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Tribeca Film Festival 2018: Gilda Radner, Mapplethorpe & Patti Smith, Studio 54 Revealed, Ethan Hawke, Rachel Weisz in the Mix

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It’s hard to believe this is the 17th annual Tribeca Film Festival. Seventeen years ago, this did not exist. Jane Rosenthal and Robert DeNiro willed Tribeca into being after downtown New York was ravaged by the events of 9/11. It’s just a huge credit to them that Tribeca not only exists but thrives. The line up looks great, and is filled with important filmmakers, stars, auteurs, and fun. Personally, I can’t wait to see the opening night movie. Gilda Radner is long overdue her spotlight.

 

OPENING NIGHT:

Love Gilda, directed by Lisa Dapolito, featuring Gene Wilder, Lorne Michaels, Laraine Newman, Dan Aykroyd, Akan Zweibel. Finally, a film about this much mourned, beloved star of the Not Ready for Prime Time Players.

CENTERPIECE:

Zoe, directed by Drake Doremus, written by Richard Greenberg. Produced by Kevin Walsh, Michael Pruss, Drake Doremus, Robert George. (USA) – World Premiere, Feature Narrative. In a future world where cutting-edge technologies can simulate the high of true love, two colleagues at a revolutionary research lab yearn for a connection that’s real. With Léa Seydoux, Ewan McGregor, Christina Aguilera, Rashida Jones, Theo James, Miranda Otto, Matthew Gray Gubler, Anthony Shim 

CLOSING NIGHT

The Fourth Estate, directed by Liz Garbus. Produced by Jenny Carchman, Liz Garbus, Justin Wilkes (USA) – World Premiere, Documentary. For the journalists at The New York Times, the election of Donald Trump presented a once in a generation challenge in how the press would cover a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Oscar-nominated filmmaker Liz Garbus witnessed the inner workings of journalism and investigative reporting from the front lines during this administrations’ first history-making year. A Showtime release

After the movie: A conversation with The New York Times Executive Editor Dean Baquet, Washington Bureau Chief Elisabeth Bumiller, White House Correspondent Maggie Haberman, Washington Investigative Correspondent Mark Mazzetti, and director Liz Garbus.

U.S. NARRATIVE COMPETITION

All About Nina, directed and written by Eva Vives. Produced by Eric B. Fleischman, Sean Tabibian, Natalie Qasabian, Eva Vives. (USA) – World Premiere. Nina Geld’s passion and talent have made her a rising star in the comedy scene, but she’s an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to reckon with the intersection of her life and her art. With Mary Elizabeth Winstead, Common, Chace Crawford, Clea DuVall, Kate del Castillo, Beau Bridges.

Diane, directed and written by Kent Jones. Produced by Luca Borghese, Ben Howe, Caroline Kaplan, Oren Moverman. (USA) – World Premiere. Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories in this haunting character study. With Mary Kay Place, Jake Lacy, Estelle Parsons, Andrea Martin, Deirdre O’Connell, Glynis O’Connor, Phyllis Somerville, Joyce Van Patten. 

Duck Butter, directed by Miguel Arteta, written by Miguel Arteta, Alia Shawkat. Produced by Mel Eslyn, Natalie Qasabian. (USA) – World Premiere. Two women, jaded by dishonest and broken relationships, make a pact to spend 24 uninterrupted hours together, having sex on the hour. Their romantic experiment intends to create a new form of intimacy, but it doesn’t quite go as planned. With Alia Shawkat, Laia Costa, Hong Chau, Kate Berlant, Kumail Nanjiani, Mark Duplass, Jay Duplass, Lindsay Burdge. A release from The Orchard.

Ghostbox Cowboy, directed and written by John Maringouin. Produced by Molly Lynch, John Maringouin, John Montague, George Rush, Sean Gillane. (USA, China) – World Premiere. In this darkly comedic morality tale, tech entrepreneur Jimmy Van Horn arrives in China armed with an invention and confidence, only to learn that being American is not enough to succeed. With David Zellner, Robert Longstreet, Johnny Robichaux, Vincent Xie, Carrie Gege Zhang.

Little Woods, directed and written by Nia DaCosta. Produced by Rachael Fung, Gabrielle Nadig. (USA) – World Premiere. In this dramatic thriller set in the fracking boomtown of Little Woods, North Dakota, two estranged sisters are driven to extremes when their mother dies, leaving them with one week to pay back her mortgage. With Tessa Thompson, Lily James, Luke Kirby, James Badge Dale, Lance Reddick.

Maine, directed and written by Matthew Brown. Produced by Summer Shelton, Michael B. Clark, Alex Turtletaub. (USA) – World Premiere. A married woman’s journey of self-discovery and introspection while solo-hiking the Appalachian Trail ends up sidetracked when she encounters a lone hiker. With Laia Costa, Thomas Mann.

Mapplethorpe, directed and written by Ondi Timoner. Produced by Eliza Dushku, Nathaniel Dushku, Richard J. Bosner, Ondi Timoner. (USA) – World Premiere. In the late 1960s, art-school dropout Robert Mapplethorpe moves into the Chelsea Hotel with dreams of stardom. He quickly becomes the enfant terrible of the photography world as the downtown counterculture of 1970s New York reaches its zenith. With Matt Smith, Marianne Rendón, John Benjamin Hickey, Brandon Sklenar, McKinley Belcher III, Mark Moses.

O.G., directed by Madeleine Sackler, written by Stephen Belber. Produced by Madeleine Sackler, Boyd Holbrook. (USA) – World Premiere. An inmate entering the final weeks of a twenty-plus-year sentence must navigate between old loyalties and a new protégé, while he also grapples with the looming uncertainty of his return to life outside bars. With Jeffrey Wright, William Fichtner, Theothus Carter, Mare Winningham, Boyd Holbrook, David Patrick Kelly. 

Song of Back and Neck, directed and written by Paul Lieberstein. Produced by Paul Lieberstein, Jennifer Prediger, Kim Leadford. (USA) – World Premiere. A hapless man seeking treatment for his crippling back pain discovers a very unusual talent and unexpected love in this inventive romantic comedy from writer-director-star Paul Lieberstein (The Office). With Paul Lieberstein, Rosemarie DeWitt, Clark Duke, Brian d’Arcy James, Robert Pine, Paul Feig. 

State Like Sleep, directed and written by Meredith Danluck. Produced by Eddie Vaisman, Julia Lebedev, Angel Lopez. (USA) – World Premiere. Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive. With Katherine Waterston, Michael Shannon, Luke Evans, Michiel Huisman, Mary Kay Place.

DOCUMENTARY COMPETITION

Blowin’ Up, directed and written by Stephanie Wang-Breal. Produced by Carrie Weprin. (USA) – World Premiere. In a courtroom in Queens, women facing prostitution charges may earn a chance at redemption thanks to an experimental program established by a team of rebel heroines working to change the system.

Call Her Ganda, directed by PJ Raval, written by PJ Raval, Victoria Chalk. Produced by PJ Raval, Lisa Valencia-Svensson, Marty Syjuco, Kara Magsanoc-Alikpala. (USA, Philippines) – World Premiere. When a transgender Filipina woman is found dead in the motel room of a U.S. Marine, grassroots activists demand accountability. The ensuing case lays bare a constellation of social and political tensions between the United States and the Philippines.  

Island of the Hungry Ghosts, directed and written by Gabrielle Brady. Produced by Alexander Wadouh, Samm Haillay, Alex Kelly, Gizem Acarla, Gabrielle Brady. (Australia, Germany, UK) – World Premiere. Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.

The Man Who Stole Banksy, directed by Marco Proserpio, written by Marco Proserpio, Filippo Perfido, Christian Omodeo. Produced by Marco Proserpio, Filippo Perfido. (Italy) – World Premiere. In 2007, the anonymous graffiti artist Banksy painted a series of political works around Palestine, only to have them cut down and sold off to the highest bidder. A stylish examination of public space and the commodification of street art, narrated by Iggy Pop. 

Momentum Generation, directed and written by Jeff Zimbalist, Michael Zimbalist. Produced by Jeff Zimbalist, Michael Zimbalist, Colby Gottert, Greg Little, Justine Chiara, Karen Lauder, Laura Michalchyshyn, Lizzie Friedman, Tina Elmo. (USA) – World Premiere. In the 1990s, a motley band of teen surfers from the north shore of Oahu brought professional surfing to new heights. But as their stars rose, the competition threatened to tear their group apart. With Kelly Slater, Rob Machado, Shane Dorian, Taylor Knox, Benji Weatherley, Kalani Robb, and Ross Williams.

