Sunday, October 6, 2024
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Leonardo DiCaprio’s St. Tropez Bash Made $15 Mil Less Than Last Year, Even with Madonna, Sean Penn, and Lenny Kravitz as Attractions

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This past week, Leonardo DiCaprio’s St. Tropez bash for his personal foundation raised $30 million according to the group’s announcement. That’s $15 million less than last year’s $45 million.

This is even though Madonna performed for the Euro crowd, as did Lenny Kravitz. Sean Penn, Jennifer Lawrence, and Tobey Maguire were among the guests. Models were shipped in from the factories where they are made in heaven and other planets. They were built to Leo’s specifications.

Wednesday night’s bash in St. Tropez for the Leonardo Di Caprio Foundation had some noticeable differences from last year:  the “step and repeat” backdrops that in past years featured the very private Julius Baer bank of Switzerland and Chopard Jewelry simply read “Leonardo DiCaprio Foundation.” Julius Baer is still presumably the sponsor. But last year –as I reported exclusively– they were fined $547 million by the US government in 2016. DiCaprio obviously doesn’t want that public association.

Leo and his foundation have come under a lot of scrutiny in the last year. The foundation doesn’t file a form 990 and has no transparency whatsoever– have been part of the investigation into missing public funds from Malaysia that were used to make “The Wolf of Wall Street” among other things.

Earlier this year, DiCaprio had to return very expensive art work and jewelry that he said was donated by the Malyasians under investigation (including the stepson the country’s president). Those items, his reps said, were supposed to be auctioned off at the St. Tropez event. I guess without them, the night’s till was substantially down.

There were plenty of items for sale anyway. Most remain available. According to the website for the live art auction conducted by Simon dePury, 17 pieces of art sold that night. But about 100 pieces remain unsold. Similarly 9 “unique items and experiences” remain without bids.

So these numbers– $45 million, $30 million– don’t make much sense. The most successful charities in the world, with celebs, models, etc, are happy to take in $4 million tops for an evening like this.  But we’ll never know the real numbers because the Leonardo DiCaprio Foundation hides under an umbrella group in California and doesn’t offer any documentation of its income or expenses. Because of that we will never know how much Leonardo’s foundation– which boasts a big staff of executives–paid to bring the models and the celebs to St. Tropez, house them, etc.

Meantime, Julius Baer bank– which handles Leo’s money and the foundation’s– has announced they are moving their wealthy European clients from Germany to Luxembourg. Why? They say it’s because of Brexit. But it’s also for more secrecy for all their clients.

In other Julius Baer news, last month one of their former bankers pleaded guilty</a> in the ongoing investigation of money laundering and FIFA, the international soccer organization.

“Dunkirk” Vanquishes “The Emoji Movie” at Strong Box Office, but “Valerian” Is Seriously Dead

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Christopher Nolan’s “Dunkirk” crossed the $100 million line domestically today. It’s number 1 for the second weekend and has $234 million total worldwide. Warner Bros. has its second huge hit of the season following “Wonder Woman.” Also, two great publicity campaigns. What else do you want? Everything from here on out for “Dunkirk” is gravy. And the Oscars, Globes, Critics Choice for Director, Script, Best Supporting Actor, Cinematography, Editing, Score, etc plus Best Picture– nominations will rain down on them in the fall.

“The Emoji Movie” is number 2, a third for Sony this summer following “Spider Man: Homecoming” and the wonderful “Baby Driver.” The emoji at Sony is Happy Face, maybe with a champagne bottle.

You know it’s a good weekend when the fourth slot is an $18 million weekend — for “Atomic Blond” from the new Focus. All hail Charlize Theron.

“Girls Trip” is huge. It cost $19 million and has made $65 million. And it isn’t nice to see Jada Pinkett Smith, Queen Latifah, Larenz Tate and Regina Hall all in a hit?

