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Pop Music: 50% of Sales First Half of 2017 Were “Deep Catalog”– Beatles, Elvis, Prince, Michael Jackson, Johnny Cash at Top

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Sales figures are out for the record biz first half of 2017. Streaming is booming, and so is vinyl. CD sales are way down and so are downloads. Drake led the pack along with Ed Sheeran. This is all stuff we knew and wrote about as it was happening.

But here’s a statistic from Buzz Angle that’s hidden: 50% or more of all recorded sales were from the “deep catalog.” That’s old music. That’s half of everything. The Beatles, Elvis Presley, Michael Jackson, Prince, Johnny Cash and Pink Floyd finished among the top 25 artists in album sales from January 1st to July 1st.

How crazy is that? The Beatles sold 324,000 albums– mostly their “Sgt, Pepper” box set priced at $117.99. They were 8th on the list. They beat Adele, Lady Gaga, Harry Styles, twentyone pilots, and Zac Brown Band among others.

According to Buzz Angle (a newer service similar to SoundScan), 51.2% of album sales were deep catalog, 49,5% of song sales were from that category as well as 46.7% audio streams. Even more interesting: 59.3% of all video streams were from deep catalog.

People are listening to oldies more than new music. This is certainly reflected in recent radio ratings, in which oldies stations were handily beating Top 40.

What’s going on? Oldies are comfort food, especially in uncertain times. Even classic rock is soothing. Plus, it’s just better. The music is better. It’s not as disposable as current offerings. It means something. I always said, starting around 1990, there was going to be a problem with a generation of sampling in hip hop. A couple of generations are now missing original music from their repertoire. In the end, no one is humming rap songs. But “Motown” songs– they’re forever.

The funniest part of the mid year report: a lot of people bought the “Guardians of the Galaxy” soundtracks on cassette tape. Cassette tape? What are they playing them on? Maybe Sony will bring back the original Walkman!

 

Song of the Summer? Wyclef Goes Disco with the Very Listenable “What Happened to Love?”

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Lunchbox Lewis provides the rap, Wyclef Jean and team bring the disco. I swear, play this a couple of times and you are never going to forget “What Happened to Love?” THIS is a dance song. Wyclef’s “Carnival 3” is coming September 15th and features a track sung by Emeli Sande and another with Teddy Riley. Wyclef has written a lot of terrific songs over the years. He got suckered into politics. Everyone makes mistakes. Now he’s back with the music!

(Watch) Lady Gaga Had a “Million” Reasons to Do Private Show for Russian Oligarch Wedding at Oscars Theater in Hollywood

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Over the weekend, Lady Gaga raked in anywhere from $500,000 to a million dollars playing on the stage where the Oscars take place.

Gaga was the private entertainer for billionaire Russian oligarchs at the wedding of their children held– are you ready?– at the Dolby Theater in Hollywood. That’s where the Academy Awards are handed out. Gaga last performed “Til it Happens to You” on the 2016 broadcast. The wedding cost around $10 million according to reports and featured a 10 tier cake.

Performance fees for such private events range from half a mil to a mil– and hopefully Gaga got the good money. She certainly put on a real show for them, as recorded on Instagram.

The bride was Lolita Osmanova, the daughter of energy tycoon Eldar Osmanov, and considered to be Vlad Putin’s goddaughter. The groom was Gaspar Avdolyan, the son of Albert Avdolyan, a Russian-Armenian telecommunications mogul.

#ladygaga #thebestwedding

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I hope Jimmy Kimmel makes a joke about this soon. Here’s the altar, where Kimmel will stand next March to hand out the Oscars:
snimok_ekrana_2017_07_03_v_12.00.37

Kanye West Leaves Jay Z’s Tidal Service and Looks 100 Times Happier than Ever in Photos

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Kanye West has left Jay Z and his Tidal streaming service. The issue is money. Frankly, Kanye has a case against Jay Z. The rollout of “The Life of Pablo” was the most botched release by a superstar ever.

Anyway, we all know what else happened: Kim was robbed in Paris, Kanye walked out of some shows, and had a nervous breakdown. As they say on “Veep,” he’s been “at the spa.” The last we heard he was on a mountaintop somewhere.

And then Kanye closed down all his social media. Yet there he is on 2Chainz’ Instagram account in three photos. And what is that expression on his face? Kanye West is SMILING. To quote Sly Stone: “You caught me smilin’, again.” What a nice smile. He looks HAPPY. And if that’s the case, maybe there’s a light at the end of the tunnel for everyone.

 

Happy Sunday

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Family pic

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Thank you @uclambb for letting me and Ye ball out at the court today

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Everything About “Baby Driver” is (Edgar) Wright: Best Movie of the Year So Far

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By now maybe you’ve seen Edgar Wright’s “Baby Driver.” If not, today is the day. It’s the best movie so far of 2017, a real light touch tour de force that will leave you breathless and applauding at the end.

