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Liz Smith, the Great Gossip Columnist and Writer, Passes Away at 94: Coined the Phrase “Gossip is just news running ahead of itself in a red satin dress”

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I almost don’t know what to say, but here goes: Mary Elizabeth Smith has died at 94. Liz Smith, the great gossip columnist and writer, my friend and in a sense mentor of any columns I’ve written since the 1980s, was a champion of literacy, a bon vivant, swell old Texas girl and a great person. Sure, there were people she crossed swords and paths with, but it didn’t matter. If you knew Liz, if she was your friend, she was loyal as the day was long.

When someone is 94 it should be enough. But you know, there have been so many phone calls and lunches over the years, so many margharitas and laughs — it’s never enough. COndolences to her family– the family she chose– Iris Love, Cynthia McFadden, Cynthia’s son Spencer who had such a loving relationship with her. Denis Ferrara, stalwart who has written her column for years with her input, Liz’s old assistant Mary Jo, as well as Diane Judge.

Liz was gay, she wrote about it in her memoir, Natural Blonde. But did you know she was married? Twice? The second husband, she told us once, just disappeared. “Honey he got on a train to Long Island and we never saw him again,” she said. She had to have him declared dead.

Liz bounced between the New York Daily News and the New York Post with her column over a 30 year run. She also wrote for New York Newsday, syndicated by the LA Times. She was the first gossip columnnist to get a million dollars a year. She deserved it.

In the early 80s, when I was a book publicist, I sneaked into her Daily News column through Harry Haun, who was filling in for her. Shortly thereafter Liz started taking my items. We got friendly even though her attack dog assistant of the time, Saint Clair Pugh, barely let me speak to her. I also became great friends with her item planter, Mike Hall, a legend who’d worked for Walter Winchell.

I’ll write more later. You know Liz coined the phrase, “Gossip is just news running ahead of itself in a red satin dress.” Donald Trump once tried to get her fired from the Daily News. It didn’t work. She’s had the last laugh on everyone. We stand, applauding.

Right now, please pour some whiskey, some Tequila, raise a glass to Liz. She was simply the best. There will never be anyone like her again.

The official obituary:
New York columnist and humanitarian Liz Smith, 94, died at home in New York of natural causes November 12, 2017 surrounded by loved ones.

Mary Elizabeth Smith was born on February 2, 1923 in Fort Worth, Texas. She often said that one of her greatest childhood pleasures was sneaking into a neighbor’s house while the other kids played outside to read the family’s New Yorker magazines.

She married her high school sweetheart, George Edward Beeman, a World War II bombardier in 1945; divorcing him two years later and enrolling in the University of Texas. After graduating, she boarded a train for New York City. Her dream was to write.

She came to New York with one suitcase, an infectious laugh, a big smile and an unbeatable work ethic. Liz also brought with her a degree in journalism and an ability to type 80 words a minute. She quickly got work as a typist and proofreader and soon became a producer for Mike Wallace who then was a reporter on CBS Radio. It was the beginning of a life-long friendship.

By the late 50s she began working as a ghostwriter of the popular “Cholly Knickerbocker” column. By the 60s she was off to “Cosmopolitan” magazine where she worked as the entertainment editor for Helen Gurley Brown launching another 50 year friendship. She simultaneously worked for “Sports Illustrated” and wrote the cover story for the first ever swim suit issue.

But it was her eponymous gossip column that brought her fame. First launched in February of 1976 in the New York Daily News. During the newspaper strike her editors asked her to appear daily on WNBC-TV’s Live at Five. She continued on Live at Five for the next eleven years. Smith was very proud of the local Emmy she won for her reporting in 1985.

Over the years she was honored with dozens of accolades. She was named a Living Landmark by the New York Landmarks Conservancy, won the Matrix Award for exceptional achievements in journalism and was named to “Vanity Fair’s” Hall of Fame. When she turned 90 she was photographed for the pages of “Vanity Fair” posing on a stallion in Times Square by Annie Leibovitz. Her old friend Nora Ephron wrote the accompanying tribute.

