Tuesday, October 1, 2024
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Pop: Charlie Puth Takes Away the Biggest Part of Chicago in a Bad New Record Called “If You Leave Me Now”

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 Why? Why are these things happening? Are we being punished? Charlie Puth, a kid I like in the new pop biz, has issued a record with the same title and refrain as a Chicago hit from 40 years ago. Does he not listen to the radio? Does no one say to him, this is a bad idea? On top of that, he’s fashioned it as an acappella thing with BoyzIIMen– it sounds like people being strangled on The Andy Williams Show. To make matters worse, they’ve issued this during a blizzard. A cyclone. A polar vortex. Please, is this fair?
We must now pray the Justin Timberlake song is GREAT. If it isn’t, can we make sense of this world again?

 

Charlie Puth:

Chicago:

Writers Guild Nominees Include “Lady Bird,” “The Big Sick,” “Call Me By Your Name,” Jane Goodall Documentary

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The Writers Guild nominations are out. There are no snubs per se– some films that will be nominated at the Oscars are ineligible for WGA nominations.

ORIGINAL SCREENPLAY

The Big Sick, Written by Emily V. Gordon & Kumail Nanjiani; Amazon Studios

Get Out, Written by Jordan Peele; Universal Pictures

I, Tonya, Written by Steven Rogers; Neon

Lady Bird, Written by Greta Gerwig; A24  

The Shape of Water, Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro; Fox Searchlight

ADAPTED SCREENPLAY

Call Me by Your Name, Screenplay by James Ivory; Based on the Novel by André Aciman; Sony Pictures Classics

The Disaster Artist, Screenplay by Scott Neustadter & Michael H. Weber; Based on the Book The Disaster Artist: My Life Inside the Room, the Greatest Bad Movie Ever Made by Greg Sestero and Tom Bissell; A24

Logan, Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold; Based on Characters from the X-Men Comic Books and Theatrical Motion Pictures; Twentieth Century Fox Film

Molly’s Game, Screenplay by Aaron Sorkin; Based on the Book by Molly Bloom; STX Entertainment

Mudbound, Screenplay by Virgil Williams and Dee Rees; Based on the Novel by Hillary Jordan; Netflix

DOCUMENTARY SCREENPLAY

Betting on Zero, Written by Theodore Braun; Gunpowder & Sky

Jane, Written by Brett Morgen; National Geographic

No Stone Unturned, Written by Alex Gibney; Abramorama

Oklahoma City, Written by Barak Goodman; American Experience Films

Grammys Rev Up Mainstream Stars (Gaga, Pink, Little Big Town), Broadway Tribute (Patti Lupone) to Soften Night of Rap Nominees

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The Grammy Awards are stocking up on mainstream stars to soft the blow of a night of rappers.

When the Grammy nominations were announced in November, I told you producer Ken Ehrlich and CBS’s Jack Sussman would be apoplectic — four of the five Album of the Year nods went to rappers and hip hoppers. The fifth spot went to Lorde, who has now attracted her own controversy by boycotting Israel.

So what to do? Stock the show with performers who CBS viewers will like: Lady Gaga, Pink, country stars Little Big Town, and a Broadway tribute from Patti Lupone and new star Ben Platt.

They have also selected Childish Gambino aka Donald Glover, star of FX’s much awarded “Atlanta.” Gambino’s album is one of the nominees.

Bruno Mars should be next, as his album is also nominated. He’ll be a key player for the Grammys because the multi-talented performer cuts across most demographics. Taylor Swift seems likely, too. But her pal, Ed Sheeran, isn’t expected as he received no main nominations. Sheeran can take solace in having the best selling single and album of the year, however.

More Grammy performers will be announced shortly, so look for more country and mainstream pop acts to ameliorate Jay Z, Kendrick Lamar, “Despacito,” and other performers– like Khalid– who should be and must be on the show.

 

“Girls Trip” Star Tiffany Haddish Steals NY Film Critics Dinner, Declares: “I Want to Star in a Japanese Soap Opera!”

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If there’s been a recent breakout star anywhere, it’s comedian Tiffany Haddish. She made a huge splash on “Saturday Night Live” this fall after starring in Malcolm Lee’s “Girls Trip,” which turned out to be a $100 million comedy– a rarity.

Last night Haddish literally stole the New York Film Critics dinner at Tao Downtown, upstaging everything and everyone when she accepted the award for Best Supporting Actress in “Girls Trip.” She was a bold choice since Laurie Metcalf and Allison Janney are in the lead for the Golden Globes and the Academy Awards. Tiffany didn’t even merit a Globe nod.

But this wise, canny, and spicy 37 year old “overnight sensation” took the stage and held forth with a 20 minute performance piece that was alternately hilarious and moving. She labeled the custom drink she was holding throughout the speech her “Tiffanycity-tini.” She said, “It’s delicious. I’ve had two, and I do feel like magic.” I have some excerpts below.

After the show, or rather during the show, Tiffany escaped to the ladies’ room and that’s where she stayed for the rest of the night. When the show was over, I found her back there in the lounge. She stayed longer than any of the winners — Greta Gerwig, Saorise Ronan, Willem Dafoe, etc — and then some. Her long time stylist Dionne was with her, as well as a bunch of friends, and “Get Out” actress Betty Gabriel (a shy beauty).