No Greater Law, directed by Tom Dumican, written by Tom Dumican, Jesse Lichtenstein. Produced by Jesse Lichtenstein. (UK, USA) – World Premiere. In Idaho’s rugged Treasure Valley, the Followers of Christ believe in God, family, and faith healing. As an investigation into the community’s high infant mortality rate closes in on the church, one patriarch fights for his right to his faith. An A&E release. 

Phantom Cowboys, directed by Daniel Patrick Carbone. Produced by Ryan Scafuro, Annie Waldman, Daniel Patrick Carbone. (USA) – World Premiere. This searing documentary, which spans nearly a decade, is a meditation on youth, tradition, and the evolving hopes and dreams of modern adolescents in the forgotten industrial towns across America. 

The Rachel Divide, directed by Laura Brownson, written by Laura Brownson, Jeff Gilbert. Produced by Laura Brownson, Bridget Stokes, Khaliah Neal. (USA) – World Premiere. Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations. A Netflix release.

Tanzania Transit, directed by Jeroen van Velzen, written by Jeroen van Velzen, Esther Eenstroom. Produced by Digna Sinke. (Netherlands) – World Premiere. A train journey across Tanzania captures a microcosm of contemporary African society in Tribeca alum Jeroen van Velzen’s captivating and visually stunning road movie.  

United Skates, directed and produced by Dyana Winkler, Tina Brown. (USA) – World Premiere. Credited with incubating East Coast hip-hop and West Coast rap, America’s roller rinks have long been bastions of regional African-American culture, music, and dance. As rinks shutter across the country, a few activists mount a last stand.

When Lambs Become Lions, directed by Jon Kasbe. Produced by Jon Kasbe, Innbo Shim, Tom Yellin, Andrew Harrison Brown. (USA) – World Premiere. In the Kenyan bush, a crackdown on ivory poaching forces a silver-tongued second-generation poacher to seek out an unlikely ally in this fly-on-the-wall look at both sides of the conservation divide. 

Yellow is Forbidden, directed and written by Pietra Brettkelly. Produced by Pietra Brettkelly, Richard Fletcher, Naomi Wallwork. (New Zealand) – World Premiere. Celebrated Chinese couturier Guo Pei is perhaps best known for designing the brilliant gold gown Rihanna wore to the Met Ball in 2015.  But Guo’s quest to be recognized by the gatekeepers of Paris haute couture goes beyond the red carpet and taps into global power dynamics and the perpetual tension between art and commerce.

INTERNATIONAL NARRATIVE COMPETITION

Amateurs (Amatörer), directed by Gabriela Pichler, written by Jonas Hassen Khemiri, Gabriela Pichler. Produced by Anna-Maria Kantarius. (Sweden) – North American Premiere. In this irresistibly charming social comedy, local officials, in a bid to lure a superstore chain to their quiet hamlet, set about producing a promotional video about their town—only to find themselves disrupted at every turn by two teens making their own rival film. With Fredrik Dahl, Yara Ebrahim, Zahraa Aldoujaili.

Dry Martina, directed and written by Che Sandoval. Produced by Florencia Larrea, Gregorio González, Hernán Musaluppi, Natacha Cervi. (Chile, Argentina) – International Premiere. Passion and obsession mingle in this fresh comedy about an aging pop star who takes off to pursue a lover, and, while she’s at it, a better sense of self. With Antonella Costa, Patricio Contreras, Geraldine Neary, Pedro Campos, Héctor Morales.

Lemonade (Luna de Miere), directed by Ioana Uricaru, written by Ioana Uricaru, Tatiana Ionașcu. Produced by Cristian Mungiu, Yanick Létourneau, Eike Goreczka, Christoph Kukula, Sean Wheelan, Anthony Muir. (Romania, Canada, Germany, Sweden) – International Premiere. Mara hopes to move her son from Romania to the U.S. and obtain a green card. But bureaucratic processes give way to authoritarian nightmares in this simmering social drama about American immigration and the institutional corruption of power. With Mălina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu.

The Night Eats the World (La nuit a dévoré le monde), directed and written by Dominique Rocher. (France) – North American Premiere. Following one hell of a party, Sam wakes up to the worst-ever morning after—blood-stained walls, an empty apartment building, and Parisian streets filled with the living dead. Even worse, he’s all alone. With Anders Danielsen Lie, Golshifteh Farahani, Denis Lavant.

Obey, directed and written by Jamie Jones. Produced by Emily Jones, Ross Williams. (UK) – World Premiere. In the midst of the 2011 London riots, Leon grapples with the stark reality of his life and his relationship with his alcoholic mother while falling in love for the first time. With Marcus Rutherford, Sophie Kennedy Clark, Sam Gittens, T’Nia Miller, Jay Walker.

The Party’s Just Beginning, directed and written by Karen Gillan. Produced by Mali Elfman, Andru R. Davies, Claire Mundell. (Scotland) – International Premiere. Lucy is a sharp-witted, foul-mouthed, heavy-drinking twenty-something who is still reeling from a recent loss. This surreal coming-of-age tale is a love letter to Gillan’s hometown in the Scottish Highlands. With Karen Gillan, Lee Pace, Matthew Beard, Paul Higgins, Siobhan Redmond, Jamie Quinn, Rachel Jackson.  

The Saint Bernard Syndicate, directed by Mads Brugger, written by Lærke Sanderhoff. Produced by Emilie Lebech Kaae, Jakob Kirstein Høgel. (Denmark) – World Premiere. Subversive satirist Mads Brugger’s latest is an odd-couple comedy about the pitfalls of striking out into the economic frontier; it charts two hapless Danes’ scheme to sell Saint Bernards to China’s middle class.

Smuggling Hendrix, directed and written by Marios Piperides. Produced by Janine Teerling, Marios Piperides, Thanassis Karathanos, Martin Hampel, Costas Lambropoulos. (Cyprus) – World Premiere. Though caught between the mob and border patrol, washed-up musician Yiannis must put his plans to leave Cyprus on hold his when his beloved dog escapes across the wall to the island’s Turkish side. With Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz.

Sunday’s Illness (La Enfermedad del Domingo), directed by Ramón Salazar Hoogers, written by Ramón Salazar Hoogers. Produced by Francisco Ramos. (Spain) – North American Premiere. After Anabel hosts an opulent dinner, she is confronted by Chiara, the daughter she abandoned decades earlier. Chiara arrives with just one request: that she and her mother spend ten days together. With Barbara Lennie, Susi Sanchez.

Virgins (Vierges), directed by Keren Ben Rafael, written by Keren Ben Rafael, Elise Benroubi. Produced by Caroline Bonmarchand. (France, Israel, Belgium) – World Premiere. Teenage Lana is languishing in her run-down hometown on Israel’s sun-soaked north coast—until an older, attractive writer arrives with tales of a mermaid sighting off the shore of the declining resort town. With Joy Rieger, Evgenia Dodina, Michael Aloni, Manuel Elkaslassy Vardi, Rami Heuberger.

SPOTLIGHT NARRATIVE

 

All These Small Moments, directed and written by Melissa Miller Costanzo. Produced by Lauren Avinoam, Jed Mellick, Katie Leary. (USA) – World Premiere. Howie Sheffield is at a turning point. As he watches his parents’ relationship crumbling, he becomes infatuated with Odessa, a woman he sees each day on the bus ride to school. With Brendan Meyer, Jemima Kirke, Molly Ringwald, Brian d’Arcy James, Sam McCarthy, Harley Quinn Smith.

Back Roads, directed by Alex Pettyfer, written by Tawni O’Dell, Adrian Lyne. Produced by Craig Robinson, Michael Ohoven, Ashley Mansour, Alex Pettyfer, Jake Seal, Dan Spilo. (USA) – World Premiere. A young man cares for his sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface in this noir thriller. With Alex Pettyfer, Jennifer Morrison, Nicola Peltz, June Carryl, Juliette Lewis.

Blue Night, directed by Fabien Constant, written by Laura Eason. Produced by Andrea Iervolino, Monika Bacardi, Sarah Jessica Parker, Alison Benson. (USA) – World Premiere. A devastating diagnosis sends a famous singer reeling through the streets of New York City in this French New Wave-inspired drama. With Sarah Jessica Parker, Simon Baker, Jacqueline Bisset, Common, Taylor Kinney, Renée Zellweger, Waleed Zuaiter.

