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Why Isn’t Bradley Cooper Playing Famed War Photographer Jonathan Alpeyrie?

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jonathan alpeureI’m still catching up from yesterday, one of those rare days when you spend the entire time away from the desk, and meet everyone at the same time.

So it was on Tuesday when I went to a lunch for Annette Bening (she deserves a nomination for “Film Stars Don’t Die in Liverpool”), another lunch for 38 year old war photographer Jonathan Alpeyrie, a master class tea with 89 year old French legend Agnes Varda (her doc “Faces Places” also deserves awards), have steak tips with Tovah Feldshuh (she’s in two TV series right now) and her husband Andy Levy, and wind up gossiping with Robert Wagner and Jill St. John. Whew!

Liz Smith would be proud of me, I think. Mike Hall, of blessed memory, once said to me in the old Russian Tea Room, “Why are you so tired? You go to two events a night. Leonard Lyons used to go to ten things, then go back to the office and write tomorrow’s column.”

First: Jonathan Alpeyrie is a French war photographer  who looks like Bradley Cooper. He’s just published his first book, “The Shattered Lens.” Bonnie Timmerman is going to produce the movie about him, she got the book published. Yesterday’s lunch– hosted by none other than Liam Neeson– was sponsored by Signature Bank and Alliance Bernstein on a top floor of the latter’s building overlooking Central Park. Bobby Zarem came in from Savannah, Georgia. There were many old friends from Elaine’s including the writer David Black, Felicia Taylor, and FBI Special Agent Anne Beagan.

And: for reasons I didn’t really get, Katrina Lenk, star of “The Band’s Visit” on Broadway. She’s going to win Best Actress in a Musical next June. Just wait and see.

I sat next to Jonathan’s father, a lovely Russian-French man who lives in Maine now. When his son was held for ransom by the Syrians for 81 days, he couldn’t tell anyone. When his son returned to war and was kidnapped, Mr. Alpeyrie couldn’t say anything again. You might ask, why keep going back? Because Alpeyrie is addicted to adrenaline and war. It will make a great movie. It reminds me of a very good Donald Margulies play called “Time Stands Still.”

Bradley Cooper, call your agent.

Steely Dan’s Walter Becker Suffered from Esophageal Cancer, Died Less Than Four Months After Discovery

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Delia Becker, widow of Steely Dan’s Walter Becker, has released this statement about her husband’s “heartbreaking” death. We have to thank her for being so candid. Steely Dans are still mourning this terrible loss.

Here’s her statement:

 

 

As Walter Becker’s wife of many years, I wanted to share with his fans some information regarding his death that has not previously been reported. I realize this is overdue, and I hope you will understand why. For me personally, his death was a devastating blow, as I know it was for many of you. I am just beginning to emerge from its heartbreaking impact. 

Walter died in the course of being treated for an extremely aggressive form of esophageal cancer. The cancer was detected during one of his annual medical checkups and its presence came as a grim surprise to Walter, his doctors and to me. It seemed to have come out of nowhere and had spread with terrifying speed.

Walter chose an intense regimen of chemotherapy at Sloan Kettering though, between the cancer’s aggressiveness and the overwhelming toxicity resulting from the chemotherapy treatments, Walter died less than four months after the cancer was detected.

Walter passed peacefully in our New York City home, surrounded by his family, his music, and a blustery rainstorm — one of his favorite sounds — blowing outside the window. In keeping with his wishes, he was cremated without ceremony or memorial in New York City. 

Understandably, Walter wanted privacy during the course of his illness and he hoped for recovery. He wanted to be able to return to the stage and once again perform for his fans. It’s important to me, as it was to Walter, that you all know he never intended to keep anyone in the dark about his condition. He just ran out of time much sooner than any of us thought possible. 

The tsunami of tributes and remembrances that have followed Walter’s passing has been deeply moving. Even his “Number 1 Fan” — me — would not have predicted anything close to the depth and breadth of public expressions from those whose lives were enriched by Walter —  by his talent, his kindness, and his skill at inspiring some wicked fun. 

Thank you, everyone, for helping me and his loved ones know that Walter’s mark on the world — and on all of you — will not soon fade. 

Broadway: Struggling “Charlie and the Chocolate Factory” Will Close in January 2018

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It wasn’t meant to be.

“Charlie and the Chocolate Factory” will close its Broadway run on January 14, 2018. It’s been a money loser from the start.

The musical also garnered no Tony nominations (save for Christian Borle, who was nominated for another show). The writing was on the wall, the chocolate was melting.

The show never really got up beyond $700,000 a week until this past week, which may have been due to special sale. Otherwise, week after week it struggled to hang on.

“Charlie” came to NY from London’s West End, where it also struggled with bad reviews. The Broadway version was totally revamped but it didn’t matter.