Tiffany was literally the only one of the NYFCC winners who wasn’t going to the Golden Globes but she took it in stride. “I’ve got to get back on tour!” she declared. “I’m a stand up comedian!”

What does she really want to do? “I want to star in a Japanese soap opera,” she said. Not an American one? “No way! I can speak Japanese!” She demonstrated for us, impressively. Her knowledge, I think, comes from an ex boyfriend. Then there was another ex, British, whom she performed a DNA test on to determine, well, it’s too complicated here…

Tiffany Haddish is the anti-M’Onique, although she did ask, a couple of times, “Does a check come with this?” referring to the award. Later she told me, “I just found out how important this award is. I can’t believe it!”

Attention Academy Awards: if Tiffany Haddish doesn’t get an Oscar nomination, she’d better be a presenter. She’ll get ratings, and we will all be better for it!

 

Tiffany excerpts:

She did talk about the crowd in front of her: “So now that I get to meet the critics, first off, thank you, guys. I don’t even—I don’t read reviews. I don’t. The most reviews you’ll see me read is something that either my publicist sends me and says, “Read this,” and I’m like, “You read it,” because if it hurt my feelings I’m going to cuss their ass out in my soul, and then I’m going to pray for them, and I’ll laugh. Because I’m super-sensitive. I don’t mean to be so sensitive, but that’s just who I am. And I’m not afraid to admit it.”

On her childhood in South Central L.A. “When you’re a little kid going through the [foster-care] system, you wonder, “Does anybody even know I’m alive?” To be able to be this example to so many youth—there’s so many people like me that you guys have no clue about. But they coming. Because I kicked the fucking door open.”

ON a raunchy scene that didn’t make “Girls Trip”: “So, there’s a scene where I tell Regina [Hall] all the things I would do for her, that I got her back, no matter what. I’m like, no matter what, I got your back. I’m talking Timberland boots, hot bricks—I don’t care. We’re going to give him some Ambien, night night. And then, when he sleep, we’re going to burn your name in his dick. And then we’re going to put mud and salt on it so it can keloid over, and then it will be ribbed for your pleasure. And then when he wake up, we’ll look him dead in his eyes, and we’ll tell him right to his face to keep your name out these bitches’ mouths.”

New Trump Book Turns Washington Upside Down: Michael Wolff’s “Fire and Fury” Hits Number 1 Days Before Publication

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Wednesday was a wild day for Donald Trump. While he was busy tweeting inanities to distract the media, a ticking bomb went off that changed everything.

Excerpts from Michael Wolff’s forthcoming book, “The Fire and The Fury,” exploded like landmines everywhere Trump wasn’t looking: The Guardian, New York Magazine, and so on. In a matter of an hour, everyone knew what was going on. Steve Bannon, Trump’s former right hand man and political philosopher, had done him in interviews with Wolff.

The worst of it: Bannon had created a tagline no one would forget. The Line had to do with Donald Trump Jr.’s meeting with the Russians. Bannon said that when Junior was finally interrogated, he’d crack like an egg. Specifically: “They’re going to crack Don Junior like an egg on national TV.”

Bannon also called the meetings “treasonous.” He told Wolff: “You realize where this is going. This is all about money laundering. Mueller chose (senior prosecutor Andrew) Weissmann first and he is a money-laundering guy. Their path to f—ing Trump goes right through Paul Manafort, Don Jr and Jared Kushner … It’s as plain as a hair on your face.”

This sent the book to number 1 on Amazon, Barnes & Noble, and anywhere else books could be pre-ordered. When it’s released on January 9th, “The Fire the Fury” is going to send Sarah Huckabee Sanders and Kellyanne Conway into convulsions.

Plus, the Donald himself didn’t help matters as he disowned Bannon, claiming — as he’s done with Manafort, The Mooch, and Michael Flynn– that he never really knew him or worked with him– all lies,  as everyone, even the grandchildren know.

Trump tried to wiggle out of this mess with a statement that will haunt him:

Steve Bannon has nothing to do with me or my Presidency. When he was fired, he not only lost his job, he lost his mind. Steve was a staffer who worked for me after I had already won the nomination by defeating seventeen candidates, often described as the most talented field ever assembled in the Republican party.

Now that he is on his own, Steve is learning that winning isn’t as easy as I make it look. Steve had very little to do with our historic victory, which was delivered by the forgotten men and women of this country. Yet Steve had everything to do with the loss of a Senate seat in Alabama held for more than thirty years by Republicans. Steve doesn’t represent my base—he’s only in it for himself.

Steve pretends to be at war with the media, which he calls the opposition party, yet he spent his time at the White House leaking false information to the media to make himself seem far more important than he was. It is the only thing he does well. Steve was rarely in a one-on-one meeting with me and only pretends to have had influence to fool a few people with no access and no clue, whom he helped write phony books.

We have many great Republican members of Congress and candidates who are very supportive of the Make America Great Again agenda. Like me, they love the United States of America and are helping to finally take our country back and build it up, rather than simply seeking to burn it all down.