Daughter of Mine (Figlia mia), directed by Laura Bispuri, written by Francesca Manieri, Laura Bispuri. Produced by Marta Donzelli, Gregorio Paonessa, Maurizio Totti, Alessandro Usai, Viola Fügen, Michael Weber, Dan Wechsler. (Italy, Germany, Switzerland) – North American Premiere. On the windswept coast of Sardinia, two women compete for the affections of 10-year old Vittoria: her troubled, alcoholic birth mother Angelica and her doting adoptive mother Tina. With Valeria Golino, Alba Rohrwacher, Sara Casu, Udo Kier, Michele Carboni.

Disobedience, directed by Sebastian Lelio, written by Sebastián Lelio, Rebecca Lenkiewicz. Produced by Frida Torresblanco, Ed Guiney, Rachel Weisz. (UK) – U.S. Premiere. After the death of her estranged rabbi father, a New York photographer returns to the Orthodox Jewish community in North London where she grew up and, in doing so, reignites long-dormant passions and controversies. With Rachel Weisz, Rachel McAdams, Alessandro Nivola. A Bleecker Street release.

Egg, directed by Marianna Palka, written by Risa Mickenberg. Produced by Michele Ganeless, Alysia Reiner, David Alan Basche. (USA) – World Premiere. In provocateur Marianna Palka’s sharp and unflinching satire, two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood. With Christina Hendricks, Anna Camp, Alysia Reiner, David Alan Basche, Gbenga Akinnagbe.  

In a Relationship, directed and written by Sam Boyd. Produced by Jorge Garcia Castro, David Hunter, Ross Putman. (USA) – World Premiere. Long-term couple Owen and Hallie are breaking up—or maybe not?—and just as their relationship reaches a turning point, Matt and Willa embark on a romance of their own.  A funny and deeply felt chronicle of one summer in the lives of two couples in Los Angeles. With Emma Roberts, Michael Angarano, Dree Hemingway, Patrick Gibson, Jay Ellis, Melora Walters.

Jonathan, directed by Bill Oliver, written by Peter Nickowitz, Bill Oliver, Gregory Davis. Produced by Randy Manis, Ricky Tollman. (USA) – World Premiere. Jonathan is a young man with a strange condition that only his brother understands.  But when he begins to yearn for a different life, their unique bond becomes increasingly tested in this twisty sci-fi drama. With Ansel Elgort, Suki Waterhouse, Patricia Clarkson. 

Mary Shelley, directed by Haifaa Al Mansour, written by Emma Jensen. Produced by Amy Baer, Alan Moloney, Ruth Coady. (Ireland, UK, Luxembourg, USA) – U.S. Premiere. The story of Mary Wollstonecraft Godwin’s whirlwind romance with the tempestuous poet Percy Shelley, a romance that led to her creation of one of the most enduring works of gothic literature before the age of 20: Frankenstein. With Elle Fanning, Douglas Booth, Bel Powley, Joanne Froggatt, Tom Sturridge, Maisie Williams. An IFC release.

The Miseducation of Cameron Post, directed by Desiree Akhavan, written by Desiree Akhavan, Cecilia Frugiuele. Produced by Michael B. Clark, Alex Turtlelaub, Cecilia Frugiuele, Jonathan Montepare. (USA) – New York Premiere. After Cameron is caught making out with another girl on prom night, her conservative guardians send her to gay conversion therapy. There, she forges an unlikely community with her fellow teens in this Sundance-winning coming of age story. With Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. 

Nico, 1988, directed and written by Susanna Nicchiarelli. Produced by Marta Donzelli, Gregorio Paonessa, Joseph Rouschop, and Valérie Bournonville. (Italy, Belgium) – North American Premiere. This whirlwind road movie follows the final months on tour of the singer-songwriter Nico, one-time Warhol superstar and Velvet Underground vocalist. With Trine Dyrholm, John Gordon Sinclair, Anamaria Marinca, Sandor Funtek, Thomas Trabacchi, Karina Fernandez, Calvin Demba. A Magnolia release.  

The Seagull, directed by Michael Mayer, written by Stephen Karam. Produced by Jay Franke, David Herro, Robert Salerno, Tom Hulce, Leslie Urdang. (USA) – World Premiere. A sumptuous adaptation of the classic Chekhov play transports the audience to a picturesque lakeside estate, where a love triangle unfolds between the legendary diva Irina, her lover Boris, and the ingénue Nina. With Annette Bening, Saoirse Ronan, Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, Glenn Fleshler, Michael Zegen, Billy Howle, Brian Dennehy. A Sony Pictures Classic release.

Stockholm, directed and written by Robert Budreau. Produced by Nicholas Tabarrok, Robert Budreau, Jonathan Bronfman. (Canada, Sweden, USA) – World Premiere. In 1973, an unhinged American outlaw walked into a bank in Sweden demanding millions in cash in exchange for his hostages. The events that followed would capture the attention of the world and ultimately give a name to a new psychological phenomenon: Stockholm syndrome. With Ethan Hawke, Noomi Rapace, Mark Strong, Christopher Heyerdahl, Bea Santos, Thorbjorn Harr.

Untogether, directed and written by Emma Forrest. Produced by Scott LaStaiti, Luke Daniels, Brandon Hogan. (USA) – World Premiere. Former writing prodigy Andrea tries not to fall for her one-night stand, while her sister Lisa throws herself into a newfound religious zeal (and the arms of her charismatic rabbi) to avoid the truth about her current relationship in this multi-character romantic drama. With Jamie Dornan, Jemima Kirke, Lola Kirke, Ben Mendelsohn, Billy Crystal, Alice Eve, Jennifer Grey, Scott Caan.

SPOTLIGHT DOCUMENTARY

Supported by HSBC

Tribeca has solidified its position as a preeminent destination for documentary films. This section’s high-profile premieres represent major stories and acclaimed filmmakers making waves in 2018. Past docs include Daniel Lindsay and T. J. Martin’s LA92 (2017), Eric Schlosser’s Command and Control (2016), and Chiemi Karasawa’s Elaine Stritch: Shoot Me (2013).

Bethany Hamilton: Unstoppable, directed by Aaron Lieber, written by Aaron Lieber, Carol Martori. Produced by Penny Edmiston, Jane Kelly Kosek. (USA) – World Premiere. One of the most fearless and accomplished athletes of her generation, Bethany Hamilton became a surfing wunderkind when she returned to the sport following a devastating shark attack at age 13. As she continues to chase waves she also now tackles motherhood. Also playing as part of the Tribeca/ESPN Sports Film Festival.

Bleeding Edge, directed by Amy Ziering, Kirby Dick. Produced by Kirby Dick, Amy Ziering. (USA) – World Premiere. Each year in the United States, unparalleled innovations in medical diagnostics, treatment, and technology hit the market.  But when the same devices designed to save patients end up harming them, who is accountable? A Netflix release.

General Magic, directed by Matthew Maude, Sarah Kerruish, written by Matt Maude, Sarah Kerruish, Jonathan Keys. Produced by Matt Maude, Sarah Kerruish. (UK, USA) – World Premiere. A Silicon Valley startup built by the best and brightest minds of the 1980s tech world, General Magic shipped the first handheld wireless personal communicator in 1994. It was decades ahead of its time—and a complete failure. With Tony Fadell, Marc Porat, Andy Hertzfeld, Megan Smith, Joanna Hoffman, Kevin Lynch.

House Two, directed and written by Michael Epstein. Produced by Michael Epstein, Tony Wood. (USA) – World Premiere. In 2005, a group of U.S. Marines killed 24 unarmed Iraqi men, women, and children in a matter of minutes, sparking the largest criminal investigation in Marine Corps history. House Two delves into that investigation and the ensuing court proceedings, all the way up to the case’s shocking conclusion. 

Howard, directed and written by Don Hahn. Produced by Don Hahn, Lori Korngiebel. (USA) – World Premiere. Howard Ashman, the once-in-a-generation songwriting talent, penned the lyrics for Little Shop of Horrors and revitalized Disney with his work on The Little Mermaid, Beauty and the Beast, and Aladdin. Howard is a tribute to the lyricist and to the power of musical storytelling. With Howard Ashman, Alan Menken, Jeffrey Katzenberg, Bill Lauch, Sarah Gillespie, Peter Schneider. 

