are some elements that seem to have relevance, which is cool.

“The leg of the story is about cementing Caesar’s position as the seminal figure of all ape history.  We were trying to make a biblical epic.  We watched “Ben Hur” and “Ten Commandments.”  All very mythic kind of ideas.  So this weird resonance of timeliness comes with the idea that these are mythic human stories that have resonance in the world as it is now.”

Regarding Woody Harrelson’s ruthless Colonel character, I mentioned to me it’s a cross between Donald Trump and Kim Jong Un. 

Reeves replied, “Woody plays a ‘Kurtzian’ type, referencing Marlon Brando’s infamous Colonel Kurtz in “Apocalypse Now.”

The domestic/ international junket is in London because Woody is shooting the Hans Solo movie there.

P.S. Andy Serkis is just wonderful. They are pushing him for Best Actor. Woody, Steve Zahn, Judy Greer are all great.  

Tupac Shakur Bio Movie “All Eyez On Me,” Universally Panned, Doesn’t Even Have a Soundtrack CD

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Tupac Shakur is no doubt twirling in his grave. His biopic, “All Eyez on Me,” is being universally panned this morning after being hidden by its distributor, Lions Gate. Critics — at least the ones who’ve laid eyez on it– don’t like it at all.

Toronto Globe and Mail: “A by-the-numbers biopic that trades on the worst clichés of the hip-hop world (that is, drugs, bling and a preoccupation with women’s butts that puts the Fast and Furious franchise to shame). ”

NY Times: “Not only a clumsy and often bland account of his life and work, but it also gives little genuine insight into his thought, talent or personality.”

A really clear sign that things went bad with this Morgan Creek production: no soundtrack CD. For a music movie. Uh oh. There was supposed to be one. A quick check of the internet indicates that at some point someone thought it was coming. But we awaken today to nada.

A source says that it was too expensive to license Shakur’s songs. But “All Eyez” was supposed to be the authorized movie of the estate. Shakur’s late mother was in on it when director John Singleton left the project and it flipped over to first timer Benny Boom. Boom, indeed.

What a mess.

to be continued…

Karma: Jay Z Skips His Own Controversial Induction into Songwriters Hall of Fame

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Well, well. The Songwriters Hall of Fame insisted on inducting Jay Z, who doesn’t actually write songs. And what did he do? He didn’t show up for the ceremony. The “reason” floating around on the internet is that Beyonce is about to give birth to twins.

Of course, Jay Z could have flown back and forth from L.A. to New York on his private plane. But, no. SHOF bad karma knocked out someone who shouldn’t have gotten the award in the first place. Jay Z is many things, but songwriter is not one of them.

On Twitter, Jay Z thanked a bunch of rappers. But he doesn’t explain how he writes these ‘songs’ or how he chooses samples of other people’s music to underscore his rap lyrics.

Here’s an old interview with Jay Z that sheds some light on these things

Meantime, across town Elvis Costello put on a great show at Central Park Summerstage. Downtown, Norm Lewis and Carole Carmelo had a press night in their extraordinary off Broadway performance of “Sweeney Todd.” So there were plenty of more fulfilling things going on around town.

Some other guests at the SHOF dinner were Berry Gordy, Smokey Robinson, Ed Sheeran, Usher, Pitbull, and Jon Bon Jovi.

Will Ferrell Will Love This: Lifetime Plans Classic High School Mom from Hell Revenge Movie About Competing Soccer Player Daughters

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You know that Will Ferrell, for reasons apparently unclear even to him, made a parody of a Lifetime movie last year. “A Deadly Adoption” (a deadly movie) was about a couple– Kristen Wiig was the wife– trying to have a baby with a deranged surrogate.

Lifetime is famous for tawdry movies of the week, usually made on the cheap in Canada with people you’ve never heard of, that are like pulp fiction but watered down to a G rating. A threat looms, but cookies and milk are served at the end.

Now Lifetime has announced a new production, still untitled. Here’s the breakdown:

“Psychology teacher & head soccer coach of her daughter Hailey’s high school, RHONDA CHALMERS can see that Hailey isn’t the soccer star her mother would like her to be, but she’s driven to see Hailey get a soccer scholarship to college & have all the advantages that Rhonda didn’t. With Hailey’s biggest competition the extremely talented Cameron Lowe, Rhonda systematically mounts an increasingly violent campaign to make sure Cameron is put out of commission for the season…”

It sounds wonderful. I’m glad Lifetime is getting back to its roots of crazed suburban moms getting violent over their high school daughters’ success and competitions. Somehow, all is right with the world.