Over the years Smith became as famous as many of the people she wrote about and soon her column was syndicated in nearly seventy newspapers around the country. After her reporting on the divorce of Donald and Ivana Trump made front page news around the world she signed a deal with Newsday which made her the highest paid columnist in the country.

Smith often said of gossip that it was “news running ahead of itself in a red satin dress.” She was interested in far more than the pecedillaes of the rich and famous. She wrote about books, movies and the theatre with a depth of understanding and appreciation. Preferring to find the good, if she could, in the work of writers and actors. Her legions of friends and admirers grew.

By 2005 she had left “Newsday” for the “New York Post” where her column ran until 2009. The Liz Smith column was subsequently published online in the New York Social Diary where she shared her by-line with her long time collaborator and friend, Denis Ferrara until her death.

While she loved writing the column and became friends with many of the greatest stars of the era because of it, her passion became her work helping others. Forty years ago she was horrified to learn that 750,000 of her fellow New Yorkers couldn’t read or write at the 5th grade level and she vowed to do something about it. She used her considerable influence and her very large roledex (it was actually five roledexs!) to good use. Over the years she raised an astonishing $37 million dollars for Literacy Partners which enabled more than 27,000 adults to the wonders of reading. The “Lizzie Fund ” provides an endowment for the organization.

Anthony Tassi, the Executive Director of Literacy Partners said of her, ” To some, Liz is the most important gossip columnist of her generation. To thousands of disadvantaged New Yorkers, Liz Smith is the patron saint of a better life.”

It wasn’t just literacy she supported. She raised millions of dollars to help fight AIDS. She also worked tirelessly for the NY Landmarks Conservancy, the Police Athletic League, Maria Droste Counseling Services, Bette Midler’s New York Restoration Project and the Mayor’s Fund, while Michael Bloomberg was Mayor.

Linda Buckley and Anita Hall worked with her on many of these efforts which she continued into her 90s. “She was a witty and charming host for many of them– loyalty reprising that role year after year. And if all that wasn’t enough, she raised awareness for countless good clauses by writing about them.”

They continued, ” She was always willing to write a note, make a phone call, take someone to lunch, attend a meeting or sign hundreds of letter to support the work she believed in so much. She was also quick to pick up the phone and tell you what you’d done wrong– she was usually right.”

Her many friends were constant recipients of clippings she carefully curated on which she scrawled messages on for their benefit, most often, “MUST READ.”
She wrote many books including “Dishing,” her humorous book about gossip and food (Fried Snickers, anyone?) and her autobiography, “Natural Blonde” was on the New York Times
best seller’s list for many months.

She summed up her philosophy of life this way, ” The greatest of all mistakes is to do nothing because you can only do a little. Do what you can.”

A memorial service will be held to honor her in the Spring. In lieu of flowers contributions may be sent in her memory to the “Lizzie Fund” at Literacy Partners 75 Maiden Lane, suite 1102 NY, NY 10038.

She is survived by a large group of loving nieces and nephews mostly residing in Texas.
Niece: Karen Smith Williamson, Austin, TX
Nephew: Sloan Stephen Smith, Boerne, TX
Niece: Roxanna Elizabeth Chapman, San Antonio, TX
Nephew: Bryson McCall Smith, Austin, TX

Great Nephew: Witt McCall Featherston, Austin, TX
Great Nephew: William Matthew Featherston, Seoul, South Korea
Great Niece: April Hayden Rose, Boerne, TX
Great Niece: Sarah Elise Chapman, Chicago, IL
Great Niece: Elizabeth Jay Burgin, Aubrey, TX
Great Niece: Blossom Brett Bennett, Austin TX
Great Nephew: Arak James Avakian, Brooklyn, NY
Great Niece: Alyssa Katherine Hulsebusch, Boerne, TX

Great Great Nephew: Hayden Thomas Rose, Boerne, TX
Great Great Nephew: Hayes McCall Featherston, Austin, TX
Great Great Niece: Addison Malissa Rose, Boerne, TX

Box Office: Hollywood Branding Works as 6 of the Top 10 Movies Are Sequels or Reboots

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People like brands. Hollywood knows that. So six of the top 10 movies this weekend were tie-ins to prior movies or books.