Into the Okavango, directed by Neil Gelinas, written by Neil Gelinas, Brian Newell. Produced by Neil Gelinas. (USA) – World Premiere. Botswana’s Okavango Delta is one of the planet’s last remaining true wildernesses, but studies have shown it is shrinking. A group of intrepid scientists embark on a four-month, 1500-mile journey upriver to the Okavango’s source to investigate why. A National Geographic release

McQueen, directed Ian Bonhôte, Peter Ettedgui, written by Peter Ettedgui. Produced by Ian Bonhôte, Andee Ryder, Nick Taussig, Paul Van Carter. Legendary couturier Alexander McQueen’s rags to riches story is vividly brought to life by his closest friends and family, and through his revolutionary body of work, as inspired, tortured, and visionary as the man himself. A Bleecker Street release

Roll Red Roll, directed by Nancy Schwartzman. Produced by Nancy Schwartzman, Jessica Devaney, Steven Lake. (USA) – World Premiere. At a 2012 pre-season high-school football party in Steubenville, Ohio, a young woman was raped. The aftermath exposed an entire culture of complicity—and Roll Red Roll maps out the roles that peer pressure, denial, sports machismo, and social media each played in the tragedy. Also playing as part of the Tribeca/ESPN Sports Film Festival.

Ryuichi Sakamoto: Coda, directed and written by Stephen Nomura Schible. Produced by Eric Nyari, Yoshiko Hashimoto, Stephen Nomura Schible. (USA) – North American Premiere. Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. Coda offers an intimate portrait of a legendary artist and a passionate activist.

Say Her Name: The Life and Death of Sandra Bland, directed by Kate Davis, David Heilbroner. Produced by David Heilbroner, Kate Davis. (USA) – World Premiere. Sandra Bland was a bright, energetic activist whose life was cut short when a traffic stop resulted in a mysterious jail cell death just three days later. Say Her Name follows the two-year battle to uncover the truth. An HBO release. 

Serengeti Rules, directed and written by Nicolas Brown. Produced by David Allen. (UK) – World Premiere. A band of young scientists discover a radical new theory of the natural world—one that could help confront some of the biggest environmental challenges of our time.

Songwriter, directed and written by Murray Cummings. Produced by Kimmie Kim. (UK) – North American Premiere. Songwriter is an intimate immersion into the intense and collaborative process that created Ed Sheeran’s chart-topping album, ÷.

Studio 54, directed by Matt Tyrnauer. Produced by Matt Tyrnauer, Corey Reeser, John Battsek. (USA) – New York Premiere. In 1977, Studio 54 and its founders, Ian Schrager and Steve Rubell, epitomized New York hedonism. But by, 1979 the fantasy was over—and Studio 54 goes inside that meteoric rise and catastrophic fall. With Steve Rubell, Ian Schrager, Nile Rodgers, Norma Kamali, Karin Bacon, Myra Scheer.  An A&E release. 

Time for Ilhan, directed by Norah Shapiro. Produced by Jennifer Steinman Sternin, Chris Newberry, Norah Shapiro. (USA) – World Premiere. In November 2016, Ilhan Omar made history as the first Somali Muslim woman to be elected for state office in America. Time for Ilhan offers an inspiring look at her campaign and the changing face of American politics. 

Tiny Shoulders: Rethinking Barbie, directed and written by Andrea Nevins. Produced by Cristan Crocker, Andrea Nevins. (USA) – World Premiere. Since her debut nearly 60 years ago, Barbie has been at turns a fashion idol and a cultural lightning rod. Tiny Shoulders steps behind the scenes as the icon undergoes her greatest reinvention yet. With Kim Culmone, Michelle Chidoni, Gloria Steinem, Roxane Gay, Peggy Orenstein.  A Hulu release.

VIEWPOINTS

Charm City, directed by Marilyn Ness, written by Marilyn Ness, Don Bernier. Produced by Katy Chevigny. (USA) – World Premiere, Feature Documentary. Charm City takes viewers beyond the television headlines and over the front lines of violence in Baltimore; in doing so, it reveals the grit and compassion of the city’s citizens, police, and government officials trying to reclaim their future.

Crossroads, directed by Ron Yassen. Produced by Lauren Griswold. (USA) – World Premiere, Feature Documentary. Despite never having played the game before, a group of underprivileged teens emerge as a talented lacrosse team under the tutelage of Coach Bobby Selkin in this inspiring documentary.  An ESPN Films release. Also playing as part of the Tribeca/ESPN Sports Film Festival. 

Dead Women Walking, directed and written by Hagar Ben-Asher. Produced by Clara Levy, Lorne Hiltser, Michael M. McGuire. (USA) – World Premiere, Feature Narrative. Nine vignettes depict the stages leading to execution for women on death row in this emotional account of the human toll of the death penalty—on both the inmates and those they encounter in their final hours. With Dale Dickey, Dot Marie Jones, Lynn Collins, Colleen Camp, June Carryl, and Ashton Sanders. 

The Elephant and the Butterfly (Drôle de Père), directed and written by Amélie van Elmbt. Produced by Adrienne D’Anna, Delphine Tomson. (Belgium, France) – North American Premiere, Feature Narrative. When her babysitter doesn’t show, a single mother is forced to leave her precocious five-year-old daughter with the girl’s estranged father for a long weekend in this heartfelt drama executive produced by Martin Scorsese and the Dardenne Brothers. With Isabelle Barth, Thomas Blanchard, Judith Chemla, Alice de Lencquesaing, Lina Doillon.

The Feeling of Being Watched, directed and written by Assia Boundaoui. Produced by Jessica Devaney, Assia Boundaoui. (USA) – World Premiere, Feature Documentary. Journalist Assia Bendaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI—and in the process, she exposes a surveillance program on a scale no one could have imagined.

The Great Pretender, directed by Nathan Silver, written by Jack Dunphy. Produced by Matt Grady, Danelle Eliav,  Nathan Silver, Jack Dunphy, Jere B Ford. (USA) – World Premiere, Feature Narrative. The lives of a French theater director, her ex-boyfriend, and the two actors playing them intersect dramatically in this tangled and darkly funny roundelay set in the New York theater world. With Esther Garrel, Keith Poulson, Maelle Poesy, Linas Phillips. 

Home + Away, directed by Matt Ogens. Produced by Todd Makurath, Luke Ricci, Nathaniel Greene, Matt Ogens, Nina Chaudry. (USA) – World Premiere, Feature Documentary. For the mostly Mexican-American students of El Paso’s Bowie High School, sports can offer a path to a better life. Home + Away follows three students as they pursue that route in search of success. Also playing as part of the Tribeca/ESPN Sports Film Festival.

Jellyfish, directed by James Gardner, written by James Gardner, Simon Lord. Produced by James Gardner, Nikolas Holttum. (UK) – World Premiere, Feature Narrative. Sarah Taylor’s hardscrabble life has turned her into a teenage terror. When her drama teacher helps her channel her ferocious wit into comedy, her life’s delicate balance is set on a collision course with her newfound passion. With Liv Hil, Sinéad Matthews, Cyril Nri, Angus Barnett.

Kaiser: The Greatest Footballer Never To Play Football, directed by Louis Myles, written by Louis Myles, Ivor Baddiel. Produced by Louis Myles, Tom Markham. (UK, Brazil) – World Premiere, Feature Documentary. Soccer stars were at the center of the scene in the glamorous nightlife meccas of 1980s Brazil. But in their midst, one of the biggest sports celebrities of his generation harbored a secret: He had never played a single game. With Carlos Henrique Raposo, Carlos Alberto Torres, Zico, Bebeto, Renato Gaúcho, Ricardo Rocha. Also playing as part of the Tribeca/ESPN Sports Film Festival.

 M, directed and written by Sara Forestier. Produced by Hugo Selignac. (France) – North American Premiere, Feature Narrative. Written by, directed by, and starring César Award winner Sara Forestier, this steamy drama explores the passionate relationship between a girl with a crippling speech impediment and an undereducated drag racer. With Sara Forestier, Redouanne Harjane, Jean-Pierre Léaud, Liv Andren. Presented in partnership with Venice Days.

The Proposal, directed by Jill Magid. Produced by Jarred Alterman, Laura Coxson, Charlotte Cook. (USA) – World Premiere, Feature Documentary. When artist-turned-filmmaker Jill Magid learns that the archives of Mexico’s most famous architect are being held in a private collection, she devises a radical plan to return his legacy to the public. 

Satan & Adam, directed by V. Scott Balcerek, written by V. Scott Balcerek, Ryan Suffern. Produced by Frank Marshall, Ryan Suffern. (USA) – World Premiere, Feature Documentary. One was a demon on guitar; the other was fresh out of school and no slouch on harmonica. Satan & Adam is a rousing celebration of the blues that comprises documentary footage shot over the course of two decades. With Sterling Magee, Adam Gussow, The Edge, Rev. Al Sharpton, Harry Shearer, Quint Davis. 