Disaster: “Valerian” has made $30 million. It cost $200 million. So that’s that. Europa Corp. paid the bill, STX suffered the consequences. Luc Besson, I don’t get it. He’s one of a handful of directors who gets away with it.

Scene & Herd: Quincy Jones is Rocking Vegas This Weekend with Skylar Grey, Demi Lovato, DNCE

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Quincy Jones— fresh off his $9.4 million win from the Michael Jackson estate— is on a roll. He’s having a grand weekend in Las Vegas debuting his new headphones from JBL with lots of celebs. Over the weekend he’s entertaining Skylar Grey, Demi Lovato, DNCE and a bunch more famous names at a JBL Fest at the Hard Rock Hotel and Casino.

I mean, this is the life! He’s 84. But you know, Q produces amazing headphones for JBL-Harman Kardan. He has a pair for $1500 (AKG) and now a pair for under $200 bucks )JBL) that feature his voice giving instructions about how to adjust them. Amazing! People whose names you may know (but I have never typed before) are out there for the party including Kate Upton, Kendra Wilkinson, Damian Lillard, and Morgan Stewart.

I have a long held philosophy that whatever Q says is good for me. Ditto when he puts his name on musical equipment. Keep on rocking, Quincy!

Meanwhile, this week in NY…

Taste of Hope Cancer charity tossed an all star mid summer bash with Broadway as its theme. MSNBC’s Lawrence O’Donnell and philanthropist Jean Shafiroff joined the legendary Brenda Vaccaro and a group of Broadway greats including Geneva Carr, Richard Kind, Derek Klena, Clarke Thorell, Ruben Santiago-Hudson, David Alan Basche, Alysia Reiner. They dined on really tasty dishes from Chef Michael Ferraro from Delicatessen and Chef Julian Medina from Toloache. The party took place at a swanky $6 million triplex for sale from Halstead Properties in Hell’s Kitchen that comes with its own garage and a garden… 

Where is everyone eating, going?

In Southampton: Jada Pinkett Smith was at 75 main, celebrating her Haute Living magazine cover. Actress Lorna Luft also spotted at 75 Main in Southampton, NY also at another table was comedian David Steinberg. Joy Behar was there, too. (Frankly 75 Main is the spot in Southampton, perfect for celeb spotting)

On Central Park South:” Dr. Phil was spotted at Bobby Vans having lunch Actor Gianni Russo also eating at Bobby Vans, as well as business icon Iris Apfel and  “Bond Girl” Rachel Grant; all at separate tables.

Keifer Sutherland, Dr. Oz, May Pang all reported dining– on different occasions– at Il Gattopardo on West 54th St.– on the famous Veal Milanese…

Famed event planner Lawrence Scott produced the 12th Annual Feinstein Institute Summer featuring Pitbull at Old Westbury Gardens

Brooke Shields spotted at Union Cantina in Southampton, NY

Wall Street wiz John Paulson celebrating his wife’s birthday at Kozu in Southampton, NY with 20 friends.

Elsewhere in the Hamptons: Yes, everyone goes to Nick and Toni’s, it’s my home away from home. But a little further out, in Amagansett, Alec Baldwin holds forth at Sotta Sopra and he’s not alone. “Mad Men” star John Slattery and wife Talia Balsam also love the Sotta. This is one of those hidden gems before you mosey on out to Montauk…

 

 

Box Office Bounce Back as Top 10 Films Score Big Weekend, Good Reviews, Happy Audiences

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Hollywood has good news for a change. The top 11 box office movies did bang up business on Friday night and point to a very good weekend. Not only that, the films are pretty good, well reviewed (with an exception) and offer a lot of diversity.

Maybe it’s just an accident. But a happy one.

“The Emoji Movie” beat “Dunkirk” last night, but each of them still did very well with $10 million and $8 million respectively.