Despite having terrible reviews, “Daddy’s Home 2” took in $30 million this weekend according to estimates. The original movie opened two years ago to a $38 million weekend.

Even though it’s said to be boring beyond belief, the new version of “Murder on the Orient Express” did $28 million. It’s nowhere as good as the 1974 version, but it’s a title people know.

“Thor” is still number 1 after three weeks (it’s not garbage but it is a comic book). “Thor” is part of the Marvel series of films that now gluts all-time charts.

“Bad Mom’s Christmas” also held up in the number 4 spot. (It’s probably garbage but I want to see it. On a plane.) It’s the sequel to “Bad Moms.” “Bad Moms Mother’s Day” has to be next.

The number 6 movie is Tyler Perry’s latest Halloween Madea movie. There are a lot of Madea movies.

Number 8 is “Blade Runner 2049,” not a hit but hanging in there. “2049” is a pale follow up to the 1985 original, but the name is well known.

Even as we speak, more reboots, revivals, new takes, sequels, three-quels are being prepared. Disney has just announced a new “Star Wars” trilogy after the current one is done. “Star Trek” is on CBS All Access and will likely return as a movie. And so on and so forth. Next spring comes the fourth ever “A Star is Born” movie, with Bradley Cooper and Lady Gaga. It won’t be the last.

Led Zeppelin Gets a Big Kick from “Thor” as 1970 “The Immigrant Song” Shoots Back up Charts

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Led Zeppelin hasn’t been together for a long time, but their music lives on. One of their first singles, “The Immigrant Song,” is at number 45 on iTunes.

Whaaaat?

Well, “The Immigrant Song” is featured in “Thor: Raganorak,” still number 1 at the box office. And that’s prompted a new interest in the extreme rock single released in 1970.

In the last two weeks, according to Buzz Angle numbers, “The Immigrant Song” has been downloaded and streamed a total of 22,859 times.

It wasn’t like “Immigrant” wasn’t a hit already: it was selling (downloads) an average of 2,000 a week for about four or five months before October 30th when “Thor” was released. On March 31st, or some reason, sales jumped from 606 to over 7,000. They’ve ranged from 4,000 down to 1,200 since then, but have been consistently good all year. If “The Immigrant Song” were a blue chip stock, and you’d bought it in January, you’d be a millionaire now.

So far for 2017, the song has sold 205,000 copies (downloads and streams).

And Led Zeppelin tracks are very popular anyway. “Stairway to Heaven,” which the Zep recently won a copyright infringement case on, has had similar sales this year just without the sudden spike.

PS Thanks to readers Chris Ferrin and Michelle Breger for the tip.

Oscars: “Stronger” was a Dud at the Box Office, But Jake Gyllenhaal Should Get a Nomination

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I’ve finally seen David Gordon Green’s “Stronger” thanks to an Academy DVD. Roadside Attractions, famous for burying films on release, isn’t exactly aggressive about getting publicity. The film made $4 million US and another mil or so internationally, and just faded away. It’s about the Boston Marathon bombing but I’m not sure people up there even went to it.

On top of that, Peter Berg made a really good movie called “Patriots Day” with Mark Wahlberg about the bombing. That one made $31 million and another $18 mil overseas. It could be done, if done right. Oh well.

“Stronger” is a strange movie. It’s based on the story of Jeff Bauman, a Costco employee who went to the finish line of the 2013 marathon to woo back his girlfriend. He was blown up by the Tsaenaev brothers and lost both of his legs. It’s a tragic story. But somehow Bauman, who was basically a bystander, got a book deal, the book was published, it became this movie.