Oh, well, good try. Lots of money out the window. If you need to see a musical, go to “The Band’s Visit.” Perfection.

Hollywood Nightmare Continues: Warner Bros. “Justice League” Gets Dismal Reviews

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Warner Bros. can now join its fellow studios in the Bad News department: “Justice League,” the studio’s attempt to turn DC Comics into a Marvel-like money maker. is being trashed by critics.

This is on top of Warners’ other bombs this year including “Blade Runner 2049” and “King Arthur.” Other strikeouts include the current “Geostorm” and films like “The House” and “CHiPS.”

Still, Warners can point to mega hits “Wonder Woman” and “It.” And it’s possible “Dunkirk” will sweep up a lot of Oscar nominations.

But “Justice League” has scored just a 51 on Metacritic. (No reviews on Rotten Tomatoes til tomorrow, the movie opens Friday.)

The biggest thing going against “Justice League” is that it’s not “Wonder Woman 2.” The Patty Jenkins movie was such a giddy high– labeled the best comic book movie by some– that even the average rank of “Justice League” seems worse than it really is.

This movie, of course, suffered from change in directors. Zack Snyder left after a personal tragedy, replaced by Joss Whedon, whose credit is unofficial. They are directors with two very different styles. From reports it doesn’t sound like the two tones meshed.

There is a range of reviews on Metacritic among the 25 counted so far: Variety’s Owen Gleiberman loved it and gave it an 80. The Hollywood Reporter’s Todd McCarthy said it was a 30 and claimed “it’s simply not fun.”

We won’t know the full extent of the critical damage until tomorrow. And yet, the box office may still surprise everyone at least on the first weekend. But I think tonight’s preview screenings around the country will presage the weekend damage.

PS This may be the end of Ben Affleck as Batman. Stay tuned…

Hollywood Royal Couple, Robert Wagner and Jill St. John, Still Cool As Ever from “Batman” and “Bond” to “NCIS”

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There were a lot of celebrities Tuesday night at the 90th anniversary party for Gallagher’s Steakhouse on West 52nd St. near Broadway. Richard Kind, Tovah Feldshuh, Len Cariou–Broadway types, all beloved types. The famed paparazzi, Ron Galella, mortal enemy of Jackie Onassis but chronicler of celebrities, had a corner booth. I ran into people I hadn’t seen in a long time, it was like a great big reunion.

But without a doubt the stars of the night were Robert Wagner and Jill St. John. They are the epitome of Hollywood cool. She was a Bond and a Batman girl. He was..is… suavecito. I looked it up later. Are you ready? He is 87. She is 77. They look like they’re in their Fifties. I interviewed Bob in the 90s, one of the best pieces I ever did. He remembered. I complimented them and Jill said, “As Oscar Wilde said, Living well is the best revenge.”

We talked about Liz Smith. “I loved her,” Wagner said. “When I heard she passed, I was very sad. She really loved me. She always wrote about me. She interviewed me at the 92nd St. Y when each of my books came out. She was very special.”

We talked about Jill’s five decade fame for appearing in the “Batman” TV pilot in 1966. She reprised the role of Molly, the Riddler’s assistant, in a subsequent episode as well. Four year old boys light up when they see her. They think “Batman” is current. Jill says she has to explain to them that the Riddler, the Joker, and the Penguin are all gone. “A little boy asked me Are they in heaven? I said, No, they were criminals, they’re in hell!” She laughed. (I’m telling you, Jill St. John is still hot.)

“Michael Weatherly’s son loves her,” said Wagner of his friend and “NCIS” co-star (Weatherly now stars in “Bull” on CBS.) “We’re having dinner with them this week, Jill said. Wagner will shoot a new “NCIS” episode before the end of the year.

We talked about his kids with Natalie Wood. “They’re all doing great,” he said. “Natasha is introducing a Natalie perfume on HSN,” he said.

“Listen to what happened. I got a fraud alert on my credit card,” Jill interjects. “I bought two bottles of Natalie to help sales, from HSN. The computer saw I hadn’t shopped there before! I was just trying to help!”

We didn’t get to talk about their famous “Seinfeld” appearance in the legendary “Yada Yada/Anti-Dentite” episode (which also featured Bryan Cranston as Dr. Tim Watley). After countless classic TV shows like “It Takes a Thief” and “Hart to Hart,” Wagner will always have “Seinfeld,”

What brought them to Gallagher’s and cold cold New York from warm Beverly Hills and balmy Aspen? “I came here when I was 12 with my grandparents,” Wagner said. “Then I was here all the time when I was a young actor. Plus Dean Poll, who owns it now, is a good friend.”