Slut in a Good Way, directed by Sophie Lorain, written by Catherine Léger. Produced by Martin Paul-Hus. (Canada) – International Premiere, Feature Narrative. Three 17-year-old girlfriends get a job at the Toy Depot for the holiday season and become smitten with the guys who work alongside them in this charming teen sex comedy. With Marguerite Bouchard, Rose Adam, Romane Denis, Alex Godbout, Anthony Therrien, Vassili Schneider. 

We the Animals, directed by Jeremiah Zagar, written by Dan Kitrosser. Produced by Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey. (USA) – New York Premiere, Feature Narrative. This lyrical coming-of-age tale, based on the acclaimed novel, weaves magic realism into an exquisite portrait of three brothers, their troubled parents, and the secret that the youngest of them holds. With Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel. A release from The Orchard.

When She Runs, directed by Robert Machoian, Rodrigo Ojeda-Beck, written by Kirstin Anderson, Robert Machoian, Rodrigo Ojeda-Beck. Produced by Laura Heberton. (USA) – World Premiere, Feature Narrative. Kristin is a young mother struggling to get by in her small town. One all-consuming passion—the chance to train for Olympic gold with a world-renowned running coach—offers a possible escape. With Kirstin Anderson, Ivan Gehring, Jonah Graham. Also playing as part of the Tribeca/ESPN Sports Film Festival.

White Tide: The Legend of Culebra, directed by Theo Love. Produced by Bryan Storkel, Theo Love. (USA) – World Premiere, Feature Documentary. After he’s wiped out by the Great Recession, Rodney hears a story that could be his ticket out of debt. A map, an island, and buried treasure: If you knew where $2 million worth of cocaine was buried, would you dig that shit up?

MIDNIGHT

7 Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh, directed by Vivieno Caldinelli, written by Christopher Hewitson, Clayton Hewitson, Justin Jones. Produced by Patrick McErlean, Michael Moran, Daniel Noah, Josh C. Waller, Lisa Whalen, Elijah Wood. (USA) – World Premiere. Midwestern couple Claire and Paul are thrilled to find a great deal on an affordable Los Angeles apartment. But the rent is cheap for a reason: cult members keep breaking in at random to commit ritual suicide in their bathtub. With Kate Micucci, Sam Huntington, Dan Harmon, Taika Waititi, Mark McKinney.

Braid, directed and written by Mitzi Peirone. Produced by Logan Steinhardt, Arielle Elwes. (USA) – World Premiere. Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe. With Madeline Brewer, Imogen Waterhouse, Sarah Hay, Scott Cohen.

Cargo, directed by Ben Howling, Yolanda Ramke, written by Yolanda Ramke. Produced by Russell Akerman, Samantha Jennings, John Schoenfelder, Kristine Ceyton. (Australia) – World Premiere. An infected father navigates a zombie-riddled Australian Outback with his infant daughter. Fortunately, he’s found an Aboriginal community that may hold the disease’s cure. Unfortunately, he has only 48 hours to live. With Martin Freeman. A Netflix release.

The Dark, directed and written by Justin P. Lange. Produced by Danny Krausz, Kurt Stocker, Laura Permutter, Andrew Nicholas McCann Smith. (Austria) – World Premiere. Undead and hating it, young flesh-eater Mina haunts the woods surrounding her childhood home. When she befriends a physically abused boy, she must figure out why, for once, she isn’t feeling homicidal. With Nadia Alexander, Toby Nichols, Karl Markovics.

You Shall Not Sleep (No dormirás), directed by Gustavo Hernandez, written by Juma Fodde. Produced by Pablo Bossi, Pol Bossi, Agustin Bossi, Guido Rud, Juan Ignacio Cucucovich, Maria Luisa Gutierrez, Cristina Zumarraga, Juan Pablo Buscarini. (Argentina, Spain, Uruguay) – International Premiere. A young actress joins an experimental play set inside an abandoned asylum. The objective is clear: The actors must stay awake for as long as possible. The hospital’s former residents, however, have different plans. With Belen Rueda, Eva de Dominici, Natalia de Molina, German Palacios Eugenia, Tobal Juan Guilera.

SPECIAL SCREENINGS

 

The American Meme, directed and written by Bert Marcus. Produced by Bert Marcus, Cassandra Hamar. (USA) – World Premiere, Feature Documentary. Paris Hilton, the Fat Jew, Kirill Bichutsky, and Brittany Furlan have all used social media to achieve massive internet fame. But, is it worth it? With DJ Khaled, Emily Ratajkowski, Hailey Baldwin. After the movie: A conversation with director Bert Marcus, subjects Paris Hilton, Kirill Bichutsky, and Brittany Furlan. 

Bathtubs Over Broadway, directed by Dava Whisenant, written by Ozzy Inguanzo, Dava Whisenant. Produced by Amanda Spain, Dava Whisenant, Susan Littenberg. (USA) – World Premiere, Feature Documentary. Comedy writer Steve Young’s assignment to scour bargain-bin vinyl for a Late Night segment becomes an unexpected, decades-spanning obsession when he stumbles upon the strange and hilarious world of industrial musicals in this musical-comedy-documentary. With David Letterman, Chita Rivera, Martin Short, Susan Stroman, Sheldon Harnick, Jello Biafra.

After the movie: A conversation with members of the cast and a special performance inspired by the film with surprise guests. 

Blue Note Records: Beyond the Notes, directed and written by Sophie Huber. Produced by Sophie Huber, Chiemi Karasawa, Susanne Guggenberger, Hercli Bundi. (Switzerland, USA) – World Premiere, Feature Documentary. This is the history of Blue Note Records, the label that, since 1939, has recorded jazz giants ranging from Miles Davis to Robert Glasper—revolutionizing not only music, but also the world. With Herbie Hancock, Wayne Shorter, Robert Glasper, Don Was, Norah Jones.

After the movie:  A special guest performance by Blue Note artists Robert Glasper, Derrick Hodge, and Kendrick Scott.

Every Act of Life, directed and written by Jeff Kaufman. Produced by Jeff Kaufman, Marcia Ross. (USA) – World Premiere, Feature Documentary. Every Act of Life presents a revealing portrait of four-time Tony-winning playwright Terrence McNally’s ground-breaking, six-decade career in the theater, fight for LGBTQ rights, and triumph over addiction. With Terrence McNally, Audra McDonald, Nathan Lane, Larry Kramer, Angela Lansbury, Christine Baranski.

After the movie: A conversation with director Jeff Kaufman, playwright Terrence McNally, actor/director Joe Mantello, and actors F. Murray Abraham, Christine Baranski, and Chita Rivera. Moderated by New York Magazine writer-at-large Frank Rich.

The Gospel According to André, directed by Kate Novack. Produced by Kate Novack, Andrew Rossi. (USA) – New York Premiere, Feature Documentary. From the segregated South to the fashion capitals of the world, The Gospel According to André recounts fashion editor André Leon Talley’s storied life and career through intimate conversations, rich archival, and testimonials from fashion luminaries including Anna Wintour, Tom Ford, and Marc Jacobs. With André Leon Talley. A Magnolia release. 

After the movie: A conversation with director Kate Novack and subject André Leon Talley, producer Andrew Rossi, executive producer Roger Ross Williams and producer Josh Braun.

It’s a Hard Truth Ain’t It, directed by Madeleine Sackler. Produced by Stacey Reiss, Madeleine Sackler. (USA) – World Premiere, Feature Documentary. Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

It’s a Hard Truth Ain’t It is a companion piece to the Tribeca-premiering O.G. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana

Netizens, directed, written, and produced by Cynthia Lowen. (USA) – World Premiere, Feature Documentary. In the midst of the #MeToo movement, three very different women whose lives were torn apart by online harassment devote themselves to fighting back against the internet’s Wild West of unpoliced misogyny, cyberstalking, and nonconsensual pornography. With Carrie Goldberg, Anita Sarkeesian, Tina Reine, Soraya Chemaly, Jamia Wilson, Mary Anne Franks.

After the movie: A conversation with director Cynthia Lowen, subjects Tina Reine, Carrie Goldberg, and Anita Sarkeesian.