Bauman’s a nice guy, but he’s not a hero (which he acknowledges) and after a while you wonder why you’re watching this movie. He didn’t save anyone, he’s not that smart, he’s not going to do anything great once he recovers. His family is like the one from David O. Russell’s “The Fighter”– hard Boston accents, they smoke, drink and curse like sailors.

So it’s clear why there was no audience. But two of the actors are standouts: Gyllenhaal and Miranda Richardson as his mother. Each should be rewarded with awards noms this season. Also, the editor, Dylan Tichenor, deserves kudos. Jake looks realistically like he’s lost his legs. Movie magic is something. Gyllenhaal’s performance is intense and nuanced. I hope it’s not overlooked. Richardson is a hoot, and you know the smoking, drinking, cursing Boston mother is always good for a nod (see Melissa Leo).

If Jake is nominated for an Oscar, his competition right now is sketchy. Everyone’s up for Gary Goldman as Winston Churchill in “The Darkest Hour.” It’s presumed that both Daniel Day Lewis and Tom Hanks will make it in for “The Phantom Thread” and “The Post,” but no one’s seen those movies. I’d put Sam Rockwell in lead for “Three Billboards.” He was excellent. Newcomer Timothee Chalamet is also getting a big push for “Call Me By Your Name.”

What if DDL or Hanks doesn’t work out? Then we’ve got a problem. This was not a good years for leading men. You may see a move for Adam Sandler in “Meyerowitz.” But it really hurt that “Dunkirk” didn’t have a leading man performance, all supporting. Because I do suspect that “Dunkirk” is inching closer and closer to Best Picture at the moment of everything that’s been seen.

Stay tuned…

Money Monster: George Clooney’s “Suburbicon” Pulled from 1,700 Theaters After Just Three Weeks

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The movie box office is mostly in disarray as the year ends. Comic book movies make hundreds of millions, everything else is a crap shoot.

So is the case with George Clooney’s “Suburbicon.” This weekend, Paramount finally pulled the plug and withdrew “Suburbicon” from 1,700 theatres after just three weeks. In its fourth week, the hybrid Coen Brothers film and race contemplation is playing in just 281 locations.

That’s a big studio release with Matt Damon and Julianne Moore, with a budget of at least $60 million. So far “Suburbicon” has made just $5.6 million. It’s a total write off for the studio, which is not seeing hits this fall.

The main problem with “Suburbicon” is the filmmakers not seeing the problems with tone in the screenplay. “Suburbicon” is two movies– a Coen Brothers retread of “Fargo” married to a lecture about race in the suburbs in the early 60s. Neither idea is very good. And then they are backed into each other hoping there will be a fit. There isn’t. It’s very hard to get the Coens’ unusual pitch just right, even for the Coens. Theirs is a very specific tune. Clooney missed it by a mile.

It’s not like Clooney hasn’t made good movies. “Good Night and Good Luck” is excellent, so is “Confessions of a Dangerous Mind.” But I wish he would stick to acting. (See “Michael Clayton” or “Up in the Air” where he’s sensational.)

Paramount is about to undergo a sea change of major proportions, so it’s smart cut the losses quickly.

Kate Winslet, Adam Sandler, Kathryn Bigelow, Judd Apatow Join Together for SAG-AFTRA Patron Awards

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Star Studded and sincere don’t always dovetail, but the SAG AFTRA 2nd Patron Of The Artists Awards at the Wallis Annenberg Center for the Performing Arts in Beverly Hills did just that. The event, celebrated Judd Apatow, Kathryn Bigelow, Lionel Richie, Ted Sarandos and Kate Winslet as well as the foundation’s programs. Celebs Andrew Garfield, Allison Janney, Jake Gyllenhaal, Anthony Mackie, Michael Keaton, Mandy Moore, Gary Oldman, Tracee Ellis Ross, Tatiana Maslany and more all were there to tout their worthy work. 