“He basically saved it from closing,” said Jill. We reminisced about John Springer, the famed Broadway press agent who repped the place 30 years ago. I told them Aretha Franklin likes the food so much she orders in from her hotel when she’s in town.

They posed for the photo above and went back to their filet mignon. What class acts! All I needed was Stefanie Powers to walk in and we’d be over the top with Hollywood cool!

 

photo c2017 Showbiz411

UPDATE: Taylor Swift’s Reputation Intact, Has Crossed the 1 Million Mark Through Monday

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UPDATE: Reputation crossed the 1 million mark Monday night. Confetti, Swiftians.

 

EARLIER: Let’s just say, Taylor Swift will not have to cut coupons out of the supermarket circulars this week.

On Sunday, Swift’s “Reputation” album crossed the 900,000 mark in sales to 904K. She sold about 180,000 copies on Sunday from midnight to midnight, following her appearance on “Saturday Night Live.”

There are still four full days to count this week for sales. Monday’s numbers will come in today. The cut off is Thursday night at midnight.

At this rate, “Reputation” could hit 1.5 million for a first week. Somewhere, the guys from Right Said Fred are drinking Champagne since Taylor borrowed “I’m Too Sexy” for the album. Ka ching!

Down in Nashville, Big Machine Records’ Scott Borchetta is treating his whole office to donuts and Mercedes . (Just kidding!)

Jessica Chastain Pinch Hits for Meryl Streep — And Hits a Grand Slam — at Oscar Winner Danny Boyle’s All Star Charity Event at Carnegie Hall

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THE place to be last night was Carnegie Hall: only Oscar winner Danny Boyle could assemble an all star A team of actors for “The Children’s Monologues,” a charity event of performances to benefit the UK charity Dramatic Need. The group funds programs in South Africa for impoverished children.

Boyle– director of “Slumdog Millionaire,” “Trainspotting,” and “127 Hours”– brought together Susan Sarandon, James McAvoy, Audra McDonald, Jessica Chastain, Anne Hathaway, Jason Alexander, Andrew Garfield, Daveed Diggs, Common, Esperanza Spaulding, Cynthia Erivo, Daniel Kaluuya, Gugu Mbatha Raw, Sebastian Stan, Catherine Zeta-Jones, and on and and on.

They read monologues written by South African children and then polished up by dramaturgs like Lynn Nottage, Tom Stoppard, Neil LaBute and others. Also featured was the Via Vyndal Pantsula Dance Crew and the New York City Youth Ensemble. It was a 5 star night that beautifully captured the spirit of South Africa and let some of our newest stars show off their stage ability. No one had more than a few hours of rehearsal.

Jessica Chastain learned the lines of her powerful dramatic monologue on the plane coming from L.A. yesterday. After she nailed it and came offstage, McAvoy– who she said “roped her into this”– told her who she’d replaced at the last minute. “Meryl Streep! Oh my god,” said Jessica, whose mother and best friend came to support her. “Oh. my. god.”

Jessica stars next month in Aaron Sorkin’s “Molly’s Game,” which I loved in Toronto. She gives an Oscar worthy performance and certainly should be in the mix with Saorise Ronan, Sally Hawkins, Judi Dench, and probably Meryl Streep– ironic, no? Chastain is due for some Oscar love. She should get it this time.

The great Donna Isaacson cast the event with partner Laura Stancyzk. I asked Donna how she got all these people to do it. “Danny Boyle,” she said.

Boyle has the uncanny knack for bringing other cultures to the west. In “Slumdog,” it the Indians and Mumbai. Last night it was South Africa. His answer to how he does it: “the cultures just present themselves and you go for it.” Hmmm….Modest.

So how are the kids from “Slumdog Millionaire” doing, I asked him? “They’ve turned 18,” he said. “We’ve gotten them each flats in Mumbai and we’re helping them with their money and being independent. We’re in touch with them all the time.” Boyle has been extraordinarily dedicated to them.

“General Hospital” About to Reveal a First: Double Amputee Marine War Veteran Joins Cast

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Soap opera “General Hospital” is about to reveal a first. The actor who’s playing character Chet Driscoll, a patient in the hospital where most diseases have fake names and antidotes, has been covered by sheets so far in his hospital bed. But sooner or later, he will be revealed to be a double amputee. In real life, actor Chris van Etten (and this is weird because one of the show’s writers is named Chris van Etten) is a vet, a Marine who lost both legs after stepping on an IED in Afghanistan. He’s also a Jockey underwear model. There have been a few different actors over the years who’ve been bound to wheelchairs. But this will mark a first for soaps– and it’s about time. van Etten should become an overnight sensation on the show, and a role model.