More importantly, there’s a lot of quality in the top 10 today– which is rare for summer. “Dunkirk,” “Baby Driver,” “Atomic Blonde,” “Spider Man,” “Wonder Woman,” “Girls Trip,” “Despicable Me 3,” “War for the Planet of the Apes”– are all top notch with some Oscar bound. “Girls Trip” has already earned $51 million. It was made for $19 million. With an 88 score on Rotten Tomatoes, the comedy is a success on many levels.

Then at number 11, we have “The Big Sick,” another terrific comedy. And in limited release, Kathryn Bigelow’s searing “Detroit” scored big numbers at its 20 locations. Each of these films is also headed to awards season with tons of potential.

The only exception might be “Valerian,” which is a bust in the US but plays much better in places like Germany, where no one knows what the characters are saying.

Reince Priebus is Out, Scaramucci’s Wife Has Filed for Divorce: It’s 5pm on A Friday in Washington, Business as Usual

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At first Donald Trump thought he’d use gang violence on Long Island to distract everyone from his earth shaking loss last night in the Senate. Trump’s promise to kill Obamacare has gone up in smoke. More than six months in, Trump has no legislation. No wall, no real immigration ban, and now no TrumpCare. His presidency is a daily disaster.

But wait! Gangs on Long Island didn’t do it. People kept talking about healthcare. So what else can you do to divert attention from failure? Why not fire the White House Chief of Staff? And, voila, Reince Preibus is out, replaced by General John Kelly, head of Homeland Security. Preibus had been fighting with Steve Bannon since the beginning, Bannon wanted him out. Bannon, who everyone hates, was colorfully described by Anthony Scaramucci yesterday in the New Yorker.

But wait! Half an hour before Trump could announce Priebus was gone, Page Six broke another story: Scaramucci’s wife left him. She’s divorcing him. They have two kids and she lives on Long Island. She couldn’t stand his “ambition.” She would rather be on Long Island, where there are gangs, than in Washington. Mrs. S didn’t want to be part of the “Trump Rhapsody” anymore. The fandango is over. She’s “under pressure.”

It’s 5pm on a Friday in the nation’s capital. Business as usual under you know who. You can’t make this stuff up.

Lana Del Rey or Meek Mill: A Fight Over Which Pop Star is Really Number 1 This Week

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It’s mid summer and the record business sales are so-so. Even Jay Z’s heavily hyped “4:44” hasn’t moved as many units as previously announced.

But “4:44” is sort of where the latest controversy– between Lana del Rey and Meek Mill– starts. Jay Z gave away digital copies of his album to Sprint subscribers during his first week of release, and offered the album exclusively as a stream to Tidal subscribers. No one really knows what the Sprint numbers were. This happened with his last album, “Magna Carta,” which went to Samsung phone owners.

Now rap star Meek Mill’s new album “Wins & Losses” has been on Tidal (which Jay Z owns), but in front of their paywall. In other words, Tidal subscribers have been getting free streams of “Wins & Losses.” Do those count as sales? They’re free. Apparently Billboard has been persuaded they do count. Their rivals, Hitsdailydouble and BuzzAngle, say they shouldn’t. (I agree.)

So on hits, the number 1 album for the week is likely to be Lana del Rey’s “Lust for Life.” Hits and Buzz Angle count actual sales. Hard numbers. Using that math, Lana del Rey wins the week. But Hits is incensed that Billboard– famous for giving “bullets” to pop records in the past based on personal relationships– is doing this.

Billboard– famously full of you know what– has published a defense.

So what’s really going on here? Lana del Rey is on Universal’s Interscope Records. Meek Mill is signed to Warner Music’s Atlantic Records. A casual observer of the charts will tell you this: Universal is the giant of the record business. Warner was decimated long ago by previous owners. If Linkin Park’s Chester Bennington hadn’t committed suicide last week, the actual Warner Bros. label would have no records in the top 50 at all. The Atlantic label is hanging in there, but they sure want to be number 1 for their parent company’s sake. (They had a long run earlier this year with Ed Sheeran’s “Divide.”)