Guests included the lovely Kate Mara and her husband Jamie Bell, who is so terrific in “Film Stars Don’t Die in Liverpool,”  Rita Moreno and the talented Chris O’Dowd.  President of the SAG-AFTRA Foundation JoBeth Williams and Executive Director of the SAG-AFTRA Foundation Cyd Wilson started the night off.  “The Big Sick” cast came out to give Apatow, who produced the film, his honor. 

Ray Romano ribbed Judd.  “I first met Judd when we worked on the HBO young comedian’s special in 1992.  The first time I saw him do stand up I thought to myself ‘this guy is going to be a great producer.’  It’s one thing to be a successful producer, but he’s one of the good guys. Every day when he was on the set he took us to lunch.  And he never let me pay for it, which I know he shouldn’t because he’s the producer, but I wanted to pay at least once, because, to be honest, award or no award, I have more money than him.  It isn’t right. You look at the great stuff he does and I just get residuals. It shouldn’t be this way.”  

Kumail Nanjiani then recounted his pitch meeting with Judd.  “I first pitched Judd “Ghost witch,” now don’t judge it, a woman who is a witch who comes back as a ghost.  Judd quickly said do you have any other ideas?  So I told him that  when my wife and I were first dating she was in a coma for eight days and I hung out with her parents whom I didn’t know and he was like, ‘that’s the movie.”  Standing at the podium, Judd retorted back at Ray’s barb and said, “I was just on the site Celebrity Networth.  I’m worth more than you Ray.” 

Apatow, long a champion of women’s rights,  said, “We all need to get together and really support all these people who are speaking up. We’re all aware now that there are really dark forces trying to keep people quiet.” 

Oscar winner Kathryn Bigelow also spoke eloquently about entertainment fueling social change.  Another Oscar winner, Kate Winslet, got choked up talking about her quest to help those less fortunate. “The greatest privilege for me has been learning how to use my voice on behalf of others, and, for me, that is standing up for individuals who do not have the means to help themselves, whether they have autism and are non-verbal, whether they are homeless because of addiction, abuse or fear or helping a person who is dying because they haven’t the money to pay for the specialist treatment that could save their life.” 

Adam Sandler was hilarious going on a rift about how he started Netflix and good naturedly ribbed his friend Netflix CEO Ted Sarandos. Adam said he met “while Ted was selling macramé at a flea market from his car.”  Kathy Bates presented the Actors Inspiration Award to her “Titanic” co-star Kate Winslet and noting the tragic scene where Rose and Jack are together for the last time before Jack drowns. Kathy quipped, “I personally think there was enough room in that lifeboat.” 

Lionel Richie joked that all over the world fans tell him all the milestones that happen to his songs, including conceiving children. “As long as their last name is not Richie, I’m fine with it.” He continued with a hopeful message, “Take one step at a time and dream. If you don’t have dreams, you don’t have possibilities.”

Kristen Bell, Renee Olstead, Katherine McPhee and Sara Bareilles were among the performers with the standout being songwriter Diane Warren singing her “Stand Up For Something.”   The SAG-AFTRA Foundation’s Patron of the Artists Awards raised money for the nonprofit’s programs which provide aid to artists facing life-threatening illness or economic hardship, free educational resources and workshops for performers, and free children’s literacy programs worldwide. Since its inception, the Foundation has granted more than $19 million in financial and medical assistance and $8 million in scholarships to SAG-AFTRA artists and their dependents. Good for them. A unique night for a worthy cause.

 

photo courtesy Getty via SAG-AFTRA

 

Louis CK’s Movie is Unwatchable, Has Scenes of Simulated Masturbation and Main Character Hollywood Director Pedophile

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The Louis CK story deepens.

First, he’s admitted to the acts of sexual perversion he’s been accused of, in a statement below.

Second, his movie– which The Orchard has dropped– arrived in critics mailboxes today. I’m halfway through it, and it’s unwatchable.

In “I Love You, Daddy” Louis plays a rich New York TV producer. Charlie Day plays Louis’s sidekick who simulates masturbation at least a couple of times while Edie Falco, playing Louie’s assistant, is in the room.

