Thursday, October 3, 2024
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Kevin Spacey Comes Out as Gay, But His Apology to Anthony Rapp Makes Everything Worse

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Overnight, Kevin Spacey issued a statement about Anthony Rapp’s recollection of being molested by the Oscar winner at age 14. Spacey also came out as gay– probably the worst kept secret in the history of Hollywood. But now Spacey has a bigger problem as his critics say he’s equating the attack with being gay. The internet is going crazy.

First, Spacey’s statement:

 

I’m filing this at 7am. Things are going to get worse very quickly this morning, I assure you. Twitter and Facebook are blazing with denouncements of Spacey not because he’s gay but because he used his announcement as a shield against Rapp’s story.

Meanwhile, Rapp has issued his own statement on Twitter, saying the BuzzFeed story contains everything he has to say.

“Rent” and “Star Trek” Star Anthony Rapp Levels Underage Sexual Misconduct Charge Against Kevin Spacey

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Kevin Spacey has a lot of explaining to do. Unfortunately, he’s not going to do it.

On Sunday night, actor Anthony Rapp– famous for “Rent” on Broadway, the “Rent” movie, and “Star Trek: Discovery”– told Buzz Feed that when he was 14 and appearing on Broadway, Spacey basically attacked him and tried to have sex with him. His accusations are alleged, and Spacey has not responded to them.

Rapp’s story comes on the heels of Boston broadcaster Heather Unruh stating on Twitter last week that Spacey had done something to a loved one. She declined to say who the victim was, or the gender. But Unruh posted a nice picture of Spacey and has not backed off.

Spacey has always created an air of edgy mystery about his personal life. For years he had a companion named Dianne Dreyer on his arm for awards ceremonies. (I’m told she eventually got married and out of the film “business.”) A tabloid photographed Spacey on vacation with a boyfriend several years ago. Spacey was notoriously “mugged” in a London park. In 2010, he told a journalist that he would never come clean about his personal life.

Unruh’s accusation last week was picked up by blogs but ignored by news organizations because it had no real details. Rapp’s story tonight is going to carry considerably more weight– and perhaps open the door for more revelations. Spacey is closely associated with his “Usual Suspects” director Bryan Singer, who name has come up many times in reported stories about Hollywood’s dark underbelly. But Singer has always denied all accusations, and has never been formally accused of anything.

But all of this means that things are about to get very rough as those who might have been scared off of telling Hollywood true stories will now feel emboldened.

Michael Moore Slams Donald Trump’s “Un-Presidential” Slag of His Broadway Show on Twitter

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Donald Trump slagged off “sloppy Michael Moore” and his just closed Broadway show as a “bomb.” Moore retaliated on Twitter. Trump did this just to gin up his base of crazy people, and distract them from the coming indictment tomorrow of one of his top people– either Paul “Russky” Manafort or Michael Flynn. Still, Moore’s 11 part Tweet was worth nothing, especially number 11 about Jared Kushner. Trump, of course, is wrong. Moore’s show was the high grossing play of the summer. It was so successful that Moore is taking it on the road. Trump is a funny one to criticize anything on Broadway. I doubt he’s seen a show other than “Cats” in the last 30 years.

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Clooney, Damon “Suburbicon” Scary $2.8 Mil Weekend, Beaten by “Failure” Army Film “Thank You for Your Service”

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George Clooney’s “Suburbicon” is deader than dead. It made $2.8 million over the weekend. “Suburbicon” was beaten by Jason Hall’s “Thank You for Your Service,” which had no star big stars (just Miles Teller) but was in the same number of theaters and made $3.7 million.

“Suburbicon,” basically, is a total write off.  It’s also a career low for both Clooney and Matt Damon. I remember years ago when Clooney produced Steven Soderbergh’s “Full Frontal” with Julia Roberts. It was a dismal failure. Clooney said to me, “We managed to make Julia Roberts’ lowest grossing film.” Well, now he’s outdone himself. I wish Clooney would just act and stop directing. He’s a damn good actor and he’s missing the boat now.

Think of it: $2.8 million is what Clooney pays for upkeep on a home. It’s his Tequila bill (just joking). And Paramount writes off another whole film.