Send me casting suggestions and I’ll post them– showbiz411@gmail.com

Yoko Ono Will Get Co-Writer Credit on “Imagine,” Extending the Copyright Ownership for Years

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Yoko Ono will get co-writer credit on John Lennon’s “Imagine,” released in 1971. The announcement came last night at the National Music Publishers Association dinner. Their son, Sean, looking like John exactly from the cover of the Hey Jude album, wrote about it on Instagram. Changing the credit could add another minimum 28 years to the Lennon estate’s ownership of the song which would have expired in 2041. So that’s a good move financially. So that’s the cynical take. But Ono was really John’s unacknowledged collaborator on so many things, it seems like the right idea. Also, she’s in a wheelchair, which isn’t good even for age 83. At the dinner an audio tape was played in which John says Yoko should have gotten credit. So why not? And it doesn’t affect Paul McCartney, so he won’t mind.

Exclusive: Dan Rather on the Similarities Between Nixon and Trump: “Each president has a strong strain of paranoia”

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The hit film “Wonder Woman” was a touchstone for the crowd of VIP women at Tuesday night’s Women In Film’s The Crystal + Lucy Awards at the Beverly Hilton. WIF’s President Cathy Schulman got the night started by vowing to keep fighting for women’s rights in male dominated Hollywood. She also some of the many WIF programs, including the ‘ReFrame’ initiative which furthers gender parity and ‘Flip the Script,’ really funny clever Youtube videos.

Elizabeth Banks received the Crystal Award. She was feted with videos by Sen. Kamala Harris and Hillary Clinton with Clinton getting a laugh. “I haven’t seen “Wonder Woman” yet but I plan too.” Clinton continued, “Something tells me that a movie about a strong powerful woman fighting to save the world from massive international disaster is right up my alley.”

Always forthright Banks called out Steven Spielberg for not having more women as leads in his films. “I went to “Indiana Jones” and “Jaws” and every movie Steven Spielberg ever made, and by the way, he’s never made a movie with a female lead. Sorry Steven. I don’t mean to call your ass out, but it’s true.” She added, “We need dudes. We need the guys. It’s our responsibility to bring the men along. I grew up going to see amazing movies with amazing men at the heart of them and no one dragged me screaming and kicking to see these movies. Tell great stories and invite people into the stories.”

Tracee Ellis Ross received the Lucy Award, got teary eyed as Michelle Obama through a video called her, “brilliant and hilarious.” Tracee responded by, “to be a part of reshaping what it is to be a modern woman through the face and being-ness of a joyful black woman is really special.”

The lovely Oscar winner Lupita Nyong’o gave filmmaker Mira Nair the Dorothy Arzner award, while Sony Picture Classics co-founders Michael Barker and Tom Bernard received the inaugural Beacon Award. Actress Zoey Deutch garnered the Max Mara Face of the Future Award and thanked her parents, actress Lea Thompson and director Howard Deutch.

Robert Redford presented the Norma Zarky Humanitarian Award to his longtime friend Dan Rather, who Redford portrayed in “Truth.”

Dan paid homage to the group by saying of their work: “Far beyond what you do for and with the industry here, there is a resonance way beyond that. You do our country — not just the film industry — great service far beyond what you may imagine. It is of tremendous value to our country as a whole.”

He ended with a profound statement. “You must not waiver, hesitate for get distracted. For yours, my friends, is essential noble work.”

Later, I asked legendary CBS news man Rather what the difference is between what’s going on in Washington now and Watergate, which covered– and owned– in the early 70s.

Rather said: “There are some important comparisons between what’s going on now and Watergate. But I think it would be a mistake to make too many parallels especially given the different times and the different people we are now demographically and culturally. But among the parallels, first of all is the ultimate power, which is The President has something to hide. It may or not be criminal, but there’s something to hide so there’s that parallel. The other parallel is given that the President is trying to hide something, the system of checks and balances has kicked in. We have Congressional hearings, a Special Prosecutor, FBI investigation. All of those things. So there’s that parallel.”

He continued: “I think there’s one other parallel with Watergate. That is each of the two Presidents, they are different personalities but each of them has a strong strain of paranoia, feeling people are against them, ‘everybody is against me.’ When I say in order to draw too close a parallel, all of this cloud over President Trump is happening at the beginning of his Presidency. It didn’t start with Richard Nixon until he got into his second term. So that’s an important difference.”

Fox News Admitting They’re No Longer “Fair and Balanced,” Giving Up 20 Year Old Slogan They Used to Define Them

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Fox News was never, ever “fair and balanced.” Not for a minute. But that was Roger Ailes’s slogan for the network he created, and he used it define them for two decades.

But Ailes is dead and disgraced. Fox is struggling. And now New York Magazine is reporting that they are abandoning the slogan. They say they haven’t used it since last August, but it’s completely gone. “Fair and Balanced” is a thing of the past.

Alas, Fox News was rarely fair and never balanced. It is and always has been slanted to the right. It’s the actual Fake News. And they were never fair. They played to fear and bitterness and the gang mentality of piling on whenever something went wrong with someone they didn’t like. They purposely still steer away from anything that doesn’t suit their agenda.

A new slogan will be “Most Watched. Most Trusted.” The first part is already not true, as MSNBC has been beating them in various segments. Most trusted– yes, but by people who who wear tin foil hats.