John Malkovich plays a famous movie director who has a thing for young girls, stalks them, and is said to be a pedophile.

Chloe Grace Moretz plays Louis’s oversexualized 17 year old daughter, whom Malkovich preys on and with whom Louis is unnaturally obsessed.

The acting level is a D. The cinematography and editing are supposed to mimic a Woody Allen movie. “I Love You, Daddy” is shot in black and while and music left over from a bad Douglas Sirk movie.

It’s painful, sad film that no one should ever see.

With insurance, The Orchard– the small distributor that paid $5 million for this thing– has dodged a bullet.

Here’s Louis’s real life statement:

“These stories are true,” C.K. says in a statement sent by his rep Lewis Kay. “At the time, I said to myself that what I did was okay because I never showed a woman my d–k without asking first, which is also true. But what I learned later in life, too late, is that when you have power over another person, asking them to look at your d–k isn’t a question. It’s a predicament for them. The power I had over these women is that they admired me. And I wielded that power irresponsibly.”

“I have been remorseful of my actions. And I’ve tried to learn from them. And run from them. Now I’m aware of the extent of the impact of my actions. I learned yesterday the extent to which I left these women who admired me feeling badly about themselves and cautious around other men who would never have put them in that position. I also took advantage of the fact that I was widely admired in my and their community, which disabled them from sharing their story and brought hardship to them when they tried because people who look up to me didn’t want to hear it. I didn’t think that I was doing any of that because my position allowed me not to think about it. There is nothing about this that I forgive myself for. And I have to reconcile it with who I am. Which is nothing compared to the task I left them with.”

“I wish I had reacted to their admiration of me by being a good example to them as a man and given them some guidance as a comedian, including because I admired their work.”

He goes on, “The hardest regret to live with is what you’ve done to hurt someone else. And I can hardly wrap my head around the scope of hurt I brought on them. I’d be remiss to exclude the hurt that I’ve brought on people who I work with and have worked with who’s professional and personal lives have been impacted by all of this, including projects currently in production: the cast and crew of Better Things, Baskets, The Cops, One Mississippi, and I Love You Daddy. I deeply regret that this has brought negative attention to my manager Dave Becky who only tried to mediate a situation that I caused. I’ve brought anguish and hardship to the people at FX who have given me so much The Orchard who took a chance on my movie. and every other entity that has bet on me through the years.”

He concludes the statement, “I’ve brought pain to my family, my friends, my children and their mother. I have spent my long and lucky career talking and saying anything I want. I will now step back and take a long time to listen.”

Louis C.K. Film “I Love You, Daddy” Dropped By Distributor in Wake of Accusations

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We can scratch “I Love You, Daddy” from the fall movie list. Distributor The Orchard has dropped Louis C.K.’s film after the accusations that have been leveled against him in the New York Times.

The Orchard paid $5 million to distribute the film, and now they will have to try and get their money back. They’re a very small distributor in the first place. Considering the odd nature of the film– it involves a man (Louis CK) obsessed with his 20 year old daughter (Chloe Grace Moretz)– it’s strange that they wwanted it at all.. There are themes of pedophilia and apparently a scene that involves masturbation. In real life, Louis CK is alleged to have masturbated in front of several women.

The New York Times published a story yesterday afternoon that revealed the accusations. In that time, Louis CK’s whole career has been taken apart– HBO is removing all his films and concerts from their service, for example.

“I Love You, Daddy” was a sneak screening in Toronto. There was a big clamor to get into see it. But once people did, the buzz was off. It didn’t sound very palatable and now we’re never going to know. Unlike the Getty movie– in which Kevin Spacey is being replaced– there’s no desire to do something similar here.

Mel Gibson’s Comeback Movie “Daddy’s Home 2” Scores a 7 (Seven) on Rotten Tomatoes

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It looks like Mel Gibson’s comeback in Hollywood has been blunted. His comeback film, “Daddy’s Home 2,” is a bust.