Nigerian Prince, directed by Faraday Okoro, written by Faraday Okoro & Andrew Long. Produced by Oscar Hernandez, Bose Oshin, Faraday Okoro. (USA, Nigeria) – World Premiere, Feature Narrative. A troubled American teenager, sent away to his mother’s native Nigeria, finds himself entangled in a dangerous web of scams and corruption with a con-artist cousin as his guide. With Antonio J. Bell, Chinaza Uche, Tina Mba, Bimbo Manuel, Toyin Oshinaike, Craig Stott.

To Dust, directed by Shawn Snyder, written by Shawn Snyder, Jason Duran. Produced by Emily Mortimer, Alessandro Nivola, Ron Perlman, Josh Crook, Scott Lochmus. (USA) – World Premiere, Feature Narrative. Traumatized by the death of his wife, a Hasidic cantor obsesses over how her body will decay. He seeks answers from a local biology professor in this, unlikeliest of buddy comedies. With Geza Rohrig, Matthew Broderick.

After the movie: Tribeca Film Institute will host a conversation with writer/director Shawn Snyder, producers Emily Mortimer, Alessandro Nivola and Ron Perelman, cast members Geza Rohrig and Matthew Broderick, and biologist Dawnie Steadman.Hosted by Alfred P. Sloan Foundation

Unbanned: The Legend of AJ1, directed and written by Dexton Deboree. Produced by Dexton Deboree, Stefanie Fink. (USA) – World Premiere, Feature Documentary. Through interviews with Michael Jordan, Spike Lee, and more, this vibrant documentary tells the origin story of the Air Jordan, and the impact it had on sports, hip-hop, and the birth of sneaker culture. With Spike Lee, Anthony Anderson, Chuck D, DJ Khaled, Michael Jordan, Michael B Jordan, Jason Sudeikis,  Lena Waithe, Russell Westbrook.

After the movie: A musical tribute to the film and the Air Jordan from Kid Ink, Gizzle, and more.

Woman Walks Ahead, directed by Susanna White, written by Steven Knight. Produced by Edward Zwick, Marshall Herskovitz, Erika Olde, Richard Solomon, Andrea Calderwood. (USA) – U.S. Premiere, Feature Narrative. Based on a true story, 19th-century Brooklyn artist Catherine Weldon journeys west on a mission to paint a portrait of the legendary chief Sitting Bull, only to find a very different world—and man—than she was expecting. With Jessica Chastain, Michael Greyeyes, Chaske Spencer, Sam Rockwell, Ciarán Hinds, Bill Camp. A DirecTV/A24 release.  

After the movie: A conversation with director Susanna White, actor Sam Rockwell, and more.

Rachel Maddow Goes For Three in a Row: MSNBC Star Has Trounced Sean Hannity in Back to Back Nights

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Rachel Maddow will try and make it a hat trick tonight at 9pm on MSBC. The talk show star has devoured her competition, Sean Hannity on the last two nights.

On Monday night Maddow scored 3.4 million viewers vs. Hannity’s 2.9 million. Last night Rachel had 3.1 million vs. 2.6 mil for Hannity. That’s a half million viewers between them.

Clearly, Maddow is making more sense to her viewers. She’s covering the day’s actual headlines while Hannity sticks to news from 2016, Hillary’s emails, or the sanctuary city issue in California. Hannity’s refusal to acknowledge Donald Trump’s real time disasters is costing him viewers.

William Friedkin, Age 82, Won’t Stop: First New Movie in 7 Years with Shortish Mock-Doc About Demonic Possession

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All I know is, William Friedkin had the best four wives of anyone in Hollywood: French actress and beauty Jeanne Moreau, British actress and beauty Lesley-Anne Down, LA beauty and newscaster Kelly Lange, and then– for the last 32 years– American movie exec and beauty Sherry Lansing. So the whole movie thing? Doesn’t matter.

He told the Guardian in an interview four years ago that he left out the rest of his dangerous liaisons from his memoir.”I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’”

That was Sherry Lansing, wise and wonderful. Now you know why she was such a good producer.

Friedkin is 82 and coming out with a new movie next month that seems like it’s a mock documentary about demonic possession. It’s a riff of one of his five famous movies– this one, “The Exorcist,” from 1973. His other well known movies were three around that time– “The Night They Raided Minsky’s,” “The French Connection,” and “The Boys in the Band.” He made a brief Renaissance in 1985 with “To Live and Die in LA.”

The little but feisty Orchard is distributing “The Devil and Father Amorth.” Father Amorth is 91 and the official exorcist of the Vatican. Together, they went on house calls in Italy looking for the devil. Well, at least the food was good!

Review: “A Wrinkle in Time” Goes Big (Oprah! Reese! Mindy!) for the Right Reasons But The Movie Needs Some Ironing Out

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Ava Duvernay’s “A Wrinkle In Time” opens Friday– something you would know even if you lived on Mars. The promotional campaign budget is like something that rivals that of a G7 nation. There isn’t an existing being in any universe that doesn’t know about Oprah and Reese and Mindy and now even Sade.

“Wrinkle” is directed by Ava Duvernay and “Wrinkle” Jennifer Lee, adapted from the classic novel written by Madeline L’Engle in 1962. It’s Duvernay’s first narrative feature since her excellent “Selma.” On the way, she’s given us the Oscar nominated documentary “13th” and the hit mini series “Queen Sugar.” Duvernay, who began her career as a publicist (and a good one), has become a cause to reckon with, a brand name, and a popular member of the “new” Hollywood generation.

We really want to love “Wrinkle” because it’s from a female director working with the biggest budget yet. So the good things are what I looked for first– Storm Reid is terrifically appealing playing Meg, the tortured teen missing her scientist Dad (the likeable Chris Pine). Gugu Mbatha-Raw is truly lovely as her Mom.

And this is basically what happens: Three celestial beings show up in Meg’s backyard (played by Oprah Winfrey, Reese Witherspoon and Mindy Kaling) to help Meg and her brother Charles Wallace –with their friend Calvin– to fight against a mysterious evil entity and find their missing Dad in the cosmos.

Visually ambitious, the film is commendably faithful to the book. The problem is that the film is scattered and at times overly preachy, without the whimsy or the pure enchantment of the source material. Witherspoon valiantly tries to inject humor, but she’s not helped by the flat script. Oprah is Oprah, like she is on “Super Soul Sunday” — kind of a vibrant cheerleader. It’s far from her best acting in movies like “The Butler” or even “Selma.” Kaling tries but just seems out of place. It’s not their fault because the film, for the most part, doesn’t flow. It’s jarring and you kind of never know where you are in the story.

Duvernay is grappling with a difficult narrative that doesn’t gel until late in the book– and now the film. It’s only in the third act that “Wrinkle” comes together and is genuinely touching, but it’s a shame Duvernay and Lee didn’t integrate those qualities from the first shot. Another problem is that because younger audiences are probably not as familiar with the book as other Disney films, this film needed to be easy to understand and fun to watch. With the scarcity of humor and the confusion of it all,  the enjoyment factor is a bit elusive at times.

This doesn’t mean “Wrinkle” won’t bring audiences, especially this first weekend. Young girls especially will love to watch Meg come into her own. And that is sincerely wonderful to watch. Duvernay is a gifted filmmaker, but this Herculean task of making such a quirky book into a film, even with the noblest of intentions — which the film does strive for — ultimately the pieces just don’t quite come together. A valiant, admirable effort though for all those involved.

Broadway: No “Hangmen” This Season, Bruce Springsteen Back Like He Never Left, “Hello, Dolly!” Falls Back to Earth

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Bruce Springsteen is back on Broadway after a month away, and all is well again.

Bruce played four shows last week and made $1.9 million. A fifth show would have restored him to his $2.4 million weekly gross.

Welcome back, Bruce! Now we get into the interesting part of how the awards groups will honor Bruce. Best Musical? Special designation?

Meantime, “Hello, Dolly!” fell back below $1 million to around $854,622. The good reviews from the week before kicked their box office up a notch last week over a mil. But it’s all back to this low number. Bernadette Peters and Victor Garber are putting on a Tony Award- worthy show– a little more than the original production.

EXCLUSIVE: “Harry Potter and the Cursed Child” is set to win the Tony Award for BestPlay. Why? Turns out Martin McDonagh’s much praised “The Hangmen” WILL NOT move to Broadway until the fall. Star Johnny Flynn wants to be in the UK with his wife for the birth of their child. Isn’t that silly? He could see the birth on Face Time! Well, seriously, that’s the situation. So no “Hangmen” this season. “Harry Potter” has a clear shot at the prize in a slow year for new plays.