Taylor Swift Sales Blockbuster: “Reputation” Sold 721,000 Copies From Friday Through Saturday

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Taylor Swift’s release of “Reputation” is, of course, a monster hit. She’s sold 721,000 copies from Friday through Saturday night. The numbers are from Buzz Angle and don’t include Sunday. The numbers don’t reflect Taylor’s appearance on “Saturday Night Live.”

The “SNL” performance didn’t do much for Taylor’s singles sales– even though she has two of them in the iTunes top 1o, neither of the songs she sang jumped to number 1. Still, “Reputation” is on track for a huge debut at number 1 this Friday with a possible 1.3 million. That would be Taylor’s fourth million selling debut week in a row.

Swift’s sales are “pure” because there’s no streaming, it’s all CDs and downloads. And then there’s all the other revenue– gazillions from tie ins with ABC and other promotional placements, merchandise and the world tour. She’s a very, very wealthy young lady. Let’s not forget that she’s got that Little Big Town hit on the charts, too, which she wrote– “Better Man.”

There’s no word yet whether she’ll be on Sunday’s American Music Awards. My guess is she’ll present or wave or dance in the audience. But no performance since I’m sure she wants to be on the Grammys in January.

All in all, it’s good to be Taylor Swift. It’s also not so bad to be Jack Antonoff. Leah Dunham’s songwriter boyfriend will make a small fortune off “Reputation” for co-writing and producing. So will Max Martin, who I assume lives in a mansion somewhere with 24 kt faucets.

Liz Smith Had Her Favorite Celebs, and They Prospered from Her Adoring Attention

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Liz Smith had her favorite celebs, and her good word carried a lot of importance in their careers. It’s hard to imagine now, but Liz at her zenith, at her apex, was like the Word of God. If you could “get into Liz Smith” you had it made. Not only did everyone in New York and Hollywood wait for her every sentence, but she was also syndicated to hundreds of newspapers. There was no internet, no social media, there was barely even cable TV. What Liz said mattered in a huge way.

The biggest beneficiaries of Liz’s largesse started with Barbara Walters. The truth is, Liz made Barbara’s career. She touted her constantly. If only there were a way to go back and digitize Liz’s columns to see how often she supported Barbara and ballyhooed her. From Barbara on Today, to her debacle with Harry Reasoner, to all her ABC specials and so on. Liz treated Barbara like gold. Sadly, when Liz lost her column in the New York Post she felt Barbara cast her aside. It was mostly true.

Liz also loved the actress Elaine Stritch. More mentions than any other actress, I think, although Holland Taylor was a great pal and always got love from Liz. Director Joel Schumacher–even Joel was shocked how much Liz promoted his films. But they were great friends, and in return Liz got great scoops about Joel’s films, Joel Silver’s films, Warner Bros releases, etc.

Mike Wallace– Liz was once his assistant. It was almost her first job in New York, booking guests for Mike’s radio show in 1953. Shortly after she’d mastered that job she headed to NBC and the very early “Today” show. Everyone she met became a lifelong friend and it kept them all in good stead. As Mike soared through CBS News, his adventures became chronicled in Liz’s columns. The advent of “60 Minutes” in the late 60s came at a perfect time– Liz’s rise as a columnist and freelance writer. The stars were aligned.

A lot of Liz’s passions about celebrities came from her associates. Diane Judge loved theater, wrote about it, so naturally Liz embraced it. The Theater Wing should lower the lights on Broadway this week. There wasn’t a new show that Diane and Liz didn’t promote or even save. There were a lot of rescue missions especially for shows Clive Barnes panned in the Times. The Liz Smith column plug could buy a show extra time.

Denis Ferrara loved Marilyn Monroe and Madonna. They each got a lot of coverage in the Liz Smith column over the years. Denis was smart to be right on the cutting edge with Madonna– she should send him bouquets of flowers, Champagne and cash, frankly. Denis also had a keen sense of nostalgia for the great Hollywood icons. He wove them into Liz’s columns, giving it a sense of history even as they were breaking stories about the Trumps, or the Murdochs or whomever.

And how about Rupert Murdoch? Liz was loyal to him. When his first wife, Anna, started writing bad novels, Liz plugged them over and over. It was partly because he was the boss, and partly because they were all on the same team. She fawned over Anna. Later when the loutish hard drinking Col Allan decided he wanted to get rid of Liz, Rupert just rolled over. So here’s a shock: when it happened, Roger Ailes put her on his payroll as a contributor. And she was  on until he died.

So many people owe their careers to Liz, it’s kind of mind blowing. She knew how to make an actor into a star into a celebrity. And as they got bigger it gave her something to write about– and exclusives. (No one knows the grind of a daily column.) She knew the give and take to keep everyone in  business for another day. In that sense, I learned so much from her. Liz played the long game, and that’s why she lasted for decades.