Free streaming shouldn’t count toward sales. But the chart is already so historically corrupted, the argument is kind of funny.

Liz Smith Is Forever: The Greatest Gossip Columnist of All Time Is Still Watching Us, So Be Careful

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Today the New York Times ran an interview with Liz by John Leland– weird title— The Rise and Fall of Liz Smith. The Greatest Gossip columnist of all time is 94. She gives one of these interviews once a year. Last summer, I did it for the New York Observer. Who is 94 anyway? Carl Reiner, Betty White, and a handful of celebrities. Liz taught me everything I know about writing about celebrities. She couldn’t be more dear to me. I spoke to her this morning, and she’s too busy to make appointments. Rise and fall? Never! It’s Rise and Rise!

Here’s what I wrote last June, 2016. I took the accompanying photo of Liz, Cate Blanchett and the late Philip Seymour Hoffman at a lunch for “Blue Jasmine.”

Liz Smith is calling. It’s mid-July, she’s supposed to be on vacation, she’s 93 years old and it’s 93 degrees outside.

Liz: “Honey, I can’t find Denis, and I’m trying to find out who the publicist is for The Front Page. It’s opening soon.”

Me: “Liz, I don’t think it’s opening until the fall. [The revival begins performances in September.]”

Liz: “That’s all right. Do you have the number?”

And that’s the way it is for Liz Smith, the Grande Dame of Gossip, the great powerhouse behind Literacy Partners and Living Landmarks, a fixture in New York society and the entertainment world since the ’70s when her daily column ran at different times in the Daily News, The New York Post and New York Newsday. She is planning her fall schedule.

The Denis she speaks of is Denis Ferrara, her trusty aide and specialist on topics like Madonna and Liza and Cher. Ferrara now—after a couple of decades—shares her byline on their daily column for NY Social Diary and the 20 or more newspapers across the country where they are still syndicated.

In early July, Liz, Denis and Mary Jo McDonough took a break from the daily grind so Liz could move for the first time in around 40 years—from her famous perch at a large apartment she called home East 38th Street and Third Avenue to a new, smaller one on Park Avenue and 63rd Street

This forced them also to leave Liz’s beloved watering hole and meeting place, El Rio Grande restaurant, which features a Tex side and a Mex side. Forever the longhorn, Liz’s table is on the Tex side, where she and often old pal Iris Love like the margaritas strong and tangy. I have regularly been drunk under the table by these ladies, only to see them stand without wobbling and scoot away in a matter of minutes.

I was summoned to El Rio Grande a few days before the move for one last rodeo. Liz swears she’ll return, but let’s face it—63rd Street is pretty far away even if you’re 63, forget about 93.

At 93, Liz, I am happy to report, is completely “all there.” People ask me, “How is she?” as if I will respond that she’s gone gaga. Far from it (although she gets a kick out of Lady Gaga). Being 93 and a grande dame is still hard work. Liz suffered a minor stroke last winter and recuperated at a friend’s apartment. She’s had falls, too, and uses an aluminum walker, reluctantly and only if admonished. She is truly unsinkable, though, a real combination of a sweet-as-pie, tough-talking Texan and an indefatigable New Yorker. Her honey blonde hair has finally gone to a soft gray, and her blue eyes are more incandescent than ever.

This summer has energized her as one of her favorite all time subjects has returned full force to the front burner: Donald Trump. Twenty-six years ago, Trump’s divorce from wife Ivana took Liz from Guilty Pleasure byline to Front Page Newsmaker. A photo of Liz and Ivana Trump at lunch in the middle of the storm over Marla Maples (mother of the lovely Wharton student Tiffany who spoke at the RNC two weeks ago) propelled them all into New York legend. It was bigger even than Liz’s long-time public feud with Frank Sinatra.