Also completely written off this weekend is Warner Bros.’ “Geostorm.” No one went to it. With a $150 million expenditure, “Geostorm” has just $23 million from two weeks in release.

The good news is that “The Florida Project” is an indie hit. I wish I could say the same for SPC’s “Novitiate,” which has an Oscar worthy performance from Melissa Leo.

 

Weinstein Scandal Claims First Film Victim as “Amityville” Horror Flick Scores Just $742 Weekend

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The scandals at the Weinstein Company claimed their first film victim: “Amityville; The Awakening.” The horror flick scored just $742 total in 10 theaters this weekend.

There so many bad sub-stories here. First of all, “Awakening” was from BlumHouse, owned by Jason Blum, who was educated at the original Miramax.

Second, “Awakening” was released by Bob Weinstein’s Dimension side of the company. Bob, by ratting out his brother (and not counting his own alleged bad behavior with women), burned the whole company to the ground. Now his Dimension– which he always claimed made the money that kept the company alive– is dead, dead, dead.

“Awakening” might have done better elsewhere. It has a good name cast starting with Jennifer Jason Leigh. Second, it’s Halloween weekend. All horror films do well this weekend.

The flick was not shown to reviewers, so there are just a few reviews on Rotten Tomatoes, all from bloggers. And the release was semi-limited, no money was put into it. “Awakening” will go straight to DVD.

There’s a lot of other bad box office news this weekend, but this is kind of the worst. Say so long to Bob Weinstein and Dimension. The joke is, when everything is over, Bob Weinstein will be lucky to be living in Amityville (yes, it’s a real place on Long Island).

Wham! George Michael’s “Listen without Prejudice” Back at Number 1 in the UK after 27 Years

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George Michael would be smiling from ear to ear this morning. His 1994 album, LIsten Without Prejudice, is back at number 1 after 27 years.

The album– tied to the documentary “Freedom”– sold 56,000 copies in the UK and beat contemporary artists like Pink and Niall Horan.

The reissue contains the original CD, outtakes, the remixed Nile Rodgers track “Fantasy,” and George’s MTV Unplugged album.

Interestingly, in the US there’s been nary a peep about the reissued album. “Listen” sold 11,122 including streaming this week and finished at number 44.  But that’s not a total surprise since the album is on Sony, the label George sued successfully back in the 90s. The lawsuit and its repercussions are discussed thoroughly in the film.

Sony/Epic could have taken more advantage of the reissue’s potential popularity. The whole company of Sony/Columbia/Epic has just 7 albums in the top 50 this week. Five are on Epic. “Listen” would have given them a boost. So would Michael Jackson’s “Scream”album from Sony, which has also disappeared from the charts a short time after its release.

PS If George had sold 56,000 copies in the US this week, he would have been number 2 or number 3. Instead he was number 44 (including streaming) and number 14 (without).

Box Office: Bracing for George Clooney Disaster with “Suburbicon,” Strike 2 for Paramount

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I take no pleasure in saying this, but Paramount is at DefCon 4. They are bracing for a box office disaster this weekend with George Clooney’s “Suburbicon.”

This should be labelled under When Bad Movies Happen to Good People. Matt Damon, Julianne Moore (in a dual role), the Coen Bros. What could go wrong?

Basically, everything.

There’s a reason why “Suburbicon” is down to a 28 on Rotten Tomatoes. Last night it made only $180,00o from 1,614 locations. Tonight, “Suburbicon” will die an ugly death.

We’ve known about this since the Toronto Film Festival, but no one wanted to admit. For Paramount, this is the second strike counting “Mother!” It’s very painful. And soon, inevitably, will come “Downsizing.”

As for “Suburbicon”: it’s two movies that have backed into each other. One is a warmed over “Fargo,” in which a man plots to kill his wife and then cover it up. Remember William H. Macy’s Jerry? That’s Matt Damon in this movie. Only Jerry didn’t have a little boy whom he threatened to kill. That’s right. Gardner toys with the idea of murdering his own child to get away with the original murder.

Then, add a total non sequitur: a movie about race relations in a small town neighborhood. A black family moves in and the white folks of Suburbicon lose their minds in such an irrational way you wonder about the sanity of the filmmakers. Even the Jeffersons found more love with Archie  Bunker.