Listen to Sade’s First New Song in 8 Years: “Flower of the Universe” from “A Wrinkle in Time”

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It took Ava Duvernay and her “A Wrinkle in Time” to lure back Sade after 8 years. There are two versions of “Flower of the Universe” on the movie soundtrack. Listen to this one. You didn’t realize how much you missed her voice, did you? It’s nice to have her back.

 

Gal Gadot Was the Only Hollywood Star from the Vanity Fair Oscar Issue to Attend Their Annual Party

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Wonder Woman was the only star from Vanity Fair’s 2018 Hollywood issue to actually attend their party. Sharp eyed guests rang me after the party to comment that Gal Gadot was the single member of that cover gang to set foot on VF’s red carpet.

From left to right those who didn’t make the date were Oprah Winfrey, Nicole Kidman, Reese Witherspoon, Tom Hanks, Michael B. Jordan, Zendaya, Michael Shannon, Jessica Chastain, Claire Foy, Harrison Ford, former VF editor in chief Graydon Carter, and Robert DeNiro.

Where were they? Somewhere else, I guess.

2018 Vanity Fair Oscar Party Notable Guest List
Host:
Radhika Jones & Max Petersen
2018 Oscar Winners:
Actor in a Leading Role: Gary Oldman, Darkest Hour
Actress in a Leading Role: Frances McDormand, Three Billboards Outside
Ebbing, Missouri
Actor in a Supporting Role: Sam Rockwell, Three Billboards Outside Ebbing,
Missouri
Actress in a Supporting Role: Allison Janney, I, Tonya
Animated Feature Film: Lee Unkrich, Adrian Molina, Darla K. Anderson, Coco
Costume Design: Mark Bridges, Phantom Thread
Documentary (Feature): Bryan Fogel, Icarus
Short Film (Animated): Kobe Bryant, Glen Keane, Dear Basketball
Short Film (Live Action): Rachel Shenton, Chris Overton, Silent Child
Foreign Film: Sebastiàn Lelio, Fantastic Woman
Visual Effects: John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer,
Blade Runner 2049
Writing (Adapted Screenplay): James Ivory, Call Me By Your Name
Writing (Original Screenplay): Jordan Peele, Get Out
Makeup: Kazuhiro Tsuji, David Malinowsky, Lucy Sibbick, Darkest Hour
Cinematography: Roger Deakins, Blade Runner 2049
Production Design: Jeffrey A. Melvin, Shane Vieau, Paul D. Austerberry, The
Shape of Water
Film Editing: Lee Smith, Dunkirk
Actor:
Mindy Kaling
Emma Watson
Timothee Chalamet
Frances McDormand
Allison Janney
Gary Oldman
Margot Robbie
Willem Dafoe
Daniel Kaluuya
Octavia Spencer
Gael Garcia Bernal
Matt Bomer
Patricia Clarkson
Laura Dern
Caleb Landry Jones
Armie Hammer
Kathryn Hahn
Oscar Isaac
Gabrielle Union
Lena Waithe
Zoe Kravitz
Richard Jenkins
Sarah Paulson & Holland Taylor
Rachel Bloom
Grace Gummer
Jon Hamm
Olivia Munn
Megan Mullally & Nick Offerman
Sarah Silverman
Amanda Seyfried
Miles Teller
Ansel Elgort
Ben Mendelsohn
Hailee Steinfeld
Emma Stone
Darren Criss
Sienna Miller
Jared Leto
Sacha Baron Cohen & Isla Fischer
Will McCormack
Emma Roberts
Sam Heughan
Halston Sage
Orlando Bloom
Tiffany Haddish
Anjelica Huston
Edgar Ramirez
Tyler Perry
Emily Ratajkowski
Allison Williams
RuPaul Charles
Minnie Driver
Rosie Huntington-Whiteley
Jason Sudeikis & Olivia Wilde
Donald Glover
Amy Adams
Kate Bosworth
Saoirse Ronan
Gal Gadot
Tracee Ellis Ross
Trevante Rhodes
Pom Klementieff
Marisa Tomei
Ali Fazal
Tatiana Maslany
Rita Moreno
Ellen Pompeo
Jesse Tyler Ferguson
James Marsden
Mira Sorvino
Kelsey Grammer
Anthony Anderson
Andy Samberg & Joanna Newsom
Jackie Cruz
Kerry Washington
Kumail Nanjiani & Emily V. Gordon
Michael Stuhlbarg
Sir Patrick Stewart
Elizabeth Banks
Emily Blunt
Mamie Gummer
Matt Smith
Donald Sutherland
Rashida Jones & Ezra Koenig
Nick Kroll
Michelle Monaghan
Aaron Taylor-Johnson & Sam Taylor-Johnson
Salma Hayek
Lin-Manuel Miranda
Julianne Hough
Zooey Deschanel
Lupita Nyong’O
Constance Wu
Mark Hamill
Tom Bateman
Danai Gurira
Ana De Armas
Michael Keaton
Judith Light
Luke Bracey
Zoe Lister Jones
Sofia Boutella
Kate Beckinsale
Faye Dunaway
Eiza Gonzalez
Danny Huston
Sam Rockwell & Leslie Bibb
Sofia Vergara & Joe Manganiello
Zendaya
Kendall Jenner
Rupert Friend
Peter Fonda
Halle Berry
Jennifer Garner
Sarah Hyland
Abbie Cornish
Alicia Silverstone
Aaron Paul
Connie Britton
Angela Bassett
Jack Huston
Christopher Walken
Tony Goldwyn
Chadwick Boseman
Adam Scott
Eric Roberts
Odeya Rush
Eva Marie Saint
Jessica Williams
Pedro Pascal
Jenna Dewan Tatum
Beanie Feldstein
Betty Gabriel
Camila Mendes
Kelly Marie Tran
Hari Nef
Evan Peters
Sasha Lane
Tom Holland
Terry Crews
Madeline Brewer
Adrien Brody
Nina Dobrev
Colin Hanks
Abigail Spencer
Jon Voight
Sebastian Stan
Sam Humphrey
Keegan Michael Key
Dylan McDermott
Activist:
Tarana Burke
Monica Lewinsky
DeRay McKesson
Caitlyn Jenner
Ai-jen Poo
Cecile Richards
Janet Mock
Patrisse Cullors
Arts/Literary:
Michael Govan
Rachel Kushner
Chimamanda Ngozi Adichie
André Aciman
Gillian Flynn
Comedy:
Nick Kroll
John Mulaney
Marlon Wayans
Billy Eichner
Judd Apatow & Leslie Mann
David Spade
Business:
James Murdoch
Lachlan Murdoch
Robert Kraft
Robert Iger & Willow Bay
Anne Wojcicki
Bill McGlashan
Marc Benioff
Sir Martin Sorrell
Brian Roberts
Francois-Henri Pinault & Salma Hayek
Paul Allen
Tom Freston
Yuri Milner
Bozoma Saint John
Fatma Al Remaihi
Jeff Bezos
Bob Sauerberg
Fashion:
Alexander Wang
Roberta Armani
Zac Posen
Kate Mulleavy
Ozwald Boateng
Producer/Writer:
Shonda Rhimes
Roger A. Deakins C.B.E.
Rachel Morrison
David Steinberg
Martin McDonagh
Alan Bergman
Mary Parent
Jason Blum
Jennifer Todd
David Nevins
J. J. Abrams
Brian Grazer
Stephen Levinson
Jordan Horowitz
Virgil Williams
Studio:
Ron Meyer
Jon Feltheimer
Scott Stuber
Jim Gianopulos
Alan Horn
Donna Langley
Steve Tisch
Matthew Blank
Jeff Shell
Tom Bernard
Michael Barker
Dawn Hudson
Media:
James Corden
Kelly Ripa & Mark Consuelos
Gretchen Carlson
David Remnick
Phillip Picardi
Jodi Kantor
Emily Steel
Megan Twohey
Ronan Farrow
Jon Lovett
Catt Sadler
Director:
Ava Duvernay
Greta Gerwig
Ryan Murphy
Damien Chazelle
Jordan Peele
Feras Fayyad
Sam Taylor Johnson
John Singleton
James Ivory
Ron Howard
Eric Fellner
Joe Wright
Michael Mann
Spike Lee
Paul Feig
Luca Guadagnino
Sean Baker
Model/Socialite:
Naomi Campbell
Joan Smalls
Padma Lakshmi
Kate Upton
Adriana Lima
Martha Hunt
Alessandra Ambrosio
Taylor Hill
Jasmine Tookes
Hailey Baldwin
Lily Aldridge
Lydia Hearst
Stella Maxwell
Toni Garrn
Sara Sampaio
Cami Morrone
Heidi Klum
Molly Simms
Kelly Rohrbach
Nina Agdal
Amber Valetta
Ashley Graham
Karolina Kurkova
Sports:
Kobe Bryant
Garbine Muguruza
Maya and Alex Shibutani
Adam Rippon
Mirai Nagasu
Russell Wilson & Ciara
Gus Kenworthy
Caroline Wozniacki
Lindsey Vonn
Music:
Adam Levine
St. Vincent
Miley Cyrus
Janelle Monae
Ciara
Sufjan Stevens
Ezra Koenig
Andra Day
Justin Paul
Benj Pasek
Quincy Jones
Calvin Harris
Sean Combs
Wiz Khalifa
Irving Azoff
Ellie Goulding
Rita Ora
Paris Jackson
Mary J. Blige
Eddie Vedder
Ricky Martin
Carter Burwell
Reggie Watts
Shawn Mendes
Este Haim
Danielle Haim
Alana Haim
Katy Perry
Rufus Wainwright
Mark Ronson
Diplo
Jimmy Iovine & Liberty Ross
Drake
Jimmy and Jane Buffett
French Montana
Zedd
Halsey and G-Eazy
Bebe Rexha
Miley Cyrus & Liam Hemsworth
Miguel
Eddie Vedder