Looking around El Rio Grande, Liz lays out exactly where we are: “I think politics has become the new show business,” she says. She remembers when she called Donald in 1990 to inquire discreetly about rumors his marriage was falling apart. She wrote in her memoir Natural Blonde: “I liked the Trumps. They had three little kids, and I didn’t want to be the one to notify Ivana that her husband was playing around. It just wasn’t my style. I figured my warning shot would bring Donald to his senses. (Such fools we scriveners be.)”

But Trump’s indecision about fessing up led to front-page mayhem very quickly. Months later Ivana invited Liz to lunch at Le Grenouille.

The rest, as they say, is misery. Leaving the East 52nd eatery, Liz and Ivana were mobbed by paparazzi. They landed on the front page of the News. Stars were born.

Refilling her margarita, she reminisces: “Parker Ladd and Arnold Scaasi said, ‘You should go meet the Trumps.’ I said, ‘What are the Trumps?’ They said, ‘They’re very rich and aspiring to rise, and they will love you, and you will get a lot of money for charity.’ So he introduces me. Then I hang around with them for about a year. I liked her, but I couldn’t understand a word she ever said. I liked him because he reminded me of my brothers. I was amused by him. He would take me under the arm and introduce me to famous people. He’d say, ‘Isn’t she the greatest?’ He took me to prizefights and all this crap. I gave them their money’s worth, and I flew on their plane. I realized he thought he owned me. He didn’t own me. But everything for journalists is access.”

I ask, “Is this the Donald Trump we knew back then? What about when he calls Elizabeth Warren Pocahontas?”

Liz doesn’t miss a beat. “I would say yes. He [Trump] will do anything [to win]…He’s one of the great public actors of all time…He said he would buy the New York Daily News in order to fire me. It was the greatest thing. He made me world famous.” She is resolute that this is the man she knew all those years ago.

“I think we’re at fault in our innocence. We never saw anything like him. But he is exactly is like what he was. And his family was really nice. His mother, his father, his brother who vanished—Robert.” (Trump’s brother Robert, once married to Blaine and on the society pages every day, is AWOL from the campaign as is his sister, Judge Maryanne Trump Barry.)
Denis: “You had no idea the day after Ivana’s lunch at Le Grenouille you’d be on the front page of the Daily News.”

Liz: “It was like The Day of the Locust.”

The Trumps are far behind in the window of Liz Smith’s long ride through celebrity. Over the years she “made” a number of people including 60 Minutes correspondent Mike Wallace (who she worked for in the 1950s), actresses Elaine Stritch and Holland Taylor, director Joel Schumacher and Barbara Walters. For a quarter century, everyone wanted “to be in Liz.” A mere mention traveled faster than anything on Twitter or Snapchat today. By the time you arrived for lunch at the Russian Tea Room, the Four Seasons or Trattoria dell’Arte, the buzz was loud. Liz Smith created celebrities.

For decades, Barbara Walters walked on water in Liz Smith’s column. Then Liz lost her print outlet in The New York Post when Editor-in-Chief Col Allan (who inexplicably hated her) cut her from the paper in February 2009. Liz felt Barbara dropped her because her usefulness was over—even though Liz’s column was still online and still syndicated. Last spring Liz made some scathing remarks about Walters to a Hollywood trade writer.

“Barbara called me up after that, and she came over for dinner. That’s the last I’ve heard from her.”

With Liz out of the paper, it was lost on no one that Walters transferred her affections to the Post’s remaining gossip diva Cindy Adams, her new best friend. It may have been just as well. Adams is seen frequently assisting Walters at theater and other events since the 86-year-old former newscaster seems to have trouble walking.

So does Liz. But she says, “I feel great, I really do. I just can’t walk unassisted.”

Liz’s antipathy from Allan didn’t extend to other NewsCorp executives. Roger Ailes (now a pariah) was a steadfast friend who put Liz on his payroll and used her on TV as often as possible. Rupert Murdoch, though Allan’s boss, didn’t demand to keep her in the Post. But she ran into him last winter in Mustique when his romance with her old friend Jerry Hall was blossoming. They got along famously.