“Baby Driver” is powered by exceptional performances by everyone– Ansel Elgort, Jon Hamm, Jamie Foxx, Kevin Spacey (worst toupee ever), plus Lily James from “Downton Abbey” (that’s right, Cousin Rose), and Eiza Gonzalez. CJ Jones is kind of a revelation, and there’s a small but memorable turn by Paul Williams (what a great idea).

Then there’s a soundtrack, the likes of which must have taken forever to clear the rights. The Simon & Garfunkel title track is the point of the whole film but you’ve got to work for it– you won’t hear it til the end. First we’re going to hear a lot of songs with the word “baby” most especially the amazing Carla Thomas singing “BABY (Baby)” plus a few versions of “The Harlem Shuffle” and Barry White writ large and placed perfectly. I want that CD! (There’s also Sam & Dave’s “When Something is Wrong with My Baby”– but not enough!)

Elgort plays Baby, an ace getaway driver who’s been blackmailed into work by Spacey (looking puffy). The rest of the aforementioned names work for Spacey as armed bankrobbers, and they mean business. They’re shot like villains from the Batman TV show, but Wright resists camp– well almost resists it because Baby’s flirtation with Debora, waitress in the diner where everyone comes and goes, is his nod to nostalgia. (I did love when Baby thought the song “Debora” by T. Rex was by something called Trex.)

Like Bruce Wayne, Baby has lost his parents in a terrible accident. But instead of becoming Batman, he’s just trouble. He lives with his foster father, implausibly by fabulously embodied by CJ Jones as a deaf mute.

All the actions and emotions are heightened, there’s lots of adrenaline, and more than enough character development– for so many characters, they are well delineated. We get a little of everyone’s history.  Hamm and Foxx are really outstanding. Hamm is like Don Draper on meth. Foxx just grabs his closeups. And Wright gives everyone their moment, even newish Gonzalez.

All the below the line stuff crackles– crisp cinematography, and mind blowing editing. I sure “Baby Driver” makes it to the Oscars because it’s full of life and originality. It’s what movies can be when no one is interfering. Bravo Edgar Wright.

DA Pennebaker on Making Monterey Pop 50 Years Ago: “ABC was afraid when they saw Jimi Hendrix singing “Wild Thing” and humping the speaker”

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DA Pennebaker’s classic concert film, “Monterey Pop,” is celebrating its 50th anniversary with a newly restored version, courtesy of the noted Criterion Collection.   The film, documenting the 1967 festival, features iconic performances by Janis Joplin, Jimi Hendrix, The Mamas and the Papas, Otis Redding, The Who, Jefferson Airplane, Ravi Shankar and more.  

‘Penny’ as friends know him, is still as sharp and relevant as ever. The 92 year old– the first recipient of a Lifetime Achievement Oscar for documentaries– was recently in LA for a screening. His collaborator wife Chris Hegedus (a past DGA winner for Best Doc), accompanied him to the hip Cinefamily (formerly the Silent Movie theater) for a Q an A moderated by director Allison Anders along with rock legend Bob Neuwirth.

The devoted crowd learned that Penny’s cameras were homemade. “We made 5 or 6 of them,” Penny explained.  “They were the first to synch with the sound.”  Producer Thiago Da Costa asked him what his biggest anxiety was ?  He quipped,  “that one of the cameras would break down.  If that happened with Janis, I would have had to flee.”

What made him do this particular film?  He quipped, “It was cold in New York.” He also said the beginning was challenging.  “The closer I got to the opening door the less I understood what the hell to do. The  cameramen and I [including the legendary “Grey Gardens” director Albert Maysles] would meet every morning at this awful waffle house.  We would write notes on the back of the menu.  I guess I was avoiding professional film making.”

Penny and Bob noted of the singular time that it took place.  “One of the great things about this film is that people were not afraid. The audience, the police, humanity wasn’t afraid.  People on screen were really free.  After that was the Altamont festival, then RFK getting shot.  Perhaps the last innocent portrayal of that time.” 

A few more tidbits?  Penny added,  “At first ABC was supposed to air it, but they pulled out after they say Jimi Hendrix singing “Wild Thing” and humping the speaker. “ Bob added, “Jimi was completely burnt at the time, they all were.  None of them even tried to hide it. “

The film wasn’t  successful at the beginning.  Penny explained, “We then we got wonderful press.  “Life Magazine” and such and then we played at Lincoln Center.  After that it caught on.  But I never intended it to be a sociological thing.  I wanted it to be about the music.  And it did find its’way. “

The next night Penny and Chris went over to the Sunset Marquis Hotel, the  ultimate rock and roll hotel destination with it’s own recording studio and still as lively as ever, for a Morrison Gallery photo exhibition of classic stills from the movie. 

Chris and Penny never stop, they just were at the Piazza Maggiore in Bologna Italy for a screening of the film at the Il Cinema Ritrovato. 