Vanity Fair Oscar Party Welcomes James and Lachlan Murdoch, Eschews Romanticizing of Hollywood Past

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Once upon a time. the Vanity Fair Oscar party was “the” place to be after the Academy Awards.

It’s where Ellen Degeneres met Anne Heche. It’s where Monica Lewinsky made her debut after the Clinton scandal. Old Hollywood mixed with new.

Graydon Carter, you see, had that sensibility. He took from Swifty Lazar and Dani Janssen, who knew the players. The Vanity Fair was so good up til last year that Elton John would come on over after his party peaked. (Not so this year, btw.)

Last year, there were all kinds of cool interesting guests apart from the Oscar nominees. I walked in with Mariah Carey and Pharrell (they weren’t together), Justin Timberlake was hanging out, LA Reid and Smokey Robinson had a whole corner.

The year before, it was Jamie Foxx and Leonardo DiCaprio and whole gangs of the curious. Mick Jagger was a regular. There was frisson.

Alas, the party is over. The guest list read like the Indie Spirit Awards meets a trip to Target in Beverly Hills. A bunch of people didn’t show or weren’t invited, from French artist JR and Agnes Varda (nominated for Best Doc– I heard they weren’t invited) to Barbara Davis, the city’s most beloved philanthropist.

Legends like Jane Fonda and Warren Beatty were nowhere to be seen. Nicole Kidman probably went home.

If there were hot people in town, they gave their own parties. Jay Z rented out the garage at Chateau Marmont and invited 300 friends including, presumably, Beyonce and maybe even Solange. Quincy Jones went there and held court. Big black screens covered the entrances to the garage so even hotel guests couldn’t see who was coming or going. The music pounded like it was an express train rocking through a local station.  Extra security– big beefy guys with ear pieces– were stationed in even the strangest places.

Meanwhile, Madonna and manager Guy Oseary had their bash. This would explain where people Jennifer Lawrence and Emma Stone would have been (but not Warren Beatty– not at Madonna’s).

But back to Vanity Fair. The list of actors on the tip sheet read more like In Touch or TV Guide than…Vanity Fair.

It’s the end of an era maybe. I hope not. But we may have reached a generational change and there’s no going back.

Graydon’s Oscar party and sensibility was Old Guard- it came from Swifty Lazar and the original Spago-Ma Maison-Le Dome era. But almost every one is dead, or they’ve gone home. And no one at Vanity Fair has any kind of spiritual connection to the Old Guard– who would romanticize it now?

PS Guests included James and Lachlan Murdoch? Huh?

And PPS– Byron Allen’s party last night raised $1.5 million for the Children’s Hospital of Los Angeles. Elton John’s party raised $6 million for AIDS research. Vanity Fair’s party was…a party.

 

Oscar Ratings May Be Lowest Ever, Down 26% from Last Year as Viewers Tune Out

The ratings for the Oscars are, unsurprisingly, pretty awful. Early estimates are that the show was down 26% from last year. And THOSE ratings were down 31% from the prior year.

The upside of the show last night– great musical performances, lots of new and fresh faces, and Tiffany Haddish.

But there were many issues with how the show came off. My biggest question was why, after Best Supporting Actor was given, we went into a black hole for 90 minutes. The next categories were one after another as boring as they could have been despite the efforts of the producers to use interesting presenters.

Also, the audience at home, in the theater, could have used some good parodies. I loved the old fashioned black and white introduction. But why did not come out dressed as the Sea Creature from “Shape of Water”? Why weren’t there three funny billboards on stage? Nothing from “Black Panther,” the biggest movie in the world right now? (Believe me, waiting a year to do that next February — no.)

You could feel it in the Dolby Theater: the bars on the ground floor and the one near the stage filled up with stars like crazy. Jennifer Lawrence and Emma Stone were in deep conversation almost from Supporting Actor to Supporting Actress. In time I spotted just about all the nominees and all the interesting people from the orchestra section.

This included Saoirse Ronan and her mom with Beanie Feldstein, Oscar Isaac chatting up Martin McDonagh, Netflix chief Ted Sarandos and wife Nicole Avant, Annabella Sciorra, “Birdman” director Alejandro Innaritu, Margot Robbie, artist JR from “Faces Places,” Allison Janney with her Oscar, Greta Gerwig and Noah Baumbach, and so on. When Jordan Peele won Best Original Screenplay there was an audible gasp, then huge applause.

But that first 90 minutes of what turned out to be four hours helped to kill the show’s ratings. If the audience in the house drifted away, what could you expect from the world outside? Also, there were no surprises among the winners– it was more of a coronation. There was no big reveal. But also, there are big stars really.

In that sense, Jane Fonda represented Old Hollywood– and looked beautiful doing it. Warren Beatty and Faye Dunaway were fine and fun at the end of the show. But look what’s happened: Jack Nicholson is out of it, he’s done with public appearances. Gene Hackman is long retired. Dustin Hoffman had a bad year. Clint Eastwood– not his thing. Pacino and DeNiro were AWOL, waiting for “The Irishman” next year. So who are the big draws?

And then– Disney/ABC sent their guy, Jimmy Kimmel, to a screening of their next movie “A Wrinkle in Time” to “surprise” that audience next door with goodies, mostly candy. That may have been too sugary for anyone at home.

Oscar Parties: Elton John Raises $6 Mil for AIDS Research, Katy Perry & Jamie Foxx Rock Beverly Hills, Fox Celebrates Huge Wins

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The swirl of post- Oscar parties wasn’t quite what it used to be, but you can count on Elton John to give the night some pizzazz. Sir Elton performed with Miley Cyrus at his tented party for EJAF, his AIDS Foundation with David Furnish, and also featured hot new group Greta van Fleet. Miley posted her happiness with the whole thing Instagram *see below. It was a rare public appearance for Miley and (husband?)Liam Hemsworth.

The most important element of Elton and David’s dinner and concert is that it’s to raise money for an important cause– it’s not just a slap on its own back. So millions were raised again for AIDS research– just under $6 million– and everyone had fun participating in the process.

My favorite men :) @eltonjohn @liamhemsworth

A post shared by Miley Cyrus (@mileycyrus) on

Over at the Beverly Wilshire, movie mogul and comedian Byron Allen presented Jamie Foxx and Katy Perry to a crowd that included Quincy Jones, Paris Hilton and fiancee Chris Zylka, and a ton of stars who danced like crazy to “Chained to the Rhythm.” Byron’s Entertainment Studios just released the much praised “Hostiles.” In April they’re putting out “Chappaquiddick,” which should make some noise

When the Oscars ended, the 20th Century Fox party started at Tao in Hollywood, where the studio celebrated winning Best Picture, Director, Actress, Supporting Actor, Best Score, and so on with “The Shape of Water” and “Three Billboards.” Most of the tasty sushi was gone by the time Guillermo del Toro arrived, so composer Alexandre Desplat, Andy Serkis, and other stars got the best of it. No one knows what will happen to Fox or Fox Searchlight, but it was a grand night to toast their huge Oscar accomplishments of recent years including “The Revenant,” and “Birdman.”