As for Cindy Adams, her forever rival, they are more frenemies than anything else. When Cindy’s late husband comic Joey Adams took a spill in public, Liz testified on his behalf. “I loved Joey,” she says, and she has deep admiration for Cindy’s perseverance.

But a lot of the Liz Smith world has changed. Stritch is gone; so is Arnold Scaasi who pushed her into Literacy Partners. “I raised $30 million for them over the years,” she says, which is true, and she poured herself into hosting and publicizing their events.

Her inner circle consists of Ferrara, as well as the irrepressible world-renowned archeologist Iris Love. To my observation, Smith—married twice to men, including one who just disappeared and had to be declared dead—and Love’s relationship transcends time and definition. They don’t live together. They squabble, purr and laugh. They are family.

Liz’s extended family includes her friend of 28 years, NBC correspondent Cynthia McFadden.

Liz met Cynthia pre-Court TV when she was a lawyer and working for TV producer Fred Friendly. Cynthia put Liz on a media panel with heavyweights like ABC News’s Peter Jennings and former Washington Post owner Katherine Graham.

“They asked me, ‘Where do you get your best tips?’ I said from other journalists, many from The New York Times. I said everyone who works there knows everything. They can’t print anything. Most of them are my friends. And Peter Jennings said, ‘We’re your friends!’ ”

The friendship with McFadden stuck and grew. How would she describe Cynthia? Liz says, “The most ethical person I know.”

Earlier in July, when the moving trucks were coming and the boxes were being assembled, the promise of a return to the daily grind seemed like it go either way. But on July 18, Liz and Denis roared back to life. The drum beats on with Ferrara working electronically from Hoboken and Smith operating her computer from uptown. Their sense of humor keeps them going. When the break was coming, Ferrara devised a snappy salutation in Liz’s name about leaving El Rio Grande: “No more of those delectable fresh tostadas or those gasoline-fueled margaritas. (If I were younger I might say that the latter deprivation is a good thing, but…I am NOT younger, and one only lives once, or so I am told. If this is not true, I’ll be sure to come back as—a margarita!)”

Scaramucci Does The Fandango and All Hell Breaks Loose: He Thinks He’s in “GoodFellas Go to the White House”

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Anthony Scaramucci has taken it all one step further: instead of “Saturday Night Live” parodying him, he’s doing it to himself. He thinks he’s in “GoodFellas Go to the White House.” Ryan Lizza has published a piece in the New Yorker online that reveals the Mooch, or the Scaramouche– as in ‘thunder bolts and lightning, very very frightening’–to be the Joe Pesci of the Oval Office, unfiltered and Rated a hard R.

The Mouche says of Steve Bannon to Lizza that he doesn’t crave media attention: “I’m not Steve Bannon, I’m not trying to suck my own cock,” he said, speaking of Trump’s chief strategist. “I’m not trying to build my own brand off the fucking strength of the President. I’m here to serve the country.”

And now, at 7:45 in the evening, he is ALL the media is talking about.

“The swamp will not defeat him,” he said, breaking into the third person. “They’re trying to resist me, but it’s not going to work. I’ve done nothing wrong on my financial disclosures, so they’re going to have to go fuck themselves.”

It’s the single best piece that’s come out of this hilariously stupid White House yet– and I mean stretching back to grabbing pussies. The Mouche doesn’t need Melissa McCarthy– he’s actually playing himself.

As my friend Steve Gaydos put it so well on Twitter tonight, it’s ultimate mic drop. He’s burning down the White House from inside.

Review: Kathryn Bigelow’s “Detroit” Leaves Nowhere to Run, Nowhere to Hide

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Director Kathryn Bigelow and writer Mark Boal — Oscar winners for “The Hurt Locker” —  collaborated to give us a vision of “enhanced interrogation” in “Zero Dark Thirty,” and now they’ve reached back to the 1960’s to explore that subject again—in the form of police brutality — in “Detroit.”