 

Taylor Swift Put Her “1989” Album on Spotify, and the World Yawned: Katy Perry Did Better

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June 9th– so long ago, Like three weeks. Anyway, Katy Perry had announced her “Witness” album for that date. So Taylor Swift decided to return her catalog to Spotify. This included the “1989” album which never really had a run on streaming. Swift pulled it at the start.

So what happened. For Swift, the world yawned. Since June 9th, the hit record “Blank Space” has 9 million streams. “Bad Blood” has 7.3 million. “Wildest Dreams” has 7.4 million. “Style” is at 6.8 million.

Swift’s biggest hit from “1989” on Spotify: “Shake it Off” with 80 million streams.

Meanwhile, Perry’s new music seemed to captivate the streamers more. “Swish Swish” has 58 million so far. “Bon Appetit” has 66 million. “Chained to the Rhythm,” which has been out since February, has 334 million. An older hit, “Dark Horse,” has 459 million.

Swift still boasts the most streams between the two pop tarts. Her duet with Zayn Malik from “50 Shades Darker” stands at 500 million streams.

Streaming is a particular thing, as it turns out. Harry Styles, the male equivalent of these two, gets very little streaming yet he’s being booked into indoor arenas for next summer– he can sell tickets more than he can sell “records.” Streaming is also skewing younger and more urban.

Murdoch Closes NewsCorp’s “Heat St.” Website, Known for Stories about Bestiality and Pedophilia

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So this is the end of HeatSt.com, the Rupert Murdoch invented News Corp website that did not fall under Fox News or any other particular heading at the octogenarian Aussie’s companies. It was though to be a sop to Louise Mensch, former Member of Parliament who stood up for Murdoch during the hacking hearings. Her reward was a job in America where her husband, Peter, manages the rock band AC/DC.

But Louise turned out to be more of a mensch than anyone thought. Almost as soon as the site began– they couldn’t use www.heatstreet.com because it belonged to a piercing salon in South Carolina– there was trouble. Donald Trump was on the rise. Even conservative Louise was appalled and began attacking him on Twitter. This was counter to the Fox News agenda. Before a years’ time, she was gone.

bestiality_Heat_Street_-_2017-07-02_19.23.38My Fox sources say that neither Louise nor the two people who succeeded her running Heat St. had any idea what they were doing nor cared about the staff. Mensch declared the site would be like a gadfly, and stand up for world views. But without much traffic, the site quickly started running weirdly salacious stories. Bestiality and pedophilia were specialties. There was a glut of them.

Heatst.com was under the News Corp banner, and apparently FoxNews.com wasn’t interested in it. This was yet another costly failure for the whole of the company– remember The Daily? Oy vey. That online magazine was a catastrophe. My Fox sources say that as long ago as last November Mensch’s right hand man and successor, Noah Kotch, was lobbying Murdoch to put him charge of FoxNews.com. Now he’s got the job; I don’t know what that means for the good people who were working there.

“Wait and see how downmarket Foxnews.com gets,” says a Murdochian source. Up til now, Foxnews.com has tried to be the more thoughtful brother of the fakenews TV network. Expect that to change. Some Heat St-ers will go to Dow Jones Market Watch. Others may open a Manhattan branch of the piercing parlor. Mensch is somewhere near Mars shouting conspiracy theories over the din of AC/DC.

Dan Aykroyd on Singing with Original Soul Man Sam Moore on PBS July 4th Show: “He sings like he was still 19. His presence and talent alone are worth the price of admission”

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Dan Aykroyd is psyched to be singing with Rock and Roll Hall of Famer and Grammy winner Sam Moore on PBS July 4th. He Tweeted today: “Elwood and Zee Blues are delighted that original Soul Man, Sam Moore will be joining the Blues Brothers for the “Capitol Fourth” concert in D.C. Sam, the great hit-maker for Stax/Volt, sings like he was still 19. His presence and talent alone are worth the price of admission.”

Moore, 81, just wowed the crowd at Chicago’s Warrior Games last night, performing alongside Blake Shelton and Kelly Clarkson. The Warrior Games Anthem, “Show for You,” is such a hit that it’s up on iTunes:

Sam Moore “Show for You” Warrior Games Anthem

Meanwhile, check out Moore’s new version of the “Star Spangled Banner” also on iTunes. It’s the best new version of this chestnut since Whitney Houston.

Sam Moore “Star Spangled Banner”

Donald Trump Posts Video of Himself “Fighting” CNN, Doesn’t Realize How History Will Treat Him

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Donald Trump continues to dig his own grave with historians. Every day he offers more evidence of mental instability and an inability to be a statesman. He is a small man, with small hands, and a small mind. He actually posted this video himself, to his Twitter account. He thinks it’s funny. He doesn’t realize that historians will skewer him. He will never be taken seriously, even if he stays in office for eight years (god forbid). His lackeys and sick puppets will be writing the story of his presidency. It will be done by scholars and “real” journalists– not Fox News, not Sinclair media, not Dinesh D’Souza. They will accurately portray him as a man not in control of his faculties, in the darkest period of the American presidency.