And then the two movies collide. For god’s sake, I don’t know what anyone was thinking or if they were thinking. If you’re still in the theater it’s because you’re too lazy to get up and go get a drink. But really. “Suburbicon” is not for viewing. I’m so sorry. I wish it were otherwise. I do. People would learn more about the world by not seeing this movie.

Exclusive: Post-“Logan Lucky” Steven Soderbergh Plots Next Film, “High Flying Bird”

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For those of us who loved “Logan Lucky” the summer, it’s really good to hear that Steven Soderbergh is plotting his next film.

Soderbergh and his screenwriter wife Jules Asner were among the A listers in the audience last night on Broadway for Clive Owen in “M Butterfly.” (Soderbergh directed Clive in the beloved “The Knick” on Cinemax.)

The couple was happily surprised to see another “Knick” star, Andre Holland, was also in the audience. Why’s that? Well, it turns out Holland will star in Soderbergh’s next film, called “High Flying Bird.” The film is set to start in February and the only other thing this gang would tell me was that it’s named for a famous Richie Havens song.

Also at the premiere last night: Tamara Tunie, back in New York after filming a Netflix mini series abroad. “I have news, it’s great, but I can’t tell you yet,” said Tamara with a Cheshire cat grin. Sounds good! Also on the scene: Andrew Rannells, Edie Falco, Ruben Blades, Phillipa Soo, and Disney’s Tom Schumacher.

Broadway Review: Clive Owen Makes a Rocking Broadway Return in Julie Taymor’s Must See “M Butterfly”

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Clive Owen always seems like he should be James Bond, but he keeps playing these subtle and cool roles in things like “The Knick” and movies like “Trust” and “Shadow Dancer.” He’s ready for a superstar breakout role, and now it’s here. Owen really commands the stage in Julie Taymor’s new Broadway version of “M Butterfly,” which opened last night at the Cort Theater.

First of all, let me say that a Taymor collaboration with composer Elliot Goldenthal is always something to be excited about. Their “Midsummer Night’s Dream” in Brooklyn (and then filmed) a couple of years ago was a once in a lifetime experience. It was magical and astounding.

The pair has brought their great talents to David Hwang’s play, which has been updated to reflect what the world learned (a lot through Joyce Wadler’s exhaustively researched book) about the French diplomat in Vietnam who got everything political wrong and also didn’t know he was sleeping with a man posing as a woman. It’s a true story, and it’s as fascinating and as incendiary as it was in 1989 when John Lithgow and B.D. Wong created the roles.

Now newcomer Ji Ha (who came to the after party in a lovely, simple dress just to make the whole gender thing nuttier than ever) steps confidently into Wong’s high heels. Jin Ha and Owen each hold the audience in the palms of their hands. There’s also excellent supporting work from Enid Graham, Murray Bartlett, and Michael Countryman.

“M Butterfly” is a must see for the cast but always for Taymor and Goldenthal. What’s unique about this production: it’s very analogue. All of the gorgeous backdrop panels are guided by stagehands. There are no mechanics. Sometimes the panels waver, which is something I liked. After all the computerized movie pieces on Broadway, it’s kind of comforting to see an old fashioned set that springs to life on a human scale. Something about that gives “M Butterfly” the feeling that all of this really happened.

 

No Kidding: Comedian Turned Movie Mogul Byron Allen Will Release “47 Meters Down” Sequel to Surprise Hit

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Comic unleashed, indeed! Byron Allen, known for his syndicated shows with fellow comedians, has become a movie mogul over the past year. Did you know that?

Allen has just announced he’ll be released “48 Meters Down,” the sequel to his company Entertainment Studios’ “47 Meters Down.” The latter movie is the biggest indie hit of 2017.

Allen released “47 Meters Down” back in June after rescuing it from the fading Dimension Films, the commercial side of Weinstein Company run by Bob Weinstein. Dimension was going to release “47 Meters Down” under a different name straight to video. But Allen saw the potential of a shark movie with Mandy Moore, and went for it.

In Toronto this fall, Allen scooped by three more new films including festival faves “Chappaquidick” and “Hostiles.”

So stand back, everyone. We’ve got a new and serious player on the scene– and one who everyone will like!