Based on a true incident from the hot summer of 1967, Detroit begins with an animated overview of slavery, a pan of an urban ghetto ablaze during the riots there, before it lands its lens on a particular
incident for one of the most gripping movies I have ever seen.

In a neon lit hotel called the Algiers, a young man, Larry Reed (Algee Smith) who aspires to get a record contract with Motown for his R&B group, The Dramatics, finds himself in a room with other black young
men and two white girls, punctuated by the background sound of “nowhere to run, nowhere to hide.” What happens as “Detroit” unfolds is so stunning that by the end of the film Reed is dedicating himself
to church music, vowing never to entertain white people. That’s how bad things turn.

“Detroit” is fueled by one incident, the shooting of a fake gun out a window by Carl, played by Jason Mitchell from “Straight Outta Compton” in an outstanding turn. And that’s when “Detroit” goes nuts at the Algiers as all hell breaks loose. SWAT teams arrive, the National Guard, and the world descends on the Algiers.

A volatile, racist cop named Krauss (a chilling Will Poulter) grabs five “Negro” boys and the white girls, puts them against a wall, and then the games begin, as he interrogates them to find the gun. We
experience the terror, not far away from more recent plucked-from-the-headlines racism. We see how black men are vulnerable to ignorance and base prejudice.

The acting from this group of young actors both black and white is superb. The most seasoned actor of the group, Anthony Mackie, as a Viet Nam veteran, gives gravitas to being a survivor of brutality. And
John Krasinski loses his usual sweet persona (known so well from “The Office”) as a cunning defense lawyer at the ensuing trial who makes a mockery of justice, a complete shit show of what can happen when alternative truths prevail.

Needless to say, the history of racism in America, the backdrop to this story, in real life is far from finished. Kathryn Bigelow’s focus on that room, on that wall, in that flamed city brings the violence up close and personal. The progression from “The Hurt Locker” to “Zero Dark Thirty” to “Detroit,” Bigelow’s best, is a refinement of the art of terror.

“Detroit”– which has 37 positive reviews and no negative ones on Rotten Tomatoes– opens tonight and tomorrow in New York and Los Angeles, and across the country next Friday.

All the Time “Live with Kelly” Producer Michael Gelman Was in the Studio, Wife Laurie Was Writing a Hilarious Novel

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Laurie Gelman– I knew her as Laurie Hibberd a thousand years ago. She married “Regis and Kathie Lee” producer Michael Gelman, they are happy as clams with two beautiful teenage daughters. All that time, while Gelman was getting “chewed out” by Reege, Kathie Lee, Kelly, et al–  Laurie was watching and waiting. The result is that she’s written a very funny novel called “Class Mom.” It’s the beach read for the summer of 2017.

Last night at trendy Loi Estiatorio on West 58th St., Laurie celebrated “Class Mom” with a select group of media people I think they and I have known most of our adult lives. Among the guests: Regis and Joy Philbin, Kelly Ripa, Bryant Gumbel, NY radio star Marc Simone, actor Richard Kind, Peggy Siegal, Elizabeth Vargas, Dan Abrams, Rosanna Scotto, ABC’s David Muir, plus star agents Richard Leibner and Carole Cooper, and lots of current and former “Live” staff, plus the actual class moms who Laurie based her book on.

I don’t know who gave the nicer speech– Michael supporting his wife, or Laurie (who’s a sweetheart) thanking her husband and everyone in the room. It was an “aw shucks” kind of night. And just wait til “Class Mom” gets made into a movie, because that’s what’s going to happen next– count on it.

PS Laurie is scheduled to appear on “Live” this Friday as a guest. By then, everyone had better have “Class Mom” in hand!

 

 

 

Photo courtesy of Patrick McMullan