Justin Timberlake Update: Four Videos Will Drop Before Album Release, First One on Friday

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So here’s more on Justin Timberlake’s “Man of the Woods” album. A first single and video drop on Friday, they’re called “Filthy.” I don’t know if this is because you get filthy if you walk in the woods. Wipe your feet on the mat before coming inside…

Then starting January 18th, for three Fridays, there will be three more singles with videos. No titles yet. But in keeping with the woods theme, I hope JT has updated Fleetwood Mac’s “Bare Trees.”

Guests on the album include Alicia Keys, Timbaland, Pharrell and the Neptunes, and country superstar Chris Stapleton.

According to a press release: The colorful, futuristic music video for “Filthy” was directed by groundbreaking and multiple award-winning director Mark Romanek.  The dance heavy video features Timberlake as a modern day inventor presenting his latest creation to the world.  This is the second time Timberlake and Romanek have teamed up for a one-of-a-kind video.

I read one interesting take on JT’s announcement so far claiming that he was “rebranding as a white man.” This sounded good, and was clickbait, but with Alicia, Timbaland and Pharrell involved, I don’t think that’s going to stand up. We’ll see…

No word on whether “Can’t Stop the Feeling” will be an album extra, etc. But you can bet that will be a big part of JT’s Super Bowl show on February 4th– and should send that single right back to the top of the charts by the end of the evening!

 

Justin Timberlake Adds New Album “Man of the Woods” to Super Bowl Weekend February 2nd

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Justin Timberlake has announced his new album, called “Man of the Woods.” It’s coming February 2nd, a new single hits this Friday. Justin’s “Can’t Stop the Feeling” was the biggest chart hit of 2016. Timberlake’s timing is exceptional. He will headline the Super Bowl two days later, on February 4th. Last year, Lady Gaga’s Super Bowl performance sent all of her records onto the charts and radio. It made a hit of her “Joanne” album, which had languished for several weeks. So circle Monday February 5th, when all the news will be about Justin Timberlake (not to mentions something from Janet Jackson).

A Today Show First: Hoda Kotb Named Co-Anchor with Savannah Guthrie

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NBC News and the Today Show made a great decision this morning. It’s not a broadcast first but a first for the Today Show certainly. They named Hoda Kotb as co-anchor of the Today Show, with Savannah Guthrie. It’s the first time two women have anchored a morning show together since Robin Roberts and Diane Sawyer on “Good Morning America.”

Barbara Walters must be smiling. She was the first female co-anchor of Today or any show pretty much. She fought like crazy to get that distinction and gained it in 1974 after 13 years with the show. Other women followed Walters including Jane Pauley, Deborah Norville, Katie Couric, Meredith Vieira, and Savannah Guthrie. But two women, no male anchor? It took the firing of Matt Lauer for it to happen.

Hoda, who is wildly popular, will also continue to co-host the 10am hour with Kathie Lee Gifford. This means Kotb, 53, and a recent mother, is now the most powerful woman at NBC News. And that’s really good news for a change.

Unhappy New Years Day: “Last Jedi” Knocked Off Number 1 by “Jumanji” Reboot

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It seems like New Years Day was an unhappy one for “The Last Jedi.”

On its 18th day of release, the latest “Star Wars” movie was supplanted at number 1 on the box office chart by the reboot of “Jumanji.”

“Jedi” took in $15.7 million. “Jumanji” scored over $16.1 million. “Jumanji” is in its 13th day of release.

For “Jedi,” losing number 1 less than three weeks after release is a little surprising. But as I’ve told you right along, the new “Star Wars” movie hasn’t been keeping pace with its predecessor, “The Force Awakens.”

The older movie was at $750 million by its 18th day. “Jedi” is at $533,089,000.

Meanwhile, one Oscar-buzzed movie that’s booming is Steven Spielberg’s “The Post.” Still in limited release, “The Post” had made $2 million in 9 theaters in 11 days. It won’t go wide until after the Golden Globes this Sunday, when the Meryl Streep-Tom Hanks hit should do very well.

“Star Wars” Good News, Bad News: Crosses $1 Bil Mark Worldwide, But Still $225 Mil Behind “Force Awakens”

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A hard year at the box office ends tonight with good news and bad news for “Star Wars.”

“The Last Jedi” has crossed the $1 billion mark worldwide, divided evenly between US and international box office.

That’s the good news.

The bad news is that “The Last Jedi” is now $225 million off the mark of “The Force Awakens.” That’s a lot of money, the cost of a whole “Star Wars” movie really.

The gap will grow wider as January tickets slow, everyone goes back to school and work, and thoughts turn to saving the 2018 box office.

Of course, there’s still tomorrow, New Year’s Day, or tonight, in the frigid cold for most of the country for one last hurrah.

And then there will be the countdown of real disasters for the fall season: “The Greatest Showman,” “Pitch Perfect 3,” and so on. On the good news front: Fox’s “Murder on the Orient Express” crossed $100 million US today. That’s a total $313 million worldwide. Can “Death on the Nile” be far behind?