The sequel to “Daddy’s Home” has scored a 7– that’s seven– among critics on Rotten Tomatoes. It has 25 negative reviews and 2 positive ones.

Gibson plays Mark Wahlberg’s father in the movie. Until last night no reviews had appeared for the movie, which opens today.

The San Francisco Chronicle says: “By any standard, every person in the world of Daddy’s Home 2 would be scarred for life by the events in the film. The real happy ending is that no one in the audience has to go home with these people. ”

A Toronto blogger notes: “Mel Gibson’s Kurt tries to tell kids a joke about “two dead hookers” (i.e. violence against women) and mentors his grandson on how to grope.”

For Paramount, “Daddy’s Home 2” is strike three in a fall that has gone terribly wrong. Their first two films, “Mother!” and “Suburbicon,” were also box office and critical disappointments. A coming fourth film, “Downsizing,” may not be received much better. The studio also lost $1 billion in financing from Chinese investors. And their beloved executive, Megan Colligan, left after a bitter struggle not to be usurped by men. She’s thinking of filing gender discrimination charges.

For Gibson, that’s it. Since his scandals, he’s been on screen only in junk movies. He directed “Hacksaw Ridge,” which got good reviews although it was hackneyed and overdone. But he wasn’t in it. He should stop now. He’s not coming back.

 

Broadway Has a New Hamilton-Sized Hit in “The Band’s Visit,” A Gorgeous, Perfect Musical Starring Tony Shalhoub and “Overnight Sensation” Katrina Lenk

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Thursday night was one of those Broadway openings where you go on with buzz and come out floating on air. “The Band’s Visit,” starring Tony Shalhoub and Katrina Lenk– who is a overnight sensation after five tries– is just about perfect. Every reviewer should say so. It’s one of those rare “Hamilton”-sized hits that just grabs you by the heart.

It’s not big and flashy like “Hamilton.” It’s understated and a gem. Based on the 2007 Israeli film, “The Band’s Visit” is about an Egyptian police band invited to an Arab Cultural Center in a small Israeli town. But they take the wrong bus and wind up in the wrong town, a very, very small town, where they encounter the few Israeli residents.

“The Band’s Visit” unfolds, 95 minutes without an intermission. Shalhoub is the captain and conductor of the band. Lenk is Dina, who runs a local bar and restaurant. Over the night all of these people share together you come to care about them all quickly, and they come to care about each other.

The amazing and always innovative David Cromer directs from a book written by Itamar Moses. David Yazbeck wrote the songs, music and lyrics, and they’re so good, so new, so rich that you will want the CD the minute it’s ready. One song in particular, “Answer Me,” at the very end, is a lump in the throat killer without schmaltz, totally original that leaves your head spinning.

Is it perfect? Only Sondheim is perfect, right? And “Hamilton.” Cromer and Yazbeck can’t comprehend it yet. Everything about this show is just right, and its message– hope and love– devoid of cliche, is so needed right now.

The music is provided by “the band”– some members of the cast are actually playing their instruments wit the show’s orchestra augmenting. All the musicians are on the stage, wearing light blue “Sgt Pepper” type uniforms (as Dina calls them), and the effect is mesmerizing.

The whole cast is sensational including John Cariani, Ar’iel Stachel, Etai Benson, Adam Cantor, and Andrew Polk.

In our audience last night: Josh Groban, Bernadette Peters, Geneva Carr from “Bull” on TV, Mary Louise Parker, Kathy Najimy, Richard Kind, and two great Broadway faves– Anita Gillette and Penny Fuller, plus Kelli O’Hara, Tommy Tune, Denis O’Hare, Cherry Jones, and Celia Keenan Bolger.

Among the producers, just so you know: my old friend, Fred Zollo, another old pal, John Hart, and Marc Platt. This has been Marc Platt’s year, kids– “La La Land, “Dear Evan Hansen,”– starring his son Ben– and now this. This is a guy with very good taste indeed!

Get tickets to this show today, while you can. No kidding !